Conundrum – how to manage a photo-a-day blog when away from home, computer, software and the Internet. Is it a matter of taking a computer with you? Or is it about caching photos taken during vacation for presentation later on, in look-back fashion? I’m only now sitting down at my computer to review photos, some three weeks later to discover this present gem of an image, a one-ton, late fifties truck that pops noticeably because of the wet reflective surface provided courtesy of the rain. Reflection is a neat thing for adding light to a subject and in so doing, highlighting the subject’s lines and shape. Here, an extraordinary combination of clouds, sun and rain at day’s end allows the opportunity to explore textures, shape, reflection and background. In taking this photo, there was the scramble to the scene (a reasonable distance) in order to make use of the setting, light and background. And, in this same scene while there has been that aspect of Carpe Diem, there too were the mosquitos within the wet, warm weather to contend with. But, a gem is a gem and I like each of the four renderings of this photo.
In truth, though, it has been hard to sit still at day’s end, the household asleep and to find that I’m awake without the tools for editing photos, writing a post and blogging. The issue is about workflow and what I really value doing with my/our time on vacation. Photography is intended to assist vacation recall … not what the vacation should be about. Next year, perhaps a laptop … perhaps not. Perhaps focus will remain on enjoying and capturing our vacation with my camera.
I haven’t withdrawn from my blog so much as I’ve been presented with the separation of vacation from the routines of daily life – sort of a forced withdrawal that’s likely to bring benefits with regard to energy and perspective.
Listening to – Shawn Colvin’s All Fall Down.
Quote to Inspire – “A photograph is a moral decision taken in one eighth of a second.”– Salman Rushdie, The Ground Beneath Her Feet
Sunset & Plant – Fort Vermilion Turnoff, Fort Vermilion, Alberta
On lunch break between summer tasks, I play tunes my daughter has had us download in iTunes – Smash Mouth songs, Megan & Liz songs and songs from the Glee Cast. She’s had me track down the original of The Zombies – She’s Not There, a song sung on Glee. Another song from the Glee repertoire is Tears for Fears’ Mad World; we find the Michael Andrews and Gary Jules version of the song that encapsulates the theme within the Donnie Darko movie; it contains a straightforward set of lyrics about Life’s absurdity in being there but not there, almost a ghost within a world where you can be seen but not known, recognized but not affirmed, speak but not be understood. Our listen through with iTunes two nights back brought out several songs by The Who which we download – Won’t Get Fooled Again, I Can See For Miles, Behind Blue Eyes, My Generation, Pinball Wizard and Baba O’Riley. My daughter recognizes Pinball Wizard, a song she’s heard, and I wonder where she would have heard it – questions to ask. For now she’s happy to have our downloads and to have the songs loaded on her iPod.
One lingering photo is this, taken at sunset, a plant with maroon and gold stem and shoots; it sways in the breeze as I try a macro shot. I’m liking the colours despite its movement.
Quote to Inspire – “No, the camera can’t steal the soul. But it can occasionally hold it hostage.” – author unknown
Listening to – The Who andMy Generation. Also listening to Smash Mouth’s Walkin’ on the Sun and All Star.
Early morning, time to cross-off items from my ‘did-I-do-it’ list, time to muster to the morning’s endeavor – planting Saskatoon bushes in our backyard. I gather shovel, axe, wheel barrow and raise my eyes to gaze upon a dragonfly sunning itself, drinking in sun’s early morning heat. The dragonfly doesn’t move. Rapturous in sun’s warmth, it allows me time to retrieve my camera, attach macro lens and gather images. When I move to look down the fence board to the dragonfly from above, the dragonfly having had enough parts company, flying off. This intriguing moment with camera and subject was one that recalls and reinforces the joy of discovery and pursuit within photography. Taking the moment further I photographed ripening raspberries in still life.
Listening to – The Who’s Won’t Get Fooled Again, the Donnie Darko version of Tears for Fears’ Mad World, The Who’s Boris the Spider, Walter Trout’s Blues for the Modern Daze, Shawn Colvin’s American Jerusalem, I Don’t Know You and The Neon Lights of the Saints.
