Storehouse Timbers

Canon 60D, Canon Camera, Canon Lens, Canon Live View, High Dynamic Range (HDR), Journaling, Lookback Photos - One Year Ago, Photography & Conceptualizing Beauty, Project 365 - Photo-a-day, Sigma Lens - Wide Angle 10-20mm, Spring
Storehouse - St Louis Catholic Mission - Buttertown, Alberta 1

Storehouse – St Louis Catholic Mission – Buttertown, Alberta 1

Storehouse - St Louis Catholic Mission - Buttertown, Alberta 2

Storehouse – St Louis Catholic Mission – Buttertown, Alberta 2

Storehouse - St Louis Catholic Mission - Buttertown, Alberta 3

Storehouse – St Louis Catholic Mission – Buttertown, Alberta 3

Storehouse - St Louis Catholic Mission - Buttertown, Alberta 4

Storehouse – St Louis Catholic Mission – Buttertown, Alberta 4

A spring thaw in the early nineteen-hundreds saw several Fort Vermilion area farms flooded. In one instance a farm building washed out, the movement of the water weakening its foundation enough to topple the structure. Timber for that building floated downstream on the Boyer River becoming snagged at a turn in the river as it passed the St. Louis Catholic Mission in Buttertown. Those timbers were pulled from the river and after a time were used to build this storehouse for the mission. The photo was created in May, 2013. Last Saturday night, the image became editing focal point as I showed my son how Lightroom 5 and NiK Software can be used – four versions were produced, some following his eye’s lead.

Listening to – Coldplay’s ‘Yellow,’ a song I worked through after all had gone to bed last night; the piano work is more difficult than the fretwork; the resonance and dissonance found in the chords and alternate tuning are captivating.

Quote to Consider – “Photographs, which cannot themselves explain anything, are inexhaustible invitations to deduction, speculation, and fantasy.” – Susan Sontag, ‘On Photography’

Remnant Population

Barn, Canon 60D, Canon 70-200 mm 2.8 IS L Series Lens, Canon Camera, Canon Lens, Canon Live View, Combine (Farming), Fall, Farm, Farmhouse, Flora, High Dynamic Range (HDR), Home, Homestead, Journaling, Lookback Photos - One Year Ago, Photoblog Intention, Photography & Conceptualizing Beauty, Project 365 - Photo-a-day, Season, Sigma Lens - Wide Angle 10-20mm, Spring, Summer, Weather
47 Ford Tow Truck - McLure, BC

47 Ford Tow Truck – McLure, BC

Farm Buildings - Valleyview, Alberta 1

Farm Buildings – Valleyview, Alberta 1

Field, Combine & Buildings - Nampa, Alberta 1

Field, Combine & Buildings – Nampa, Alberta 1

Harvestor Silos - Rimbey, Alberta 1

Harvestor Silos – Rimbey, Alberta 1

Harvestor Silos - Rimbey, Alberta 2

Harvestor Silos – Rimbey, Alberta 2

Hay Harvest - Keg River, Alberta

Hay Harvest – Keg River, Alberta

Morning Colours - Keg River, Alberta 1

Morning Colours – Keg River, Alberta 1

Morning Colours - Keg River, Alberta 2

Morning Colours – Keg River, Alberta 2

Summer Cloudwork - Greencourt, Alberta

Summer Cloudwork – Greencourt, Alberta

Telus Tower - Edmonton, Alberta

Telus Tower – Edmonton, Alberta

Remnants of spring, summer and autumn, a cluster of HDR photos populate my photo folder. Farm buildings, fields ripe with grain ready for harvest, trees with autumn leaves desaturating from green toward bright yellows and reds, summer cloudwork and a final shot of Edmonton in green July splendor – all are HDR shots. The 1947 Ford Tow Truck and a cousin’s farm feature visually in this blog post.

Listening to – U2’s ‘Always,’ David Gray’s ‘As I’m Leaving,’ Ryan Adams’ ‘Hallelujah,’ Mazzy Star’s ‘Into Dust,’ Snow Patrol’s ‘Life Boats,’ The Perishers’ ‘Trouble Sleeping’ and U2’s ‘Last Night On Earth.’

