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Lingering Photos, Their Treasure

Best Practices - Photography, Canon 30D, Canon Camera, Farm, Journaling, Light Intensity, Lookback Photos - One Year Ago, Photoblog Intention, Photography & Conceptualizing Beauty, Project 365 - Photo-a-day, Season, Spring, Still Life, Summer, Vehicle, Vehicle Restoration
Nampa - Grain Truck 1

Nampa – Grain Truck 1

Nampa - Grain Truck 2

Nampa – Grain Truck 2

Lingering, those photos remain, the ones I would not at first glance think of returning to – the scouting eye’s first glimpse and first understanding of subject, the first impression of subject captured through the camera lens by my eye. Editing’s go-round exposes each photo’s possibility, the ‘where’ of where the story is within the image. Editing is about exposing the story held within the visual narrative of the image. If a photograph is akin to description, editing is about drawing emphasis to that narrative. Remaining photos, those receiving their second and third glance, have yielded the treasure of narrative through editing.South from Nampa, Alberta, a June summer’s day finds this dormant grain truck now sporting an advertisement for Mike’s Sandblasting and Painting.

Listening to Klaus Schulze’s Captivity on the Magnetik album, ambient schtuff (double plus good).

Quote to Inspire – “It’s not how a photographer looks at the world that is important. It’s their intimate relationship with it.” – Antoine D’Agata

Nampa - Grain Truck 3

Nampa – Grain Truck 3

Nampa - Grain Truck 5

Nampa – Grain Truck 5

Nampa - Grain Truck 4

Nampa – Grain Truck 4

Nampa Grain Truck 6

Nampa Grain Truck 6

Re-tasking a Vehicle – Its Promise

Best Practices - Photography, Canon 30D, Canon Camera, Home, Journaling, Light Intensity, Lookback Photos - One Year Ago, Photoblog Intention, Photography & Conceptualizing Beauty, Project 365 - Photo-a-day, Season, Still Life, Summer, Vehicle, Vehicle Restoration
Re-tasking A Vavenby Ford, Vavenby, British Columbia

Re-tasking A Vavenby Ford, Vavenby, British Columbia

Perhaps the most interesting feature of vehicle restoration is the re-tasking of a vehicle and its parts. Fenders, engines, radiators and transmissions are swapped out as one fails and another usable one is found to be used in its place. A three-quarter ton truck with a rusted out box may have the box removed to be replaced by a new one or perhaps the truck is now made into a flat deck. Here, an old Ford no longer has its hood or box; yet there are still the active working parts that point to its future potential and that define what history it has had and its former purposes. I find solace, here, with one arm in a sling as muscle fibers fuse/grow back together following a bicep/tendon tear. Now, six weeks on, I’m impressed that this body continues to repair its fifty-one-year-old self. For a time, just like this truck, I’m having to remain stationary before I will move in more substantial ways. I can see the promise that this truck still holds.

Listening to U2’s Stay (live from Toronto).

Quote to Inspire – “A photographer is an acrobat treading the high wire of chance, trying to capture shooting stars.” – Guy Le Querrec

Rapture – Drinking in the Sun’s Heat

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Early morning, time to cross-off items from my ‘did-I-do-it’ list, time to muster to the morning’s endeavor – planting Saskatoon bushes in our backyard. I gather shovel, axe, wheel barrow and raise my eyes to gaze upon a dragonfly sunning itself, drinking in sun’s early morning heat. The dragonfly doesn’t move.  Rapturous in sun’s warmth, it allows me time to retrieve my camera, attach macro lens and gather images. When I move to look down the fence board to the dragonfly from above, the dragonfly having had enough parts company, flying off. This intriguing moment with camera and subject was one that recalls and reinforces the joy of discovery and pursuit within photography. Taking the moment further I photographed ripening raspberries in still life.

Listening to – The Who’s Won’t Get Fooled Again, the Donnie Darko version of Tears for Fears’ Mad World, The Who’s Boris the Spider, Walter Trout’s Blues for the Modern Daze, Shawn Colvin’s American Jerusalem, I Don’t Know You and The Neon Lights of the Saints.

