The back forty is a farming phrase taken to mean the untended area of a farm, land not in public view, land not regularly or productively used by its farmer. The back forty may be difficult to navigate with farm machinery. It may contain a slough or the water table may be high enough making the work of land use unprofitable. Such land, untamed, untrammeled and unused is often best used as a place for storing farming machinery that you might need for parts in future days. North from Peace River, Alberta, this Massey-Harris sits on the steeper slope of a field, an area of land that its farmer has found difficult to use, part of what might described as the back forty.
Listening to – Snow Patrol’s Those Distant Bells, Matthew Perryman Jones’ Keep It On The Inside, Murray McLaughlin’s Hard Rock Town, Liz Longley’s Unraveling and Shawn Colvin’s All Fall Down.
Quote to Inspire – “My life is shaped by the urgent need to wander and observe, and my camera is my passport.” – Steve McCurry
Late on a November Saturday afternoon, wraith-like, wisps of wood smoke drift over winter’s fallow field near Fort Vermilion. A homestead’s woodstove produces an intense dry heat, welcome warmth in the midst of a cold, Alberta winter. The day, a first opportunity to work with a new prime lens, a Canon 50mm – f/1.4 lens; my wife has encouraged me to begin my work with it. The image is one of the first images with the lens.
Listening to – Coldplay’s Mylo Xyloto, In My Place, Major Minusand Yellow.
Quote to Inspire – “The photograph is completely abstracted from life, yet it looks like life. That is what has always excited me about photography.” – Richard Kalvar
Rivet and Girder – High Level Bridge – Edmonton Alberta
At night, light and shadow reveal girder and rivet patterning along the High Level Bridge, a bridge that connects the north bank high above the North Saskatchewan River at the Alberta Legislature ground site to the south bank – an area that becomes entrance to the University of Alberta and Edmonton’s Old Strathcona community. The scene within this image contains the light trails of two cars moving across the bridge while emphasizing perspective with foreground, middle ground and back ground elements – the riveted girders and bridge deck (near), the girder and walkway (opposite – middle ground) and the steam of the petrochemical plants along Edmonton’s baseline road in the distance. The bridge is a landmark within Edmonton and a piece of architecture I have cycled over and under most days during summer’s break between winter and spring sessions at the University of Alberta. At night, the bridge becomes vista from which to survey much of Edmonton – northeast to the legislature, east to the Muttart Conservatory and refinery row, south and southeast to the skyline of Saskatchewan Drive, southwest to the University of Alberta, northwest to a skyline that follows Jasper Avenue west and west toward Glenora’s community. On both sides, the North Saskatchewan River snakes through Edmonton – winding west, past Emily Murphy park and onto Hawrelak park; east past the Rossdale power plant, past the Edmonton Queen sternwheeler and onto Rundle park. At all times of the day and night, the bridge is active conveying people from one side of the river to the other – by foot, jogging, cycling, by truck, bus or car. Within this image, texture and sense of space attract me as do memories of former times.
Listening to – U2’s One, Walk On, Where the Streets Have No Name, Moment of Surrender and With or Without You.
Quote to Inspire – “I really believe there are things nobody would see if I didn’t photograph them.” – Diane Arbus
Lingering, those photos remain, the ones I would not at first glance think of returning to – the scouting eye’s first glimpse and first understanding of subject, the first impression of subject captured through the camera lens by my eye. Editing’s go-round exposes each photo’s possibility, the ‘where’ of where the story is within the image. Editing is about exposing the story held within the visual narrative of the image. If a photograph is akin to description, editing is about drawing emphasis to that narrative. Remaining photos, those receiving their second and third glance, have yielded the treasure of narrative through editing.South from Nampa, Alberta, a June summer’s day finds this dormant grain truck now sporting an advertisement for Mike’s Sandblasting and Painting.
Listening to Klaus Schulze’s Captivity on the Magnetik album, ambient schtuff (double plus good).
Quote to Inspire – “It’s not how a photographer looks at the world that is important. It’s their intimate relationship with it.”– Antoine D’Agata
The Back Road Between Manning and Fairview, Alberta
Reflection & Road – Fort Vermilion, Alberta
Mountains & Road Between Grande Cache and Hinton, Alberta
Mountain Pass – between Jasper and Banff, Alberta
Fifties Ford Half-ton – High Level, Alberta
Travel is my day’s task. The orthopedic surgeon who will review my arm’s recovery and next step’s in rehabilitation is some five hours away. Instead of piloting my own vehicle with one good arm, I’m electing to travel on the Northern Express, a passenger van that will take me from High Level to Grande Prairie. Running off the road at -25C and having one weakened limb might produce an unwanted and perhaps conclusive result. So, a better idea is to leave the driving to another, today. So, with podcast-crammed iPod and point-and-shoot Canon at the ready this day will roll on.
The photos presented here convey some of what Alberta’s weather can be like; there’s also a fifties Ford from a show and shine … yes, driving is more fun that being a passenger.
Listening to – The Police, Live in Buenos Aires … Message in a Bottle, Don’t Stand So Close to Meand Every Little Thing She Does Is Magic.
