I have had a go at creating two High Dynamic Range (HDR) images in the last while. In landscape images my practice is to shoot with Automatic Exposure Bracketing (creating 3 images in succession -1, 0 & +1) and explore how the images will turn out in HDR. The images are of subjects I have shot before; but, they are not the original image shots included in previous posts. They are ‘also-ran’ images of the 1947 Ford One-tonne Tow Truck from McLure, British Columbia and the ‘would-be’ bus shelter seat, North of 60 style. In both the detail, lines and range of light are enhanced (or at least different).
Listening to – today it’s been the conclusion of Ken Follett’s ‘Pillars of the Earth’ on the long drive home from Edmonton to High Level. The narrative provides glimpse of Monarchy, Ecclesiastical ambition and all that was behind building cathedrals and parishes; the story moves from Life at the local/village level all the way to Thomas Beckett and King Henry and those who contested the throne.
Quote to Inspire – “Vision is that original spark that was ignited within you and made you pick up a camera to capture whatever it is you saw, that made you turn to shout “Did you see that!” only to find no one there–so you created an image to do the telling.” ― David duChemin, Vision & Voice: Refining Your Vision in Adobe Photoshop Lightroom
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BY GRACE THROUGH FAITH
thoughts on innovation, startups, photography and bourbon since 2007
I make photographs and poems to please myself (and share them to please you).
Natural, rural and urban images
Surreal Landscapes by Maikhail Buzhinskiy
Exploring open roads without breaking the bank
Expeditions - explorations - adventures
'Why be reliant upon secular media sources, literary works penned by atheists, and embittered hearsay to inform your views on religiosity, or worse still to bring about the lack thereof, isn't that as sensible as asking directions to KFC from Ronald McDonald?' ―T. C. M
What I've always wanted
Born a Yaad | Adventuring Abroad™
He started Writing, The paper started speaking...
L'occhio ritaglia il soggetto, e l'apparecchio deve solo fare il suo lavoro, che consiste nell'imprimere sulla pellicola la decisione dell'occhio
Traveler & photographer with a passion for everything
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