Jasper Avenue Apartment

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Jasper Avenue Apartment - Edmonton, Alberta 1

Jasper Avenue Apartment – Edmonton, Alberta 1

Jasper Avenue Apartment - Edmonton, Alberta 2

Jasper Avenue Apartment – Edmonton, Alberta 2

Jasper Avenue Apartment - Edmonton, Alberta 3

Jasper Avenue Apartment – Edmonton, Alberta 3

An Edmonton apartment overlooks the North Saskatchewan River. It is a building that has been around since the thirties or forties and is architecture of my mother’s time, a time when walking was the way through Edmonton and vehicle use was limited. The apartment is one I associate to Canadian literature as backdrop or setting to scene, a building that could feature in Mordecai Richler’s ‘The Apprenticeship of Duddy Kravitz’ or within Robertson Davies’ ‘Fifth Business.’

The apartment draws me to recall Morley Callaghan’s ‘Such is My Beloved.’ The novel looks at a priest in the Great Depression making sense of God’s Love and the encounter of his reaching out with Christian care to two prostitutes, an encounter in which his efforts are taken advantage of and as I now recall, a situation repeated for real much more recently and narrated more accurately in Nadia Bolz-Weber’s memoir, ‘Pastrix.’ In ‘Such is My Beloved,’ the cocoon of Church, Church-Life and Church politics, all, cloud the words of the great commission being lived out and because they are not current or used readily by the congregation their exploration by Father Dowling is an innocent and naïve endeavor, one done on the sly without others knowing, a first, sustained attempt that’s taken too far with aims of turning recipients’ Lives around.

The story functions as a morality play, unfortunately tragic in structure and is more cautionary about not living out the Great Commission. In actuality, the Great Commission is likely more of ‘do-what-you-can-with-what-you’re-presented-with;’ when lives begin to turn around the Church can mobilize with many resources.

Listening to – The Blind Boys of Alabama and ‘Run On for a Long Time,’ ‘Amazing Grace,’ ‘Soldier’ and ‘Way Down the Hole.’

Quote to Inspire/Consider – “The camera is a kind of passport that annihilates moral boundaries and social inhibitions, freeing the photographer from any responsibility toward the people photographed …. You are not intervening in their lives, only visiting them.” – Susan Sontag, ‘On Photography’

Edmonton Night

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Downtown Edmonton from Cloverdale Walkway Bridge - Edmonton, Alberta 1

Downtown Edmonton from Cloverdale Walkway Bridge – Edmonton, Alberta 1

Downtown Edmonton from Cloverdale Walkway Bridge - Edmonton, Alberta 2

Downtown Edmonton from Cloverdale Walkway Bridge – Edmonton, Alberta 2

Downtown Edmonton from Saskatchewan Drive - Edmonton, Alberta 1

Downtown Edmonton from Saskatchewan Drive – Edmonton, Alberta 1

Downtown Edmonton from Saskatchewan Drive - Edmonton, Alberta 2

Downtown Edmonton from Saskatchewan Drive – Edmonton, Alberta 2

Downtown Edmonton from Saskatchewan Drive - Edmonton, Alberta 3

Downtown Edmonton from Saskatchewan Drive – Edmonton, Alberta 3

Christmas took us to Edmonton, this year. And, I had my camera out for some of it.

Photographically, my intentions for Edmonton are evolving. While I will always find visual interest in exploring the Edmonton landscape, the city, in its sprawling hugeness seems to be holding repetition of structure and shape – areas of the city have become indistinguishable. A growing interest for me in the past few years, is the architecture in the arcs and patterns of Edmonton’s Anthony Henday Ring Road at the junction where the Ring Road meets the Calgary Trail (Gateway Boulevard) – there’s rich artistry and engineering in these, a visual feast for the visitor to Edmonton coming into the city from the Edmonton International Airport. Beyond such architecture, Baseline road and the petrochemical plants were of interest; at -30C, in late afternoon sun, the capture of light and shadow on each side of billowing steam plumes was an extraordinary sight.

