Derelict Farmhouse II

Best Practices - Photography, Canon 60D, Canon 70-200 mm 2.8 IS L Series Lens, Canon Camera, Canon Lens, Canon Live View, Christmas, Farm, Farmhouse, Homestead, Journaling, Night, Photoblog Intention, Photography & Conceptualizing Beauty, Sunset, Winter
Derelict Farmhouse 2 - Lamont, Alberta 1

Derelict Farmhouse 2 – Lamont, Alberta 1

Derelict Farmhouse - Lamont, Alberta 2

Derelict Farmhouse – Lamont, Alberta 2

Derelict Farmhouse - Lamont, Alberta 3

Derelict Farmhouse – Lamont, Alberta 3

The front face or façade of a derelict farmhouse precedes a wooden grain shed and newer, state of the art grain silos. The image contrasts new, old and older. The house sits on a ridge overlooking a storage yard for people’s equipment, a collecting point or nexus for anything unused and nearly disposed of … old mobile homes, vehicles, farming implements and machinery. This house, on the other hand, has structure and form and context – it has beauty; it had purpose in a former time. What would this house have been like in its day, when people were proud of the land’s first fruits? Is this a homestead house built following World War I or World War II? Would the farmers who farmed here have come to Canada or would they have been a generation or two arrived. In terms of today, why has the building not been torn down? What memorial does this house provide and to whom? Who does this house continue to serve?

Listening to – Radiohead’s ‘Little by Little’ from the King of Limbs album (Live from the Basement).

Quote to Inspire – “Quit trying to find beautiful objects to photograph. Find the ordinary objects so you can transform it by photographing it.” – Morley Baer

Derelict House – Day’s End

Backlight, Canon 60D, Canon 70-200 mm 2.8 IS L Series Lens, Canon Camera, Canon Lens, Christmas, Farm, Farmhouse, Home, Homestead, Light Intensity, Season, Vehicle, Winter
Derelict Farmhouse 1

Derelict Farmhouse 1

Derelict Farmhouse 2

Derelict Farmhouse 2

Friday, following Christmas, after time away from Edmonton at Elk Island National Park photographing bison, there, we took the backway into Edmonton, leaving the park and coming into Edmonton through Fort Saskatchewan. Near Lamont we found this derelict farmhouse. I took some shots while my son read a novel in our SUV; curiously, he may have been reading Charles Dickens’ ‘Bleak House,’ a novel sorting through the estate of someone who has passed … the clarity and speed of action within Britain’s legal system at the time is slower than a snail’s pace and those to whom the estate would benefit are in some cases reduced to poverty with the waiting … that’s gone on for what seems a generation; it’s social commentary and plot. With the image, here, the sun was moving toward the horizon and gives partial corona to the roof at each leftmost edge near the eaves trough. The textures and muted tones appeal. In looking through the image, the landscape that the house is set in seems to collect the unused, as well – day’s end for a few things.

Listening to – Cold Play’s ‘Violet Hill’, ‘Yellow’ and John Farnham with ‘The Voice’.

Quote to Inspire – “Everything shifts as you move, and different things come into focus at different points of your life, and you try to articulate that.” Chris Steele

Fence Post – What Was, Is What We Now See

Canon 60D, Canon Camera, Canon Lens, Farm, Flora, Journaling, Light Intensity, Lookback Photos - One Year Ago, Photoblog Intention, Photography & Conceptualizing Beauty, Project 365 - Photo-a-day, Season, Spring
Fence Post 1

Fence Post 1

Fence Post 2

Fence Post 2

Fence Post 3

Fence Post 3

Fence Post 4

Fence Post 4

Fence Post 5

Fence Post 5

Fence Post 6

Fence Post 6

2012 – we will soon close-out 2012 and all that has been our photography through this year. Many of you have made your way to wordpress along a similar path, catalyzed by the prospect of a photo-a-day improving how we approach photography and taking that daily step of opening and closing a camera shutter, editing a photo and then loading the image (most times with comment) into your wordpress blog. I am in awe of the immensity of this endeavor and grateful to be in receipt of that recursive back and forth of dialogue, something that has created synergy and momentum in each of us returning to our wordpress blog with new images each day. Very good schtuff!

Each of you has been example to me. Each of you has captured images of Life being lived – medias res. Your photos contain mood, capture moment, find humour. I am indebted to each of you for those images of yours that stay with me, that I think about through the day and week. With likes, comments and encouragement, you’ve nudged me forward, further and further with photography this year and I have pushed the envelope in big ways. For all this, I am grateful … thank you for your part in what my 2012 has been.

