travel

Judah Homestead

Homestead, Journaling, Winter

The weather was that of early spring – a day grey and overcast, later filling with snow flurries, then shifting to bright sunlight among clouds as I drove south from Peace River, Alberta. I was taking time … to look around, to explore, to learn more about a region I drive through regularly but through decades had not yet investigated.

Back in December 2022, interested in the terrain of the Peace River’s river valley, I asked a farmer from the region about possible vantage points for viewing the river. The river that is from one kilometre to a kilometre and a half wide as it moves through a region I teach in has intrigued me since my wife, and I flew into a fly-in teaching community three decades ago. Two locations were recommended to look over the town of Peace River and along the river valley.  The Twelve Foot Davis gravesite was high above the town on its east side. The second recommendation caught my attention – the Sagitowa Friendship lookout point had been described as being along the road to Judah, the hamlet of Judah … perhaps forty minutes south and west of Peace River along a road that follows the southern river bank. This lookout point allows the eye to travel west and south following the river; it allows for a look down and north to the town of Peace River’s south end, up to its north end; it allows, for a look across the river to the Shaftesbury Estates, the West Peace area, Saddleback Ridge and the Pines.

I was at the Sagitowa lookout working with my camera. After several shots, it began to snow. I packed up and began a drive toward Judah. In the early afternoon, the sun came out, somewhat harsh in terms of the contrast of light and shadows. Within the hamlet of Judah, I found treasure – this homestead.

Quotes to Inspire – two quotes have found me this week; both have value for a photographer.  First, ‘We don’t see things as they are. We see them as we are (Anais Nin).’ The second is one that seems related, ‘People only see what they are prepared to see (Ralph Waldo Emerson).’ This quote highlights a photographer’s readiness to see a given subject and perhaps maturation in terms of seeing that subject. It attaches to a follow-up statement, ‘If you look for what is good and what you can be grateful for, you will find it everywhere.’ So, perhaps Emerson’s quote is a nudge out-of-context but still has import as we use it.

Listening to: Motorhead’s version of David Bowie’s ‘Heroes,’ Fred Eaglesmith’s ‘Can’t Dance,’ Pickin’ On U2 – A Bluegrass Tribute’s version of ‘One,’ and Bono’s ‘Surrender: 40 Songs, One Story’ audiobook reading.

Burning It Down – Seeing It Through

Journaling, Photography, Winter

On the final day of 2022, I drove from Lethbridge in southern Alberta to
High Level in northern Alberta, a long fourteen- to fifteen-hour journey. As a
return drive, I had started early, reached Edmonton just after noon, and
continued northward through the day. In that time, I concluded my listening to
an intriguing audiobook, ‘The Splendid and the Vile’ by Erik Larson, about
Winston Churchill written recently and with access to documentation from
previously unavailable sources; the book compiles memoirs and correspondences
into a more intimate view of Winston’s world – Britain and its people,
colleagues, family, friends, brokered loyalties, royalty – all at a time of
war, World War II.

Close to 9:00 p.m., my drive brought me to Manning, Alberta, where I fueled
my Corolla, got snacks and began the last leg of my journey home. Northward,
cresting the hill leading out of Manning, clouds in the night sky reflected
bright, red-orange light. As I drove toward the Manning airport (ahead, on my
left), flames reached high into the sky.

A building was burning, not at the airport, but at a farm on land
immediately preceding the airport. The building was one I had considered
photographing through the years. But it had been dressed down. While the
overall shape and architectural style held interest, the building’s windows
were boarded up, and the structure had been painted a dark chocolate
brown.  It was more a dark brown brick than architectural interest worthy
of a photograph.

I pulled into a service road connecting the farm and the airport. I
photographed this blaze from my vehicle. Looking at this image now, the fire’s
light reflects on people’s faces, the fire holds the gaze of people who have
come to witness this spectacle, and people chat and are at ease with each other.
It was New Year’s Eve, a night to say goodbye to 2022, a night to say goodbye
to this old farm building.

