One never-done project I hope to undertake is to photograph a vehicle indoors and to control context and lighting and to create a cluster of images from various perspectives. The vehicle could be a sports car, a restored relic or a project vehicle about to undergo rehabilitation – each will reveal character in its grillwork, lights, repetition of shape, door handles, badge-work and interior. The task will be to explore pattern, shape, design and colour. This 1940 Chevrolet pick-up truck has me thinking about the project because museum lighting is a fixed entity, something not within my control; multiple lights reflect at several points on the pick-up’s glossy sheen – the hood, cab, windscreen, fenders, grill and bumper. In a controlled, albeit impromptu shop as studio, limiting light in terms of source versus sources, controlling light intensity and in terms of directing light to the vehicle – all will allow freedom to photograph the indoor vehicle with intent. Key, here, would be having light that can be intense enough to allow work at lower ISO. Some of the work will be about context – borrowing shop space, ensuring that it’s tidy and setting/planning how to light the vehicle. It will also be about coordinating invitations and times to shoot. And, once each vehicle arrives the matter becomes that of seeing the shot, discovering the vehicle through the lens and then keeping the vehicle clean – lint-free, dust-free and smudge free.
Other News – Dave Brosha is offering a workshop in Fort Vermilion, Alberta, an event sponsored by the Fort Vermilion Community Library – +1 (780) 927-4279; a friend called and encouraged me to lock-in my spot with a deposit; check out Dave Brosha’s photography and website – http://www.davebrosha.com/ .
Listening to – Sigur Ros’ ‘Glosoli’ and ‘Hoppipolla.’
Quote to Inspire – “There is nothing as mysterious as a fact clearly described. I photograph to see what something will look like photographed.” – Garry Winogrand
Traveling Fashion Designers 🌼
Travel, thank you notes and other stories from Meg King-Sloan
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