elliott erwitt

Sharing the Field

Best Practices - Photography, Canon 60D, Canon 70-200 mm 2.8 IS L Series Lens, Canon Camera, Canon Live View, Fall, Farm, Flora, High Dynamic Range (HDR), Home, Homestead, Photoblog Intention, Photography & Conceptualizing Beauty, Project 365 - Photo-a-day, Still Life, Summer, Vehicle, Vehicle Restoration
Field Shared - Greencourt, Alberta 1

Field Shared – Greencourt, Alberta 1

Field Shared - Greencourt, Alberta 2

Field Shared – Greencourt, Alberta 2

On the drive between Fort Vermilion and High Level, Alberta the clean, stubble-free fields were noteworthy … more indications that harvest is nearing completion. In addition to grain being gathered and hay bales being removed, the fields did look like someone had vacuumed each field, leaving no trace of the summer’s activity. In this image from a few weeks back, at Greencourt, Alberta alongside the highway north farming implements – a Mercury, two Chevrolets, a Massey Ferguson and John Deere – share a field with round hay bales waiting to be cleared off and stored. The older farming implements are on display … perhaps even for sale … perhaps memorial to farming years.

Listening to – Tyrone Wells’ ‘Time of Our Lives.’

Quote to Inspire – “All the technique in the world doesn’t compensate for the inability to notice.” – Elliott Erwitt

Furthering Edit

Best Practices - Photography, Canon 60D, Canon 70-200 mm 2.8 IS L Series Lens, Canon Camera, Canon Lens, Canon Live View, Light Intensity, Lookback Photos - One Year Ago, Photoblog Intention, Photography & Conceptualizing Beauty, Project 365 - Photo-a-day, Spring, Vehicle, Vehicle Restoration
Sangudo Truck - Sangudo, Alberta

Sangudo Truck – Sangudo, Alberta

With each edit of a photo, not always, but often the editing takes you further in visually understanding the image narrative. In this photo, desaturation and tinting has drawn highlight to the curve of metal shrouding the engine where the shroud meets the black curve of the fender flare on each side (behind each headlamp). On the left the shroud retains perpendicularity where the right shroud has been opened more frequently, perhaps hastily leaving a bend. Use is indicated and the truck’s driver within situation did that – the image has narrative.

Listening to – Tyler Bates’ ‘Pamplona,’ Michael Andrews & Gary Jules’ ‘Mad World,’ and Samuel L. Jackson’s ‘Alice Mae’.

Quote to Inspire – “All the technique in the world doesn’t compensate for the inability to notice.” – Elliott Erwitt

Recollecting – Molson’s Brewery

Canon 60D, Canon 70-200 mm 2.8 IS L Series Lens, Canon Camera, Christmas, Photography & Conceptualizing Beauty, Winter
Molson's Edmonton Site 1

Molson’s Edmonton Site 1

Molson's Edmonton Site 2

Molson’s Edmonton Site 2

Molson's Edmonton Site 3

Molson’s Edmonton Site 3

Molson's Edmonton Site 4

Molson’s Edmonton Site 4

Molson's Edmonton Site 5

Molson’s Edmonton Site 5

Few Edmonton buildings call to mind New York’s projects, rugged and raw, half-formed, partially dismantled buildings of a not too distant era left behind and left derelict – home to those few or many down-on-their luck. The site of Edmonton’s former Molson Brewery in its semi-dismantled, unfinished and unconcluded state reminds me of the sights and sounds, the cadences and dialects of the English being spoken as I travelled by Greyhound from Toronto to Buffalo to New York City and then to Convent Station New Jersey in August of 1989 – a trip far away it seems in time, yet surprisingly near within imagination’s recollection. The priest who’d had his tonsils taken out at the kitchen table, the orthodox Jew in black taking daughters from Buffalo to New York, the Nun who led us in chant and harmony, the writing, writing and writing, Grand Central Station, Broadway, twenty-foot sidewalks populated with policemen, train travel and a Greyhound Strike – all were part of that five day trip.

Listening to and fretting Rickie Lee Jones’ Sailor Song, finding the sound and the rhythmic rhythm of a boat’s rolling on waves.

Quote to Inspire – “The whole point of taking pictures is so that you don’t have to explain things in words.” – Elliott Erwitt