Christmas had me recalling my father; at the age I am now, he would have been accommodating me in his Edmonton home as University student. Christmases, all those years ago, would have involved so much – the use of his car, getting home according to curfew, calling ahead if I wouldn’t be home for supper, and, the introduction of my girlfriend, now wife, to our family and within Christmas. These were years I learned so much about writing at University and from my father and mother, simply by involving them in proofreading and discussion. These years, were the years when my father introduced me to audiobooks in his bringing back Jane Austen’s ‘Emma’ from the HMV shop in one of his business trips to the UK. Audiobooks became a way to interact with texts beyond what we were reading in the novel-a-week pace set for us in Literature courses.

Downtown Edmonton is presented from two vantage points – Saskatchewan Drive and from the Cloverdale walkway bridge.

Quote to Inspire – “… Photographs alter and enlarge our notions of what is worth looking at and what we have a right to observe.” – ‘On Photography,’ Susan Sontag

Listening to – hauntingly familiar songs associated with Emilio Estevez’ film, ‘The Way.’ Tyler Bates’ ‘Ventura’ is one of them; along with it, a real treat – ‘Nadal De Luintra’ by Berroguetto.

Storehouse Timbers

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Storehouse - St Louis Catholic Mission - Buttertown, Alberta 1

Storehouse – St Louis Catholic Mission – Buttertown, Alberta 1

Storehouse - St Louis Catholic Mission - Buttertown, Alberta 2

Storehouse – St Louis Catholic Mission – Buttertown, Alberta 2

Storehouse - St Louis Catholic Mission - Buttertown, Alberta 3

Storehouse – St Louis Catholic Mission – Buttertown, Alberta 3

Storehouse - St Louis Catholic Mission - Buttertown, Alberta 4

Storehouse – St Louis Catholic Mission – Buttertown, Alberta 4

A spring thaw in the early nineteen-hundreds saw several Fort Vermilion area farms flooded. In one instance a farm building washed out, the movement of the water weakening its foundation enough to topple the structure. Timber for that building floated downstream on the Boyer River becoming snagged at a turn in the river as it passed the St. Louis Catholic Mission in Buttertown. Those timbers were pulled from the river and after a time were used to build this storehouse for the mission. The photo was created in May, 2013. Last Saturday night, the image became editing focal point as I showed my son how Lightroom 5 and NiK Software can be used – four versions were produced, some following his eye’s lead.

Listening to – Coldplay’s ‘Yellow,’ a song I worked through after all had gone to bed last night; the piano work is more difficult than the fretwork; the resonance and dissonance found in the chords and alternate tuning are captivating.

Quote to Consider – “Photographs, which cannot themselves explain anything, are inexhaustible invitations to deduction, speculation, and fantasy.” – Susan Sontag, ‘On Photography’

Soul Searchers

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Christmas Heart - High Level, Alberta

Christmas Heart – High Level, Alberta

Homestead -  Rycroft, Alberta

Homestead – Rycroft, Alberta

Wagon Wheels - Beaverlodge, Alberta

Wagon Wheels – Beaverlodge, Alberta

Crosses - Bezanson, Alberta

Crosses – Bezanson, Alberta

At Christmas, Love amplifies, powerful and lifting, scrabbling through the dark mess of tangle. Care and pardon affirm, anchoring you, there, in other Hearts – disgrace yields, grace overcomes. Love finds its way. At Christmas, the first steps within the incarnation are taken; a betrothed groom and fiancée making the best of things, travel within a colonized Israel to add their names within a census, a decision perhaps that may have to do with the practicality in it being safer to identify as a family with what will follow from the census; the fiancée is pregnant, a surprise to the groom and his betrothed. Are the two young? Is Joseph older and knowing something of how to live a Life within this colonized world? Is he prepared for this night? A makeshift moment allows the two to shelter among animals in a barn or cave. Mary moves into labour, a baby is born, a new Life that becomes central to a grand narrative we all are participating in. The name Joseph is first used with Jacob’s wife Rachel, when she conceives and bears a son after many years barren; Joseph literally means ‘he who takes my shame away.’

