That Lens & Getting South

Backlight, Barn, Canon Camera, Canon Live View, Farm, Farmhouse, Fog, Homestead, Journaling, Light Intensity, Photography & Conceptualizing Beauty, Spring, Still Life, Weather, Winter

Wind Turbines – Wind Farm

– Wind Turbines, Southern Alberta

3 – Homestead, Southern Alberta

4 – Homestead, Southern Alberta

5 – Homestead, Southern Alberta

6 – Homestead, Southern Alberta

7 – St. Henry’s Roman Catholic Church, Twin Butte, Alberta

8 – St. Henry’s Roman Catholic Church, Twin Butte, Alberta

9 – St. Henry’s Roman Catholic Church, Twin Butte, Alberta

10 – Twin Butte, Foothills, Front Range Moutains

11 – Twin Butte, Foothills, Front Range Moutains

12 – Foothills Homestead

13 – Foothills Homestead

14 – Foothills Cloud Work

15 – Foothills Homestead

16 – Foothills Cloud Work

17 – Waterton Lakes National Park

18 – Waterton Lakes National Park

19 – Waterton Lakes National Park

20 – Waterton Lakes National Park

Getting south – it began with a camera lens. While I was required to be in Edmonton for our annual, mid-year teacher conference, I would have three days to myself prior to this conference. I could work on finding a used 28mm Zeiss Biogon lens, a rangefinder lens that while wide-angle is rumoured not to offer any distortion. It had just been advertised. And, I had been looking. One 28mm Zeiss Biogon lens was on offer in Calgary. It would be a used lens, but it would be half the price of buying one new. The seller was unloading gear – trading away and aiming toward new and better. From Calgary, I could then head south into the Pincher Creek, Waterton and Lethbridge areas and follow my eye’s curiosity and gather images with my camera.

Locking in this plan, I began my drive late on a Sunday afternoon in February. The drive would be under overcast skies. The temperature would be close to 0C throughout the drive. I would use ten hours to get to my destination. I could manage it. I would pass through Edmonton near 11:00 p.m., proceed to Red Deer and stay the night at a hotel there. The drive to Edmonton was uneventful. The drive beyond Edmonton was not ideal. Temperatures through the day had been warmer. I was driving a car, not my truck. I began my drive toward Red Deer. I got on to the Queen Elizabeth II (QEII) Highway (between Edmonton and Calgary). With temperatures close to 0C through the day and with a recent snowfall, the QEII was slushy, sloppy and slippery. I passed the Wetaskiwin turn-off and then encountered a brightly lit, highway alert road sign indicating that travel was treacherous. The drive became a matter of keeping a safe speed and working through the road’s slushy, ever-hardening, icy mess. I made it to Red Deer, got a hotel room, showered and got to sleep.

The next morning was sunny. I messaged the lens seller advising that I could meet today and provided a location in downtown Calgary for us to meet. The lens seller indicated that meeting at lunch was possible. All was in the works. I breakfasted across the way from the hotel at Red Deer’s Donut Mill. Then, the seller messaged back. The seller could not meet. The seller would need a day or two in order to meet. I am not sure how best to have managed this situation. But, the time frame would not work for this trip. And, the seller was deviating from his first communication. A red flag went up, for me. Many things could have been at play for the seller. And, perhaps aiming to meet in the same day as my indicating interest was problematic. I halted things and asked the seller to disregard my interest in the lens. All this occurred within and hour and a half of first messaging the seller.

I moved on.

With that done I found myself in Central Alberta, still with an intention to travel further south and to explore with my camera. Travel would take me to Calgary and to The Camera Store. I would look around at books, at new cameras (Nikon and Fuji), at used cameras, at used lenses, at new lenses, at camera bags. I would have two good chats with sales people – warm, educating, engaging conversations, conversations in which my curiosity was able to lead some of the way. Good. I left at the end of store hours aiming to return to the store as I came back through Calgary.

Onward to Lethbridge – my intention was to get settled in Lethbridge and work from there to look around southern Alberta. Later that evening, I got a hotel room, washed my car and got a meal.

