Photography’s Rules & Rebellion

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Cattails – Watt Mountain 1

Cattails – Watt Mountain 2

Afternoon Sun – Watt Mountain 1

Afternoon Sun – Watt Mountain 2

Watt Mountain Roads 1

Watt Mountain Roads 2

I have been listening to an interview with Parker Palmer and Courtney Martin, this morning. The interview is presented as a podcast by Krista Tippett in her ‘On Being’ podcast/broadcast and is entitled ‘The Inner Life of Rebellion.’ The extrapolation as it relates to photography is to consider how photography is an act of rebellion … likely such a question has been fodder for Susan Sontag in her book, ‘On Photography.’ Susan Sontag’s book and this ‘On Being’ podcast are both worth attention.

Images – A Sunday afternoon’s photos in January, toward Watt Mountain.

Listening to: Hang Massive’s ‘Once Again;’ the week has also brought some time travel in terms of music – ‘At the River’ by Groove Armada, ‘Friday I’m in Love’ by The Cure and ‘Push the Button’ by the Sugababes. I’ve also had a go at Zoe Keating’s ‘Into the Trees’ album – ‘Seven League Boots’ often adds transition in ‘On Being’ podcasts.

Quote to Consider – “Skill in photography is acquired by practice and not by purchase.” – Percy W. Harris; “I am not interested in rules or conventions. Photography is not a sport.” – Bill Brandt

Its Next Turn

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Sunset Cloudburst – Valleyview, Alberta – Canada

Vermillion Lakes – Banff, Alberta – Canada

2015 is here. It has arrived. Christmas has come and been, presents have been shared and received, family has been enjoyed, rest has been had. An emphasis on creating images has been more absent during this time.

The time has offered the chance to explore/research the photography of others and Google Circles has been a key venue for doing so. It has been an excellent venue for sharing images. What I am impressed by is the speed and rapidity by which new images are added to one’s home stream. And, it is entirely too easy to reach out and access the camaraderie of other photographers and genres of photography that you or I define. Google Circles is a marvelous means of gathering inspiration for photography by way of witnessing what others manage to create – ideas for what I or anyone might try are right there, in front of you. With Google Circles it has been necessary to pare down distracting and unintended kinds of images; but, it can be done in an easy way that can serve your photographic interests. What I did not anticipate was that it would surface significant interests for next steps in photography.

What this exploration has also surfaced is that good photographers are always in touch with their world; they are familiar with current affairs; they have a good sense of what’s going on in terms of the Arts; they are current with literature and the intentions behind such narrative. They are in step and in sync with their world. And, they create images with intention.

So, this blog, takes its next turn. What will I photograph next? What skills will I aim to grow? What influences will I find in this next year? These are likely your questions too. Good! Let’s see what images we can bring into being.

Gratitude – thank you, to all who have been a part of these three years of ‘In My Back Pocket – Photography;’ thank you for your interest and encouragement; thank you for those times when you’ve steered me to a next idea or skill; thank you for the camaraderie (or, perhaps better stated, solidarity) associated with a common pursuit. It ‘all’ counts and I am grateful.

The images presented here are some fun with black and white and selective colorization, images from this summer’s travels.

Listening to – Chopin’s Nocturne No. 14 in F Sharp minor, Opus 9, No. 1; a recording by Amir Katz.

Quote to Consider – “The best images are the ones that retain their strength and impact over the years, regardless of the number of times they are viewed.” – Anne Geddes

Watt Mountain Story Holder

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Watt Mountain, Hutch Lake, Alberta

On a spring day eighteen years ago, good friends had taken my son, my wife and I out exploring north from High Level; it was the spring of our first year in High Level and they had taken us to Hutch Lake for a Sunday afternoon picnic. We had done some hiking. Then, being at the base of Watt Mountain we decided to see if we could ascend the mountain’s mucky, dirt road through the twelve kilometre climb in our four-door, red Nissan Sentra. Higher and higher we climbed, the nimble, front wheel drive Nissan never losing traction.

First, we got to a lookout vista partway up Watt Mountain; we stopped, there, to view the world we had just travelled through. At that point, we opted to make the rest of climb to the crest of Watt Mountain where the local Alberta Fire Service fire tower is located. There, we met the wildfire lookout observer. We asked and received permission to climb the tower and to survey the world from there – my wife, my friend’s wife and my son stayed below.

What an experience making the climb! And what a view, something giving us a sense for the terrain comprising the Mackenzie Municipal District. The climb is one that I’ve made only that once – a never-done experience, one in which the opportunity of the moment was seized and paid dividends. That day, a photo was taken of my son, my wife and I along one of the Hutch Lake hiking trails. It has remained on our piano since that time. Besides the reminiscence of family and friends, that photo is a story holder of all that comprised that day.

Here, within this image, the same Watt Mountain fire tower is dormant, residing in winter’s weather.

Listening to – Haydn Symphony #76 in E Flat, H 1/76 – 2 Adagio, Ma Non Troppo.