All this and more become the Christmas story. A few songs tell the story well; but, the one that might best fit today’s times and needs could be that provided by Dave Matthews & Tim Reynolds in ‘Christmas Song.’ I like the conceptualization of any of us as ‘soul-searchers.’ The blood of the children reference is, while scary, accurate within this song – blood covers sins; Christ’s blood was shed for all to overcome their/our sin-state and thereby becomes the blood of the children referred to within the song.

The incarnation is an inconceivable event, something that needs more acceptance than figuring. You need to involve your imagination in such reckoning as precursor to such an event in preparation to be able to recognize when and if such an event does happen, has happened or will happen. You’d have to consider how involving God here on earth might play out.

The song that brought this kind of precursor imagining about best was a Joan Osborne, grunge-rock tune, that I heard most helpfully sung by Martyn Joseph on Radio Ulster’s ‘Rhythm and Soul’; thank you to Presbyterian Pastor, Steve Stockman for bringing all of that about. Here’s Martyn’s version.

Here’s the Joan Osborne version of ‘One of Us.’

Quote to Consider – “The camera doesn’t make a bit of difference. All of them can record what you are seeing. But you have to SEE.” – Ernest Haas

Listening to – Martyn Joseph’s ‘Beyond Us, ‘Not a Good Time for God’ and Martyn’s take on Bruce Springsteen’s ‘If I Should Fall Behind’ and ‘One Step Up.’ Also, taking a listen to Bruce Springsteen’s ‘Highway Patrolman.’

There’s a lot of grace encountered in ‘Highway Patrolman;’ Springsteen goes on to tell that it deals with family, responsibility and duty when those things conflict. The lyrics are good dealing with brothers sharing good times as much as the morality involved in dealing with a brother who is straying – lyrics catching my attention follow ….

“Well if it was any other man, I’d put him straight away
But when it’s your brother sometimes you look the other way.”

“Me and Frankie laughin’ and drinkin’
Nothin’ feels better than blood on blood
Takin’ turns dancin’ with Maria
As the band played “Night of the Johnstown Flood”
I catch him when he’s strayin’, teach him how to walk that line
Man turns his back on his family he ain’t no friend of mine.”

May you find Grace this Christmas – my gratitude goes out to each of you who have been part of each step and evolution of this photoblog. Thank you – take good care of your good selves.

Winter Warmth

Best Practices - Photography, Canon Camera, Canon Lens, Canon Live View, High Dynamic Range (HDR), Journaling, Light Intensity, Photography & Conceptualizing Beauty, Winter
Sunny, Sunday Afternoon - High Level, Alberta

Sunny, Sunday Afternoon – High Level, Alberta

The Mill at Sunset - High Level, Alberta

The Mill at Sunset – High Level, Alberta

Winter Road - Blumenort, Alberta 1

Winter Road – Blumenort, Alberta 1

Winter Road - Blumenort, Alberta 2

Winter Road – Blumenort, Alberta 2

Grain Drying Operation - High Level, Alberta

Grain Drying Operation – High Level, Alberta

It’s cold this morning – -33C with a wind chill of -39C. Some school bus routes have been cancelled. Steam from chimneys and exhaust fumes from vehicles mingle and hang in the air. Warmth will be needed to be outside today; what is worn will count as will the food used to keep the body’s furnace going and primed. It will be good to be moving rather than to stand still. And, in a day or two we’ll round that corner of the earth’s orbit marked by Winter solstice (that darkest, longest night of the year) and then we’ll begin our return trek back to days with more and longer hours of light.

Images – winter scenes around High Level, Alberta.

Quote to Consider – “Photographs really are experience captured, and the camera is the ideal arm of consciousness in its acquisitive mood. To photograph is to appropriate the thing photographed. It means putting oneself into a certain relation to the world that feels like knowledge — and, therefore, like power.” – Susan Sontag, On Photography

Listening to – Loreena McKennitt, a celtic exploration of music – songs in my hearing include ‘Mummers’ Dance, Huron ‘Beltane’ Fire Dance and Annachie Gordon; I was surprised to find Canadian, Loreena McKennitt’s version of Annachie Gordon showing up on Irish radio playlists last night.

