Beyond the Mayan’s Calendar – To Christmas 2012

Best Practices - Photography, Canon 60D, Canon Camera, Canon Lens, Canon Live View, Farmhouse, Flora, Journaling, Lookback Photos - One Year Ago, Photoblog Intention, Prime Lens, Project 365 - Photo-a-day, Season, Still Life, Summer

Saturday, we are two Saturdays before the Christmas of 2012. The Mayan calendar that had threatened to cancel all of time’s forward movement now seems unlikely to halt the movement of the moon and planets; the clock and calendar will continue to tick on, day by day.

Tonight, it’s been television with family – The Barbie Nutcracker and now Danny Kaye and Bing Crosby in White Christmas. Today, Christmas plans have been considered; how our few Christmas days will be spent with family has been hammered through. We will see my father, we will see my brothers, our kids – the cousins will gather and shop and talk; there will be Christmas games and family times … and photos. For us, way up north, most Christmas gifts have been gathered. Some discussions still need that – discussion; but, the gifting of gifts is being sorted through and understood with good understanding. A photo of a Rocky Lane homestead house, already framed upon my wall will become present for my father, a pioneering reminder/analogy for my father and his Edmonton work at Edmonton Works – the textures and highlights and colours work well together and hold the eye and interest of the viewer.

Tonight, there’s the excited buzz of cousins chatting at a distance over the telephone about the possibilities that their Christmas will hold – a holiday is being planned, places to shop are being determined and things asked for are being disclosed. There’s been a daughter/father phone call checking in on how Christmas will be spent at another location where we will not be; there’s been goodwill there and solid encouragement to spend time with that son of ours who’s been away at University these last four months. As things wind down at work, things are winding up for the Christmas we will make for our family and friends – last evening it was a joy just to sit around a kitchen table at a friend’s home, to chat and dig a little deeper into that thing we call Life … friendship’s blessing – something I’ve been able to count upon all year.

Today’s been a slower one, a day for recovery from a weeklong cold, a day to exercise and yet a day to slow down and gather energy. I fell asleep watching the Shawshank Redemption, a film that Steve Stockman (Stocki) has often recommended. I’ve been editing photographs today, older ones from within this year … a second glance, a second edit and the second-sight of understanding visual narrative within images; it’s been a time to experiment and play … a good day.

Listening to – Holly Golightly’s Wherever You Were, Tim Armstrong’s Into Action, Hawaii Five-O by the Ventures, Nazareth’s This Flight Tonight and Joy sung by Mick Jagger with Bono.

Quote to Inspire – “With photography, I like to create fiction out of reality. I try and do this by taking society’s natural prejudice and giving this a twist.” – Martin Parr

Image Design, Picture Perfect – Prints Printed

Best Practices - Photography, Canon 60D, Canon 70-200 mm 2.8 IS L Series Lens, Canon Camera, Canon Lens, Canon Live View, Farm, Homestead, Light Intensity, Lookback Photos - One Year Ago, Photoblog Intention, Photography & Conceptualizing Beauty, Project 365 - Photo-a-day, Season, Still Life, Vehicle, Vehicle Restoration, Weather, Winter
Chevrolet Grain Truck 1

Chevrolet Grain Truck 1

At day’s end, cold yet indoors, changing tack on the day’s direction – printing two or three images, ones that I might have done as canvas prints. I chatted with Image Design Pros in Grande Prairie – cost and size of the image that can be produced are both attractive elements within my decision. Shutterfly is another option, an option my wife has talked around with her colleagues.The Picture Perfect Frame and Gallery in Grande Prairie may also serve as framing point for prints.  I discovered that Dan Kameka who has photographed many retrospective farming tribute photos as well as the Dunvegan bridge has been former owner of this same Picture Perfect Frame and Gallery. Upstairs the gallery contains two or three remaining prints of Dan Kameka’s – farming tribute … black and whites with selective colorization (retro greens and reds from the forties, fifties and sixties), nostalgic prints holding memories for people within and around Grande Prairie. There are artists from within the regions – Klaus Peters, Robert Guest and Frank Martel. I bought a Martel work for my son for Christmas – there’s an intensity in the use of colours that is vibrant and energizing.

In printing photos tonight I am pleased with the colour fidelity between monitor and actual print. It’s been ‘Homestead & Winter Skies,’ ‘Winter’s Wraith-like Wisps,’ ‘Rivetting – Edmonton’s High Level Bridge,’ and ‘Gorge – Englishman River Falls, British Columbia.’ The photos presented here tonight are a quartet of winter images of that Nampa grain truck, a Chevrolet three-ton from a few posts back.

Listening to – The Road Home with Bob Chelmick, CKUA streaming via the Internet … two poems by Lorna Crozier begin the show; one’s called Patience; then it’s Things to Do by Calgary’s John Rutherford.