Quotes to Inspire – (1) “Taking pictures is like tiptoeing into the kitchen late at night and stealing Oreo cookies.” – Diane Arbus; and, (2) “If I were just curious, it would be very hard to say to someone, ‘I want to come to your house and have you talk to me and tell me the story of your life.’ I mean people are going to say, ‘You’re crazy.’ Plus they’re going to keep mighty guarded. But the camera is a kind of license. A lot of people, they want to be paid that much attention and that’s a reasonable kind of attention to be paid.” – Diane Arbus – remarks made in class, 1971, Diane Arbus : An Aperture Monograph by Diane Arbus, Stan Grossfeld (3) “Beauty is the illumination of your soul.” – John O’Donohue, Anam Cara: A Book of Celtic Wisdom

Keeping Moments From Running Away

Canon 60D, Canon 70-200 mm 2.8 IS L Series Lens, Canon Camera, Canon Live View, Farm, Farmhouse, Flora, Homestead, Light Intensity, Photoblog Intention, Photography & Conceptualizing Beauty, Project 365 - Photo-a-day, Summer, Weather

One use for photography is as a means to revisit the past, to investigate the reality of former times and to hold up to scrutiny the mind’s eye view of significant events held in memory against the reality that photography reveals. Former times often become focal point for memory; we attach meaning and narrative to what has happened to us in significant events and memorable moments. Reaching back to former times with a camera allows for the investigation of visual information within scenes and settings surrounding Life events. Distances, depth, architecture, shape, colour – the visual information within a photograph allows for extrapolation, to see more of the story that was at play. Such camera investigation with editing of images has a settling aspect to it; it establishes more of the facts surrounding events and moves past glory day’s nostalgia to clearer recognition of what comprised scene and action. In doing so, photography locks in the visual information within a scene. While I tend to think of Edmonton, the home I grew up in, and, the events and happenings of years ago, the process is the same when I consider our northern seasons. The dark of winter will bring longing for warmth and breeze of summer’s blue-sky days with clouds stacking and fields in greens, yellows and gold; intensities are there, too – heat, lightning, convection, weather. The photographs here are of such summer days and for those winter days.

Listening to – Alison Krauss/Union Station’s When You Say Nothing At All.

Quotes to Inspire – (1) “Taking pictures is savoring life intensely, every hundredth of a second.” – Marc Riboud (2) “When words become unclear, I shall focus with photographs.  When images become inadequate, I shall be content with silence.” – Ansel Adams. (3) “A good snapshot keeps a moment from running away.” – Eudora Welty

Wilson Prairie Wildfire – Day 3

Canon 60D, Canon 70-200 mm 2.8 IS L Series Lens, Canon Camera, Canon Lens, Farm, Farmhouse, Flora, Home, Homestead, Photography & Conceptualizing Beauty, Project 365 - Photo-a-day, Season, Summer, Weather

Day 3 of the Wilson Prairie Wildfire – Friday, July 6th, 2012. In contrast to Thursday evening in which residents were able to move freely into the fire area, Friday saw Alberta’s Ministry of Sustainable Resource Development (SRD) controlling road access so that firefighting equipment could be moved around with greater ease on Wilson Prairie Road. I arrived in the early afternoon to find access to Wilson Prairie Road being controlled. I couldn’t use my vehicle on Wilson Prairie Road. But, I could walk in, staying to the ditches when equipment was being moved through. Two-and-a-half hours walking in and out allowed me to see more of what was going on and how the blaze was being controlled. Dozers were creating breaks/cut-lines and pushing piles of brush together so they’d burn more easily/quickly. Areas of intended burn and back-burn were being created.   One home was in harm’s way and helicopters were being used to sling water (from local dug-outs) to saturate the area in the case that the fire’s path changed with the winds. Air tankers had been tasked to other fires within the region; but, lead planes and Martin Mars water bombers (or the like) were being used to keep a consistent supply of water on the fire. On dust-ridden, gravel roads water trucks moved slowly dribbling water to keep dust down for vehicles moving in close proximity to one another. Later, I was able to drive around behind the fire to two other points to catch the more dramatic perspective of hot, billowing smoke moving upward into the atmosphere and the water bombers flying into fire area to release water on flames below.

Listening to – Adele’s Set Fire to the Rain, a tune played throughout last year’s forest fire that consumed Slave Lake, Alberta (spring 2011).