Quotes to Inspire – (1) “Taking pictures is like tiptoeing into the kitchen late at night and stealing Oreo cookies.” – Diane Arbus; and, (2) “If I were just curious, it would be very hard to say to someone, ‘I want to come to your house and have you talk to me and tell me the story of your life.’ I mean people are going to say, ‘You’re crazy.’ Plus they’re going to keep mighty guarded. But the camera is a kind of license. A lot of people, they want to be paid that much attention and that’s a reasonable kind of attention to be paid.” – Diane Arbus – remarks made in class, 1971, Diane Arbus : An Aperture Monograph by Diane Arbus, Stan Grossfeld (3) “Beauty is the illumination of your soul.” – John O’Donohue, Anam Cara: A Book of Celtic Wisdom
Homestead Amongst Canola 4 – Fort Vermilion, Alberta
Canola & Stacking Clouds 3 – High Level, Alberta
Homestead Amongst Canola 3 – Fort Vermilion, Alberta
Canola & Stacking Clouds 2 – High Level, Alberta
Homestead Amongst Canola 1 – Fort Vermilion, Alberta
Canola & Stacking Clouds 1 – High Level, Alberta
Homestead Amongst Canola 2 – Fort Vermilion, Alberta
One use for photography is as a means to revisit the past, to investigate the reality of former times and to hold up to scrutiny the mind’s eye view of significant events held in memory against the reality that photography reveals. Former times often become focal point for memory; we attach meaning and narrative to what has happened to us in significant events and memorable moments. Reaching back to former times with a camera allows for the investigation of visual information within scenes and settings surrounding Life events. Distances, depth, architecture, shape, colour – the visual information within a photograph allows for extrapolation, to see more of the story that was at play. Such camera investigation with editing of images has a settling aspect to it; it establishes more of the facts surrounding events and moves past glory day’s nostalgia to clearer recognition of what comprised scene and action. In doing so, photography locks in the visual information within a scene. While I tend to think of Edmonton, the home I grew up in, and, the events and happenings of years ago, the process is the same when I consider our northern seasons. The dark of winter will bring longing for warmth and breeze of summer’s blue-sky days with clouds stacking and fields in greens, yellows and gold; intensities are there, too – heat, lightning, convection, weather. The photographs here are of such summer days and for those winter days.
Listening to – Alison Krauss/Union Station’s When You Say Nothing At All.
Quotes to Inspire – (1) “Taking pictures is savoring life intensely, every hundredth of a second.” – Marc Riboud (2) “When words become unclear, I shall focus with photographs. When images become inadequate, I shall be content with silence.” – Ansel Adams. (3) “A good snapshot keeps a moment from running away.” – Eudora Welty
Water Slinging 1 – Wilson Prairie Fire, La Crete, Alberta
Water Slinging 2 – Wilson Prairie Fire, La Crete, Alberta
Water Slinging 3 – Wilson Prairie Fire, La Crete, Alberta
Water Slinging 4 – Wilson Prairie Fire, La Crete, Alberta
Water Slinging 5 – Wilson Prairie Fire, La Crete, Alberta
Water Slinging 6 – Wilson Prairie Fire, La Crete, Alberta
Water Slinging 7 – Wilson Prairie Fire, La Crete, Alberta
Water Slinging 8 – Wilson Prairie Fire, La Crete, Alberta
Water Slinging 9 – Wilson Prairie Fire, La Crete, Alberta
Water Slinging 10 – Wilson Prairie Fire, La Crete, Alberta
Water Slinging 11 – Wilson Prairie Fire, La Crete, Alberta
Water Slinging 12 – Wilson Prairie Fire, La Crete, Alberta
Water Slinging 13 – Wilson Prairie Fire, La Crete, Alberta
Water Slinging 14 – Wilson Prairie Fire, La Crete, Alberta
