Getting Out The Door – Summer’s Launch

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Wheels and Deals – High Level, Alberta – 1

Wheels and Deals – High Level, Alberta – 2

Wheels and Deals – High Level, Alberta – 3

Wheels and Deals – High Level, Alberta – 4

Summer is here.

In the first week of summer break, school’s work has lessened—the last report, comprehensive as it was, has been written and submitted. Students’ award photos have been edited and uploaded, and the division’s long-service award images have been edited and delivered by thumb drive to the appropriate person. Next year, I will use Dropbox to move big images over the Internet. That done, I am able to launch into summer’s rest, time to myself with my thoughts, and begin letting go of the year that has been our school year and bridling down my watch for the next necessary thing needing done. It is time to release all that and take-up my own Life, once again. Movies are being watched – older ones, older favorite’s, and ones linked to novels read. An old pattern is there – movie marathon nights help dissociate me from the year that has been, one part of unlocking the door to summer.

The other day, it was a good thing to wake up, gather my wife from her university work and into our truck, and get out for a drive. It set the tone for a summer’s day. That essential premise – get out the door – was lived out. I got out that door again yesterday, recalling with some strength that there should be a ‘Wheels and Deals’ event at the Mirage Hotel in High Level, Alberta, a ‘Show and Shine’ kind of gathering of favored vehicles with the added opportunity of a swap meet – ‘wouldn’t that be something for me to find a late sixties Pontiac, like the one I used to drive during high school?’ I took my Leica M8 with Zeiss ZM Biogon 28mm lens and went to have a look. I had my Fujifilm GFX 50r and Ricoh GR iii as cameras I might use as well.

I shot for the first hour with the M8, focusing with the rangefinder’s viewfinder and focus patch. I moved through the area as people set up. Cars, trucks and motorcycles arrived and were arranged in the hotel’s parking lot. I could move around, talk with vehicle owners, and photograph vehicles. I could shoot according to what I saw compositionally. I could take my time with the M8. Good.

The black-and-white image presented here highlights some elements of visual composition—the Pontiac and the Buick Super Eight cluster in terms of visual weight in the image, and the black-and-white gradient of tone reveals shape, reflection, and vehicle lines (and an era of automobile design). A sense of depth is there as the eye moves from the Buick, past the Pontiac, to the Mercury truck and the hotel’s entryway. While the image was shot and edited primarily in colour, using Silver Efex from the NiK Collection provided an extraordinary, eye-captivating, black-and-white image – an image captured yesterday, in the summer of 2024, that, in terms of variety and proximity among vehicles, black-and-white toning, visual weight, and proportion, could easily have been an image captured in black-and-white during the fifties when these vehicles were first manufactured. In that sense, the image becomes nostalgic. It relates to a time preceding me … just. Other colour images are presented for reference.

Listening to: Bruce Springsteen’s ‘Open All Night,’ ‘Highway Patrolman,’ from the ‘Nebraska’ Album, JD McPherson’s ‘Let the Good Times Roll,’ and most of Bruce Springsteen’s ‘Tunnel of Love’ album, starting with ‘Walk Like a Man.’

Quotes to Consider – Re: Photography …

‘Date your cameras, marry your lenses.’ This quote is new to me, yet highlights a key idea for photographers – that investing in glass (good lenses) is essential while the cameras used over time will change.

‘Innovation comes from people who take joy in their work (W. Edwards Deming).’ The quote was offered in a YouTube video offered by ‘Three Blind Men and An Elephant’ in their video, ‘Leica D-Lux 8 Defies Expectations, Including My Own, (2 July 2024)’ to recognize that Leica, as a company already producing stellar cameras, is one whose employees enjoy innovation and improvement that can be made to their cameras and lenses. On the Adizes’ Curve, Leica has embraced a key dynamic that allows them to remain in the ‘prime’ of organizational/corporate lifecycles.

Photo-A-Day Challenge

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Photography is more an active endeavour than a passive one. You take a photo by placing yourself in front of your subject – you move in small ways aligning camera and lens to subject, and at other times, you move in terms of distances travelled, large and small, to photograph your subject. The word endeavour has work at its core, perhaps even … sustained work, linked to achieving a goal.

In 2009 – 2010, I stumbled upon the photo-a-day challenge, an active pursuit in which a would-be photographer can engage in photography and evolve skills needed to take, edit, and present photos. Over time, the photos created would become stepping stones from which one could look back and consider emerging questions about photography that one was ready to have answered when they had consolidated (put together and understood) the question to be asked. Add exposure to others’ photography, and questions would then be about how photographers brought together an image and their intention to present it in the way they had. Photography in a 365-day, photo-a-day pursuit would become step-by-step, emergent learning. As a favourite ‘Motivation to Move’ podcaster, Scott Smith puts it, all you’d need to do is ‘Stand up, take a step, and repeat … until you’ve reached the goal of your dreams.’