Quote to Inspire – “There is nothing as mysterious as a fact clearly described. I photograph to see what something will look like photographed.” – Garry Winogrand

No Exit

Best Practices - Photography, Canon 60D, Canon Camera, Canon Lens, Canon Live View, Farm, Journaling, Light Intensity, Photoblog Intention, Photography & Conceptualizing Beauty, Project 365 - Photo-a-day, Sigma Lens - Wide Angle 10-20mm, Spring, Sunset
No Exit - 1

No Exit – 1

No Exit - 2

No Exit – 2

No Exit - 3

No Exit – 3

No Exit - 4

No Exit – 4

The juxtaposition of ‘No Exit’ against a landscape backdrop seems more an entry into the wilds from which one may not return. And, I note that the image does possess a surreal quality that recalls portions of the memory work accomplished by Jonas and ‘the Giver’ within Lois Lowry’s novel, ‘The Giver;’ this image could serve as cautionary waypoint toward the destination of home in the novel. The novel considers the costs of conformity in a future time. The narrative is one filtering out characters, drawing down to one who has the ability to comprehend, receive and appreciate the collective’s memory found in former times and former ways. This ‘No Exit’ image is taken on an early spring day close to the Rochfort Bridge, a kilometre long train trestle equidistant to Sangudo and Mayerthorpe, Alberta.

Listening to: a preview song, Martyn Joseph singing Bruce Springsteen’s ‘Walk Like a Man,’ a tribute to several songs of Bruce Springsteen.

Quote to Inspire – “A representational photograph says, ‘This is what Vienna looked like.’ An interpretational photograph goes one better and says, ‘This is what Vienna was like. This is how I felt about it.” ― David duChemin, Within the Frame: The Journey of Photographic Vision

That Thought, Complete

Best Practices - Photography, Canon 60D, Canon Camera, Canon Lens, Canon Live View, Farm, High Dynamic Range (HDR), Home, Journaling, Light Intensity, Night, Photoblog Intention, Photography & Conceptualizing Beauty, Project 365 - Photo-a-day, Sigma Lens - Wide Angle 10-20mm, Spring, Still Life, Sunset, The Candid Frame, Vehicle, Vehicle Restoration
Alberta Reflection - Grande Prairie 1

Alberta Reflection – Grande Prairie 1

Alberta Reflection - Grande Prairie 2

Alberta Reflection – Grande Prairie 2

Alberta Reflection - Grande Prairie 3

Alberta Reflection – Grande Prairie 3

Alberta's Big Sky - 1

Alberta’s Big Sky – 1

Alberta's Big Sky - 2

Alberta’s Big Sky – 2

Along Northern Roads - Grande Cache, Alberta

Along Northern Roads – Grande Cache, Alberta

HDR - Subject Revisited 1

HDR – Subject Revisited 1

HDR - Subject Revisited 2

HDR – Subject Revisited 2

Trestle Bridge - Grande Cache, Alberta

Trestle Bridge – Grande Cache, Alberta

Wet Rock - Banff, Alberta

Wet Rock – Banff, Alberta

Wooded Reflection - Jasper, Alberta 1

Wooded Reflection – Jasper, Alberta 1

Wooded Reflection - Jasper, Alberta 2

Wooded Reflection – Jasper, Alberta 2

Wooded Reflection - Jasper, Alberta 3

Wooded Reflection – Jasper, Alberta 3

The following text is excerpt, core invitation to a cousin to interact with me through my photo blog and exposes intentions for the blog and posting.

“My photoblog’s URL is http://www.lumensborealis.com , written from the point of pseudonym, also most often written at day’s end … a mind saturated, releasing the day; sometimes this can seem very close to the poignant remark made by an Auschwitz inmate in Schindler’s List … ‘I had a complete thought, today.’ Sometimes my posts are good and flow and cohere. But, I’m also editing what I write to limit consequence along parameters suggested by William Stafford in his book, ‘Crossing Unmarked Snow:’

1. The things you do not have to say make you rich.
2. Saying the things you do not have to say weakens your talk.
3. Hearing the things you do not need to hear dulls your hearing.
4. The things you know before you hear them, those are you and this is the reason you’re in the world.

