Exercises Editing

Best Practices - Photography, Canon 60D, Canon 70-200 mm 2.8 IS L Series Lens, Canon Camera, Canon Lens, Canon Live View, Farmhouse, Journaling, Photoblog Intention, Photography & Conceptualizing Beauty, Project 365 - Photo-a-day, Winter
Homestead - Peace River, Alberta

Homestead – Peace River, Alberta

Homestead I

Homestead I

Homestead II

Homestead II

Homestead III

Homestead III

Sedan - Sunrise Beach, Alberta

Sedan – Sunrise Beach, Alberta

In learning piano, here in Canada, students will often learn and be taught how to play using music that is leveled within music books. At year-end you can challenge an examination to receive recognition of your level of skill. The daily practice along the way is what I recall. Each Toronto Royal Conservatory music book contained pieces – composed entities of music with beginning, middle and end, music with variation, music having specific direction, everything from phrasing, to control of loud and soft volume, intention for pace and emotion … all to be interpreted in presentation. Each music book also contained exercises or studies meant to develop skills for use within pieces, a matter of reading intention from the page and translating that intention accurately into sound. The exercise of returning to images and editing again and again is similar to these music studies and is something closer to the creative portion of writing music. The exercise of editing allows you to explore what the image contains and what can be brought out in an image; regular exercise builds the skill. Moving toward a pleasing outcome – what does and does not work – in editing is where much of photography’s creative act lies.

The photos presented are exercises in editing, seeing what they can become – Homesteads and Sedan.

Listening to – My Bloody Valentine’s ‘Sometimes,’ Phoenix’s ‘Too Young,’ Kevin Shields’ ‘Are You Awake’ and ‘City Girl,’ Brian Reitzell & Roger J. Manning Jr.’s ‘On the Subway,’ and The Jesus and Mary Chain’s ‘Just Like Honey.’

Quote to Inspire – “Once you learn to care, you can record images with your mind or on film. There is no difference between the two.” – Anonymous

Not Always …

Best Practices - Photography, Canon 60D, Canon Camera, Canon Live View, Farm, Home, Homestead, Photoblog Intention, Photography & Conceptualizing Beauty, Project 365 - Photo-a-day, Sigma Lens - Wide Angle 10-20mm, Winter
Former Farm 1

Former Farm 1

Former Farm 6

Former Farm 6

Former Farm 5

Former Farm 5

Former Farm 4

Former Farm 4

Former Farm 3

Former Farm 3

Former Farm 2

Former Farm 2

Not always pretty, or organized, the shot you take. Yet something in your mind recognizes beauty’s potential – something can be drawn from this image. Some part of your mind recognizes this scene or subject ought to be recorded and kept – something’s here to understand … front of the process stuff, this first part of making a photograph. You see, you capture and you edit. You exercise photographic skill(s) finding the strongest way of seeing this image … end of process stuff, recognizing presentation choices and choosing. The image reveals itself as much as you present it.

Former farms and homesteads are subject in the images of this morning’s post.

Listening to – Bob Dylan’s ‘Last Thoughts On Woody Guthrie,’ from the Bootleg Series, Vol. 1-3 (Rare& Unreleased) 1961-1991.

Quote to Inspire – “Looking and seeing are two different things. What matters is the relationship with the subject.” – Christophe Agou

Don’t Explain … Show

Best Practices - Photography, Canon 60D, Canon Camera, Canon Live View, Lookback Photos - One Year Ago, Photography & Conceptualizing Beauty, Project 365 - Photo-a-day, Sigma Lens - Wide Angle 10-20mm, Still Life, Vehicle, Vehicle Restoration, Winter
Cobra 2 Seater - Edmonton, Alberta 1

Cobra 2 Seater – Edmonton, Alberta 1

Cobra 2 Seater - Edmonton, Alberta 2

Cobra 2 Seater – Edmonton, Alberta 2

A candy-apple red, two-seater Ford Shelby Cobra sits, ready, waiting and unused, eye candy within a car dealership’s maintenance department.

Listening to – Bill Mallonee & the Vigilantes of Love and ‘She Walks On Roses,’ ‘Resplendent,’ and ‘Goes Without Saying.’

