In My Back Pocket – Photography

Category: Sigma Lens – Wide Angle 10-20mm

Shop Studio

April 12th, 2013

Chevrolet Pickup – Reynolds-Alberta Museum – Wetaskiwin, Alberta

One never-done project I hope to undertake is to photograph a vehicle indoors and to control context and lighting and to create a cluster of images from various perspectives. The vehicle could be a sports car, a restored relic or a project vehicle about to undergo rehabilitation – each will reveal character in its grillwork, lights, repetition of shape, door handles, badge-work and interior. The task will be to explore pattern, shape, design and colour. This 1940 Chevrolet pick-up truck has me thinking about the project because museum lighting is a fixed entity, something not within my control; multiple lights reflect at several points on the pick-up’s glossy sheen – the hood, cab, windscreen, fenders, grill and bumper. In a controlled, albeit impromptu shop as studio, limiting light in terms of source versus sources, controlling light intensity and in terms of directing light to the vehicle – all will allow freedom to photograph the indoor vehicle with intent. Key, here, would be having light that can be intense enough to allow work at lower ISO. Some of the work will be about context – borrowing shop space, ensuring that it’s tidy and setting/planning how to light the vehicle. It will also be about coordinating invitations and times to shoot. And, once each vehicle arrives the matter becomes that of seeing the shot, discovering the vehicle through the lens and then keeping the vehicle clean – lint-free, dust-free and smudge free.

Other News – Dave Brosha is offering a workshop in Fort Vermilion, Alberta, an event sponsored by the Fort Vermilion Community Library – +1 (780) 927-4279; a friend called and encouraged me to lock-in my spot with a deposit; check out Dave Brosha’s photography and website – http://www.davebrosha.com/ .

Listening to – Sigur Ros’ ‘Glosoli’ and ‘Hoppipolla.’

Quote to Inspire – “There is nothing as mysterious as a fact clearly described. I photograph to see what something will look like photographed.” – Garry Winogrand
Relics Restored

April 10th, 2013

4 Wheel Drive Auto Co – Reynolds Museum, Wetaskiwin, Alberta

Front End – Graham Farm Truck – Reynolds Museum, Wetaskiwin, Alberta

Graham Farm Truck – Reynolds Museum – Wetaskiwin, Alberta

Part of Easter break took me into central Alberta to Wetaskiwin for an afternoon at the Reynolds-Alberta Museum. With permission I photographed vehicles that had played a part in Alberta’s history – McLaughlin Buicks, Grahams, a Duisenberg, a Cord, some Chevrolets and Fords. With my Sigma 10-20 mm lens and at ISO 6400, the museum’s lighting was somewhat harsh and it’s possible that different metering and bringing down the ISO with longer exposures might have yielded more satisfying results. A speedlight might allow more control of lighting although reflection from vehicle gloss and finish would need to be anticipated. My intention, for my next visit is to bring my macro lens (for pattern and design work) and my 70-200 lens (to get closer-in to vehicles from a distance) – exploring other possibilities. So, these images become scouting shots, first looks at subject and context and first looks towards what might be done next time. The upcoming May long-weekend begins a tribute to cars from the fifties at the Reynolds Museum, something to return for.

Listening to – Peter Gabriel’s ‘In Your Eyes,’ ‘Sledgehammer,’ ‘Shaking the Tree,’ ‘Steam,’ ‘Don’t Give Up’ and ‘Come Talk to Me.’

Quote to Inspire – “My life is shaped by the urgent need to wander and observe, and my camera is my passport.” – Steve McCurry
Edmonton – Other Views

April 8th, 2013

Edmonton – from Mill Creek

Edmonton – from the River Valley

Edmonton – Looking Southeast 2

Edmonton – Looking Southeast

The past week presented the opportunity to move around Edmonton and to look at skylines from different vantage points.

Listening to – Mozart’s ‘Requiem, K. 626’ performed by La Grande Ecurie et la Chambre du Roy, Jean-Claude Malgoire, Dominique Visse, Choeur Regional Nord-Pas-De-Calais, Odile Bailleux, Martin Hill, Colette Alliot-Lugaz & Gregory Reihart.

