Derelict House – Day’s End

Backlight, Canon 60D, Canon 70-200 mm 2.8 IS L Series Lens, Canon Camera, Canon Lens, Christmas, Farm, Farmhouse, Home, Homestead, Light Intensity, Season, Vehicle, Winter
Derelict Farmhouse 1

Derelict Farmhouse 1

Derelict Farmhouse 2

Derelict Farmhouse 2

Friday, following Christmas, after time away from Edmonton at Elk Island National Park photographing bison, there, we took the backway into Edmonton, leaving the park and coming into Edmonton through Fort Saskatchewan. Near Lamont we found this derelict farmhouse. I took some shots while my son read a novel in our SUV; curiously, he may have been reading Charles Dickens’ ‘Bleak House,’ a novel sorting through the estate of someone who has passed … the clarity and speed of action within Britain’s legal system at the time is slower than a snail’s pace and those to whom the estate would benefit are in some cases reduced to poverty with the waiting … that’s gone on for what seems a generation; it’s social commentary and plot. With the image, here, the sun was moving toward the horizon and gives partial corona to the roof at each leftmost edge near the eaves trough. The textures and muted tones appeal. In looking through the image, the landscape that the house is set in seems to collect the unused, as well – day’s end for a few things.

Listening to – Cold Play’s ‘Violet Hill’, ‘Yellow’ and John Farnham with ‘The Voice’.

Quote to Inspire – “Everything shifts as you move, and different things come into focus at different points of your life, and you try to articulate that.” Chris Steele

Dodges, Pontiac and Ford – All Start

Canon 60D, Canon 70-200 mm 2.8 IS L Series Lens, Canon Camera, Canon Lens, Canon Live View, Christmas, Light Intensity, Photography & Conceptualizing Beauty, Still Life, Sunset, Vehicle, Vehicle Restoration, Winter
38 Ford 1 - Lamont, Alberta

38 Ford 1 – Lamont, Alberta

38 Ford 2 - Lamont, Alberta

38 Ford 2 – Lamont, Alberta

38 Ford 3 - Lamont, Alberta

38 Ford 3 – Lamont, Alberta

38 Ford Grill Work - Lamont, Alberta

38 Ford Grill Work – Lamont, Alberta

My mind seems to be within the years tonight, thinking back to Ardrossan, out east from Edmonton, to Ivan’s country estate, an expansive, one-level home set on an acreage lot with a shop big enough to accommodate a semi-tractor unit (or perhaps two). Within the shop there’d be a mocha Chrysler New Yorker with black vinyl roof, a white Dodge 100 shortbox (his father’s) with a camper on top, a gold and brown Dodge Mirada and an old, old, blue Ford tractor with blade behind it to grade the snow and gravel.

On a Saturday or Sunday in the eighties I’d bring his daughter (now my wife) out to the acreage – she’d spend time with her mother in the house and I’d spend time out in the shop chatting – looking at the world with a sideways glance with Ivan. We’d reason our way through a few things. We’d work on the brakes for a motorbike for his son or replace a piston or piston ring on his skidoo. And, we talk all the way through it. He’d have an old, old Coke Machine in the corner stocked with eight or nine flats of beer … sodas, he called them … and in the course of an evening a chunk of a flat would disappear.

Outside his shop, one time, we ran oil or power steering fluid through the running carburetor of my father’s 69 Pontiac Parisienne. The engine coughed and coughed and sputtered; it may have died. And, then with some skilled cranking of the starter Ivan brought it back to life with a roar – the carburetor now clean and optimized. I’m sure he was having some fun with me … seeing where my worry and trust would lie.