Quote to Inspire – “I enjoy traveling and recording far-away places and people with my camera.  But I also find it wonderfully rewarding to see what I can discover outside my own window.  You only need to study the scene with the eyes of a photographer.” – Alfred Eisenstadt

Wilson Prairie Wildfire

Barn, Canon 60D, Canon 70-200 mm 2.8 IS L Series Lens, Canon Camera, Canon Lens, Farm, Farmhouse, Flora, Home, Homestead, Night, Photography & Conceptualizing Beauty, Project 365 - Photo-a-day, Season, Summer

Thursday night – I’m checking the La Crete Online webpage lacreteonline.com/ for the next stock car race out on Wolf Lake Road (closer to Blumenort); there, I read and see pictures of a forest fire out on Wilson Prairie Road – south and east from La Crete, Alberta; windrows and forested land are ablaze.  No one has been evacuated and only one home seems to be in the fire’s track. The Wilson Prairie area contains back roads of a Mennonite farming community, roads I used to drive when shuffling Home Education curriculum around to students – their names and faces and the faces of their parents come to mind.  My hope for them is that the fire can be contained quickly and that they will not be affected. When I think through my students I’m reminded that the first home education student I met and worked with was one I had to get to by driving on Wilson Prairie Road and then finding another road – Savage Prairie Road. On Thursday evening, I drove out to the fire site staying a few hours, snapping photos and chatting with concerned residents driving by, amazed by the sight.  It’s the second wildfire in the La Crete area this summer. On Thursday night, traffic tapered off around 1:00 a.m. with an occasional farmer still coming out to watch, to look and to assess.

Listening to – Matthew Perryman Jones’ Stones from the Riverbed.  Other songs of the day are Sarah Masen’s Hope, Over the Rhine’s Spark, and Rumble by Link Wray and the Wraymen.

Quote to Inspire – “The only real voyage of discovery consists not in seeking new landscapes but in having new eyes.” – Marcel Proust.

Yardio

Barn, Best Practices - Photography, Canon 60D, Canon 70-200 mm 2.8 IS L Series Lens, Canon Camera, Canon Lens, Canon Live View, Farm, Farmhouse, Flora, Homestead, Light Intensity, Night, Photography & Conceptualizing Beauty, Project 365 - Photo-a-day, Spring, Still Life, Sunset, Vehicle, Vehicle Restoration

Tonight has been an evening of yardio – yard-work and cardio effort. Our lawn is now dethatched, the old grass bagged (and ready for garbage day) and our lawn is fertilized and being watered as I write. For the first time this spring I have sudsed-up our Nissan Altima – I’ve washed it by hand, with brushes and sprayer, first with Palmolive soap to take the dirt off and then with Mother’s Vehicle soap. The Altima is clean. But, its six-year old exterior is in need of detailing – a good go-round with a good glazing polish, buffer and various amounts of elbow grease. If I’d had some Autoglym Bodywork Shampoo the wash would have produced a glossy sheen. My cabinet in the garage holds two things that will brighten this vehicle – Autoglym Super Resin polish and Autoglym High Definition paste wax. Not only will the paint gleam but the relief in the vehicle’s shape will be enhanced optically, in some cases to a degree of optical illusion. The waxing will have to wait until summer break and the chore will become a way to settle towards summer’s calm following a hectic school year. The chore, the time invested and the dazzling outcome are things I look forward to as summer projects.

Most photographs presented here are ones taken in the final hour of sunlight last Saturday night; it’s about half past ten heading to eleven o’clock. The river bank at Dunvegan features shadow play with shadows lengthening and darkening to enhance the rolling mounds of hillage above the Peace River. In two photos rusting relics are stored in public view.  The three early sixties GMC half-tons seem ready to share parts in order to cluster into one working whole.  The ready interchangeability of parts between the three trucks points to a need to gather them all rather than only one. Canada Geese move actively at sunset in a farmer’s field feeding. And, a disused barn catches the light of sunset … a dusky day’s end in Alberta’s late spring.

Listening to – J J Heller’s Your Hands, Missy Higgins’ Warm Whispers, Coldplay’s See You Soon, David Gray’s Kathleen, Jem singing Maybe I’m Amazed, Ray LaMontagne’s I Still Care for You and all the way through to John Denver’s Thank God I’m a Country Boy.  The playlist rounds out to the Counting Crows’ Raining in Baltimore and David Gray’s Jackdaw.

