Road as Frontier

Backlight, Best Practices - Photography, Canon Camera, Canon Lens, Canon Live View, Flora, High Dynamic Range (HDR), Light Intensity, Photography & Conceptualizing Beauty, Project 365 - Photo-a-day, Still Life, Summer
1The Road - Arizona

1The Road – Arizona

2 The Road - Arches Nat'l Park

2 The Road – Arches Nat’l Park

3 The Road - Arches Nat'l Park

3 The Road – Arches Nat’l Park

4 The Road - Arizona

4 The Road – Arizona

The road – some value the swift movement of traveling from point of origin to established destination; here, travel is not about what you encounter along your distance – travel is about getting ‘there.’ Robert Frost and Scott Peck, on the other hand, each refer to the road less traveled for what the road can reveal of the world and for how that road can grow us as we encounter new frontiers. Jack Kerouac, in his novel, ‘On the Road,’ refers to a life orientation of meeting, new, upcoming road – what we discover moving over it and how we grow as the road challenges us. That road and what we do along it becomes our narrative, our less traveled road.

Images from the road ….

Listening to – Chuck Berry’s ‘Route 66.’

Quote to Consider – “If photographs are messages, the message is both transparent and mysterious.”

Query – HDR Halo Removal

Backlight, Best Practices - Photography, Canon Camera, Canon Lens, Canon Live View, High Dynamic Range (HDR), Journaling, Light Intensity, Photography & Conceptualizing Beauty, Project 365 - Photo-a-day, Still Life, Summer
Grand Canyon - Arizona 1

Grand Canyon – Arizona 1

Grand Canyon - Arizona 2

Grand Canyon – Arizona 2

Grand Canyon - Arizona 3

Grand Canyon – Arizona 3

Grand Canyon - Arizona 4

Grand Canyon – Arizona 4

Grand Canyon - Arizona 5

Grand Canyon – Arizona 5

The following images of the Grand Canyon are high dynamic range (HDR) images. In editing these HDR shots the challenge has been to try and eliminate the halo surrounding edges of highly contrasted colours within images. The method experimented with this week has been to open the Develop module in Adobe Lightroom and within the Lens Correction menu to utilize the ‘Remove Chromatic Aberration’ there instead of relying only on a similar feature in the HDR Efex plug-in, on the plug-in side of merging the three (or more images). Beyond this, NiK Software’s Viveza is used to sharpen and add contrast and adjust/decrease brightness; after that Topaz Labs’ Clarity and Adjust helps adjust sharpness and saturation. With Viveza I’m finding success in editing toward what I want. I still am learning about choosing the filter/preset in Topaz Adjust and then finding optimal saturation from there.

If you are an HDR image creator I would appreciate hearing from you and the method you use to create your non-halo HDR images; this week, a software product called HDR Expose 3 (by Unified Color) has been recommended for its de-ghosting (halo elimination) capacity … do you use this?

Listening to – 16 Horsepower from their ‘Folklore’ album, in their rendering of a Nina Simone song, ‘Sinnerman.’

Quote to Consider – “In the past, a discontent with reality expressed itself as a longing for another world. In modern society, a discontent with reality expresses itself forcefully and most hauntingly by the longing to reproduce this one.”