The next day, after a good breakfast at the hotel, I started out. The day began as one overcast with heavy, grey cloud. But, weather in this part of Alberta is quite changeable in terms of how it interacts with the Rocky Mountains. Mountain weather is something intriguing, especially for my northern Alberta eyes – something I remember from times hiking along mountain trails on out-trips in the Crowsnest Pass and when camping in Banff and Jasper. Almost as soon as I moved south and west from Lethbridge I encountered windfarms – rows and rows of gigantic, white wind turbines used to gather / produce electricity. I would drive south from Fort MacLeod and on my route to Pincher Creek I would find other wind farms. In posting wind farm images on Facebook, earlier this year, I would find that many people in southern Alberta no longer see their value, are concerned about their impact on the environment and find themselves rejecting how they have altered the landscape they live within. Along the drive I would find last areas of prairie within foothills. I would find homesteads as the only structures seen on the land for miles and miles, the land being that allocated for grain farming. From Pincher Creek to Waterton Lake National Park I moved further into the undulation of foothills and the mountains; the weather was mountain weather, weather that can shift rapidly. Sunshine and bright blue sky would be there one minute, the next I was driving through or standing in a cloud. Cloud work so close to land has immensity and is something to take in. Light and shadow are always moving with these clouds revealing a shifting contour, shape and relief. The highway south from Pincher Creek becomes the path along which foothills meet the front range of the Rocky Mountains. Homesteads are a part of this landscape as well – grain farms and cattle ranches. Again, changeable mountain weather, mountain and foothill landscape, farms and roads – all would catch my eye, my curiosity, my imagination.

I took a chance on a historic site. I drove from the highway out and up to Twin Butte upon which St. Henry’s Catholic Church sits; to the east it looks out to the prairies; to the west it looks from the butte over a valley of foothills and to the front range of the Canadian Rockies. To look out over all this, immensity is there … and it would be appropriate to use the term majestic. I rounded out my day’s picture-taking with a small look into Waterton Lake National Park before returning to Lethbridge. I paid the day’s entrance fee and took a slow drive into the park to gather a couple of images – the Prince of Wales Hotel is subject of two of these images. A good day out with my camera, it was. The next day I would return to Edmonton, to colleagues, to a conference. The Zeiss Biogon 28mm lens remains a lens I am still hunting for.

Quote to Inspire / Consider – “To the complaint, ‘There are no people in these photographs,’ I respond, there are always two people: the photographer and the viewer (Ansel Adams).”

Listening to – a cover of John Prine’s ‘Summer’s End’ by Sierra Hull; a song that’s so big and full of grace; Sierra does John proud with it. Good, good.

Cold Mist

Backlight, Home, Journaling, Light Intensity, Photography & Conceptualizing Beauty, Sunrise, Weather, Winter
January Mists - High Level, Alberta 1

January Mists – High Level, Alberta 1

January Mists - High Level, Alberta 2

January Mists – High Level, Alberta 2

January Mists - High Level, Alberta 3

January Mists – High Level, Alberta 3

January Mists - High Level, Alberta 4

January Mists – High Level, Alberta 4

High Level, Alberta images consider the cold of January – mist reflects light from main street, street lights (-18C); dense, early morning mist surrounds the high school (-42C).

Quote to Consider / Inspire: “Photographs open doors into the past, but they also allow a look into the future (Sally Mann).”

Listening to: an audiobook of Sebastion Barry’s ‘The Secret Scripture;’ and, U2’s ‘Lights of Home.’

Long Solstice Shadow

Backlight, Christmas, Fog, Home, Journaling, Light Intensity, Lookback Photos - One Year Ago, Photoblog Intention, Photography & Conceptualizing Beauty, Project 365 - Photo-a-day, Weather, Winter
Colder Moments Around Edmonton - 1

Colder Moments Around Edmonton – 1

Colder Moments Around Edmonton - 2

Colder Moments Around Edmonton – 2

Colder Moments Around Edmonton - 3

Colder Moments Around Edmonton – 3

Colder Moments Around Edmonton - 4

Colder Moments Around Edmonton – 4

Colder Moments Around Edmonton - 5

Colder Moments Around Edmonton – 5

Colder Moments Around Edmonton - 6

Colder Moments Around Edmonton – 6

Colder Moments Around Edmonton - 7

Colder Moments Around Edmonton – 7

Colder Moments Around Edmonton - 8

Colder Moments Around Edmonton – 8

Colder Moments Around Edmonton - 9

Colder Moments Around Edmonton – 9

Colder Moments Around Edmonton - 10

Colder Moments Around Edmonton – 10

The sky is blue. Long, thin wisps of cloud move at higher altitude in the atmosphere – we could have cloud cover in a day’s time. Following winter solstice, the sun perches low over the horizon in the afternoon. At 2:00 p.m. shadows run long over unimpeded surfaces. Buildings on either side of Edmonton city streets become canyons holding solstice shadow. Without a cloud blanket, the sun’s radiant heat will continue to escape and our part of the world will grow colder in coming days. In daylight, it is -32C … it is a colder day for some photos. Steam, a by-product from buildings maintaining heat, drizzles upwards into the atmosphere. Colder images from a colder Edmonton afternoon during Christmas break.