Quote to Inspire – “Beauty can be seen in all things, seeing and composing the beauty is what separates the snapshot from the photograph.” – Matt Hardy

Step Into Line

Barn, Best Practices - Photography, Canon 60D, Canon 70-200 mm 2.8 IS L Series Lens, Canon Camera, Combine (Farming), Farm, Farmhouse, Flora, High Dynamic Range (HDR), Prime Lens, Spring, Still Life

Ray LaMontagne’s song ‘Beg, Steal or Borrow’ plays, a tune I’m drawn to lyrically and melodiously. It’s a tune that says as much about the creation of a song – “you beg, you steal, you borrow” – as it does about the act of settling into Life and working through disillusionments, “Are you gonna step into line like your daddy done, punchin the time and climbin life’s long ladder?” It’s a tune that looks at the cost of pursuing individuality (or greatness) versus conforming to Life’s norms (mediocrity). It seems also to be the tune of the man further along the road looking toward a younger one, perhaps hoping to help him avoid Life’s misteps, perhaps gauging the outcomes of the younger man’s choices and responses to Life events. In this, there’s the sideline vicarious living out of life through the actions of another, a younger man who aims to make his stand and put his footprint on the world. The song’s really about that twofold look at oneself – the you that pursues passions coming against that wiser part of self that looks critically at actions, outcomes and costs. There’s wrestling with truth and wrestling towards truth. In content the lyrics associate well to much of what Tom Cochrane sings about (e.g. Boy Inside the Man) … more good tunes.

Photos – out and away on a Saturday morning that extends longways through most of the day returning me home in the wee hours of Sunday morning. Old-time farm buildings and homes feature in these photos amongst Alberta spring weather, a mixture of moisture laden air rising as the sun heats the earth, the air rippling in mirage fashion in convection’s warmth.  Clouds billow and stack throughout the day becoming backdrop to earthly structures – land, trees, buildings and roads.

Listening to – David Gray’s Fugitive, Ray LaMontagne’s I Still Care For You and Ryan Adams’ Oh My Sweet Carolina.

Quote to Inspire – “For me the printing process is part of the magic of photography. It’s that magic that can be exciting, disappointing, rewarding and frustrating all in the same few moments in the darkroom.” – John Sexton

Dusk’s Golden Hour

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Within a busy week opportunity for travel along former routes of home permits departure from the whirring, buzzing, routinized rhythm and press of town Life. An hour upon the road gathers me to others and I listen and we talk, good, informing chatter. The gathering, done, permits time beyond meeting to slow down and attend to what I see in that dusky golden hour of half-light. My look-round occurs through the lens attached to my Canon 60D. At the Anglican Cemetery in Fort Vermilion, Alberta I begin; many of the grave markers are granite headstones. Others, painted or stained wooden crosses, seem more temporary. Perhaps maintenance of this tentative grave marker highlights practice in looking after those who have gone before us.

I point my car northward toward High Level. My drive from home out to Fort Vermilion has given me windshield time, time to look out from my car’s windows and to note the snowless earth that is warming, thawing and drying. As we move into summer, hours of sunlight will extend backward into earlier mornings and forward into later evenings. Summer solstice will see the sun dip below the horizon at 11:45 p.m. and reappear at 2:30 a.m., the time between being a protracted period of half-light that photographers refer to as their golden hour when the intensity of light drops off and the quality of light and what is lit changes. At its darkest, there will be a gray eeriness. Tonight, I’ve been able to catch cattails within our current golden hour (at about 9:45 p.m. the sun has just dipped below the horizon). Shallow depth of field permits focus and highlight of subject and the generalization of shapes that pattern into the background.

Listening to – two female voices; first, seeing Aimee Mann within my iTunes catalogue sparked curiosity toward her work with Til Tuesday – I’ve purchased two different versions of Voices Carry.  Then, in relation to psalm 23, I was curious as to whether or not Sarah Masen was able to have her album, The Dreamlife of Angels, made available through iTunes.  It’s been about ten years since Stocki first played it on Rhythm and Soul; at the time, a major record deal was not in the offing. But, now her album is something I’ve just found and it’s about time.  Sarah is an intelligent lyricist; her song The Valley references psalm 23, making you think, and a curiously interesting tune called Hope is worth the listen.  What else – The Five Blind Boys of Alabama will feature at Edmonton’s Winspear Centre along with Over the Rhine on June 10th.  Good schtuff … if you’re to take it in.