Shape Sense – Light & Shadow

Canon 60D, Canon Lens, Canon Live View, Fall, Farm, Flora, High Dynamic Range (HDR), Light Intensity, Photography & Conceptualizing Beauty, Weather
Autumn Gold 2 - Donnely, Alberta 1

Autumn Gold 2 – Donnely, Alberta 1

Autumn Gold 2 - Donnely, Alberta 2

Autumn Gold 2 – Donnely, Alberta 2

Autumn Gold 2 - Donnely, Alberta 3

Autumn Gold 2 – Donnely, Alberta 3

Autumn Gold 2 - Donnely, Alberta 4

Autumn Gold 2 – Donnely, Alberta 4

Autumn Gold 2 - Donnely, Alberta 5

Autumn Gold 2 – Donnely, Alberta 5

It’s cold this morning. At -26C, the conundrum is how to deal with my camera (battery-life) and tripod (breakable at colder temperatures). Warmly cloaked, as I trek round my morning’s 6km circuit, I’m resigned to using the walk to scout out pictures. Throughout, I’m listening to conversations – interviews, podcasted on my iPod. But, cold-weather photo-making is not as easy an endeavor as capturing an image within that moment when I find its promise. I turn my initiative to what I can do indoors – editing of previous photos, investigating shots that I haven’t yet worked with and finding new results. This morning is follow-up to other images in the series following the Autumn Gold image from a few days back. Versions of the photo are non-HDR, HDR Black and White and HDR Colour – some fun. The realization is that the HDR images provide better gradation of light and shadow creating better sense of shape as contrasted with non-HDR images. Have a look.

Listening to – Krista Tippett’s interview with Jean Vanier, founder of L’Arche; interesting concepts include the necessity of becoming vulnerable in order to be able to love another and the vulnerability of God in Loving us. Another captivating idea is the path from soul to reality … the curious extrapolation is how this path is distorted, twisted or perhaps even strangled; the last thought has be prodded from a friend’s newly found cynicism – a lot can stand in our way, obscuring our vision and awareness of others.

Quote to Consider – “Nobody ever discovered ugliness through photographs. But many, through photographs, have discovered beauty. Except for those situations in which the camera is used to document, or to mark social rites, what moves people to take photographs is finding something beautiful.” – Susan Sontag, On Photography

Autumn Gold

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Autumn Gold - Donnelly, Alberta

Autumn Gold – Donnelly, Alberta

An autumn memory, a gift to view as we move into snow and extreme sub-zero temperature – nature’s architecture providing visual articulation of golds on black at harvest.

Quote to Inspire – “Photographs are a way of imprisoning reality …. One can’t possess reality, one can possess images – one can’t possess the present but one can possess the past.” – Susan Sontag, ‘On Photography’

Listening to – U2’s ‘In a Little While,’ Linkin Park’s ‘Roads Untraveled,’ Jessica Sanchez’ ‘Lead Me Home’ and Bob Dylan’s ‘Shelter from the Storm.’

Pillowed, Pocketed – Undulation

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Golden Hour Hay Bales - Sexsmith, Alberta 1

Golden Hour Hay Bales – Sexsmith, Alberta 1

Golden Hour Hay Bales - Sexsmith, Alberta 2

Golden Hour Hay Bales – Sexsmith, Alberta 2

Golden Hour Hay Bales - Sexsmith, Alberta 3

Golden Hour Hay Bales – Sexsmith, Alberta 3

In the golden hour, when the sun nears the horizon to sunset, I was travelling, leaving Grande Prairie and had driven past Clairmont and Sexsmith just where the divided highway shrinks down to two lanes. To my right was the patterning of snow covered round bales of hay, a regular undulation resembling a pillowed or pocketed quilt. I stopped, got into my winter gear and with camera claimed these shots.

Listening to – Martyn Joseph’s cover of ‘The Ghost of Tom Joad.’

Quote to Inspire – “My photography is a reflection, which comes to life in action and leads to meditation. Spontaneity – the suspended moment – intervenes during action, in the viewfinder.” – Abbas

Blumenort Shop

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Farm Shop - Blumenort, Alberta

Farm Shop – Blumenort, Alberta

It is snowing. I have driven out to La Crete, Alberta to deliver the table top of my mother and father’s teak dining room table to Homestead Kitchens, reputable wood workers in our region. It’s likely that the wood needs to be refinished – I have left the job to them and their good judgment. Now, where the drive out was done carefully on roads covered with freezing rain, the return journey is done in light snow flurries. Still, in looking out for possible pictures I come across this farmer’s garage/shop near Blumenort, Alberta and collect a few photos. I’m liking the image.