Quote to Consider / Inspire – “The most important thing about photography is who you are, and I can go into depth about the psychology of that, but there’s no way you can take a photograph and not leave your imprint on it. Every time you hit the shutter it’s based on who you are, that’s what makes you different from everybody else. My style is that I shoot from the heart, to the heart (Joe Buissink, Light Stalking).”

Listening to: Carrie Newcomer’s ‘The Beautiful Not Yet,’ ‘Three Feet or So,’ ‘Sanctuary,’ ‘Cedar Rapids at 10 AM’ and ‘A Shovel is a Prayer.’

Morning Haze and Light-play

Backlight, Home, Journaling, Light Intensity, Lookback Photos - One Year Ago, On Being with Krista Tippett, Still Life, Summer, Sunset
Early Edmonton Morning in August - 1

Early Edmonton Morning in August – 1

Early Edmonton Morning in August - 2

Early Edmonton Morning in August – 2

Early Edmonton Morning in August - 3

Early Edmonton Morning in August – 3

Early Edmonton Morning in August - 4

Early Edmonton Morning in August – 4

Early Edmonton Morning in August - 5

Early Edmonton Morning in August – 5

Early Edmonton Morning in August - 6

Early Edmonton Morning in August – 6

An early, July, Saturday morning in Edmonton finds me with my camera at play with haze and light.

Quote to Consider / Inspire: “Elegance is a virtue. Elegance is simplicity. I learned about elegance … because one day I was in Japan and saw a totally empty house and then a small detail … like a flower arrangement or painting. And, the rest is empty. This is elegance … because … there’s only one detail that you can pay attention to. Elegance is about getting rid of all the superfluous things and focus on the most beautiful one (paraphrase, Paul Coelho).”

Listening to: Cloud Cult’s ‘You Were Born,’ from their album ‘Light Chasers.’

Dawson Bridge Verdure

Backlight, Light Intensity, Photography & Conceptualizing Beauty, Project 365 - Photo-a-day, Summer, Sunset
Dawson Bridge - Edmonton River Valley 2

Dawson Bridge – Edmonton River Valley 2

Dawson Bridge - Edmonton River Valley 1

Dawson Bridge – Edmonton River Valley 1

The Dawson Bridge reaches across the North Saskatchewan River within green verdure of Edmonton’s river valley in August.

Quote to Inspire/Consider – “I began to realize that the camera sees the world differently than the human eye and that sometimes those differences can make a photograph more powerful that what you actually observed.” – Galen Rowell

Listening to – April Wine’s ‘Roller,’ David Bowie’s ‘Fame’ and Coldplay’s ‘Moses,’ ‘Yellow,’ and ‘Clocks,’ all from their Live in Sydney concert gathered in their ‘Live 2003’ album.

Forgiving, Handheld Aurora

Home, Light Intensity, Night, Project 365 - Photo-a-day, School, Winter
Northern Lights - Aurora Borealis, High Level, Alberta 1

Northern Lights – Aurora Borealis, High Level, Alberta 1

Northern Lights - Aurora Borealis, High Level, Alberta 2

Northern Lights – Aurora Borealis, High Level, Alberta 2

Northern Lights - Aurora Borealis, High Level, Alberta 3

Northern Lights – Aurora Borealis, High Level, Alberta 3

A successful capture and rendering of the Aurora Borealis on an evening’s walk a month ago – surprised to find that my Olympus camera is this forgiving with a handheld shot – ISO 8000, f/4 and 1/3 of a second.

Words to Inspire / Consider – “The more ridiculous you look while taking a photo, the better that photo will probably be. Photographers can’t be afraid to get into strange and awkward positions to get the shot they’re after.” — Pei Ketron

Listening to: Junip’s ‘Line of Fire,’ The Tragically Hip’s ‘Poets’ and ‘Scared’ and Springsteen’s ‘American Skin (41 Shots)’ done by Jen Chapin & Rosetta Trio.