A few years later he set me to work polishing a four-door, cream coloured Ford Gran Torino, a vehicle our family bought from our uncle in Rimbey. This was the four door version of the 76 Ford Gran Torino made more notable by the Starsky and Hutch television series in the late seventies. With our Ford and with a professional polisher, rubbing compound and glaze I worked on the car for four of five hours. Ivan had me wash down the engine in addition to washing the exterior. When it came time to drive home the Gran Torino wouldn’t start. And, when I went up to the house I found that while my girlfriend (now wife) and her mother were watching television, he was sleeping in his chair. Not wanting to disturb him, I went back down to the shop, hooked up some booster cables between the Ford and his Dodge Ram, not knowing anything about reversed polarities on the Dodges of the day.

Hmmh … Now two vehicles wouldn’t start.

I had to roust Ivan from his sleep and let him know that in addition to my not being able to start my vehicle, I now couldn’t start his. The language was colourful, yet mindful of not wanting to go too, too far. He seemed to know within minutes that water under the distributor cap of the Ford was the problem; we dried it with a rag. And where there’d be an electrical etching in the top of the distributor cap, he knew to take a pencil and draw two lines, one on each side of the etching, perpendicular to it; that limited the problem. We boosted the Ford … still using his Dodge, his way. The Ford started. I’m sure he was happy to get me on my way. And, he was certain that he’d have his truck running within moments after I left. Ivan was a Dodge man.

Ivan was one of the first people I’d heard refer to rust on a vehicle as it being cancered out or having cancer … something he knew how to remedy in an autobody shop. The Ford image presented here is one found a few miles from the southern gate of Elk Island National park; the nearest towns would probably be Lamont or Bruderheim. To some extent the Ford has its share of cancer; but, in totality there is more there of the car than not there, making it an excellent candidate for restoration. The vehicle has had me thinking back to Ivan and the early days of dating my wife. 🙂

Listening to – ‘The End of Illness’ by David B. Agus, MD, a book looking at a systems approach to good health … it’s about understanding your body’s system and how it works, for you.

Quote to Inspire – “Taking an image, freezing a moment, reveals how rich reality truly is.” – Anonymous

Summerland – Sleepless Slumber

Backlight, Canon 60D, Canon Camera, Christmas, Light Intensity, Night, Winter
Summerland Boat Launch 1

Summerland Boat Launch 1

Summerland Boat Launch 2

Summerland Boat Launch 2

Summerland Day Use Area 1

Summerland Day Use Area 1

Summerland Day Use Area 2

Summerland Day Use Area 2

Sleepless after our second daylong endeavor of sorting through the personal effects and estate of my wife’s father, Ivan, prompts the opportunity for night photography in Summerland along Lake Okanagon. Quietly stealing away, I leave my wife to her slumber. With camera, tripod, cold-weather gear and Ivan’s Hyundai Tucson I tour through Summerland for image opportunities.

My drive toward Summerland’s centre begins in finding two RCMP cruisers outside the Summerland Daycare; they are responding to something. Later, I find Christmas decorations are still all aglow on many Summerland homes – houses worthy of becoming part of any city’s Candy Cane Lane; a week beyond New Years’ day people are not wanting to let go of season – Christmas stretches on into 2013. Beyond the Summerland roundabout a church designed by Italian architects reflects style in the currency of the 1920’s in its use of timber and stone – a photograph, here, will be something better in daylight … an image to postpone. Several homes interest me in terms of structure and in how they are perched on vistas that take advantage of mountain heights and view high above Lake Okanagon.

Later, I come back down to the shoreline of Lake Okanagon – there’s an S-curve of a road surrounding one side of a day-use area; the lake itself surrounding the grounds on the other side. Lighting within the park colours snow in gold and reflects across the unfrozen Okanagon Lake. A boat launch reaches out into the lake to that unseen point of embarkation – eerily, with my father-in-law’s passing the image recalls Dylan Thomas verse ‘Do Not Go Gentle Into That Good Night,’ … “Rage, rage against the dying of the light.”

Listening to Peter Gabriel – ‘Come Talk to Me’, ‘Steam’, ‘Across the River’, ‘Blood of Eden’ and ‘Sledgehammer’; tonight, v-tuner’s tuned to Electronica – Radio One and “Blueless Invidia”.