A compelling set of assertions, for any of us, that aims at honourable and integrated Life … a good thing – it’s how I’m aiming to write the blog. Still, in my reading of it there often is opportunity to add more Art within my writing.

The Photoblog – Photography is what the photoblog is about – a photo-a-day kind of thing as intention and as means to grapple with photography and enhance skills; but, at almost two years in I’m only on post 271 and not beyond a year’s 365 posts. The blog is also about responding to each photo or set of photos as starting point to engage the rabbit trail of memory associating to family and times.” And, it often leads my thought to a set of Rimbey farms and my cousins, there.

Listening to – the Candid Frame with Ibarionex Perello in an interview with Will Jax about his Juke Joint photography in the French Quarter of New Orleans; part of the discussion that intrigued was the matter of consent, of giving back, contributing – all parts of what grants access within the exchange that is photography.

Quote to Inspire – “You yourself are unique–you have ways of seeing your world that are unlike those of anyone else–so find ways to more faithfully express that, and your style will emerge.” ― David duChemin, Vision & Voice: Refining Your Vision in Adobe Photoshop Lightroom

HDR – Image Subjects, Revisited

Best Practices - Photography, Canon 50mm Lens, Canon 60D, Canon Camera, Canon Live View, High Dynamic Range (HDR), Journaling, Light Intensity, Photoblog Intention, Photography & Conceptualizing Beauty, Prime Lens, Project 365 - Photo-a-day, Sigma Lens - Wide Angle 10-20mm, Spring, Still Life
HDR - 1947 Ford One Tonne Tow Truck, McLure, British Columbia

HDR – 1947 Ford One Tonne Tow Truck, McLure, British Columbia

HDR - North of 60 Bus Shelter Seats, Valleyview, Alberta

HDR – North of 60 Bus Shelter Seats, Valleyview, Alberta

I have had a go at creating two High Dynamic Range (HDR) images in the last while. In landscape images my practice is to shoot with Automatic Exposure Bracketing (creating 3 images in succession -1, 0 & +1) and explore how the images will turn out in HDR. The images are of subjects I have shot before; but, they are not the original image shots included in previous posts. They are ‘also-ran’ images of the 1947 Ford One-tonne Tow Truck from McLure, British Columbia and the ‘would-be’ bus shelter seat, North of 60 style. In both the detail, lines and range of light are enhanced (or at least different).

Listening to – today it’s been the conclusion of Ken Follett’s ‘Pillars of the Earth’ on the long drive home from Edmonton to High Level. The narrative provides glimpse of Monarchy, Ecclesiastical ambition and all that was behind building cathedrals and parishes; the story moves from Life at the local/village level all the way to Thomas Beckett and King Henry and those who contested the throne.

Quote to Inspire – “Vision is that original spark that was ignited within you and made you pick up a camera to capture whatever it is you saw, that made you turn to shout “Did you see that!” only to find no one there–so you created an image to do the telling.” ― David duChemin, Vision & Voice: Refining Your Vision in Adobe Photoshop Lightroom

Waikiki – Dawn

Backlight, Best Practices - Photography, Canon 60D, Canon Camera, Canon Live View, Flora, Light Intensity, Photoblog Intention, Photography & Conceptualizing Beauty, Project 365 - Photo-a-day, Sigma Lens - Wide Angle 10-20mm, Still Life, Summer, Sunrise
Morning's Walk - Honolulu, Oahu, HI 1

Morning’s Walk – Honolulu, Oahu, HI 1

Morning's Walk - Honolulu, Oahu, HI 2

Morning’s Walk – Honolulu, Oahu, HI 2

Morning's Walk - Honolulu, Oahu, HI 3

Morning’s Walk – Honolulu, Oahu, HI 3

Summer, summer break – vacation … settling into a new time zone five hours different from that of my year’s norm finds me out of our hotel with camera and tripod early in the morning, walking, gathering photos of Honolulu’s Waikiki – the day of the surfer and vacationer (from all parts of the world) prior to that day beginning. Surprisingly, even before 6:00 a.m., surfing instructors are out on the beach, with early morning animation, drumming up the day’s business, ready to take out the novice surfer. Looking from the beach to the ocean, before 6:00 a.m., finds surfers already surfing on moving and curling waves and along trails of the Waikiki strip joggers are already jogging. People conclude their sleep in city parks where they’ve been sleeping through a tropically warm summer night on the grass. Looking towards the buildings, Waikiki hotels are being restocked in daily essentials prior to the day’s formal start, Coca Cola products included. All this occurs before the sun crosses the horizon bringing us into day – fodder for photos.