A week later, driving south, the building was absent. Nothing remained. The
area where the building had stood was flat, cleared of debris and now offered a
clear, unimpeded view from the farm home out to the service road and highway.
Winter likely had been the safest time to burn this farm building, and burning
the structure may have been the most efficient way to remove it.

Listened to: Erik Larson’s ‘The Splendid and the Vile: A Saga of Churchill,
Family, and Defiance During the Blitz.’

Quotes to Inspire (1) ‘I walk, I look, I see, I stop, I photograph (Leon
Levinstein).’ (2) ‘Photography must be integrated with the story (James Wong
Howe).’

Dandelion – Look Back Edit

Fall, Flora, Project 365 - Photo-a-day

In my free time, I looked back through my Lightroom catalogue this past summer. I took the opportunity to view images I had taken a while ago.  The intent was, in some ways, a historical look back. In another way, it became an opportunity to edit images I like using my present workflow. This dandelion image became a series of different edits – these edits. Looking back, I was surprised that this is a photo from October 2016 and that I had taken the image with my Olympus E-M5 Mark II. Pocketable and light, this camera was easy to use, rendered good images and was a camera I enjoyed using.

Quote to Inspire – “If you argue for your limitations, you get to keep them. But if you argue for your possibilities, you get to create them!” ― Kelly Lee Phipps.

Listening to: Spencer Elliott’s ‘Torque,’ Charl du Plessis’ ‘Ode to Peace,’ Pat Green’s take on U2’s ‘Trip Through Your Wires,’ Birdy’s ‘Quietly Yours’ from the ‘Persuasion’ soundtrack, and 100 Mile House and ‘1952 Vincent Black Lightning.’

Framed to Edit

Project 365 - Photo-a-day

Three weeks back, in the midst of mileage and a COVID pivot, on a road west in Southern Alberta I was able to stop, get out of my truck, frame this image and two others, return to my truck and motor on. Many elements make this image come together, not the least of which is the encounter of colour within what is largely a monochromatic image. Liking it.

Quote to Consider / Inspire – “One should not only photograph things for what they are, but for what else they are.” – Minor White, Frames Magazine, February 2021.

Listening to – Kathleen Edwards’ ‘Take It With You When You Go’ and Appalachian Road Show’s ‘Don’t Want to Die in the Storm.’

Foothills Pivot

Project 365 - Photo-a-day

A COVID pivot provides minimalist moments among the modulation and ramble of foothills roads in southernmost Alberta.

Quote to Consider / Inspire – “Photography, as we all know, is not real at all. It is an illusion of reality with which we create our own private world.” – Arnold Newman, Frames Magazine, January 2021

Listening to – Jools Holland & Kylie Minogue’s take on the Clash’s ‘Should I Stay or Should I Go’

Looking South – near Fort MacLeod, Alberta

Moose, Moleskin & Bison

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Are you someone who does this? Do you keep an idea file for photographs you’d like to try?  I’ve found myself doing this at times when travel cannot afford the time to stop and snap a few photos.  At other times, I will realize that the subject of a shot works but that the conditions may not work ideally.  And, if I’m lucky I’ll be able to ask my daughter to write down a note in a moleskin notebook while we drive about location and subject and particulars;  the moleskin stays in the vehicle and I can refer back to it. Wildlife photographer, Moose Peterson in an interview on Shutter Time with Sid and Mac (Sidney Blake and Maciek Sokulski) spoke of being encouraged to keep an idea file for photographs and to revisit the file and plan for opportunities to make the shot or shots happen. The bison at Elk Island National Park (east of Edmonton, Alberta) are subject for one set of photographs found here.   The bison have been a part of my idea file since I’ve been listening to Sid and Mac’s exploits in repeated and regular photo sessions at the park.  For me, in terms of the camera work the learning is about shutter speed.  Within the golden hour of sunlight and with the continual movement of the bison in their grazing there is a need for a faster shutter speed in terms of capturing crisp images.