Quote to Consider – “Strictly speaking, one never understands anything from a photograph … [only] that which narrates can make us understand.” – Susan Sontag, ‘On Photography’

Realizing Their Dream

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Trapper’s Cabin – Near Indian Cabins, Ab 2

Slough Reflection – Near Indian Cabins, Ab

‘Come along, let’s do this’ – these words feature in the immensity that has been 2014. That there is room to help, here, or room to contribute there – the reality has been that others have had dreams to fulfill and realize, and, it would be wrong to not help others with skills, abilities and time if doing so could be managed. Francis Chan’s book ‘Crazy Love’ is about this dynamic. So, likewise, is Rick Warren’s ‘What On Earth Am I Here For?’ Both books have been the subject of small group study. The work of such work has often been about taking something a next step and to be consistent in offering others help with a next step. And, the real thing pulling forward has been seeing the value or function of a dream realized in another’s Life – what it means for them, what it allows them to do. Marko, down in El Tizate, Guatemala, captured the idea … ‘Be a blessing to these people.’ He wasn’t only talking about the people who live as squatters in the village of El Tizate; he was talking about blessing those who are around me daily. Much of the year has held a sense of being ‘time-starved’ … meaning that balance between endeavor and rest is absent – sacrifice is part of being a blessing to others.

In September, in early autumn, during moments away from endeavor, I took the following photos on a good long drive toward the Northwest Territories – a trapper’s shack along a trap line and a slough’s reflection.

Listening to – Chopin, 24 Preludes, Op 28 – 2 in A minor played by Rafal Blechacz.

Quote to Consider – “Instead of just recording reality, photographs have become the norm for the way things appear to us, thereby changing the very idea of reality, and of realism.” – Susan Sontag, ‘On Photography’

Inside the Watchtower

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Medicine Wheel – Grand Canyon Watchtower 1

Medicine Wheel – Grand Canyon Watchtower 2

A park ranger greeted us as we entered Grand Canyon National Park. He asked where we were from and knew some of our home terrain from personal experience – as a younger man he and a fellow ranger cycled through British Columbia (B.C.) on a two week break; he’d been from Prince Rupert and through Quesnel and into southern B.C.. They’d also been chased by a bear in that adventure.

Our Grand Canyon ranger advised us to stop in at the Watchtower, the first lookout we would encounter in the park. As a structure, the Watchtower was built by Mary Colter in 1932, the same year in which my father was born (eighty-two years ago). Inside, the walls are painted with Navajo art in earthy, vibrant tones. One image, here, is a high dynamic range (HDR) photograph in natural light of a Navajo Medicine Wheel. Another, also an HDR photograph shows the interior structure of the Watchtower looking up through its center. The door to the roof was locked shut, but there were windows to look through, out and over the Canyon. I met a fellow Canon Camera shooter and showed him he could use his 60D’s optical zoom to create tack-sharp images … some camaraderie, there. Good, good. 😉

Listening to – Matthew Perryman Jones’ ‘Unknown.’

Quote to Consider – “[Photographs] … still want, first of all, to show something ‘out there.’” – Susan Sontag, ‘On Photography’

Time Out (in the Brubeck sense)

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The Blue Hills – Buffalo Head Prairie, Alberta

Taking time-out in the Brubeck sense, there being too much to do, having completed one huge step along a bigger task, clearing my head with photography before tackling the next huge step. This image is taken on a stretch of road behind the highway connecting Blue Hills to Buffalo Head Prairie, Alberta. The intention had been to use three F-10 images of the same scene with focus-stacking software to produce a merged, focused image utilizing the lens’ strongest point of focus with various focal points in the scene. I didn’t get that far. I didn’t purchase focus-stacking software. Instead, I used HDR Efex Pro to merge the three shots. I’m liking the result, an image that would suit a Thanksgiving theme, the harvest complete, the field prepared for spring and a move toward quieter, less hectic work. Good.

Listening to – A Mash-up of Radiohead vs Dave Brubeck – Five Step; have a listen and watch … http://www.kewego.co.uk/video/iLyROoafJd5s.html ; also, listening to Bruce Cockburn’s ‘My Beat’ and ‘Wondering Where the Lions Are.’

Quote to Consider – “It is not altogether wrong to say that there is no such thing as a bad photograph – only less interesting, less relevant, less mysterious one.” – Susan Sontag, ‘On Photography’

Road as Frontier

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1The Road – Arizona

2 The Road – Arches Nat’l Park

3 The Road – Arches Nat’l Park

4 The Road – Arizona

The road – some value the swift movement of traveling from point of origin to established destination; here, travel is not about what you encounter along your distance – travel is about getting ‘there.’ Robert Frost and Scott Peck, on the other hand, each refer to the road less traveled for what the road can reveal of the world and for how that road can grow us as we encounter new frontiers. Jack Kerouac, in his novel, ‘On the Road,’ refers to a life orientation of meeting, new, upcoming road – what we discover moving over it and how we grow as the road challenges us. That road and what we do along it becomes our narrative, our less traveled road.