Quote to Inspire – “You don’t take a photograph, you make it.” -Ansel Adams

Fire and Heart

Best Practices - Photography, Canon 30D, Canon Lens, Farm, Farmhouse, Homestead, Journaling, Light Intensity, Lookback Photos - One Year Ago, Podcast, Project 365 - Photo-a-day, Shuttertime with Sid and Mac, Still Life, Winter
Homestead - High Level, Alberta

Homestead - High Level, Alberta

Images and narrative speaking to the heart of Life – this homestead served a family for a time, a family living from the land.  The home building, the cabin was certainly heated through the cold of winter and night by wood in a wood stove. This morning, I’ve returned for a look at response to my photoblog to find that Regina (Gina) Arnold writer/author/photographer of The Regina Chronicles has nominated me/my blog for The Heart of Fire Award. The photographs and stories connecting to them find meaning in several lives including that of Gina.  And, Gina as fellow-blogger has been one to engage in the dialogue that responds and moves thinking forward in my photography. She encourages in such dialogue and does so again with this award … and I am grateful.  Thank you Gina.

The award also is meant to inform others about the recipient highlighting seven (7) things about the blogger/photographer/writer. A husband, a father, an educator, a photographer, a writer, a brother, a son – all are roles I engage in daily. Beyond these roles, other areas of Life are significant – here are seven things among many.