Investigating what others had to say about photo-a-day challenges, Woody Campbell surfaced as a photographer with an interesting tack. In Woody’s ‘1 Photo Every Day’ website, you’ll find that Woody has resolved to ‘… take one photograph every day for the rest of [his] life (www.woodycampbell.com)’ and that, at the time of writing, he has done so for thirteen years. He posts his images in a format of day number since he began photographing for this project – his post for Friday, 30 June 2023, while having a small statement descriptor, also notes the post as ‘Day 5006 of photograph every day for the rest of my life;’ in each post he also presents a look-back image – an image to recall and share.

What is there, though, is Woody’s commitment to photo-a-day image-making, and for the would-be photographer, in addition to Woody’s engaging and captivating photography, an arms-length camaraderie and inspiration in like-endeavour are to be found. Because he engages in this work, you are joining him in like-endeavour.

My trek through the photo-a-day project that this WordPress blog sprang from today finds me sifting through 1100+ edited images taken since 2021 that have not been posted, images that were destined for this ‘In My Back Pocket Photography’ blog. As a teacher now in summer, I am enjoying the post-race wind-down following a ten-month marathon with students, staff, and parents, a school year saturated with people, planning, teaching, and testing. However, through the school year, while I have continued to take photos on an almost daily basis, the matter of posting photos has many steps along its way and my posting stats disappoint grievously.

In this third week of July, I am surfacing to a less other-focused Life, something Frank McCourt refers to in his biography, ‘Teacher Man,’ as all that time off, abbreviated as ‘a.t.t.o.’. All that time off allows me to consider and return to personal pursuits and one of them is posting on this blog. At present, the situation gives me the opportunity to consider and present to you ‘points of departure’ as Dorothea Lange states it (via Ralph Gibson) – the common themes or projects I tend to photograph as I review images moving forward since 2021.

Current Points of Departure (2021 to present, Summer 2023)

Along Northern Roads – Alberta

Winter Walks / Cycling in High Level, Alberta

Dunvegan Historic Site and Dunvegan Bridge – Alberta

Edmonton, Alberta

Fort Vermilion, Alberta

Grain Elevators

Industrial Area (Morning Rides – Winter and Summer) – High Level

Peace River Area, Alberta

Trains

Quotes & Concepts to Consider & Inspire

Oubaitori – (1) ‘the idea that people, like flowers, bloom in their own time and in their individual ways (Victoria Ericksen);’ (2) ‘the meaning of oubaitori is that, instead of comparing ourselves to other people, we should be focusing on our own growth, and valuing what makes us special (https://vocab.chat/blog/japanese-oubaitori.html).’

“It is not the answer that enlightens, but the ‘question’ (Eugene Ionesco).”

‘Whatever you can do, or dream you can, begin it. Boldness has genius, magic and power in it (Johann Wolfgang von Goethe).’

‘You’ve got what it takes, but it will take everything you’ve got.’ – Anonymous

‘I have discovered in life that there are ways of getting almost anywhere you want to go, if you really want to go (Langston Hughes).’

Listening to: David Gray’s ‘Sail Away,’ Martyn Joseph’s ‘One Step Up,’ Over the Rhine’s ‘Who Will Guard the Door,’ Amanda Marshall’s ‘Believe in You,’ Van Morrison’s ‘Behind the Ritual,’ and Billy Joel’s ‘This is the Time.’

Wet, Grey, Bleak – Fun

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ATS Customs – Mud Bogger – High Level, Alberta 1

ATS Customs – Mud Bogger – High Level, Alberta 4

ATS Customs – Mud Bogger – High Level, Alberta 3

ATS Customs – Mud Bogger – High Level, Alberta 2

Moving from fall into winter’s weather the world becomes wet and grey and bleak, weather similar to that which you’ll find on the leeward side of mountains at altitude with its drizzle and snow. For many, the sensible thing is to remain indoors. But, others find it difficult to sit still and you’ll find them active within our northern environment, beyond road’s end carving paths with tow ropes and winches through mud and water, a texture not of soup, but stew, in a vehicle set up for the activity of ‘mud-bogging.’ Here, a seventies Toyota Land Cruiser has in its customization been lifted and engineered by ATS Customs – a vehicle set up for mud-bogging. Had I had this vehicle in Wood Buffalo National park (years ago), the weekly grocery runs in June and September would have been more expedient … accomplishing the two-hundred kilometre trek in several instances took more than eight hours one way; in one trek we needed to create our own bridge over a culvert that had washed out.

Listening to – Dar William’s ‘The Beauty of the Rain’ and ‘Let’s Go Fishing in the Morning.’