Water Slinging 15 – Wilson Prairie Fire, La Crete, Alberta
Water Slinging 16 – Wilson Prairie Fire, La Crete, Alberta
Wilson Prairie Fire – Onlookers, La Crete, Alberta
Water Slinging 17 – Wilson Prairie Fire, La Crete, Alberta
Water Slinging 18 – Wilson Prairie Fire, La Crete, Alberta
Water Slinging 19 – Wilson Prairie Fire, La Crete, Alberta
Water Slinging 20 – Wilson Prairie Fire, La Crete, Alberta
Water Slinging 21 – Wilson Prairie Fire, La Crete, Alberta
Water Slinging 22 – Wilson Prairie Fire, La Crete, Alberta
Water Slinging 23 – Wilson Prairie Fire, La Crete, Alberta
Water Slinging 24 – Wilson Prairie Fire, La Crete, Alberta
Water Slinging 25 – Wilson Prairie Fire, La Crete, Alberta
Water Slinging 26 – Wilson Prairie Fire, La Crete, Alberta
Air Tanker Support 1 – Wilson Prairie Fire, La Crete, Alberta
Air Tanker Support 2 – Wilson Prairie Fire, La Crete, Alberta
Air Tanker Support 3 – Wilson Prairie Fire, La Crete, Alberta
Air Tanker Support 4 – Wilson Prairie Fire, La Crete, Alberta
Air Tanker Support 5 – Wilson Prairie Fire, La Crete, Alberta
Air Tanker Support 6 – Wilson Prairie Fire, La Crete, Alberta
Tanker Lead Plane 1 – Wilson Prairie Fire, La Crete, Alberta
Tanker Lead Plane 2 – Wilson Prairie Fire, La Crete, Alberta
Tanker Lead Plane 3 – Wilson Prairie Fire, La Crete, Alberta
Tanker Lead Plane 4 – Wilson Prairie Fire, La Crete, Alberta
Tanker Lead Plane 5 – Wilson Prairie Fire, La Crete, Alberta
Tanker Lead Plane 6 – Wilson Prairie Fire, La Crete, Alberta
Air Tanker Support 7 – Wilson Prairie Fire, La Crete, Alberta
Tanker Lead Plane 7 – Wilson Prairie Fire, La Crete, Alberta
Air Tanker Support 8 – Wilson Prairie Fire, La Crete, Alberta
Air Tanker Support 9 – Wilson Prairie Fire, La Crete, Alberta
Tanker Lead Plane 8 – Wilson Prairie Fire, La Crete, Alberta
Air Tanker Water Bombing 1 – Wilson Prairie Fire, La Crete, Alberta
Air Tanker Water Bombing 2 – Wilson Prairie Fire, La Crete, Alberta
Air Tanker Water Bombing 3 – Wilson Prairie Fire, La Crete, Alberta
Air Tanker Water Bombing 4 – Wilson Prairie Fire, La Crete, Alberta
Air Tanker Water Bombing 5 – Wilson Prairie Fire, La Crete, Alberta
Air Tanker Water Bombing 6 – Wilson Prairie Fire, La Crete, Alberta
Air Tanker Water Bombing 7 – Wilson Prairie Fire, La Crete, Alberta
Air Tanker Water Bombing 8 – Wilson Prairie Fire, La Crete, Alberta
Air Tanker Water Bombing 9 – Wilson Prairie Fire, La Crete, Alberta
Air Tanker Water Bombing 10 – Wilson Prairie Fire, La Crete, Alberta
Air Tanker Water Bombing 11 – Wilson Prairie Fire, La Crete, Alberta
Air Tanker Water Bombing 12 – Wilson Prairie Fire, La Crete, Alberta
Air Tanker Water Bombing 13 – Wilson Prairie Fire, La Crete, Alberta
Air Tanker Water Bombing 14 – Wilson Prairie Fire, La Crete, Alberta
Air Tanker Water Bombing 15 – Wilson Prairie Fire, La Crete, Alberta
Air Tanker Water Bombing 16 – Wilson Prairie Fire, La Crete, Alberta
Air Tanker Water Bombing 17 – Wilson Prairie Fire, La Crete, Alberta
Air Tanker Water Bombing 18 – Wilson Prairie Fire, La Crete, Alberta
Air Tanker Water Bombing 19 – Wilson Prairie Fire, La Crete, Alberta
Air Tanker Water Bombing 20 – Wilson Prairie Fire, La Crete, Alberta
Good day, all:
Currently, our forest region has 27 fires burning – fourteen are out of control, four are being held and nine are under control. Our temperatures have been hot this week reaching +30C and higher in our corner of Northwestern Alberta. At least two smaller communities have been evacuated, threatened by fire and smoke. One fire has a 15000 hectare involvement. The photos presented are of recent water bombing and water slinging operations in the La Crete area – the state of emergency, there, has been lifted at noon today.