Quote to Inspire – “The whole point of taking pictures is so that you don’t have to explain things in words.” – Elliott Erwitt

Photos’ Blog & Writing

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Fargo Grain Truck - Nampa, Alberta 1

Fargo Grain Truck – Nampa, Alberta 1

Fargo Grain Truck - Nampa, Alberta 2

Fargo Grain Truck – Nampa, Alberta 2

Fargo Grain Truck - Nampa, Alberta 3

Fargo Grain Truck – Nampa, Alberta 3

Fargo Grain Truck - Nampa, Alberta 4

Fargo Grain Truck – Nampa, Alberta 4

Fargo Grain Truck - Nampa, Alberta 5

Fargo Grain Truck – Nampa, Alberta 5

Fargo Grain Truck - Nampa, Alberta 6

Fargo Grain Truck – Nampa, Alberta 6

Fargo Grain Truck - Nampa, Alberta 7

Fargo Grain Truck – Nampa, Alberta 7

Fargo Grain Truck - Nampa, Alberta 8

Fargo Grain Truck – Nampa, Alberta 8

Turning through pages of tablature, a songwriter’s guide in Martyn Joseph’s ‘Notes on Words,’ surfaces (after years) and has had me consider what I might assert as truth in how writing about photographs ought to work within any of our photo blogs. What would I say? Would I promote one way of going about presenting and responding to photos? Some core ideas seem key.

Photo Blog Writing Guide …

1. Within each photograph, reveal the subject in ways never before seen.
2. Get a moleskin and record image ideas within this idea journal.
3. Pay attention to how you feel at moments before, during and following image capture.
4. Pay attention to how the image resonates with each new edit of a photograph … edit and edit again.
5. Add words to your photographs, sparingly – get to the core response to your photograph.
6. Be honest about this image and you; posers present others’ sentiment ….
7. Dialogue with others about your images and theirs; provide likes and comments – find what’s key.
8. Photograph with others occasionally; they and their lens will reveal the world in ways new to you.
9. Snap the photo while you’re there – stop the car, halt your walk, stop your chat; take out your camera and photograph that subtle, subtle thing that your mind and eyes have recognized and wish to amplify.
10. Return to subjects again and again, photographing subjects from how you now know them each subsequent time.
11. Pay attention to good photographers – talk with them, listen to them; pay attention to visual narrative and image work in movies, in art, in photographs and the visual narrative you encounter in daily life.
12. “… Capture those special moments when life is amplified above the norm for a few seconds (Martyn Joseph – Notes On Words, 2003).”
13. “Go to locations that inspire – places from your past, places that will challenge you, [… take you camera and moleskin with you] (Martyn Joseph – Notes On Words, 2003).”
14. “If it doesn’t excite you it probably won’t do much for anyone else (Martyn Joseph – Notes On Words, 2003).”

Perhaps the other essential thing is the matter of being grateful for each photo found and discovered, for what you learn along the way and from who and for process – all that stuff that comes together in creating each new photograph. Beyond this photo discussion thanks, here, goes out to Martyn Joseph for each of the following – ‘One of Us,’ ‘Don’t Talk about Love and all that was that Edmonton concert at the Queen Alexandra Community Hall.

The road home last weekend finally provided opportunity to photograph this grain truck near Nampa, Alberta, the sides of its grain box now sandwich board, advertising (or perhaps better said as raising awareness with regard to) a social issue the world needs to know about. For me, the photograph is more about setting or context as well as that of articulating the shape of a vehicle from a former time; it has been something to see how far I could extend edits in shaping the image in terms of mood and tone beyond the factual/literal rendering of the image.

Listening to – Son Houses’ ‘Death Letter,’ Snow Patrol’s ‘Run,’ The Who’s ‘Won’t Get Fooled Again,’ Steve Miller’s ‘Mercury Blues,’ Ross Copperman’s ‘Holding On and Letting Go,’ The Red Hot Chili Peppers’ ‘Snow [Hey Oh],’ and Joe Bonamassa’s ‘Long Distance Blues.’