Take good care of your good, good selves … and enjoy the season as best you can – Merry Christmas.

Former Field Anchor – the photo presented here is another fence post found around Sangudo, Alberta. Again, the play has been in find ways to represent this image.

Listening to – Bruce Springsteen’s Santa Claus Is Coming To Town, John Lennon and Yoko Ono’s Happy Christmas (War is Over), Brenda Lee’s Rockin’ Around the Christmas Tree, Chubby Checker & Bobby Rydell’s Jingle Bell Rock and Perry Como’s Home for the Holidays.

Quote to Inspire – “All the technique in the world doesn’t compensate for the inability to notice.” – Elliott Erwitt

Ethereal, Restless – Dreaming

Best Practices - Photography, Canon 60D, Canon 70-200 mm 2.8 IS L Series Lens, Canon Camera, Canon Live View, Fall, Farm, Farmhouse, Flora, Home, Homestead, Journaling, Light Intensity, Lookback Photos - One Year Ago, Photoblog Intention, Photography & Conceptualizing Beauty, Project 365 - Photo-a-day, Season, Spring, Still Life, Weather
House of Dreams 1

House of Dreams 1

House of Dreams 2

House of Dreams 2

House of Dreams 3

House of Dreams 3

House of Dreams 4

House of Dreams 4

House of Dreams 5

House of Dreams 5

This farmhouse image is one that I connect to moments we’ve all had – that ethereal, restless dream state when dreaming’s hallucination can draw forth what seems other-worldly connection. For me, I recall Mr. Lockwood who upon renting Thrushcross Grange ventured out on a winter walk to meet and greet his landlord, a man by the name of Heathcliff. The story, set in the late 1700s – early 1800s, sees the newly installed Mr. Lockwood walking to the property of his new landlord, a home with a name – Wuthering Heights. A snow storm brews up and makes it necessary for Mr. Lockwood to stay the night in his landlord’s home.

A place is made for him in what seems is a book cupboard or closet.

He reads a pen and ink commentary set forth in the margins of books within this sleeping closet; print books, the only source of paper available to another character, Catherine Earnshaw, are the place where Catherine journals about and considers her life – a journal that in tone and availability serves as confidante for the teen who as estate owner’s daughter is without ready access to peers her age at the Wuthering Heights farm estate. Mr. Lockwood can’t sleep – he reads and reads and reads about Catherine and Heathcliff … until in that ethereal, restless dream state he enters into dream hallucination, a state in which he encounters a young Catherine who within the snow storm outside knocks at ‘his’ window asking to be let in. The farmhouse in this image meets well many of the essential elements of what my mind imagines that Wuthering Heights could be. This house seems ready for all that Emily Bronte’s novel, Wuthering Heights, might hold. And, there’s more to that story ….

Listening to – Maria Dunn’s God Bless Us Everyone, Michael Hoppe’s Land of Serenity, Bill Douglas’ Irish Lullaby, Grant McAskill’s Bitter Season, Catherine Anne McFee’s I See Winter and Paul Brady’s Help Me Believe.

Quote to Inspire – “I want the viewers to be moved into the lives of the people that they are looking at, the visual experience is incredibly emotional.” Paul Fusco

Image Design, Picture Perfect – Prints Printed

Best Practices - Photography, Canon 60D, Canon 70-200 mm 2.8 IS L Series Lens, Canon Camera, Canon Lens, Canon Live View, Farm, Homestead, Light Intensity, Lookback Photos - One Year Ago, Photoblog Intention, Photography & Conceptualizing Beauty, Project 365 - Photo-a-day, Season, Still Life, Vehicle, Vehicle Restoration, Weather, Winter
Chevrolet Grain Truck 1

Chevrolet Grain Truck 1

At day’s end, cold yet indoors, changing tack on the day’s direction – printing two or three images, ones that I might have done as canvas prints. I chatted with Image Design Pros in Grande Prairie – cost and size of the image that can be produced are both attractive elements within my decision. Shutterfly is another option, an option my wife has talked around with her colleagues.The Picture Perfect Frame and Gallery in Grande Prairie may also serve as framing point for prints.  I discovered that Dan Kameka who has photographed many retrospective farming tribute photos as well as the Dunvegan bridge has been former owner of this same Picture Perfect Frame and Gallery. Upstairs the gallery contains two or three remaining prints of Dan Kameka’s – farming tribute … black and whites with selective colorization (retro greens and reds from the forties, fifties and sixties), nostalgic prints holding memories for people within and around Grande Prairie. There are artists from within the regions – Klaus Peters, Robert Guest and Frank Martel. I bought a Martel work for my son for Christmas – there’s an intensity in the use of colours that is vibrant and energizing.