Quote to Inspire – “A photo is a small voice, at best, but sometimes – just sometimes – one photograph or a group of them can lure our senses into awareness. Much depends upon the viewer; in some, photographs can summon enough emotion to be a catalyst to thought.” – W. Eugene Smith

Spherical Pile

Canon 60D, Canon Camera, Canon Live View, Light Intensity, Still Life, Winter
Spherical Pile - Edmonton, Alberta

Spherical Pile – Edmonton, Alberta

Metallic spheres are jumbled into a pile in an architectural or sculptural masterpiece on the east side of the southern end of Edmonton’s Quesnel bridge, a marvel … the kind you would expect to find near or under Seattle’s Space Needle.

What surprised me in my work photographing the structure is that each sphere reflects you back from whatever standpoint you are at. You cannot be out of the picture unless you leave your camera atop your tripod and move 100 feet from the scene. “No matter where you go there you are.”

Listening to and fretting David Gray’s Sail Away and Dar Williams’ The Beauty of the Rain.

Quote to Inspire – “I am forever chasing light. Light turns the ordinary into the magical.” – Trent Parke

Fence Post – What Was, Is What We Now See

Canon 60D, Canon Camera, Canon Lens, Farm, Flora, Journaling, Light Intensity, Lookback Photos - One Year Ago, Photoblog Intention, Photography & Conceptualizing Beauty, Project 365 - Photo-a-day, Season, Spring
Fence Post 1

Fence Post 1

Fence Post 2

Fence Post 2

Fence Post 3

Fence Post 3

Fence Post 4

Fence Post 4

Fence Post 5

Fence Post 5

Fence Post 6

Fence Post 6

2012 – we will soon close-out 2012 and all that has been our photography through this year. Many of you have made your way to wordpress along a similar path, catalyzed by the prospect of a photo-a-day improving how we approach photography and taking that daily step of opening and closing a camera shutter, editing a photo and then loading the image (most times with comment) into your wordpress blog. I am in awe of the immensity of this endeavor and grateful to be in receipt of that recursive back and forth of dialogue, something that has created synergy and momentum in each of us returning to our wordpress blog with new images each day. Very good schtuff!

Each of you has been example to me. Each of you has captured images of Life being lived – medias res. Your photos contain mood, capture moment, find humour. I am indebted to each of you for those images of yours that stay with me, that I think about through the day and week. With likes, comments and encouragement, you’ve nudged me forward, further and further with photography this year and I have pushed the envelope in big ways. For all this, I am grateful … thank you for your part in what my 2012 has been.

Take good care of your good, good selves … and enjoy the season as best you can – Merry Christmas.

Former Field Anchor – the photo presented here is another fence post found around Sangudo, Alberta. Again, the play has been in find ways to represent this image.

Listening to – Bruce Springsteen’s Santa Claus Is Coming To Town, John Lennon and Yoko Ono’s Happy Christmas (War is Over), Brenda Lee’s Rockin’ Around the Christmas Tree, Chubby Checker & Bobby Rydell’s Jingle Bell Rock and Perry Como’s Home for the Holidays.

Quote to Inspire – “All the technique in the world doesn’t compensate for the inability to notice.” – Elliott Erwitt

Ethereal, Restless – Dreaming

Best Practices - Photography, Canon 60D, Canon 70-200 mm 2.8 IS L Series Lens, Canon Camera, Canon Live View, Fall, Farm, Farmhouse, Flora, Home, Homestead, Journaling, Light Intensity, Lookback Photos - One Year Ago, Photoblog Intention, Photography & Conceptualizing Beauty, Project 365 - Photo-a-day, Season, Spring, Still Life, Weather
House of Dreams 1