Listening to – Shawn Colvin’s All Fall Down and Walter Trout’s Turn Off Your TV.
Quote to Inspire – “When I shoot a scene I often shoot a hundred frames sometimes over a few hours or days, before I begin to get a real handle on what I want in the frame and how I want it there.” – David duChemin
This morning’s wee hours saw the completion of two day’s detailing our 2006 Nissan Altima, a task completed without anchored schedule and with all that time off. The task first involved trekking around the Altima with Autoglym Super Resin Polish with orbital buffer and polishing bonnet or buffer and buffing bonnet. The task next involved applying by hand Autoglym HD Wax, a paste wax, in sections and letting those sections cure for fifteen minutes at a stretch. In applying the HD paste wax I caught myself up on several podcasts.
Storing digital images was the subject of one podcast of Shuttertime with Sid and Mac; I’m in need of a new external hard drive and need to investigate back-up solutions. The podcast introduced me to Drobo and to Carbon Copy Cloning and much more. In another Shuttertime with Sid and Mac podcast the ‘why’ of the photographer – her or his motivation for shooting – was considered. A truth that surfaced is that good photography is something that serves the photographer first before her or his audience. It was noted that photographer burnout (meaning their interest or desire in photography is extinguished) occurs when the images created tend to be ‘for’ others. Ideally a photographer needs to manage the balance of work for others with work for themselves.
Two days detailing allowed for breaks when they were needed. Tuesday evening presented the opportunity of summer’s quietude along our street. Near midnight I was able to sit outdoors in the sun’s dusk, in the absence of activity and mosquitos to enjoy an evening breeze – a time to be, a time to sit still and enjoy. Within these two days I’ve been able to watch at various times most of the 2010 film of Charlotte Bronte’s Jane Eyre with Mia Wasikowska and Michael Fassbender, an allegory of spiritual development and of finding soul mates. Wax on, wax off – words from the Karate Kid, words akin to meditation, an activity slowing you down, a means to gather thoughts and loose-ends; the activity involves sight and seeing and perspective; section by section the activity moves toward the whole of an outcome completed. Perseverance is required – you and the car are better for it.
The photograph presented here is the first rendering of an image using the Snapseed app with my iPad – a truck that’s been used for mud-bogging.
Listening to – Over the Rhine’s Spark, Dar Williams’ Mercy of the Fallen and Radiohead’s High and Dry; the other song that’s been in my thoughts and hearing is Robbie Robertson’s Sweet Fire of Love.
Quotes to Inspire – (1) “I really believe there are things nobody would see if I didn’t photograph them.” – Diane Arbus; and, (2) “To photograph truthfully and effectively is to see beneath the surfaces and record the qualities of nature and humanity which live or are latent in all things.” – Ansel Adams
Fence Posts – Alexandra Falls, Northwest Territories
Flower 2 – Northwestern Alberta
Daisy – Alexandra Falls, Northwest Territories
Daisies – Alexandra Falls, Northwest Territories
Flower – Alexandra Falls, Northwest Territories
Fence Post 3 – Alexandra Falls, Northwest Territories
Fence Posts 2 – Alexandra Falls, Northwest Territories
Cattail 3 – Northwestern Alberta
Cattail 2 – Northwestern Alberta
Cattail 1 – Northwestern Alberta
Pond – Northwestern Alberta
Fire Aftermath 2 – Northwestern Alberta
Fire Aftermath – Northwestern Alberta
Buffalo Airways DC 3 #2 – Alexandra Falls, Northwest Territories
Buffalo Airways DC 3 – Alexandra Falls, Northwest Territories
Our school year is complete. Mandated and extracurricular tasks and obligations have been seen through to good conclusion. I continue to be amazed at all the work all teachers engage in in moving students onward in their academic learning as these same students move into, through and from of the hormone jungle. Our final days at school have been about pushing through, getting what needs done, done and sharing in celebration and play with students.