In printing photos tonight I am pleased with the colour fidelity between monitor and actual print. It’s been ‘Homestead & Winter Skies,’ ‘Winter’s Wraith-like Wisps,’ ‘Rivetting – Edmonton’s High Level Bridge,’ and ‘Gorge – Englishman River Falls, British Columbia.’ The photos presented here tonight are a quartet of winter images of that Nampa grain truck, a Chevrolet three-ton from a few posts back.

Listening to – The Road Home with Bob Chelmick, CKUA streaming via the Internet … two poems by Lorna Crozier begin the show; one’s called Patience; then it’s Things to Do by Calgary’s John Rutherford.

Quote to Inspire – “A photo is a small voice, at best, but sometimes – just sometimes – one photograph or a group of them can lure our senses into awareness. Much depends upon the viewer; in some, photographs can summon enough emotion to be a catalyst to thought.” – W. Eugene Smith

Chevrolet Grain Truck 2

Chevrolet Grain Truck 2

Chevrolet Grain Truck 3

Chevrolet Grain Truck 3

Chevrolet Grain Truck 4

Chevrolet Grain Truck 4

Last Inhabitants – No Longer Tended To

Best Practices - Photography, Canon 60D, Canon Camera, Farm, Flora, Homestead, Light Intensity, Photography & Conceptualizing Beauty, Project 365 - Photo-a-day, Season, Still Life, Weather, Winter
Grain Stocks - Fairview, Alberta

Grain Stocks – Fairview, Alberta

Under grey, foreboding winter skies, grain stocks remain – last inhabitants of this farmer’s field. Missed by the threshing blade, iced with snow and blown by every breeze they remain, still standing, no longer tended to.

Listening to – Martyn Joseph’s Cardiff Bay, Strange Way and The Great American Novel.

Quote to Inspire – “Not everybody trusts paintings; but, people believe photographs.” – Ansel Adams

Homestead & Winter Skies

Backlight, Best Practices - Photography, Canon 60D, Canon 70-200 mm 2.8 IS L Series Lens, Canon Camera, Canon Live View, Farm, Farmhouse, Home, Homestead, Journaling, Light Intensity, Lookback Photos - One Year Ago, Photoblog Intention, Photography & Conceptualizing Beauty, Project 365 - Photo-a-day, Season, Sunset, Weather, Winter
Winter Skies 1

Winter Skies 1

Solid, well-made, a homestead house looks southwest to winter skies at dusk. Windowless, vacant and solitary now, the building did once serve as home, refuge from one’s day, shelter during one’s night, that place to regroup, rejuvenate and revive before handling tomorrow. On the crest of a hill, a farmer’s field, wind and snow blow through this former home to farmers and their families.

Listening to – Mike Plume’s Rattle the Cage;  reminds of Mindy Smith’s similar song with same title.

Quote to Inspire – “My photography is a reflection, which comes to life in action and leads to meditation. Spontaneity – the suspended moment – intervenes during action, in the viewfinder.” – Abbas

Winter Skies 2

Winter Skies 2

Winter Skies 3

Winter Skies 3

B-Side Catch-all & Round-up

Best Practices - Photography, Canon 30D, Canon 60D, Canon Camera, Canon Live View, Farm, Farmhouse, Flora, Lookback Photos - One Year Ago, Photoblog Intention, Photography & Conceptualizing Beauty, Project 365 - Photo-a-day, Spring, Still Life, Summer, Vehicle, Vehicle Restoration, Weather, Winter

B-side images, ones that haven’t made the first cut reveal in their review how often I am impressed with technology’s artistry that comprises what becomes a vehicle. A veritable used car lot, these images display resurrected lives of vehicles, being breathed into new Life through the artistry of a would-be car crafter. Winter grain stocks hold interest in their various settings.

Listening to – Aqualung’s Strange and Beautiful (I’ll Put A Spell On You), the Volkswagen Beetle tune from a few years back.