Quote to Inspire – “I photograph to find out what something will look like photographed.” – Garry Winogrand

Sharing the Field

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Field Shared – Greencourt, Alberta 1

Field Shared – Greencourt, Alberta 2

On the drive between Fort Vermilion and High Level, Alberta the clean, stubble-free fields were noteworthy … more indications that harvest is nearing completion. In addition to grain being gathered and hay bales being removed, the fields did look like someone had vacuumed each field, leaving no trace of the summer’s activity. In this image from a few weeks back, at Greencourt, Alberta alongside the highway north farming implements – a Mercury, two Chevrolets, a Massey Ferguson and John Deere – share a field with round hay bales waiting to be cleared off and stored. The older farming implements are on display … perhaps even for sale … perhaps memorial to farming years.

Listening to – Tyrone Wells’ ‘Time of Our Lives.’

Quote to Inspire – “All the technique in the world doesn’t compensate for the inability to notice.” – Elliott Erwitt

Prop, Actor & Old School

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Camaro Transformed – High Level, Alberta

Camaro (Old School) – High Level, Alberta

585 brake horsepower in a Chevrolet, a car with less weight than a half-ton truck, a car engineered to hold the road at high speed and while cornering creatively, a car Chevrolet distinguishes with notoriety by allowing it to become prop and actor within a movie – The Transformers. This year-old Camaro SS takes a spot on Northstar Chrysler’s lot two vehicles down from its old school predecessor, the original Camaro SS from almost fifty years ago, Chevrolet’s second sports car after the Corvette, a vehicle powered by a 350 ci V8, a car my son and I have ridden in, a car my cousin has owned.

Listening to – Robbie Robertson’s ‘Shine Your Light,’ The Perisher’s ‘Trouble Sleeping,’ and U2’s ‘Crumbs from Your Table.’

Quote to Inspire – “A photograph is the pause button on life.” – Ty Holland

Hopping Mesh – Forward

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1969-73 GMC Camper Special – High Level, Alberta 2

69-73 GMC Camper Special – High Level, Alberta

This blue GMC (1969-73) recalls a grey, overcast November winter weekend in Rimbey, Alberta and an orange GMC plain Jane half-ton, farm work truck of similar age. Starting in a pasture and working our way onto farm roads, my cousin taught me to drive in his orange GMC, a truck with a three-in-the-tree standard transmission having to be understood and engaged, letting out the clutch, adding gas and listening to and feeling where gears meshed, my cousin coaching in a truck that hopped forward occasionally as we set it in motion, movement becoming smoother in each drive between my cousin and uncle’s farms. I was twelve and away from home – good memories recalled to Life by this blue, GMC Camper Special,; it’s likely that this vehicle could have had a two-tone paint job in a previous Life (perhaps forest green and white). With the even beading of water droplets on the entire truck, it is evident that its owner knows how to detail a vehicle; it’s well preserved.

Listening to – Ray Lamontagne’s ‘Trouble’ and ‘All the Wild Horses,’ Radiohead’s ‘All I Need’ and Arcade Fire’s ‘Wake Up.’

Quote to Inspire – “Which of my photographs is my favourite? The one I’m going to take tomorrow.” – Imogen Cunningham

Rain – Opportunities

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Ford & Challenger – High Level, Alberta 1

Ford & Challenger – High Level, Alberta 2

Ford & Challenger – High Level, Alberta 3

Ford & Challenger – High Level, Alberta 4

Ford & Challenger – High Level, Alberta 5

A 1948 Ford F-100 and my neighbor’s mid-seventies Dodge Challenger sit side-by-each in the Northstar Chrysler car lot – room has been made for them. I’m interested in this Ford. With previous image edits of this truck, I have grown familiar with shape and colour – I know this vehicle visually, a modified Ford, artfully and skilfully crafted by someone who understands possibilities for shape, line and colour, someone who has been able to bring about what he envisioned accurately to a pleasing end state. This Ford is one that could easily find a home among California cars. For me, the Show and Shine has presented the opportunity to meet the owner again, even if briefly, an interaction in which I am able to direct him to older images of his truck on this blog.

Rain is the challenge for photography at this show in shine – my point of learning; rain falls and as the shutter opens and closes however briefly the result is that I’m capturing droplets of rain as they fall – the image looks excessively grainy. I’ll be thinking through how to work with rain in photography. Perhaps precision and detail are not to be aimed at in rain. Or, perhaps the learning is to recognize that rain will present white bits of contrast against darker colours in such images. Wind also featured with the rain, water droplets blowing onto the lens filter creating points of blur within images.

Listening to – U2’s ‘With or Without You’ and ‘Point of Surrender.’