Our year-end school riot, outdoors, held so much fun – a supremely significant high point to the year – water pistols, pies in the face (for staff and students), izzy-dizzy, wet/slippery tug-of-war, shin cracker, fire engine pull, music and more music and most fun was the make-shift water slide (a rubber 100’ x 50’ tarp with fire truck pumper and two fire hoses soaking students and staff in summer sun); staff and students shared laughter and smiles abundantly … what an extraordinary day! Stats on the Animoto of the event are sitting at 180+ viewings within one week – our year-end riot was a hit and definitely memorable.
Beyond the riot, the final days were about pushing through, getting year-end tasks done; then, there was a sacred congregational task to be completed last Sunday at Hutch Lake, Alberta. Frank McCourt, author of Angela’s Ashes and ‘Tis also wrote a book about his teaching life in New York City. In his book, Teacher Man, he references the acronym ATTO, meant to mean ‘all that time off’ that non-teachers look at as the perk to teaching and as something perhaps as an ill-gotten-gain. The reality is that there really is all that time off. But, for me and any other teacher the time is something used to catch one’s breath mentally and physically. It’s a time to move the teacher’s self from back burner interest and to step out and seize hold of Life and to breathe Life into interests, intentions, goals and endeavors.
The house that needs fixing, the taxes that need submission, the mail that needs opening … all those things that have been put off so that a rich school year may be had by students – these are the things that now must get done. Yesterday, summer’s reward was there. On his Soul Surmise website, Steve Stockman (Stocki) provided the world with his top ten album picks for the first half of 2012. The reward specific – Stocki pointed me to Matthew Perryman Jones and his Land of the Living album, intelligent, well-crafted lyrics with a voice richly reminiscent of David Gray; truly manna.
The photographs presented here are ones taken on a drive northward from High Level, Alberta towards the Alexandra Falls just on the other side of the Northwest Territories border. I had freed myself for an afternoon and got into the car with my Canon 60D. Most shots are macro shots of colour amongst greenery. Two shots are photos of the aftermath of a forest fire that had raged on North of us a few weeks before.
Listening to – Matthew Perryman Jones’ Land of the Living album – The Angels Were Singing, Cancion de la Noche and I Won’t Let You Down Again; the melody from Stones From the Riverbed catches my interest.
Quote to Inspire – “Beauty can be seen in all things, seeing and composing the beauty is what separates the snapshot from the photograph.” – Matt Hardy
18 June 2012 – 11:30 p.m.. The land of the midnight sun still lights the world in half-light in the moments before it crosses the horizon to create dusk. West – a tumultuous sky billows its clouds in heavy, obscure shapes poised to wet the earth with only a nudge. East – there’s greater interplay and drama between dark, heavy shapes and bright, bread-white clouds catching sun’s light. It’s day’s end as I gather these photographs remnants of a beautiful day. There’s a checkmark shape of lamp posts caught in parking lot puddle mirrors – too many hours being a teacher today.
Listening to – Black Rebel Motorcycle Club’s In Like a Rose, The Black Keys When the Lights Go Out, Radiohead’s Go to Sleep, Ryan Adams’ Starting to Hurtand Pete Yorn’s Pass Me By.
Quote to Inspire – “Which of my photographs is my favourite? The one I’m going to take tomorrow.” – Imogen Cunningham
Interchangeable, Early Sixties GMC Half Tons – Fairview, Alberta
Dunvegan River Bank – Dunvegan, Alberta
Older Barn – Fairview, Alberta
Canada Geese Feeding at Sundown – Fairview, Alberta
Tonight has been an evening of yardio – yard-work and cardio effort. Our lawn is now dethatched, the old grass bagged (and ready for garbage day) and our lawn is fertilized and being watered as I write. For the first time this spring I have sudsed-up our Nissan Altima – I’ve washed it by hand, with brushes and sprayer, first with Palmolive soap to take the dirt off and then with Mother’s Vehicle soap. The Altima is clean. But, its six-year old exterior is in need of detailing – a good go-round with a good glazing polish, buffer and various amounts of elbow grease. If I’d had some Autoglym Bodywork Shampoo the wash would have produced a glossy sheen. My cabinet in the garage holds two things that will brighten this vehicle – Autoglym Super Resin polish and Autoglym High Definition paste wax. Not only will the paint gleam but the relief in the vehicle’s shape will be enhanced optically, in some cases to a degree of optical illusion. The waxing will have to wait until summer break and the chore will become a way to settle towards summer’s calm following a hectic school year. The chore, the time invested and the dazzling outcome are things I look forward to as summer projects.