Listening to – Caia’s ‘Remembrance,’ and then Martyn Joseph’s take on Bruce Springsteen, ‘Badlands,’ ‘Blood Brothers,’ ‘Brilliant Disguise’ and ‘Cautious Man.’

Quote to Inspire / Consider – “Using a camera appeases anxiety which the work-drive feel about not working when they are on vacation.” – Susan Sontag, ‘On Photography’

Half-light & Snow

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Buttertown Trail & Homestead - North Vermilion Settlement, Fort Vermilion, Alberta

Buttertown Trail & Homestead – North Vermilion Settlement, Fort Vermilion, Alberta

Returning to High Level from La Crete I chose to investigate briefly the photographic opportunities available at Buttertown, a community just across the river from Fort Vermilion, Alberta. I followed the track through Buttertown finally stopping near this homestead home that may be a century old; it resides only a stone’s throw away from the St. Louis Roman Catholic mission. The moment was quiet, one in which I could hear the wind in the forest, the scrunch of my boots on snow and the occasional drone of vehicles passing miles away. Snow was being loosened from clouds on an overcast, yet moonlit night. What is more, the photograph is shot following sunset and the time is only 6:00 p.m..

Within this image, the track, house, snow and trees recall winter nights walking along less defined paths in what continues to be Alberta’s frontier, its north-central region in and surrounding Wood Buffalo National Park. In those walks, moonlit snow would glow along trails and paths. Most nights would see me cross the kilometre span of Ice Bridge covering the Peace River between December and March. In severely cold temperature, I have walked and encountered northern lights brightening my path with the intensity of vehicle headlights. I have come upon wild horses on trails, not daring to move, shivering, their coats glazed with frost. Two hours hiking would have me out and about looking at the world and move me through ten to twelve kilometres. It was good to move, think and explore.

The tones within the image recall scenes from short stories and novels in which an evening moonlit walk takes a character beyond the safety of home in her or his travel to a neighbor’s home or to town on evening business. Jane Eyre meets the man she’ll later marry, Mr. Rochester by first startling his horse and causing him to fall and sprain his ankle; unwittingly, this is her first encounter with her employer who’s brought her to Thornfield Hall as governess to his child born out of wedlock. Dickens’ story, ‘The Signal Man,’ occurs primarily at night in a cleft of land surrounding a railway switch in conditions similar to those found in this image, conditions ripe for mishap. Many, but not all ‘Ghost Stories’ of M.R. James occur at night in light that obscures perceptions. And, it is perception within half-light scenes that becomes the stage for most occurrences or happenings within Henry James’ novel, ‘Turn of the Screw,’ an excellent ghost story that has the reader consider whether or not the governess actually senses the preternatural existence of others; the alternative is that half-light is playing tricks on her perceptions and that’s she subject to the workings of an overactive, imaginative mind.

In looking into Buttertown, it is actually a name for the North Vermilion settlement associated with Fort Vermilion. The nickname Buttertown came about in the early nineteen hundreds after an incident when some rancid butter had been sold (Place Names of Alberta, Volume IV, Northern Alberta – Merrily K. Aubrey).

Listening to – ‘On Photography’ by Susan Sontag, a selection of essays written about all facets and dynamics of photography, a good listen. Music-wise – I’ve been listening to Dave Matthew & Tim Reynolds concert, ‘Live in Lost Vegas’ – ‘Lying in the Hands of God,’ ‘Some Devil’ and ‘Alligator Pie.’

Quotes to Consider – (1) “To photograph is to appropriate the thing photographed.” (2) “[Photographs] … still want, first of all, to show something ‘out there.’” (3) “[The camera] makes real what one is experiencing … a way of certifying experience … converting experience into an image, a souvenir.” – Susan Sontag, from ‘On Photography’.