Quote to Inspire – “Success is what happens when 10,000 hours of preparation meet with one moment of opportunity.” – Anonymous

Winter’s Tail-end …

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1 Buttertown Home – Fort Vermilion, Alberta 2

2 Buttertown Home – Fort Vermilion, Alberta 1

3 Farm Buildings – Guy, Alberta 1

4 Farm Buildings – Guy, Alberta 3

5 Farm Buildings – Guy, Alberta 4

6 Farming Buildings – Nampa, Alberta 2

7 Farming Buildings – Nampa, Alberta 1

8 Ford & Mercury Trucks 1

9 Ford & Mercury Trucks 2

10 Icicle – Tompkins Landing 1

11 Icicle – Tompkins Landing 2

12 Icicle – Tompkins Landing 3

13 Icicle – Tompkins Landing 4

14 Icicle – Tompkins Landing 5

15 Icicle – Tompkins Landing 6

16 Black and White – Cattails, High Level, Alberta

17 Former Highway Construction Vehicles 1

18 Former Highway Construction Vehicles 2

19 Bus Lanes at Night – High Level, Alberta

A cluster of B-side photos remain – Fort Vermilion’s former times Buttertown homes, winter farming scenes (equipment and buildings, deposited in their last left locations, ‘medias res’), icicle lens edits and former MacKenzie highway construction vehicles. It’s this winter’s tail-end, a time to close winter out … and get-on with spring.

Listening to – Edie Brickell & the New Bohemians’ ‘What I am,’ U2’s ‘All Because of You,’ Cat Stevens’ ‘Morning Has Broken,’ Depeche Mode’s ‘Policy of Truth,’ T. Rex’s ‘Bang a Gong,’ Wang Chung’s ‘Dance Hall Days’ and Neil Young’s ‘Cinnamon Girl.’

Quote to Inspire – “Success is what happens when 10,000 hours of preparation meet with one moment of opportunity.” – Anonymous

Midnight’s Summer Images

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Mill – High Level, Alberta

Sod Farm – High Level, Alberta

South and east from High Level a wood mill’s burner burns sawdust. North from High Level there’s a sod farm. Both images are summer images shot very close to midnight in early July.

Listening to – my own fretting of Dave Matthew’s ‘Crash into Me.’

Quote to Inspire – “I’m left handed, have a double jointed finger, and almost lost my thumb when I was younger. I resent the fact that cameras are not made for lefties.” – Matt Stuart

Tougher & Last Man Standing

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Fifties Flatdeck Truck - Nampa, Alberta

A few things make today a tougher go – not the legitimate student response to spring’s arrival and the fever it’s engendering, nor is it those minds that recognize that their attitudes are blocked, stalemated or closed with the past six months of winter’s interior Life at home and school; at this time of year openness in perception, thought and attitude itches in angst to break free of winter’s constraints of living. These are all within the arena of Life work in early spring in High Level, Alberta.

At this time of year, it’s too easy to say the wrong thing. It’s too easy to get caught-up in oneself and one’s endeavors. It’s too easy to neglect where one’s care needs legitimate directing. This season is one in which humour can get you into serious trouble while also being a source of tremendous healing and celebration. It’s a time of year when it’s good to have a bonfire that is shared among others, a bonfire that extends the day into the wee hours of the night. It’s a time when strength of body and strength of mind carry you forward into this next season that is spring. At such a bonfire it’s good to have a keeper of the fire, the last man standing for when the last ember dies, someone we know who will see the night through on our behalf when we find that we should direct ourselves home and to sleep. And, perhaps that’s it, the toughest part of today is that of helping one’s body overcome extended wakefulness as the season changes from winter to spring.

The photograph presented here is that of a late fifties flat-deck truck in Nampa, Alberta. In Nampa the historical-agricultural museum is in the process of re-locating. So, farming equipment/implements, vehicles, train cars and buildings are shifting location. Until the new site is completed these items remain scattered throughout Nampa. This flat-deck truck sits in someone’s backyard alongside other vehicles and looks to be in readiness for use. This truck has seen perhaps fifty or so years of service and its structure still has integrity. It seems to be one of the last vehicles standing and seems to have strength associated with preserved shape and ability to function. Its look is that which we’d find in the wizened face, that face of the last man standing – the keeper of the fire – when we need to direct ourselves to sleep.

Listening to Over the Rhine’s Spark, Joseph Arthur’s In the Sun (with Michael Stipe) and U2’s One; other songs have included Eric Angus Whyte’s Beggars and Buskers (of Belfast), Liz Longley’s Free and the Steve Miller Band’s Rock’n Me. My daughter has had me download Young the Giant’s Cough Syrup and Kelly Clarkson’s Stronger (What Doesn’t Kill You); Demi Lovato’s Skyscraper has also received download tonight.

Quotes to Inspire – (1) “If I knew how to take a good photograph, I’d do it every time.” – Robert Doisneau; and, (2) “If I have any ‘message’ worth giving to a beginner it is that there are no short cuts in photography.” – Edward Weston.