Quote to Inspire – “The photograph is completely abstracted from life, yet it looks like life. That is what has always excited me about photography.” – Richard Kalvar

That Sedan & Professor Keating

Backlight, Best Practices - Photography, Canon 60D, Canon 70-200 mm 2.8 IS L Series Lens, Canon Camera, Canon Lens, Canon Live View, Farm, Lookback Photos - One Year Ago, Photoblog Intention, Photography & Conceptualizing Beauty, Project 365 - Photo-a-day, Still Life, Vehicle, Vehicle Restoration, Winter
Sedan Along Path - Valleyview, Alberta 1

Sedan Along Path – Valleyview, Alberta 1

Sedan Along Path - Valleyview, Alberta 2

Sedan Along Path – Valleyview, Alberta 2

Sedan Among Trees - Valleyview, Alberta 1

Sedan Among Trees – Valleyview, Alberta 1

Sedan Among Trees - Valleyview, Alberta 2

Sedan Among Trees – Valleyview, Alberta 2

Away from home, tasks requiring completion fly me southward to Edmonton, Alberta, Friday, one week ago today. My Sunday is a day-long, northward return trek home with my Canon 60D.

In my first years as a teacher, an elder’s coaching presented the predicament of moving through or around brush as analogy for the challenge of dealing with Life’s obstacles. If moving through brush resulted in injury, the better judgment call was that of moving around the obstacle. The key was seeing the situation for what it was. The elder was promoting the path already carved out, the natural path; for him, the established easier route ought to be the path to take. Along the road home, east from Valleyview, Alberta a fifties’ four-door sedan sits, resting and rusting, its rear window absent. It’s placement in a farmer’s field positions it along a natural path that will take it forward through trees. No longer having power to move itself, though, this sedan sits along a path that could have been.

M. Scott Peck, Robert Frost and even the Dead Poets Society’s professor Keating would all promote the road less travelled as the path to take. Perhaps the elder talking to me all those years ago was establishing reality’s balance to such assertion – the road less travelled overcomes obstacles that no one else or, at least, few have encountered. Finding one’s own way throughout one’s Life, personal navigation, is the thing in either case – avoiding the obstacles or seeking the uncommon, unique yet obstacle-laden path. It’s interesting to be referencing the Dead Poets Society again within this photoblog while associating to photos of this vehicle.

Listening to – CKUA Online and the Friday Night Blues Party, Curtis Salgado’s ‘She Didn’t Cut Me Loose’ and Andy T and Nick Nixon Band’s ‘Drink Drank Drunk.’

Quote to Inspire – “I really don’t have any idea about photography, but I take pictures.” – Alex Majoli

Sun, Wind & Weather

Best Practices - Photography, Canon 60D, Canon Camera, Canon Live View, Farm, Farmhouse, Flora, Home, Homestead, Lookback Photos - One Year Ago, Photoblog Intention, Photography & Conceptualizing Beauty, Project 365 - Photo-a-day, Sigma Lens - Wide Angle 10-20mm, Still Life, Weather, Winter
Former Farm - Sangudo, Alberta 1

Former Farm – Sangudo, Alberta 1

Former Farm - Sangudo, Alberta 2

Former Farm – Sangudo, Alberta 2

Former Farm - Sangudo, Alberta 3

Former Farm – Sangudo, Alberta 3

Sangudo, Alberta – on a sunny day, closing in on spring, buildings from a former farming time continue to erode with wind and weather. Sun heats snow-laden earth and clouds begin to billow and move eastward over the horizon.

Listening to – Josef Myslivecek and Concertino in E Flat for two horns.

Quote to Inspire – “A photograph is usually looked at – seldom looked into.” – Ansel Adams

From My Ford-Focused Canon 60D

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Nose - 1938 Ford One Ton Tow Truck

Nose – 1938 Ford One Ton Tow Truck

Ford Grain Truck - Wabamun, Alberta

Ford Grain Truck – Wabamun, Alberta

67 Ford Econoline Van

67 Ford Econoline Van

64 Mercury Monterey 2

64 Mercury Monterey 2

64 Mercury Monterey 1

64 Mercury Monterey 1

Looking up from my Ford-focused Canon 60D the highway held a semi hauling a flat-deck trailer with a Diversified Bus on it, its roof crushed – a sight as curious as it is disturbing. Diversified runs buses in northeastern Alberta. A passenger bus like this, the kind Greyhound uses, is never something anyone wishes to see in this state – the image implies rollover and injury. Hopefully, the accident was less serious than can be imagined. But, on those long, northern Alberta drives Greyhound buses do slide sideways on ice, occasionally – accidents involving such buses do occur from time to time.