Loosening Memory

Best Practices - Photography, Canon 70-200 mm 2.8 IS L Series Lens, Canon Live View, Farm, Leica, Light Intensity, Summer, Sunset
Foothill's Wheat - Rimbey, Alberta 1

Foothill’s Wheat – Rimbey, Alberta 1

Foothill's Wheat - Rimbey, Alberta 2

Foothill’s Wheat – Rimbey, Alberta 2

Foothill's Wheat - Rimbey, Alberta 3

Foothill’s Wheat – Rimbey, Alberta 3

Foothill's Wheat - Rimbey, Alberta 4

Foothill’s Wheat – Rimbey, Alberta 4

Manning - Canola

Manning – Canola

Nampa - Grain Truck 1

Nampa – Grain Truck 1

Nampa - Grain Truck 2

Nampa – Grain Truck 2

Spruce Grove - Canola

Spruce Grove – Canola

A few days drive from home, I stop my truck … my eyes have found something. I walk this scene, allowing my eyes to question ‘What is it that is here?’ I set camera upon tripod. I look and frame what I see – ‘click.’ Light’s point of origin directs golden light to and around the landscape it is falling upon – ‘click.’ Light’s absence, its shade and shadow and depth – at sunset, shadows are growing long – ‘click.’ My eyes are finding passage of time – ‘click.’ I’ve recognized something in the landscape and quality of light. I am recalling something – ‘click.’ I manage the machine, my camera, working aperture, shutter speed and ISO – ‘click.’ I am exposure bracketing to seven shots at one-step intervals – ‘click, click, click, click, click, click and click.’ HDR shots are possible – ‘click.’ My intent is not only to capture and hold this moment in memory – ‘click.’ It is to recast reality with the image produced – ‘click.’ Wheat fields that blanket rolling foothills are drawing my imagination to this scene – ‘click.’ Appreciation for what I see builds – ‘click.’ A long-ago memory loosens, … ‘click’ … connecting me to what I now see for the first time as an adult – ‘click.’ A sense of something familiar grows – ‘click.’ My mind resides and works equally in another place – ‘click.’ It anticipates the other side of download, edit and image production, ‘Can I bring the edited image produced close to what I now see?’ ‘Click.’ Weeks pass. I make time to edit images. I remove the SD card from my camera and download it onto an external hard drive. A Lightroom edit begins. In the edit, the surprise of the extraordinary occurs; what my eyes and camera captured weeks ago is now re-seen and more fully seen in the image that has been created. Good.

Images – Foothills Wheat Crop, Manning Canola, Nampa Grain Truck and Spruce Grove Canola.

Quote to Consider/Inspire: “Look for LEICA patterns; Look for lines, edges, intersections, contrast and angles in the shapes, light and shadows of the global and local elements of a photo to create a harmonious composition,” John Kosmopoulos.

Listening to: Molly Tuttle & John Mailander’s ‘Another Side, Tell Me,’ ‘Morning Morgantown,’ ‘Moonshiner,’ ‘I’m Over You’ and ‘Red Prairie Dawn;’ Spencer Elliot’s ‘Torque.’

Dyrhólaey Arch – Lighthouse

Canon Camera, Fog, High Dynamic Range (HDR), Journaling, Light Intensity, Lookback Photos - One Year Ago, On Being with Krista Tippett, Photography & Conceptualizing Beauty, Project 365 - Photo-a-day, Spring, The Candid Frame, Weather
Beginning Southward - Iceland 1