Quote to Inspire – “A photo is a small voice, at best, but sometimes – just sometimes – one photograph or a group of them can lure our senses into awareness. Much depends upon the viewer; in some, photographs can summon enough emotion to be a catalyst to thought.” – W. Eugene Smith

Chevrolet Grain Truck 2

Chevrolet Grain Truck 2

Chevrolet Grain Truck 3

Chevrolet Grain Truck 3

Chevrolet Grain Truck 4

Chevrolet Grain Truck 4

Last Inhabitants – No Longer Tended To

Best Practices - Photography, Canon 60D, Canon Camera, Farm, Flora, Homestead, Light Intensity, Photography & Conceptualizing Beauty, Project 365 - Photo-a-day, Season, Still Life, Weather, Winter
Grain Stocks - Fairview, Alberta

Grain Stocks – Fairview, Alberta

Under grey, foreboding winter skies, grain stocks remain – last inhabitants of this farmer’s field. Missed by the threshing blade, iced with snow and blown by every breeze they remain, still standing, no longer tended to.

Listening to – Martyn Joseph’s Cardiff Bay, Strange Way and The Great American Novel.

Quote to Inspire – “Not everybody trusts paintings; but, people believe photographs.” – Ansel Adams

Homestead & Winter Skies

Backlight, Best Practices - Photography, Canon 60D, Canon 70-200 mm 2.8 IS L Series Lens, Canon Camera, Canon Live View, Farm, Farmhouse, Home, Homestead, Journaling, Light Intensity, Lookback Photos - One Year Ago, Photoblog Intention, Photography & Conceptualizing Beauty, Project 365 - Photo-a-day, Season, Sunset, Weather, Winter
Winter Skies 1

Winter Skies 1

Solid, well-made, a homestead house looks southwest to winter skies at dusk. Windowless, vacant and solitary now, the building did once serve as home, refuge from one’s day, shelter during one’s night, that place to regroup, rejuvenate and revive before handling tomorrow. On the crest of a hill, a farmer’s field, wind and snow blow through this former home to farmers and their families.

Listening to – Mike Plume’s Rattle the Cage;  reminds of Mindy Smith’s similar song with same title.

Quote to Inspire – “My photography is a reflection, which comes to life in action and leads to meditation. Spontaneity – the suspended moment – intervenes during action, in the viewfinder.” – Abbas

Winter Skies 2

Winter Skies 2

Winter Skies 3

Winter Skies 3

B-Side Catch-all & Round-up

Best Practices - Photography, Canon 30D, Canon 60D, Canon Camera, Canon Live View, Farm, Farmhouse, Flora, Lookback Photos - One Year Ago, Photoblog Intention, Photography & Conceptualizing Beauty, Project 365 - Photo-a-day, Spring, Still Life, Summer, Vehicle, Vehicle Restoration, Weather, Winter

B-side images, ones that haven’t made the first cut reveal in their review how often I am impressed with technology’s artistry that comprises what becomes a vehicle. A veritable used car lot, these images display resurrected lives of vehicles, being breathed into new Life through the artistry of a would-be car crafter. Winter grain stocks hold interest in their various settings.

Listening to – Aqualung’s Strange and Beautiful (I’ll Put A Spell On You), the Volkswagen Beetle tune from a few years back.

Quote to Inspire (or draw one toward reality) – “Photography cannot do much. It provides some level of information, yet it has no pretensions about changing the world.” John Vink

December, Puck & Mr. Keating

Best Practices - Photography, Canon 60D, Canon 70-200 mm 2.8 IS L Series Lens, Canon Camera, Canon Live View, Farm, Homestead, Journaling, Lookback Photos - One Year Ago, Photoblog Intention, Photography & Conceptualizing Beauty, Project 365 - Photo-a-day, Vehicle, Vehicle Restoration, Weather, Winter
Car Between Fox Creek and

Car Between Fox Creek and

December – colder temperatures, cooling the core of you; shortened days, days of the long nights; snow blankets the landscape and falling veils the atmosphere looked through diluting colour into the distance until only the grander forms can be made out. Arriving home for supper, I stumble into Mr. Keating and his students within the latter acts of Dead Poets Society – it’s winter, there, too. At the point where I pick up the story, a student challenges parents’ wishes and takes on the role of Puck within a production of Shakespeare’s A Midsummer Night’s Dream. Neil, as Puck, opens and closes this first performance famously, an outcome that’s would surely catalyze future interest and movement within and toward drama as solid and chosen Life endeavor. His parent’s plan, though, is what it is. There is no room for deviation. Life, moving forward, is their way or not at all. To live-out the parent’s plan, dreams must die.  And, dead dreams are no more than that – dead. Neil recognizes that he has known the rapture of bringing the journey of a drama from a good beginning to successful conclusion. Neil takes his Life. Much of what the movie deals with is shaping judgment and pursuing truth – uncovering the core reality of Life. And, the movie shows costs associated with such noble pursuit – ‘O’ Captain, My Captain’. A friend and colleague pointed out that Mona Lisa Smile is the inverse to this film, Dead Poets Society.

