Tag: henri cartier bresson

From My Ford-Focused Canon 60D

Nose - 1938 Ford One Ton Tow Truck

Nose – 1938 Ford One Ton Tow Truck

Ford Grain Truck - Wabamun, Alberta

Ford Grain Truck – Wabamun, Alberta

67 Ford Econoline Van

67 Ford Econoline Van

64 Mercury Monterey 2

64 Mercury Monterey 2

64 Mercury Monterey 1

64 Mercury Monterey 1

Looking up from my Ford-focused Canon 60D the highway held a semi hauling a flat-deck trailer with a Diversified Bus on it, its roof crushed – a sight as curious as it is disturbing. Diversified runs buses in northeastern Alberta. A passenger bus like this, the kind Greyhound uses, is never something anyone wishes to see in this state – the image implies rollover and injury. Hopefully, the accident was less serious than can be imagined. But, on those long, northern Alberta drives Greyhound buses do slide sideways on ice, occasionally – accidents involving such buses do occur from time to time.

Each image presented, here, has been an editing exercise exploring editing sequences other photographers have utilized to arrive at final image renderings. Ford Motor Company (FOMOCO) provides subject for these images – the nose of the 1938 Ford One Ton Tow Truck, a late sixties Ford One Ton grain truck, a 64 Mercury Monterey and a 67 Ford Econoline van.

Listening to – Gwyneth Paltrow singing ‘Country Song’ and ‘Travis.’

Quote to Inspire – “Your first 10,000 photographs are your worst.” – Henri Cartier-Bresson

Vase-lens

A vase and a serving dish, both glass, both transparent yet holding colour, both with shape and form and both reflecting light are subjects in the images presented here. Both glass structures are lenses, the vase, a lens revealing entire beauty of the flower held, the serving dish, a lens to the manna that soon will be eaten. The polished surface’s shape and form reflects light. So too does the interior of the glass.  There’s that place where the glass in being shaped curves or twists receiving form. From that point within there’s reflection, a glint of light from within shining back. Analogy extends forward … what structures hold us that allow us to be seen? Would this be a home?  Would this be a marriage? A vase holds the still-life flower, a living thing of beauty while beautiful. Moving past prime, dying, it is discarded. For us, we each have a rich, subtle life, one that few others really know well.  Is friendship the vase-lens structure allowing for revelation of one’s subtle life? Something in this analogy is truth my mother understood.  Her memory via her paintings prods me forward toward unraveling it.

Listening to Bruce Springsteen from the Tunnel of Love album – One Step Up; Bryan Ferry sings Just Like Tom Thumb’s Blues from Dylanesque.  Amiina from the album Kurr provides a tonal, music box sound in Rugla.  Rugla reminds of another ambient mix by Sigur Ros from the Takk album – Glosoli.  Later, I’m listening to Last Thoughts on Woody Guthrie, thoughts Bob Dylan offers – The Bootleg Series, Vols. 1-3 (Rare and Unreleased) 1961-1991.

Quote to Inspire – “Photography is only intuition, a perpetual interrogation – everything except a stage set.” – Henri Cartier-Bresson – Photography Year 1975 – Life Library of Photography, page: 216

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