It’s cold this morning. At -26C, the conundrum is how to deal with my camera (battery-life) and tripod (breakable at colder temperatures). Warmly cloaked, as I trek round my morning’s 6km circuit, I’m resigned to using the walk to scout out pictures. Throughout, I’m listening to conversations – interviews, podcasted on my iPod. But, cold-weather photo-making is not as easy an endeavor as capturing an image within that moment when I find its promise. I turn my initiative to what I can do indoors – editing of previous photos, investigating shots that I haven’t yet worked with and finding new results. This morning is follow-up to other images in the series following the Autumn Gold image from a few days back. Versions of the photo are non-HDR, HDR Black and White and HDR Colour – some fun. The realization is that the HDR images provide better gradation of light and shadow creating better sense of shape as contrasted with non-HDR images. Have a look.
Listening to – Krista Tippett’s interview with Jean Vanier, founder of L’Arche; interesting concepts include the necessity of becoming vulnerable in order to be able to love another and the vulnerability of God in Loving us. Another captivating idea is the path from soul to reality … the curious extrapolation is how this path is distorted, twisted or perhaps even strangled; the last thought has be prodded from a friend’s newly found cynicism – a lot can stand in our way, obscuring our vision and awareness of others.
Quote to Consider – “Nobody ever discovered ugliness through photographs. But many, through photographs, have discovered beauty. Except for those situations in which the camera is used to document, or to mark social rites, what moves people to take photographs is finding something beautiful.” – Susan Sontag, On Photography
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travel junkie & horse lover
BY GRACE THROUGH FAITH
thoughts on innovation, startups, photography and bourbon since 2007
I make photographs and poems to please myself (and share them to please you).
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L'occhio ritaglia il soggetto, e l'apparecchio deve solo fare il suo lavoro, che consiste nell'imprimere sulla pellicola la decisione dell'occhio
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