Each image presented, here, has been an editing exercise exploring editing sequences other photographers have utilized to arrive at final image renderings. Ford Motor Company (FOMOCO) provides subject for these images – the nose of the 1938 Ford One Ton Tow Truck, a late sixties Ford One Ton grain truck, a 64 Mercury Monterey and a 67 Ford Econoline van.

Listening to – Gwyneth Paltrow singing ‘Country Song’ and ‘Travis.’

Quote to Inspire – “Your first 10,000 photographs are your worst.” – Henri Cartier-Bresson

Moments You Can’t Get Out Of

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Jasper Alberta 1

Jasper Alberta 1

Mountain River - McLure BC

Mountain River – McLure BC

Mount Robson BC 2

Mount Robson BC 2

Mount Robson BC 1

Mount Robson BC 1

Lake Okanagan - Kelowna BC

Lake Okanagan – Kelowna BC

Jasper Alberta 3

Jasper Alberta 3

Jasper Alberta 2

Jasper Alberta 2

My wife told me that she had noticed the oil pressure indicator flashing and remaining on two weeks ago today. Hearing her words, I went outside and checked the oil dipstick and confirmed that we did have oil in the engine. Because we had a long drive to Edmonton coming I called the service technicians who advised that the issue could be an electrical problem with the sensor or an actual oil leak. They advised watching the fluid levels on the way down and to bring it in for service. I checked the oil before leaving. And, then, checked it again three hours later in Peace River … the oil pressure sensor light had come on. I pulled out the dipstick … there was no oil. What to do? Travelling on a Sunday the dealership wasn’t open. Calling roadside assistance only let me know that they would tow the vehicle to a maximum of 125 kilometres … I had 500 kilometres to go before making it to the dealership. I talked things over with a friend. The tow cost would be about $900 to get the vehicle to Edmonton. If I managed checking and adding oil as needed I might make it to Edmonton at considerably less cost. My wife and daughter got a hotel room in Peace River; they would come down with friends who would pick them up the next day. I would aim to make it to Edmonton adding four litres of oil to the engine every forty-five minutes. I made it after another seven hours, topping up the oil at -20C temperatures. At one point I lost the oil cap in one of those unreachable places of the engine compartment and had to jury-rig an alternative using sheet plastic.

From Edmonton, it was a flight to Penticton via Vancouver the next day to work on assets associated with my father-in-law’s estate. With a day’s work done, there, I began the drive back to Edmonton only to find that the highway I had chosen had to be closed because of accidents occurring in the slush and snow. Doubling back, I was able to drive through Kamloops on the Yellowhead Trail and aim for Edmonton via Jasper. I stopped for the night at Kamloops and then began my drive on the Yellowhead, a bright day with dry roads. I got a meal along the way and within a couple of hours was the unwitting victim of food poisoning. With no energy and chills I decided to hunker down in Valemount, British Columbia – at 2:00 p.m.. I got a hotel room and slept my way around the clock. After many hours of sleep, weakened, but ready to aim for home, I got back in the vehicle. The mountain images presented here are those preceding food poisoning and those from the day driving from Valemount to Edmonton.

Listening to – U2’s ‘Stuck in a Moment You Can’t Get Out Of,’ ‘In a Little While,’ ‘Elevation,’ and ‘I Still Haven’t Found What I’m Looking For.’

Quote to Inspire – “A photograph is the pause button on life.” – Ty Holland

At the Ready

Backlight, Barn, Best Practices - Photography, Canon 60D, Canon Camera, Canon Live View, Farm, Farmhouse, Gas Station, Homestead, Journaling, Light Intensity, Photoblog Intention, Photography & Conceptualizing Beauty, Project 365 - Photo-a-day, Sigma Lens - Wide Angle 10-20mm, Still Life, Vehicle, Vehicle Restoration, Winter
Ford One Ton Tow Truck - McLure BC 1