Quote to Inspire – “Still images can be moving and moving images can be still. Both meet within soundscapes.”Chien-Chi Chang
Re-tasking A Vavenby Ford, Vavenby, British Columbia
Perhaps the most interesting feature of vehicle restoration is the re-tasking of a vehicle and its parts. Fenders, engines, radiators and transmissions are swapped out as one fails and another usable one is found to be used in its place. A three-quarter ton truck with a rusted out box may have the box removed to be replaced by a new one or perhaps the truck is now made into a flat deck. Here, an old Ford no longer has its hood or box; yet there are still the active working parts that point to its future potential and that define what history it has had and its former purposes. I find solace, here, with one arm in a sling as muscle fibers fuse/grow back together following a bicep/tendon tear. Now, six weeks on, I’m impressed that this body continues to repair its fifty-one-year-old self. For a time, just like this truck, I’m having to remain stationary before I will move in more substantial ways. I can see the promise that this truck still holds.
Listening to U2’s Stay (live from Toronto).
Quote to Inspire – “A photographer is an acrobat treading the high wire of chance, trying to capture shooting stars.”– Guy Le Querrec
A truck has as its intended purpose that of providing its owner with the opportunity of carrying or moving a payload from point of origin to an intended destination. A book does something similar, transporting its reader from point of origin or initial setting through the twists and turns of plot through to a closing destination. The cargo is human in imagination’s resemblance and there is something the author proposes to be learned/understood as one participates in the book’s movement of mind to its conclusion and denouement. This Vavenby, British Columbia truck does have me consider how it was used and the peoples and cargos it has transported. I appreciate its owner having given me permission to photograph it – thank you, Marvin Ritchie. The photographic respite you allowed helped make the long westward drive more doable.
Quote to Inspire – “If a photographer cares about the people before the lens and is compassionate, much is given. It is the photographer, not the camera, that is the instrument.”– Eve Arnold
Listening to – U2’s With or Without You, Mysterious Ways and Elevation (as viewed from the Live at Boston DVD).
Son left at home, a summer job securely held in hand. Day two on a summer’s long-distance drive from High Level, Alberta to Qualicum Beach, British Columbia, nets a few moments driving respite in the valley beneath Mount Robson, Canada’s highest peak. With camera on tripod, I move behind the visitor’s center to find a field with yellows, purples, shapes and textures – all at hand. Everyone snapping photos – people in this place, recording their moments, here.
Quote to Inspire – “If your pictures aren’t good enough, you’re not close enough.” – Robert Capa
Away from Dad’s home – a July summer’s evening looking out over the water from a favourite Parksville, BC beach, a beach both our kids shared with their grandparents. Always a family destination, this beach was the place in which my son and daughter and I perfected our sand castle engineering in the hours between the tide’s push and pull of the ocean. In early morning, while everyone slept the beach was a calm, quiet destination for fretting through intricate tangles of melody and rhythms on different guitars, Celtic rhythms in 9:8 time in DADGAD tuning or the bass and rhythm riff of a Dave Matthews tune. Where are You Goingand Crash in to Meare songs I first fretted at this beach.
Quote to Inspire – “Photography is one big scrapbook of your Life.” – Lisa Jones
Listening to: Big Jet Planeby Angus and Julia Stone
Vintage Vehicles at Ricky’s All Day Grill – Edmonton, Alberta 3
Vintage Vehicles at Ricky’s All Day Grill – Edmonton, Alberta 2
Vintage Vehicles at Ricky’s All Day Grill – Edmonton, Alberta 1
Are you someone who does this? Do you keep an idea file for photographs you’d like to try? I’ve found myself doing this at times when travel cannot afford the time to stop and snap a few photos. At other times, I will realize that the subject of a shot works but that the conditions may not work ideally. And, if I’m lucky I’ll be able to ask my daughter to write down a note in a moleskin notebook while we drive about location and subject and particulars; the moleskin stays in the vehicle and I can refer back to it. Wildlife photographer, Moose Peterson in an interview on Shutter Time with Sid and Mac (Sidney Blake and Maciek Sokulski) spoke of being encouraged to keep an idea file for photographs and to revisit the file and plan for opportunities to make the shot or shots happen. The bison at Elk Island National Park (east of Edmonton, Alberta) are subject for one set of photographs found here. The bison have been a part of my idea file since I’ve been listening to Sid and Mac’s exploits in repeated and regular photo sessions at the park. For me, in terms of the camera work the learning is about shutter speed. Within the golden hour of sunlight and with the continual movement of the bison in their grazing there is a need for a faster shutter speed in terms of capturing crisp images.
The issue I am grappling with when traveling is that I will often be days or weeks from my photos before I can edit and see images. I am still considering the value of a laptop from the perspective of allowing greater immediacy of editing while traveling. There is learning to be derived from the editing process and it may be that working with a laptop with different subjects will foster good results in second or third visits/photo sessions.
The remaining pictures are catch-all – images that have been kicking around, interesting to look at; the vintage late 30’s sedan, the T-bird and the late sixties Dodge Dart were parked outside Ricky’s All Day Grill and are the work of one person. Imagine being able to say to two of your best buddies, “Hey let’s take a few of my cars for a spin,” and then take them out to breakfast. Cool! Beyond these, there are other renderings of the fifties one-ton truck, a rusting relic.
Listening to – John Mayer’s Queen of California, a song reminding of the Doobie Brothers back in the seventies.
Quote to Inspire – “All photographs are memento mori. To take a photograph is to participate in another person’s (or thing’s) mortality, vulnerability, mutability. Precisely be slicing out this moment and freezing it, all photographs testify to time relentless melt.” – Susan Sontag
In My Back Pocket - Photography 
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