  1. The Writing Life – Married within my last year of University, I was deposited at term-end up north to rejoin my wife in a bedroom community serving Fort McMurray, Alberta fifty kilometres away on the southern side of Gregoire Lake in Anzac, Alberta where my wife taught a grade 1-2 split class.  I’m indebted to her fellow teacher for his down-to-earth grounding on what the teaching life is actually about and for his connecting me to Ira Progoff’s Intensive Journal Writing Method through Joe Couture. Through the years I’ve found myself reconnecting with the writing life in these weekend workshops – Convent Station – New Jersey, University of British Columbia – Vancouver, British Columbia and again at another convent in St. Paul, Minnesota.
  2. Fingerstyle Guitar – a piano and guitar have accompanied me through most times in my Life.  In University Ma Fletcher introduced me to tablature, fingerstyle guitar and playing with others.  The second guitar I bought was a Daion 12 string, a choice influenced by Dave Mason’s 12 string work (have a listen to Sad and Deep As You).  My interest in guitar was rekindled after reading Presbyterian Minister, Steve Stockman’s book Walk On: The Spiritual Journey of U2 and finding him broadcasting across the internet from BBC Radio Ulster a show entitled Rhythm and Soul (8:00 p.m. Ulster – 1:00 p.m. Alberta). With a pawn shop Yamaha guitar I began working through Johnny Cash, Willard Grant Conspiracy and Martyn Joseph; because you could re-listen to the show you could play along to many of the songs.  From there it’s been a 1989 Takamine EF 325 src guitar and L’Arrivee L-03 and a Taylor 355CE and finally a Martin Backpacker guitar.
  3. Story, Narrative and Novels – curiously, I learned more about the mechanics of novel writing through Bill Beard’s narrative film course at the University of Alberta.  W.O. Mitchell’s Who Has Seen the Wind was perhaps the first novel holding meaning for me as a young adult, more because the Life experiences being considered were so similar to my own – growing up on the Canadian prairie.  I am both a novel reader and audiobook listener.  In university, when I’d have finished my day or evening’s readings/studies, I’d have audiobooks going that were stories referred to tangentially by my professors – it was a great way to fall asleep. Audiobooks were handy for walking, summer cycling and taking buses around town.  I eventually adapted my love for listening into a means of study and enjoyed a full semester with marks at the top of all classes taken that term.  In terms of story and stories, Emily Bronte’s discussion of soul mates in Catherine and Heathcliff still ranks high for me – Wuthering Heights.  Hamlet, perhaps because of the investment of work in understanding the totality of it ranks high for me.  John Le Carre’s stories about George Smiley and the circus still hold my attention as does the recent release of the seventies depiction of Tinker, Tailor, Soldier, Spy.  For a time, A Perfect Spy held my attention.  And, I’ve understood through the years, that my like for spy stories has to do with their observations and insights about organizational behaviour.  Beyond this, I like the concept of vertigo as found in Milan Kundera’s The Unbearable Lightness of Being; and I like the orientation to humility that occurs within this story – there are truths, here.
  4. Chuck Me in the Shallow Water – My orientation to Life is somewhat primal and seeks the pragmatic. Down to earth exploration of what Life is about is perhaps a primary goal for us all.  You’ll find me advocating the movie Venus with Peter O’Toole as one film exploring the wisdom associated with Life reality. You’ll also find me digging in to John O’Donohue’s work for his ideas on beauty, on Life and contributing to Life. And, for as much as I seem to understand Life, I’m aware of the ‘much’ that I’ve yet to understand … here, Edie Brickell & New Bohemians’ song ‘What I Am,’ especially the lyric ‘Chuck me in the shallow water before I get too deep,’ poignantly point out that haunting aspect that there’s more that I don’t know, there’s a bigger picture that I and perhaps none of will ever be able to completely fathom. Humility is there in the recognition that all that Life is can never totally be figured out.  But, we go forward and make the best of the day that confronts us.
  5. Next steps photography-wise – in addition to continuing on with all things photographic, I’m thinking that my next move will be macro photography;  I’ve seen some excellent macro photography on these photoblogs; one photographer who’s caught my attention because she sends me macro images is Kasia Sokulska – an Edmonton-based photographer.  I’m thinking that my father would have loved digital macro photography for his images of flowers in and around the house on 58th Street in Edmonton.  I want a good macro lens that will provide good depth of field work.  So, it will be a Canon macro lens, for my Canon EOS 60D and 30D.
  6. Music – “There’s good music and music that’s good for something,” – so says Woody Guthrie. Music figures as an anchor in my Life. I note that in those times when Life seems stale or cold, there has usually been an absence of music in my Life – that which I’ve played, that which I’ve listened to and that which supports other activities.  In creating Animoto slideshows the critical feature after inputting good photos is that of choosing music that suits the photos … it’s the emotional engagement portion of the slideshow.  With music, I do have a goal of making it to the Greenbelt Music Festival in Cheltenham, UK one day; the weekend of music and lecture always seems to conflict with school start up.  And, music has been something I’ve enjoyed my son’s part in as a member of the University of Alberta Mixed Choir – he’s on tour as I write. The top seven songs that I’ve played through time according to my iTunes library include The Verve’s Lucky Man (83), Radiohead’s All I Need (74), The Police’s Walking on the Moon (71), Radiohead’s High and Dry (71), U2’s Get On Your Boots (Fish Out Of Water Mix) (69), Depeche Mode’s Policy of Truth (60) and Snow Patrol’s Lifeboats (51).  My son has also been listening to these tunes; so the statistics may be skewed.
  7. Podcast Listener – I bought my first iPod as one of the next steps taken when BBC Radio Ulster cancelled Steve Stockman’s weekly Rhythm and Soul broadcast. I had no idea what an iPod could do and no idea about how to use iTunes. That was back in 2006. In terms of podcasts that I can recommend the following rank highly – Scott Smith’s Motivation to Move (listening since October 2006), A Prairie Home Companion, The Chillcast with Anje Bee (listening since 2007), The Naked Photo by Riaan de Beer, The Nikonians Podcasts, Shuttertime with Sid and Mac, CBC Radio’s Tapestry with Mary Hynes, CBC Radio’s Vinyl Café Stories and BBC Radio’s World Book Club.  Garrison Keillor’s The Writer’s Almanac is good as is the Greenbelt podcast.

In terms of follow-through and to pay it forward, there are blogs I wish to recommend from a point of exploration and because they explore the arena of the ‘heart’ in different ways – thus, the Heart of Fire award extends forward to them.  Their blogs are worth a regular perusal and they open-out in different ways much of what Life is about.

http://href.li/?http://teklanikaphotography.wordpress.com

http://href.li/?http://marsblackvintage.wordpress.com

http://href.li/?http://leannecole.wordpress.com

http://href.li/?http://rubicorno.com

http://href.li/?http://skymunki.wordpress.com

Paying it forward – have a go at sharing seven things about yourself and share with others blogs that capture something of heart.  Please note – don’t feel bad if you don’t have the time to go through the procedure for this award.  Just know that I think highly of your blogs.

Listening to – Tom Cochrane and Red Rider’s Good Times and the Ozark Mountain Daredevils’ If You Want to Get to Heaven.

Quote to Inspire – “Nothing happens when you sit at home.  I always make it a point to carry a camera with me at all times … I just shoot at what interests me at the moment.” – Elliott Erwitt