Most photographs presented here are ones taken in the final hour of sunlight last Saturday night; it’s about half past ten heading to eleven o’clock. The river bank at Dunvegan features shadow play with shadows lengthening and darkening to enhance the rolling mounds of hillage above the Peace River. In two photos rusting relics are stored in public view. The three early sixties GMC half-tons seem ready to share parts in order to cluster into one working whole. The ready interchangeability of parts between the three trucks points to a need to gather them all rather than only one. Canada Geese move actively at sunset in a farmer’s field feeding. And, a disused barn catches the light of sunset … a dusky day’s end in Alberta’s late spring.
Listening to – J J Heller’s Your Hands, Missy Higgins’ Warm Whispers, Coldplay’s See You Soon, David Gray’s Kathleen, Jem singing Maybe I’m Amazed, Ray LaMontagne’s I Still Care for You and all the way through to John Denver’s Thank God I’m a Country Boy. The playlist rounds out to the Counting Crows’ Raining in Baltimore and David Gray’s Jackdaw.
Quote to Inspire – “Beauty can be seen in all things, seeing and composing the beauty is what separates the snapshot from the photograph.” – Matt Hardy
Early Fifties Chevrolet – Parksville, British Columbia
Summer ends – the year is 1959. Grade eleven students return to Rydell High School as seniors, sporting opinions about school, staff and each other. In this final high school year, they are top rung, the school is theirs and they’re able to assume power and status as seniors; they’re a force to be reckoned with. Girls cluster with girls. Guys ‘hang’ with guys. The senior year is about next steps – next steps in and beyond high school, next steps in terms of courtship and couple-hood, next steps …. A new girl enters the arena of school, Sandra Dombrowsky and the social equilibrium of year twelve becomes flux, teetering several relationships toward daring next steps, more permanent next steps.
So begins the musical of Greasewith its notable characters – Danny Zucko, Rizzo, Frenchy, Kenickie, Doody and others. And, our student actors have concluded twelve months work in grappling with all that’s involved in bringing this narrative to Life and doing so musically. For our student actors, the coming-on of confidence was notable and palpable within the last few rehearsals. And, it was most notable between the first and last night of performance with student actors coming-into their own and enjoying the business of acting out the Lives and potentialities of their characters. For these student actors, connection and response from the audience was found, understood, seized and used to bring off a performance worthy of any metropolitan theatre. They found their way to an excellent performance and standing ovation last Saturday night. In helping this student endeavor along my role was to capture a series of threshold moments moving the troupe from its final three rehearsals through to three live performances. The images I’ve provided the group draw mainly from their final performance in which they were most in sync with their characters, each other and enjoying it all. I also contributed a print from the first cattails series a few weeks back – I printed it out and had it framed in Peace River by Jill Plaizier of Custom Frameworks; she was able to handle a quick turn-around time and to create a beautiful framing of the print that accentuates its colours.
Tonight, while I do not have permission to display student photos on the website, I do wish to celebrate them and their accomplishment with this photo of an early fifties Chevrolet that’s undergone the kind of transformation that Kenickie’s 1940 Dodge Sedan goes through in the film version of Grease; Kenickie and pals begin this section of the musical with “… It’s Systematic … It’s Hydromatic … Why … It’s Greased Lightning.” For me, tonight, I’m at the other end of the project. I’ve edited some six hundred photographs of the two-thousand or so taken. I’ve created an Animoto and DVDs for each cast member. I’m providing them each with photos of their best night. And, I’ve got them a print to frame for hanging upon school walls.
Listening to – while there has been the Grease tunes like Greased Lightning, Grease and You’re the One that I Want, there’s also been David Lindley’s Mercury Blues and then the curiosity referred to by Jimmy Paige as one of those songs that pushed him forward in his guitar work – Rumble by Link Wray and the Wraymen.
Quote to Inspire – “You’ve got to push yourself harder. You’ve got to start looking for pictures nobody else could take. You’ve got to take the tools you have and probe deeper.” – William Albert Allard
In My Back Pocket - Photography 
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