The issue I am grappling with when traveling is that I will often be days or weeks from my photos before I can edit and see images.  I am still considering the value of a laptop from the perspective of allowing greater immediacy of editing while traveling.  There is learning to be derived from the editing process and it may be that working with a laptop with different subjects will foster good results in second or third visits/photo sessions.

The remaining pictures are catch-all – images that have been kicking around, interesting to look at;  the vintage late 30’s sedan, the T-bird and the late sixties Dodge Dart were parked outside Ricky’s All Day Grill and are the work of one person.  Imagine being able to say to two of your best buddies, “Hey let’s take a few of my cars for a spin,” and then take them out to breakfast.  Cool!  Beyond these, there are other renderings of the fifties one-ton truck, a rusting relic.

Listening to – John Mayer’s Queen of California, a song reminding of the Doobie Brothers back in the seventies.

Quote to Inspire – “All photographs are memento mori.  To take a photograph is to participate in another person’s (or thing’s) mortality, vulnerability, mutability.  Precisely be slicing out this moment and freezing it, all photographs testify to time relentless melt.” – Susan Sontag

Reflection – Rain-soaked and Waxless

Canon 60D, Canon 70-200 mm 2.8 IS L Series Lens, Canon Camera, Flora, Lookback Photos - One Year Ago, Night, Photoblog Intention, Photography & Conceptualizing Beauty, Project 365 - Photo-a-day, Season, Summer, Vehicle, Vehicle Restoration

One Ton Truck - Edmonton, Alberta

One Ton Truck – Edmonton, Alberta

Of the renderings considered, this image of the one ton grain truck (or perhaps utility truck) from the fifties intrigues by way of its waxless reflection brought out by its being rain soaked.  The image’s colours are late summer’s end-of-day colours.  Night isn’t too far off, the shot taken within evening’s Golden Hour in Edmonton.  John Grisham wrote A Painted House, a growing up novel written about a boy’s witnessing America’s move from the farm (a cotton plantation) to its cities in America’s fifties; this is the kind of truck that might have been found within Grisham’s narrative.  I hadn’t thought his narrative (as autobiographical as it is) might be considered sibling narrative to Jack Kerouac’s On the Road until now.

Listening to – what is seemingly a rural truck reminds of Lucinda Williams’ Car Wheels on a Gravel Road.

Quote to Inspire – “The goal is not to change your subjects, but for the subject to change the photographer.” – Anonymous

Carpe Diem, Conundrum & Mosquitos

Best Practices - Photography, Canon 60D, Canon 70-200 mm 2.8 IS L Series Lens, Canon Camera, Flora, Light Intensity, Photoblog Intention, Photography & Conceptualizing Beauty, Project 365 - Photo-a-day, Summer, Vehicle, Weather

Conundrum – how to manage a photo-a-day blog when away from home, computer, software and the Internet. Is it a matter of taking a computer with you? Or is it about caching photos taken during vacation for presentation later on, in look-back fashion? I’m only now sitting down at my computer to review photos, some three weeks later to discover this present gem of an image, a one-ton, late fifties truck that pops noticeably because of the wet reflective surface provided courtesy of the rain. Reflection is a neat thing for adding light to a subject and in so doing, highlighting the subject’s lines and shape. Here, an extraordinary combination of clouds, sun and rain at day’s end allows the opportunity to explore textures, shape, reflection and background. In taking this photo, there was the scramble to the scene (a reasonable distance) in order to make use of the setting, light and background.  And, in this same scene while there has been that aspect of Carpe Diem, there too were the mosquitos within the wet, warm weather to contend with. But, a gem is a gem and I like each of the four renderings of this photo.

In truth, though, it has been hard to sit still at day’s end, the household asleep and to find that I’m awake without the tools for editing photos, writing a post and blogging. The issue is about workflow and what I really value doing with my/our time on vacation.  Photography is intended to assist vacation recall … not what the vacation should be about. Next year, perhaps a laptop … perhaps not.  Perhaps focus will remain on enjoying and capturing our vacation with my camera.