Images from the road ….

Listening to – Chuck Berry’s ‘Route 66.’

Quote to Consider – “If photographs are messages, the message is both transparent and mysterious.”

Query – HDR Halo Removal

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Grand Canyon – Arizona 1

Grand Canyon – Arizona 2

Grand Canyon – Arizona 3

Grand Canyon – Arizona 4

Grand Canyon – Arizona 5

The following images of the Grand Canyon are high dynamic range (HDR) images. In editing these HDR shots the challenge has been to try and eliminate the halo surrounding edges of highly contrasted colours within images. The method experimented with this week has been to open the Develop module in Adobe Lightroom and within the Lens Correction menu to utilize the ‘Remove Chromatic Aberration’ there instead of relying only on a similar feature in the HDR Efex plug-in, on the plug-in side of merging the three (or more images). Beyond this, NiK Software’s Viveza is used to sharpen and add contrast and adjust/decrease brightness; after that Topaz Labs’ Clarity and Adjust helps adjust sharpness and saturation. With Viveza I’m finding success in editing toward what I want. I still am learning about choosing the filter/preset in Topaz Adjust and then finding optimal saturation from there.

If you are an HDR image creator I would appreciate hearing from you and the method you use to create your non-halo HDR images; this week, a software product called HDR Expose 3 (by Unified Color) has been recommended for its de-ghosting (halo elimination) capacity … do you use this?

Listening to – 16 Horsepower from their ‘Folklore’ album, in their rendering of a Nina Simone song, ‘Sinnerman.’

Quote to Consider – “In the past, a discontent with reality expressed itself as a longing for another world. In modern society, a discontent with reality expresses itself forcefully and most hauntingly by the longing to reproduce this one.”

Ragamuffin Remembering

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Chevrolet Truck – Arizona 2

Chevrolet Truck – Arizona 1

It’s Sunday, and it’s a colder kind of Sunday in early November. I’m downstairs with the computer, editing summer photos – our travels through Utah. I show my wife the following image of an early 30’s Chevrolet truck. It sits alongside the highway within a Navajo reservation. For my wife, the vehicle has personality, the kind you’d find personified in the Disney movie, ‘Cars.’ I’m liking its colour, shape and integrity. Paint peels from its fenders and body. Rust in its colour seems very close to the colour of the rocks within the landscape.

The age of the vehicle also holds my attention. As a marker of time, the vehicle would have been around in world war II, it would have been around when that war ended, it would have been witness to all that Jack Kerouac’s novel, ‘On the Road,’ would have been about. And, as I think about it, the truck would also have been around when Rich Mullins made his treks out to this Navajo reservation to minister to children and youth with his music. In music ministry, ‘Awesome God,’ is the song Rich Mullins is most recognized for writing, along with many songs recorded by Amy Grant.

This past fall, over a couple of days, I went through a DVD drama called ‘Ragamuffin’ which is an inspired chronicle of Rich Mullins’ life in which the viewer witnesses Rich’s transformation (struggles, consequences and transformation) from successful Christian musician to a life lived more and more honestly by the tenets of God set out in the Bible. 78 Eatonwood Green is a place where Rich and the Ragamuffin Band were staying in Ireland and 78 Eatonwood Green is title to another song worth the hearing, an instrumental with a dulcimer featuring within the song.

Listening to – Rich Mullins’ ‘78 Eatonwood Green’ from ‘A Liturgy, a Legacy and a Ragamuffin Band.’

Quote to Consider – ‘Photography, though not an art form in itself, has the peculiar capacity to turn all its subjects into works of art.’ – Susan Sontag, ‘On Photography’

Morning Flux

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Sunrise – Arches Nat’l Park, Moab, Utah 1

Sunrise – Arches Nat’l Park, Moab, Utah 2

Sunrise – Arches Nat’l Park, Moab, Utah 3

Sunrise – Arches Nat’l Park, Moab, Utah 4

Sunrise – Arches Nat’l Park, Moab, Utah 5

Sunrise – Arches Nat’l Park, Moab, Utah 6

Summer Memory – early, early morning, warming, moving, cycling Edmonton bike trails, alone, witnessing with dawn the lighting of the earth and the articulation and colouration of shapes, the earth shrouded in mist, becoming seen, more and more vividly, with each pedal stroke. It’s the transition or flux from night to day happening each day regardless of weather – the time is special, perhaps sacred. The photos, here, capture the lighting of the earth, the articulation of shape and colouration of the world at dawn – Arches National Park, near Moab, Utah.

Listening to – Mary J. Blige and U2 sing ‘One,’ Luciano Pavarotti and U2 sing ‘Miss Sarajevo’ and B.B. King and U2 sing ‘When Love Comes to Town.’

Quote to Consider – “Insofar as photography does peel away the dry wrappers of habitual seeing, it creates another habit of seeing – both intense and cool, solicitous and detached; charmed by the insignificant detail, addicted to incongruity.” – Susan Sontag, ‘On Photography’