Beginning Southward – Iceland 1

Beginning Southward - Iceland 2

Beginning Southward – Iceland 2

Beginning Southward - Iceland 3

Beginning Southward – Iceland 3

Beginning Southward - Iceland 4

Beginning Southward – Iceland 4

Cloudwork, Þjóðvegur, Southern Region - Iceland 1

Cloudwork, Þjóðvegur, Southern Region – Iceland 1

Cloudwork, Þjóðvegur, Southern Region - Iceland 2

Cloudwork, Þjóðvegur, Southern Region – Iceland 2

Lighthouse at Dyrhólaey Arch, Iceland 1

Lighthouse at Dyrhólaey Arch, Iceland 1

Lighthouse at Dyrhólaey Arch, Iceland 2

Lighthouse at Dyrhólaey Arch, Iceland 2

Lighthouse at Dyrhólaey Arch, Iceland 3

Lighthouse at Dyrhólaey Arch, Iceland 3

Lighthouse at Dyrhólaey Arch, Iceland 4

Lighthouse at Dyrhólaey Arch, Iceland 4

Lighthouse at Dyrhólaey Arch, Iceland 5

Lighthouse at Dyrhólaey Arch, Iceland 5

Lighthouse at Dyrhólaey Arch, Iceland 6

Lighthouse at Dyrhólaey Arch, Iceland 6

Lighthouse at Dyrhólaey Arch, Iceland 7

Lighthouse at Dyrhólaey Arch, Iceland 7

Lighthouse at Dyrhólaey Arch, Iceland 8

Lighthouse at Dyrhólaey Arch, Iceland 8

Lighthouse at Dyrhólaey Arch, Iceland 9

Lighthouse at Dyrhólaey Arch, Iceland 9

Lighthouse at Dyrhólaey Arch, Iceland 10

Lighthouse at Dyrhólaey Arch, Iceland 10

Lighthouse at Dyrhólaey Arch, Iceland 11

Lighthouse at Dyrhólaey Arch, Iceland 11

Lighthouse at Dyrhólaey Arch, Iceland 12

Lighthouse at Dyrhólaey Arch, Iceland 12

I was in Iceland a year ago. The time was opportunity to move within and over unexplored terrain, alone. I would respond to it all, feasting my eyes through my camera lens, always working to understand the visual narrative of the land, its weather and people.

The windward-leeward interaction of mountain weather is a visible dynamic in Iceland. Atlantic clouds push into mountains producing rainy, spitting drizzle along their path. On the lee side they roll down, over mountains becoming a moving cloud blanket that dissipates, evaporating in its encounter with sunlight. Iceland’s cloud-work is extraordinary in its shift and shape, its play of light and shadow, its depths and in its interaction with the island. It is mountain weather, weather that can change radically within the space of a few moments. What was seen is revealed, here, as high dynamic range HDR images.

The lighthouse grounds at the Dyrhólaey Arch serve as orienting point for most images. From this crag black, volcanic sand beaches are visible. The Atlantic Ocean shimmers and rolls in. Mist and rain shroud distant islands. And, rays of sunlight stream through cloud and reflect upon the ocean. Inland, mountain snow melts exposing rock, sand and dirt. Lighthouse access is found driving up the side of this mountain outcrop along a steep, muddy, one-track gravel road, a series of switchbacks without road barriers. Poor weather needs a careful driver’s eye to prevent an unfortunate tumble off this crag. With my smaller SUV (a 2006 Ford Escape), the climb and descent were exhilarating as was greeting opposing traffic.

Quote to Consider / Inspire: “I never tried to revolutionize photography; I just do what I do and keep my fingers crossed that people will like it.” – David Bailey

Listening to – two ‘On Being with Krista Tippett’ interviews/podcasts: ‘Carlo Rovelli – All Reality Is Interaction’ and ‘Pádraig Ó Tuama – Belonging Creates and Undoes Us Both;’ ‘The Candid Frame podcast with Ursula Tocik;’ and, Ólafur Arnalds, Atli Örvarsson & SinfoniaNord perform ‘Öldurót,’ a remembrance in music, recalling Iceland.

Between Terms – Hybrid Trail

Best Practices - Photography, Home, Journaling, Light Intensity, Lookback Photos - One Year Ago, Photography & Conceptualizing Beauty, Project 365 - Photo-a-day, Summer
MIrrored Building - Edmonton, Alberta 1