Ford One Ton Tow Truck – McLure BC 1

Ford One Ton Tow Truck - McLure BC 11

Ford One Ton Tow Truck – McLure BC 11

Ford One Ton Tow Truck - McLure BC 10

Ford One Ton Tow Truck – McLure BC 10

Ford One Ton Tow Truck - McLure BC 9

Ford One Ton Tow Truck – McLure BC 9

Ford One Ton Tow Truck - McLure BC 8

Ford One Ton Tow Truck – McLure BC 8

Ford One Ton Tow Truck - McLure BC 7

Ford One Ton Tow Truck – McLure BC 7

Ford One Ton Tow Truck - McLure BC 6

Ford One Ton Tow Truck – McLure BC 6

Ford One Ton Tow Truck - McLure BC 5

Ford One Ton Tow Truck – McLure BC 5

Ford One Ton Tow Truck - McLure BC 4

Ford One Ton Tow Truck – McLure BC 4

Ford One Ton Tow Truck - McLure BC 3

Ford One Ton Tow Truck – McLure BC 3

Ford One Ton Tow Truck - McLure BC 2

Ford One Ton Tow Truck – McLure BC 2

A 1938 Ford one-ton tow truck sits, seemingly at the ready, gazing out to the highway. Yet, at the ready, looks a lot like ready to sell.

Static, the Ford’s paint flakes away and metal beneath oxidizes into rust, colourfully. Curves are the thing, in the shape and detail of the cab, in each window, throughout the length and nose of the hood, in the catch-all of the fenders and in the perfect circles of the lights; straight lines add contrast to these curves with the verticals and horizontals of the running boards, bumper and grill; and then there are the diagonals associated with the structure for leverage, towing and pulling other vehicles. There’s remarkable engineering, here, both in the original build of the Ford and in the impromptu innovation of the towing structure … someone has the knack for towing vehicles. The whole vehicle is architecture, engineering, shape and detail from a former time, a time that preceded me, a time that was my father’s – all pull my interest to this Ford. And, there’s anticipation of how it would drive and how it would ride … the finding of gears, the getting it to move and remain moving … there’d be the unique bounce and shift of weight as the truck moves over terrain … there’d be the rhythm of engine combustion idling and working, pacing out each mile … and there’d be the view from within while piloting this vehicle – all intrigue me.

Automobiles that have left the road have been set back on the road surface by this Ford. Remnants of collisions – damaged vehicles, damaged people and damaged egos, their aftermath has needed transfer to homes, autobody shops and junk yards, something this Ford has provided regularly. In extreme and extraordinary winter weather this Ford has been one to venture out on uncertain roads and perhaps there would be no safer place than in an outfitted Ford one-ton tow truck with a rested driver who understands people, the road and his machine. This Ford one-ton tow truck is for sale down around McLure, British Columbia; the first person with $2000 or so dollars takes it.

Listening to – Tom Cochrane’s ‘Big League’.

Quote to Inspire – “Buy a good pair of comfortable shoes, have a camera around your neck at all times, keep your elbows in, be patient, optimistic and don’t forget to smile.” – Matt Stuart

Inuksuk GPS

Best Practices - Photography, Canon 60D, Canon 70-200 mm 2.8 IS L Series Lens, Canon Camera, Canon Live View, Journaling, Light Intensity, Lookback Photos - One Year Ago, Project 365 - Photo-a-day, Still Life, Winter
Inuksuk 1

Inuksuk 1

Inuksuk 2

Inuksuk 2

Inuksuk 3

Inuksuk 3

Inuksuk 4

Inuksuk 4

Semblance of human existence, an inuksuk serves as landmark and waypoint on one’s unknown path or journey. Its surprise guides you along your way when you’re alone with map and compass, scanning the horizon, considering the course you’ll take; its message – “you are on the right path, keep going … you’ll get there.” With an inuksuk, another human being has taken the time to gather stone and rock to create a representation of the human form only to encourage you and others, letting all know that others have been right where you now stand/sit. At that point where they experienced indecision in navigation, they came back to this point to guide you forward.

Navigation – some of my week has been about travel in unknown territory. I’ve been driving using my global positioning satellite unit, my Tom Tom GPS to direct me to my destination. At one point the mountain road I was on was closed down owing to slush and snow. I had to double back to find another route – a four hour correction in the middle of the night. While there were lines on the road and tire tracks of vehicles preceding me, there were no inuksuks along the way.

Listening to – War’s ‘Low Rider,’ Bo Diddley’s ‘Ride on Josephine,’ Moby’s ‘Flower,’ The Crystal Method’s ‘Busy Child,’ Lori Carson’s ‘You Won’t Fall’ and Johnny Cash’s ‘Folsom Prison Blues.’

Quote to Inspire – “Photography is about finding out what can happen in the frame. When you put four edges around some facts, you change those facts.” – Garry Winogrand