Quote to Inspire – “I am forever chasing light. Light turns the ordinary into the magical.” – Trent Parke
North Country Cloud-work

April 6th, 2013

Country Road Sunset – Mayerthorpe, Alberta

Farm Silo Silhouette – Mayerthorpe, Alberta

Wednesday’s travel took me from my Calgary, Camera Store stop northward on my return drive to High Level. Around dinner-time, between Mayerthorpe and Whitecourt the cloud-work and evolving sunset on the southwest of the highway were a spectacular sight among a huge and open northern Alberta sky, land less frequently frequented, something quite different from the frenetic congestion of people and land encountered between Edmonton and Calgary, an area still held in grey bleakness of winter. It was good to be traveling home in familiar North Country.

Listening to – Collective Soul and ‘Shine’, and, Sigur Ros and ‘E-bow.’

Quote to Inspire – “While there is perhaps a province in which the photograph can tell us nothing more than what we see with our own eyes, there is another in which it proves to us how little our eyes permit us to see .” – Dorothea Lange
Cable & Ice Bridge

March 28th, 2013

Cable – Tompkins Landing, Alberta 1

Ice Bridge, Tompkins Landing, Alberta 1

Ice Bridge, Tompkins Landing, Alberta 2

Cable has been wound upon one of two huge snow-covered spools used to pull the Edmonton Queen ferry up and out from the Peace River at Tompkins’ Landing, Alberta. The first image, a macro shot explores light, colour and texture of cable on the spool. The other two images are of the Tompkin’s Landing ice bridge – one kilometre in length, crossing the Peace River – a solid structure between December and March, capable of holding a transport truck weighing 60 tons.

Listening to – Coldplay from the Mylo Xyloto 2012 tour beginning with ‘Major Minus,’ then ‘Yellow,’ ‘Princess of China,’ ‘Up in Flames,’ ‘Clocks’ and ‘Charlie Brown.’

Quote to Inspire – “Photography for me is not looking, it’s feeling. If you can’t feel what you’re looking at, then you’re never going to get others to feel anything when they look at your pictures.” – Don McCullin
Not Always …

March 13th, 2013

Former Farm 1

Former Farm 6

Former Farm 5

Former Farm 4

Former Farm 3

Former Farm 2

Not always pretty, or organized, the shot you take. Yet something in your mind recognizes beauty’s potential – something can be drawn from this image. Some part of your mind recognizes this scene or subject ought to be recorded and kept – something’s here to understand … front of the process stuff, this first part of making a photograph. You see, you capture and you edit. You exercise photographic skill(s) finding the strongest way of seeing this image … end of process stuff, recognizing presentation choices and choosing. The image reveals itself as much as you present it.

Former farms and homesteads are subject in the images of this morning’s post.

Listening to – Bob Dylan’s ‘Last Thoughts On Woody Guthrie,’ from the Bootleg Series, Vol. 1-3 (Rare& Unreleased) 1961-1991.

Quote to Inspire – “Looking and seeing are two different things. What matters is the relationship with the subject.” – Christophe Agou
Don’t Explain … Show

March 12th, 2013

Cobra 2 Seater – Edmonton, Alberta 1

Cobra 2 Seater – Edmonton, Alberta 2

A candy-apple red, two-seater Ford Shelby Cobra sits, ready, waiting and unused, eye candy within a car dealership’s maintenance department.

Listening to – Bill Mallonee & the Vigilantes of Love and ‘She Walks On Roses,’ ‘Resplendent,’ and ‘Goes Without Saying.’

Quote to Inspire – “The whole point of taking pictures is so that you don’t have to explain things in words.” – Elliott Erwitt
Photos’ Blog & Writing

March 9th, 2013

Fargo Grain Truck – Nampa, Alberta 1

Fargo Grain Truck – Nampa, Alberta 2

Fargo Grain Truck – Nampa, Alberta 3

Fargo Grain Truck – Nampa, Alberta 4

Fargo Grain Truck – Nampa, Alberta 5

Fargo Grain Truck – Nampa, Alberta 6

Fargo Grain Truck – Nampa, Alberta 7

Fargo Grain Truck – Nampa, Alberta 8

Turning through pages of tablature, a songwriter’s guide in Martyn Joseph’s ‘Notes on Words,’ surfaces (after years) and has had me consider what I might assert as truth in how writing about photographs ought to work within any of our photo blogs. What would I say? Would I promote one way of going about presenting and responding to photos? Some core ideas seem key.