I haven’t withdrawn from my blog so much as I’ve been presented with the separation of vacation from the routines of daily life – sort of a forced withdrawal that’s likely to bring benefits with regard to energy and perspective.

Listening to – Shawn Colvin’s All Fall Down.

Quote to Inspire – “A photograph is a moral decision taken in one eighth of a second.” – Salman Rushdie, The Ground Beneath Her Feet

Tunes – Lunch Break

Backlight, Canon 60D, Canon Camera, Canon Lens, Flora, Light Intensity, Night, Photoblog Intention, Prime Lens, Project 365 - Photo-a-day, Summer, Sunset

Sunset & Plant - Fort Vermilion Turnoff, Fort Vermilion, Alberta

Sunset & Plant – Fort Vermilion Turnoff, Fort Vermilion, Alberta

On lunch break between summer tasks, I play tunes my daughter has had us download in iTunes – Smash Mouth songs, Megan & Liz songs and songs from the Glee Cast. She’s had me track down the original of The Zombies – She’s Not There, a song sung on Glee. Another song from the Glee repertoire is Tears for Fears’ Mad World; we find the Michael Andrews and Gary Jules version of the song that encapsulates the theme within the Donnie Darko movie; it contains a straightforward set of lyrics about Life’s absurdity in being there but not there, almost a ghost within a world where you can be seen but not known, recognized but not affirmed, speak but not be understood. Our listen through with iTunes two nights back brought out several songs by The Who which we download – Won’t Get Fooled Again, I Can See For Miles, Behind Blue Eyes, My Generation, Pinball Wizard and Baba O’Riley. My daughter recognizes Pinball Wizard, a song she’s heard, and I wonder where she would have heard it – questions to ask.  For now she’s happy to have our downloads and to have the songs loaded on her iPod.

One lingering photo is this, taken at sunset, a plant with maroon and gold stem and shoots; it sways in the breeze as I try a macro shot. I’m liking the colours despite its movement.

Quote to Inspire – “No, the camera can’t steal the soul.  But it can occasionally hold it hostage.” – author unknown

Listening to – The Who andMy Generation.  Also listening to Smash Mouth’s Walkin’ on the Sun and All Star.

Keeping Moments From Running Away

Canon 60D, Canon 70-200 mm 2.8 IS L Series Lens, Canon Camera, Canon Live View, Farm, Farmhouse, Flora, Homestead, Light Intensity, Photoblog Intention, Photography & Conceptualizing Beauty, Project 365 - Photo-a-day, Summer, Weather

One use for photography is as a means to revisit the past, to investigate the reality of former times and to hold up to scrutiny the mind’s eye view of significant events held in memory against the reality that photography reveals. Former times often become focal point for memory; we attach meaning and narrative to what has happened to us in significant events and memorable moments. Reaching back to former times with a camera allows for the investigation of visual information within scenes and settings surrounding Life events. Distances, depth, architecture, shape, colour – the visual information within a photograph allows for extrapolation, to see more of the story that was at play. Such camera investigation with editing of images has a settling aspect to it; it establishes more of the facts surrounding events and moves past glory day’s nostalgia to clearer recognition of what comprised scene and action. In doing so, photography locks in the visual information within a scene. While I tend to think of Edmonton, the home I grew up in, and, the events and happenings of years ago, the process is the same when I consider our northern seasons. The dark of winter will bring longing for warmth and breeze of summer’s blue-sky days with clouds stacking and fields in greens, yellows and gold; intensities are there, too – heat, lightning, convection, weather. The photographs here are of such summer days and for those winter days.

Listening to – Alison Krauss/Union Station’s When You Say Nothing At All.

Quotes to Inspire – (1) “Taking pictures is savoring life intensely, every hundredth of a second.” – Marc Riboud (2) “When words become unclear, I shall focus with photographs.  When images become inadequate, I shall be content with silence.” – Ansel Adams. (3) “A good snapshot keeps a moment from running away.” – Eudora Welty