Quote to Inspire (or draw one toward reality) – “Photography cannot do much. It provides some level of information, yet it has no pretensions about changing the world.” John Vink

Upon that Unprofitable Land

Canon 60D, Canon 70-200 mm 2.8 IS L Series Lens, Canon Camera, Canon Lens, Canon Live View, Combine (Farming), Farm, Light Intensity, Lookback Photos - One Year Ago, Photoblog Intention, Photography & Conceptualizing Beauty, Project 365 - Photo-a-day, Still Life, Weather, Winter
Massey-Harris Combine, Peace River, Alberta – 1

Massey-Harris Combine, Peace River, Alberta – 1

The back forty is a farming phrase taken to mean the untended area of a farm, land not in public view, land not regularly or productively used by its farmer. The back forty may be difficult to navigate with farm machinery. It may contain a slough or the water table may be high enough making the work of land use unprofitable. Such land, untamed, untrammeled and unused is often best used as a place for storing farming machinery that you might need for parts in future days. North from Peace River, Alberta, this Massey-Harris sits on the steeper slope of a field, an area of land that its farmer has found difficult to use, part of what might described as the back forty.

Listening to – Snow Patrol’s Those Distant Bells, Matthew Perryman Jones’ Keep It On The Inside, Murray McLaughlin’s Hard Rock Town, Liz Longley’s Unraveling and Shawn Colvin’s All Fall Down.

Quote to Inspire – “My life is shaped by the urgent need to wander and observe, and my camera is my passport.” – Steve McCurry

Massey-Harris Combine, Peace River, Alberta – 3

Massey-Harris Combine, Peace River, Alberta – 3

Massey-Harris Combine, Peace River, Alberta – 2

Massey-Harris Combine, Peace River, Alberta – 2

December, Puck & Mr. Keating

Best Practices - Photography, Canon 60D, Canon 70-200 mm 2.8 IS L Series Lens, Canon Camera, Canon Live View, Farm, Homestead, Journaling, Lookback Photos - One Year Ago, Photoblog Intention, Photography & Conceptualizing Beauty, Project 365 - Photo-a-day, Vehicle, Vehicle Restoration, Weather, Winter
Car Between Fox Creek and

Car Between Fox Creek and

December – colder temperatures, cooling the core of you; shortened days, days of the long nights; snow blankets the landscape and falling veils the atmosphere looked through diluting colour into the distance until only the grander forms can be made out. Arriving home for supper, I stumble into Mr. Keating and his students within the latter acts of Dead Poets Society – it’s winter, there, too. At the point where I pick up the story, a student challenges parents’ wishes and takes on the role of Puck within a production of Shakespeare’s A Midsummer Night’s Dream. Neil, as Puck, opens and closes this first performance famously, an outcome that’s would surely catalyze future interest and movement within and toward drama as solid and chosen Life endeavor. His parent’s plan, though, is what it is. There is no room for deviation. Life, moving forward, is their way or not at all. To live-out the parent’s plan, dreams must die.  And, dead dreams are no more than that – dead. Neil recognizes that he has known the rapture of bringing the journey of a drama from a good beginning to successful conclusion. Neil takes his Life. Much of what the movie deals with is shaping judgment and pursuing truth – uncovering the core reality of Life. And, the movie shows costs associated with such noble pursuit – ‘O’ Captain, My Captain’. A friend and colleague pointed out that Mona Lisa Smile is the inverse to this film, Dead Poets Society.

While not a December photo, the vehicle within the image is one that was certainly around during the time in which Dead Poets Society was set. In the last third of the distance from Fox Creek and Valleyview, Alberta, this vehicle resides on the north side of the highway, in a farmer’s field. The sanding and the front right quarter panel that needs to be reattached reveal the car to be a project vehicle, a vehicle that someone has had an interest in restoring … and then didn’t. Set within view of the highway, it is certain to draw the attention of another would-be car crafter. For me, I enjoy the shape and look found in this vehicle from a former time. While editing this photo today, I realized that in total I may only have ridden in a handful of these fifties vehicles, maybe only one or two … despite having photographed them so often.

Listening to – Sigur Ros’ Glosoli.

Quote to Inspire  in Dead Poets Society terms – “Finally, brothers, whatever is true, whatever is honorable, whatever is just, whatever is pure, whatever is lovely, whatever is commendable, if there is any excellence, if there is anything worthy of praise, think about these things.” Philippians 4:8 – University of Alberta’s motto

Quote to Inspire – “I fell in love with the process of taking pictures, with wandering around finding things. To me it feels like a kind of performance. The picture is a document of that performance.” – Alec Soth