Photo Blog Writing Guide …

1. Within each photograph, reveal the subject in ways never before seen.
2. Get a moleskin and record image ideas within this idea journal.
3. Pay attention to how you feel at moments before, during and following image capture.
4. Pay attention to how the image resonates with each new edit of a photograph … edit and edit again.
5. Add words to your photographs, sparingly – get to the core response to your photograph.
6. Be honest about this image and you; posers present others’ sentiment ….
7. Dialogue with others about your images and theirs; provide likes and comments – find what’s key.
8. Photograph with others occasionally; they and their lens will reveal the world in ways new to you.
9. Snap the photo while you’re there – stop the car, halt your walk, stop your chat; take out your camera and photograph that subtle, subtle thing that your mind and eyes have recognized and wish to amplify.
10. Return to subjects again and again, photographing subjects from how you now know them each subsequent time.
11. Pay attention to good photographers – talk with them, listen to them; pay attention to visual narrative and image work in movies, in art, in photographs and the visual narrative you encounter in daily life.
12. “… Capture those special moments when life is amplified above the norm for a few seconds (Martyn Joseph – Notes On Words, 2003).”
13. “Go to locations that inspire – places from your past, places that will challenge you, [… take you camera and moleskin with you] (Martyn Joseph – Notes On Words, 2003).”
14. “If it doesn’t excite you it probably won’t do much for anyone else (Martyn Joseph – Notes On Words, 2003).”

Perhaps the other essential thing is the matter of being grateful for each photo found and discovered, for what you learn along the way and from who and for process – all that stuff that comes together in creating each new photograph. Beyond this photo discussion thanks, here, goes out to Martyn Joseph for each of the following – ‘One of Us,’ ‘Don’t Talk about Love and all that was that Edmonton concert at the Queen Alexandra Community Hall.

The road home last weekend finally provided opportunity to photograph this grain truck near Nampa, Alberta, the sides of its grain box now sandwich board, advertising (or perhaps better said as raising awareness with regard to) a social issue the world needs to know about. For me, the photograph is more about setting or context as well as that of articulating the shape of a vehicle from a former time; it has been something to see how far I could extend edits in shaping the image in terms of mood and tone beyond the factual/literal rendering of the image.

Listening to – Son Houses’ ‘Death Letter,’ Snow Patrol’s ‘Run,’ The Who’s ‘Won’t Get Fooled Again,’ Steve Miller’s ‘Mercury Blues,’ Ross Copperman’s ‘Holding On and Letting Go,’ The Red Hot Chili Peppers’ ‘Snow [Hey Oh],’ and Joe Bonamassa’s ‘Long Distance Blues.’

Quote to Inspire – “The photograph is completely abstracted from life, yet it looks like life. That is what has always excited me about photography.” – Richard Kalvar
Sun, Wind & Weather

March 7th, 2013

Former Farm – Sangudo, Alberta 1

Former Farm – Sangudo, Alberta 2

Former Farm – Sangudo, Alberta 3

Sangudo, Alberta – on a sunny day, closing in on spring, buildings from a former farming time continue to erode with wind and weather. Sun heats snow-laden earth and clouds begin to billow and move eastward over the horizon.

Listening to – Josef Myslivecek and Concertino in E Flat for two horns.

Quote to Inspire – “A photograph is usually looked at – seldom looked into.” – Ansel Adams
From My Ford-Focused Canon 60D

February 23rd, 2013

Nose – 1938 Ford One Ton Tow Truck

Ford Grain Truck – Wabamun, Alberta

67 Ford Econoline Van

64 Mercury Monterey 2

64 Mercury Monterey 1

Looking up from my Ford-focused Canon 60D the highway held a semi hauling a flat-deck trailer with a Diversified Bus on it, its roof crushed – a sight as curious as it is disturbing. Diversified runs buses in northeastern Alberta. A passenger bus like this, the kind Greyhound uses, is never something anyone wishes to see in this state – the image implies rollover and injury. Hopefully, the accident was less serious than can be imagined. But, on those long, northern Alberta drives Greyhound buses do slide sideways on ice, occasionally – accidents involving such buses do occur from time to time.

Each image presented, here, has been an editing exercise exploring editing sequences other photographers have utilized to arrive at final image renderings. Ford Motor Company (FOMOCO) provides subject for these images – the nose of the 1938 Ford One Ton Tow Truck, a late sixties Ford One Ton grain truck, a 64 Mercury Monterey and a 67 Ford Econoline van.

Listening to – Gwyneth Paltrow singing ‘Country Song’ and ‘Travis.’

Quote to Inspire – “Your first 10,000 photographs are your worst.” – Henri Cartier-Bresson