MIrrored Building – Edmonton, Alberta 1

alberta-legislature-edmonton-alberta-2

alberta-legislature-edmonton-alberta-2

alberta-legislature-edmonton-alberta-3

alberta-legislature-edmonton-alberta-3

alberta-legislature-edmonton-alberta-4

alberta-legislature-edmonton-alberta-4

architectural-festival-installation-edmonton-alberta

architectural-festival-installation-edmonton-alberta

cn-tower-edmonton-alberta

cn-tower-edmonton-alberta

edmonton-skyline-from-north-east

edmonton-skyline-from-north-east

edmonton-skyline-from-under-saskatchewan-drive

edmonton-skyline-from-under-saskatchewan-drive

edmonton-skyline-from-west

edmonton-skyline-from-west

gibson-building-edmonton-alberta

gibson-building-edmonton-alberta

grant-mcewan-university-entrance

grant-mcewan-university-entrance

hotel-cutaway-edmonton-alberta

hotel-cutaway-edmonton-alberta

mirrored-building-edmonton-alberta-1

mirrored-building-edmonton-alberta-1

mirrored-building-edmonton-alberta-2

mirrored-building-edmonton-alberta-2

mirrored-building-edmonton-alberta-3

mirrored-building-edmonton-alberta-3

walterdale-home-edmonton-alberta

walterdale-home-edmonton-alberta

We were in Edmonton and only days into our summer break when I seized the opportunity to cycle along Edmonton’s River Valley Bike trails. These trails were ones I road between terms at University thirty years ago. Then, I road a Kuwahara, chromoly steel-framed mountain bike. I bought it after my 1986 convocation and completion of my first degree. Now I road a new, Giant Hybrid Roam I. It replaced my weathered, well-ridden, fifteen-year-old, yellow Specialized HR (HardRock) Comp mountain bike. I donated it to Goodwill and bought the Giant Roam I.

The trail I remember had been a quick-paced, two-hour ride. The route covered upwards of forty kilometres. Now, I encountered the River Valley’s up and down on each side of the North Saskatchewan River. It passed by the Riverside Golf Course, through Rundle Park, out to the Strathcona Science Centre, then back along Ada Boulevard to Concordia College. From there, it moved past the Dawson Bridge, under the City Centre, past the Alberta Legislature, across the High Level Bridge, alongside the Pitch-and Putt behind the Kinsmen Field House, under Saskatchewan Drive toward the James MacDonald Bridge, then the Low Level Bridge and finally up a rigorous climb from under the St. Joseph Seminary out of the River Valley and then through Forest Heights Park to McNally High School where my truck waited.

Where I had completed this trek in two hours, thirty years ago, this well-worn path was taking me upwards of three and a half hours to complete. Sections of the once familiar route now suffered neglect – cracks and frost-heaves made the trail uneven. Hard-core, cycle-til-you-drop Edmonton cyclists had taken to spray painting cracks with bright paint to remind and to warn other cyclists of bumps along the trail. Other parts of the cycling trail were being restored. In one case a cycling bridge beneath the Shaw Centre was being dismantled and replaced. A detour was needed around this construction site – a ten minute, hard climb out of the valley with travel along the edge of the city centre core. Cycling time extended. Detours added delay.

Stopping to gather photographs slowed my cycling circuit. I was searching-out images associating to memories of early morning cycling in the Edmonton River Valley. Other images took-in and experimented with Edmonton architecture. Composition in some photographs now seems hasty. Cycling’s faster pace has seemed, at this later editing date, to have limited my awareness of all (or other) composition choices. Images that I photograph while walking hold different consideration. Walking into the scene gathers perception for what an image can become. Good consideration for how to frame a shot can occur. Three days of early summer cycling gathered these images.

Listening to – Keith Jarrett’s concert album, ‘The Köln Concert’ from 24 January 1975 – enjoying this as a former piano player.

Quote to Consider / Inspire: “Adequate photographers use their sight, good photographers use their senses, and great photographers use their souls.” – A. J. Compton

Skyline Silhouette

Light Intensity, Lookback Photos - One Year Ago, Podcast, Project 365 - Photo-a-day, Summer, The Candid Frame
Edmonton Skyline 1

Edmonton Skyline 1

Edmonton Skyline 2

Edmonton Skyline 2

Edmonton Skyline 3

Edmonton Skyline 3

Edmonton Skyline 4

Edmonton Skyline 4

A summer image, looks west from Baseline Road at 17th Street to Edmonton’s skyline; it appears as silhouette. To the left and right are various petroleum-based industries – the road is known also as ‘Refinery Row.’

Quote to Consider – “Just put on the lens and go.” – Miroslav Tichy

Listening to – Bruce Springsteen’s ‘Open All Night,’ as first rendered on his Nebraska album – a rockin’ boogie on an electric guitar and the voice of Bruce, those two instruments, nothing else; the song is quite different from piano and band boogie as it is rendered on his ‘Live in Dublin’ performance. Also, listening to ‘The Candid Frame: A Photography Podcast’ and Ibarionex Perello’s interview of Stacey Pearsall and the subject of Military Journalism and the Veterans’ Portrait Program.