House of Dreams 1

House of Dreams 2

House of Dreams 2

House of Dreams 3

House of Dreams 3

House of Dreams 4

House of Dreams 4

House of Dreams 5

House of Dreams 5

This farmhouse image is one that I connect to moments we’ve all had – that ethereal, restless dream state when dreaming’s hallucination can draw forth what seems other-worldly connection. For me, I recall Mr. Lockwood who upon renting Thrushcross Grange ventured out on a winter walk to meet and greet his landlord, a man by the name of Heathcliff. The story, set in the late 1700s – early 1800s, sees the newly installed Mr. Lockwood walking to the property of his new landlord, a home with a name – Wuthering Heights. A snow storm brews up and makes it necessary for Mr. Lockwood to stay the night in his landlord’s home.

A place is made for him in what seems is a book cupboard or closet.

He reads a pen and ink commentary set forth in the margins of books within this sleeping closet; print books, the only source of paper available to another character, Catherine Earnshaw, are the place where Catherine journals about and considers her life – a journal that in tone and availability serves as confidante for the teen who as estate owner’s daughter is without ready access to peers her age at the Wuthering Heights farm estate. Mr. Lockwood can’t sleep – he reads and reads and reads about Catherine and Heathcliff … until in that ethereal, restless dream state he enters into dream hallucination, a state in which he encounters a young Catherine who within the snow storm outside knocks at ‘his’ window asking to be let in. The farmhouse in this image meets well many of the essential elements of what my mind imagines that Wuthering Heights could be. This house seems ready for all that Emily Bronte’s novel, Wuthering Heights, might hold. And, there’s more to that story ….

Listening to – Maria Dunn’s God Bless Us Everyone, Michael Hoppe’s Land of Serenity, Bill Douglas’ Irish Lullaby, Grant McAskill’s Bitter Season, Catherine Anne McFee’s I See Winter and Paul Brady’s Help Me Believe.

Quote to Inspire – “I want the viewers to be moved into the lives of the people that they are looking at, the visual experience is incredibly emotional.” Paul Fusco

Barbed and Anchored

Best Practices - Photography, Canon 60D, Canon 70-200 mm 2.8 IS L Series Lens, Canon Camera, Canon Lens, Canon Live View, Farmhouse, Home, Homestead, Journaling, Light Intensity, Lookback Photos - One Year Ago, Photoblog Intention, Photography & Conceptualizing Beauty, Project 365 - Photo-a-day, Season, Still Life, Winter
Fence Post and Homestead

Fence Post and Homestead

December winter scene – homestead and trees, land that once was broken, now fenced in – protected, reminding and reminiscent of lives and the work of living. Snow blankets dormant land and caps a fence post, one among many anchoring three strands of barbed wire used to hold animals to this area of land while they graze. Horizon, sky, former home, snow and wood’s texture, softer muted colours – all hold my eye and attention.

Listening to – Madeleine Peyroux’s J’ai Deux Amours, Kenny Gamble’s Me and Mrs. Jones, Toni Sola’s Night Sounds Blues, and Burt Bacharach’s (They Long to Be) Close to You, recognizable songs among others that form the From Paris With Love Soundtrack.

Quote to Inspire – “Emotion or feeling is really the only thing about pictures I find interesting. Beyond that is just a trick.” – Christopher Anderson

Image Design, Picture Perfect – Prints Printed

Best Practices - Photography, Canon 60D, Canon 70-200 mm 2.8 IS L Series Lens, Canon Camera, Canon Lens, Canon Live View, Farm, Homestead, Light Intensity, Lookback Photos - One Year Ago, Photoblog Intention, Photography & Conceptualizing Beauty, Project 365 - Photo-a-day, Season, Still Life, Vehicle, Vehicle Restoration, Weather, Winter
Chevrolet Grain Truck 1