Listening to – Glenn Miller’s band perform ‘Tuxedo Junction’ and Satchmo sing Happy Birthday to ‘Poppa’ Bing Crosby.

Quote to Inspire – “Photography, as a powerful medium of expression and communications, offers an infinite variety of perception, interpretation and execution.” – Ansel Adams

Boyer Bridge & Buscaglia

Best Practices - Photography, Canon 60D, Canon Camera, Canon Live View, Journaling, Light Intensity, Photoblog Intention, Photography & Conceptualizing Beauty, Project 365 - Photo-a-day, Sigma Lens - Wide Angle 10-20mm, Still Life, Summer
Boyer River Bridge - Fort Vermilion, Alberta 2

Boyer River Bridge – Fort Vermilion, Alberta 2

This edit of the Boyer River bridge connecting La Crete and Fort Vermilion to High Level and points North is one celebrating colour, structure, detail and lines creating perspective. The colourful rendering of the bridge recalls for me many lectures and presentations offered by Leo Buscaglia on Life, Living and Love and perhaps more potently on good teaching which embraces each. In one lecture, the idea of teacher as bridge, comes across fully as he quotes Nikos Kazantzakis, writer of ‘Zorba the Greek,’ on teaching – “Ideal teachers are those who use themselves as bridges over which they invite their students to cross, then having facilitated their crossing, joyfully collapse, encouraging them to create bridges of their own.” The metaphor embedded as anchor, for me years ago, in terms of what teaching is about and teaching’s end state being something that always brings about change; engagement that bridges from the unknown to what is now known and understood is always an entity found in good teaching. Within this metaphor … perhaps extending it … it’s interesting to note that successful bridging often relies on the kind of stance taken in relation to the student – it’s always based on good current understanding of the student in the classroom context and beyond it in their world.

Listening to – David Gray’s ‘Shine’ and ‘My Oh My,’ Jack Johnson’s ‘Rodeo Clowns,’ Angus & Julia Stone’s ‘Big Jet Plane’ and Ray LaMontagne and the Pariah Dogs’ ‘Beg, Steal or Borrow.’

Quote to Inspire – “It is one thing to photograph people. It is another to make others care about them by revealing the core of their humanness.” – Paul Strand

Boyer Bridge – Bisection

Backlight, Best Practices - Photography, Canon 60D, Canon Camera, Canon Lens, Canon Live View, Journaling, Light Intensity, Photoblog Intention, Photography & Conceptualizing Beauty, Project 365 - Photo-a-day, Sigma Lens - Wide Angle 10-20mm, Spring, Still Life
Boyer River Bridge - Fort Vermilion, Alberta

Boyer River Bridge – Fort Vermilion, Alberta

Looking south, through the bridge crossing the Boyer River en route from High Level to Fort Vermilion, this perspective, looking through the bridge to the incline and curve on the other side becomes my first opportunity to photograph a bridge straight on, from the roadway, along a center line bisecting the road and bridge structure; the place I’ve gotten to in editing recalls impermanence of things man-made.

Listening to – Peter Himmelman’s ‘Impermanent Things,’ John Mayer’s ‘Route 66’ and Ray LaMontagne & The Pariah Dogs ‘For the Summer.’

