I have just had a listen to Bob Dylan’s ‘Last Thoughts on Woody Guthrie (Live)’ and am struck by a quality in the monologue that is almost psalm-like, the average woman and man’s take on the business of living, almost the concerns they’d express in prayer, concerns that would consider the gap between what Life ought to hold and Life that needs to be fought for, a Life requiring help. Likely that’s the point – Woody Guthrie articulated such concerns for the average man and woman in song that is psalm, song that’s poetic, song that infuses hope by way a compassionate ear. Woody Guthrie’s words are psalms for Lives in a country emerging from the depression and war and surfacing into the fifties.
The images above are two more edits of the clapper-board church at the St. Louis Roman Catholic mission in Fort Vermilion’s north settlement – Buttertown.
Listening to – Bob Dylan’s ‘Dignity’ and John Mayer’s ‘Queen of California.’
Quote to Consider – “Some photographers set up as scientists, others as moralists. The scientists make an inventory of the world; the moralists concentrate on hard cases.” – Susan Sontag – ‘On Photography’
Not always pretty, or organized, the shot you take. Yet something in your mind recognizes beauty’s potential – something can be drawn from this image. Some part of your mind recognizes this scene or subject ought to be recorded and kept – something’s here to understand … front of the process stuff, this first part of making a photograph. You see, you capture and you edit. You exercise photographic skill(s) finding the strongest way of seeing this image … end of process stuff, recognizing presentation choices and choosing. The image reveals itself as much as you present it.
Former farms and homesteads are subject in the images of this morning’s post.
Listening to – Bob Dylan’s ‘Last Thoughts On Woody Guthrie,’ from the Bootleg Series, Vol. 1-3 (Rare& Unreleased) 1961-1991.
Quote to Inspire – “Looking and seeing are two different things. What matters is the relationship with the subject.” – Christophe Agou
A vase and a serving dish, both glass, both transparent yet holding colour, both with shape and form and both reflecting light are subjects in the images presented here. Both glass structures are lenses, the vase, a lens revealing entire beauty of the flower held, the serving dish, a lens to the manna that soon will be eaten. The polished surface’s shape and form reflects light. So too does the interior of the glass. There’s that place where the glass in being shaped curves or twists receiving form. From that point within there’s reflection, a glint of light from within shining back. Analogy extends forward … what structures hold us that allow us to be seen? Would this be a home? Would this be a marriage? A vase holds the still-life flower, a living thing of beauty while beautiful. Moving past prime, dying, it is discarded. For us, we each have a rich, subtle life, one that few others really know well. Is friendship the vase-lens structure allowing for revelation of one’s subtle life? Something in this analogy is truth my mother understood. Her memory via her paintings prods me forward toward unraveling it.
Listening to Bruce Springsteen from the Tunnel of Love album – One Step Up; Bryan Ferry sings Just Like Tom Thumb’s Blues from Dylanesque. Amiina from the album Kurr provides a tonal, music box sound in Rugla. Rugla reminds of another ambient mix by Sigur Ros from the Takk album – Glosoli. Later, I’m listening to Last Thoughts on Woody Guthrie, thoughts Bob Dylan offers – The Bootleg Series, Vols. 1-3 (Rare and Unreleased) 1961-1991.
Quote to Inspire – “Photography is only intuition, a perpetual interrogation – everything except a stage set.” – Henri Cartier-Bresson – Photography Year 1975 – Life Library of Photography, page: 216
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