Chevrolet Grain Truck 1

At day’s end, cold yet indoors, changing tack on the day’s direction – printing two or three images, ones that I might have done as canvas prints. I chatted with Image Design Pros in Grande Prairie – cost and size of the image that can be produced are both attractive elements within my decision. Shutterfly is another option, an option my wife has talked around with her colleagues.The Picture Perfect Frame and Gallery in Grande Prairie may also serve as framing point for prints.  I discovered that Dan Kameka who has photographed many retrospective farming tribute photos as well as the Dunvegan bridge has been former owner of this same Picture Perfect Frame and Gallery. Upstairs the gallery contains two or three remaining prints of Dan Kameka’s – farming tribute … black and whites with selective colorization (retro greens and reds from the forties, fifties and sixties), nostalgic prints holding memories for people within and around Grande Prairie. There are artists from within the regions – Klaus Peters, Robert Guest and Frank Martel. I bought a Martel work for my son for Christmas – there’s an intensity in the use of colours that is vibrant and energizing.

In printing photos tonight I am pleased with the colour fidelity between monitor and actual print. It’s been ‘Homestead & Winter Skies,’ ‘Winter’s Wraith-like Wisps,’ ‘Rivetting – Edmonton’s High Level Bridge,’ and ‘Gorge – Englishman River Falls, British Columbia.’ The photos presented here tonight are a quartet of winter images of that Nampa grain truck, a Chevrolet three-ton from a few posts back.

Listening to – The Road Home with Bob Chelmick, CKUA streaming via the Internet … two poems by Lorna Crozier begin the show; one’s called Patience; then it’s Things to Do by Calgary’s John Rutherford.

Quote to Inspire – “A photo is a small voice, at best, but sometimes – just sometimes – one photograph or a group of them can lure our senses into awareness. Much depends upon the viewer; in some, photographs can summon enough emotion to be a catalyst to thought.” – W. Eugene Smith

Chevrolet Grain Truck 2

Chevrolet Grain Truck 2

Chevrolet Grain Truck 3

Chevrolet Grain Truck 3

Chevrolet Grain Truck 4

Chevrolet Grain Truck 4

Last Inhabitants – No Longer Tended To

Best Practices - Photography, Canon 60D, Canon Camera, Farm, Flora, Homestead, Light Intensity, Photography & Conceptualizing Beauty, Project 365 - Photo-a-day, Season, Still Life, Weather, Winter
Grain Stocks - Fairview, Alberta

Grain Stocks – Fairview, Alberta

Under grey, foreboding winter skies, grain stocks remain – last inhabitants of this farmer’s field. Missed by the threshing blade, iced with snow and blown by every breeze they remain, still standing, no longer tended to.

Listening to – Martyn Joseph’s Cardiff Bay, Strange Way and The Great American Novel.

Quote to Inspire – “Not everybody trusts paintings; but, people believe photographs.” – Ansel Adams

Homestead & Winter Skies

Backlight, Best Practices - Photography, Canon 60D, Canon 70-200 mm 2.8 IS L Series Lens, Canon Camera, Canon Live View, Farm, Farmhouse, Home, Homestead, Journaling, Light Intensity, Lookback Photos - One Year Ago, Photoblog Intention, Photography & Conceptualizing Beauty, Project 365 - Photo-a-day, Season, Sunset, Weather, Winter
Winter Skies 1

Winter Skies 1

Solid, well-made, a homestead house looks southwest to winter skies at dusk. Windowless, vacant and solitary now, the building did once serve as home, refuge from one’s day, shelter during one’s night, that place to regroup, rejuvenate and revive before handling tomorrow. On the crest of a hill, a farmer’s field, wind and snow blow through this former home to farmers and their families.

Listening to – Mike Plume’s Rattle the Cage;  reminds of Mindy Smith’s similar song with same title.

Quote to Inspire – “My photography is a reflection, which comes to life in action and leads to meditation. Spontaneity – the suspended moment – intervenes during action, in the viewfinder.” – Abbas

Winter Skies 2

Winter Skies 2

Winter Skies 3

Winter Skies 3