Quote to Inspire – “A portrait is not made in the camera, but on either side of it.” – Edward Steichen

Pilgrimage Church

Best Practices - Photography, Canon 50mm Lens, Canon 60D, Canon Camera, Canon Lens, Canon Live View, Home, Journaling, Photoblog Intention, Photography & Conceptualizing Beauty, Prime Lens, Project 365 - Photo-a-day, Sigma Lens - Wide Angle 10-20mm, Spring
Roman Catholic Church - Buttertown, Alberta

Roman Catholic Church – Buttertown, Alberta

Woking Church - Woking, Alberta

Woking Church – Woking, Alberta

Church, a place and time of whole-hearted, meaning-crammed communion, is something each of us encounters in different venues that captivate us – the camaraderie found in others’ company, the transcendence found in the out-of-doors, the intersection of our Life with lyrics and melody in song. That place to encounter (perhaps share or confess) truth safely, in safety, that place to come to terms with tough times and the good, Church is both a social and familial entity, a place in which you can grow and mature. Not movement forward, independent of others, not alone in thought, not only within our own priority, Church is that sacred entity of relationship carried forward by two or more people in Life’s pilgrimage connecting each to something bigger than self (selves), that thing that drives ethics in action and purpose in Life, that thing realized when we realize we are here for more than ourselves, having something to contribute to the Lives of others.

Church as pilgrimage has been on my mind as I’ve watched a film by Emilio Estevez – ‘The Way.’ Martin Sheen, as father makes pilgrimage from France to the Church of Santiago de Compostela in Galicia, Spain, a trek following ‘The Way of St. James.’ Tom (Sheen) takes up this eight-hundred kilometre trek, a trek his son had begun and makes it on behalf of his son who, recently deceased, is ever-present throughout the trek task. The pilgrimage becomes Church as three ‘peregrinnos,’ pilgrims, cluster with and around Tom; each carrying forward a Life task that’s brought them to a cross-road in their Lives. It’s not so much that disclosure of Life’s challenge needs to occur among the peregrinnos, but that each comes to understand that their shared company and good understanding of what’s at play in each other’s lives makes the road easier – something that Church is about, an entity of relationship carried forward that associates to Life’s pilgrimage, direction and purposes.

Images – The Roman Catholic Church of St. Louis in Buttertown (across the Peace River from Fort Vermilion, Alberta) and the Woking Ukrainian Orthodox Church (Woking, Alberta).

Listening to – much of the soundtrack to ‘The Way,’ containing two songs that intrigue, David Gray’s ‘My Oh My’ (from Rhythm and Soul broadcasts) and Alanis Morissettes’ ‘Thank U’. James Taylor’s ‘Country Road’ also features in the film.

Quote to Inspire – “Imagine a world without photography, one could only imagine.” – Berenice Abbott

Winter Constant

Backlight, Barn, Canon 60D, Canon 70-200 mm 2.8 IS L Series Lens, Canon Camera, Canon Lens, Canon Live View, Farm, Farmhouse, Home, Homestead, Journaling, Light Intensity, Photoblog Intention, Photography & Conceptualizing Beauty, Project 365 - Photo-a-day, Rail Yard, Sigma Lens - Wide Angle 10-20mm, Spring, Weather
Farm - Rimbey, Alberta 2

Farm – Rimbey, Alberta 2

Farm - Rimbey, Alberta

Farm – Rimbey, Alberta

Field Entrance - Woking, Alberta

Field Entrance – Woking, Alberta

Former Farm - Notikewan, Alberta

Former Farm – Notikewan, Alberta

Peace River - Dunvegan, Alberta 1

Peace River – Dunvegan, Alberta 1

Peace River - Dunvegan, Alberta 2

Peace River – Dunvegan, Alberta 2

Peace River - Dunvegan, Alberta 3

Peace River – Dunvegan, Alberta 3

Peace River - Dunvegan, Alberta 4

Peace River – Dunvegan, Alberta 4

Grain Elevator - Sexsmith, Alberta 1

Grain Elevator – Sexsmith, Alberta 1

Grain Elevator - Sexsmith, Alberta 2

Grain Elevator – Sexsmith, Alberta 2

In a spring that needs to take hold more firmly, winter drags on, a guest overstaying its welcome. Winter continues as constant in and around Alberta and features in photos – farms dusted with snow, grain elevators and Harvestor Silos providing colour against the snow, the Peace River melting through ice … covered with snow. Each are presented here.

Listening to – Francesca Battistelli’s ‘This is the Stuff’ and JJ Heller’s ‘What Love Really Means.’

Quote to Inspire – “The photograph is completely abstracted from life, yet it looks like life. That is what has always excited me about photography.” – Richard Kalvar