While not a December photo, the vehicle within the image is one that was certainly around during the time in which Dead Poets Society was set. In the last third of the distance from Fox Creek and Valleyview, Alberta, this vehicle resides on the north side of the highway, in a farmer’s field. The sanding and the front right quarter panel that needs to be reattached reveal the car to be a project vehicle, a vehicle that someone has had an interest in restoring … and then didn’t. Set within view of the highway, it is certain to draw the attention of another would-be car crafter. For me, I enjoy the shape and look found in this vehicle from a former time. While editing this photo today, I realized that in total I may only have ridden in a handful of these fifties vehicles, maybe only one or two … despite having photographed them so often.

Listening to – Sigur Ros’ Glosoli.

Quote to Inspire  in Dead Poets Society terms – “Finally, brothers, whatever is true, whatever is honorable, whatever is just, whatever is pure, whatever is lovely, whatever is commendable, if there is any excellence, if there is anything worthy of praise, think about these things.” Philippians 4:8 – University of Alberta’s motto

Quote to Inspire – “I fell in love with the process of taking pictures, with wandering around finding things. To me it feels like a kind of performance. The picture is a document of that performance.” – Alec Soth

Fencing and Furrows

Best Practices - Photography, Canon 60D, Canon 70-200 mm 2.8 IS L Series Lens, Canon Camera, Canon Lens, Canon Live View, Farm, Home, Homestead, Lookback Photos - One Year Ago, Photoblog Intention, Photography & Conceptualizing Beauty, Project 365 - Photo-a-day, Season, Still Life, Weather, Winter
Rolling Hills - Onoway Alberta

Rolling Hills – Onoway Alberta

A February photo, one of the first few shots with a Canon 70-200 mm – f/2.8 IS lens, looks northwest toward Onoway, Alberta … perhaps twenty minutes away. Rolling hills of a farmer’s field add relief to landscape reminding of larger furrows found in an unmade blanketed bed. A well-tended fence running four strands of barbed wire limits livestock straying onto this range road.

Listening to – Coldplay’s Clocks, Fix You and Every Teardrop is a Waterfall.

Quote to Inspire – “I don’t believe a person has a style. What people have is a way of photographing what is inside them. What is there comes out.” – Sebastiao Salgado

Winter’s Wraith-like Wisps

Best Practices - Photography, Canon 50mm, Canon 50mm Lens, Canon 60D, Canon Camera, Canon Lens, Farm, Fog, Home, Homestead, Journaling, Light Intensity, Lookback Photos - One Year Ago, Photoblog Intention, Photography & Conceptualizing Beauty, Prime Lens, Project 365 - Photo-a-day, Season, Smoke, Sunset, Weather, Winter
Woodsmoke Wisps - Fort Vermilion Alberta

Woodsmoke Wisps – Fort Vermilion Alberta

Late on a November Saturday afternoon, wraith-like, wisps of wood smoke drift over winter’s fallow field near Fort Vermilion. A homestead’s woodstove produces an intense dry heat, welcome warmth in the midst of a cold, Alberta winter. The day, a first opportunity to work with a new prime lens, a Canon 50mm – f/1.4 lens; my wife has encouraged me to begin my work with it. The image is one of the first images with the lens.

Listening to – Coldplay’s Mylo Xyloto, In My Place, Major Minus and Yellow.

Quote to Inspire – “The photograph is completely abstracted from life, yet it looks like life. That is what has always excited me about photography.” – Richard Kalvar

Rivetting – Edmonton’s High Level Bridge

Best Practices - Photography, Canon 50mm, Canon Camera, Canon Lens, Canon Live View, Home, Journaling, Light Intensity, Lookback Photos - One Year Ago, Night, Photoblog Intention, Photography & Conceptualizing Beauty, Prime Lens, Project 365 - Photo-a-day, Vehicle, Winter
Rivet and Girder - High Level Bridge - Edmonton Alberta

Rivet and Girder – High Level Bridge – Edmonton Alberta

At night, light and shadow reveal girder and rivet patterning along the High Level Bridge, a bridge that connects the north bank high above the North Saskatchewan River at the Alberta Legislature ground site to the south bank – an area that becomes entrance to the University of Alberta and Edmonton’s Old Strathcona community. The scene within this image contains the light trails of two cars moving across the bridge while emphasizing perspective with foreground, middle ground and back ground elements – the riveted girders and bridge deck (near), the girder and walkway (opposite – middle ground) and the steam of the petrochemical plants along Edmonton’s baseline road in the distance. The bridge is a landmark within Edmonton and a piece of architecture I have cycled over and under most days during summer’s break between winter and spring sessions at the University of Alberta.  At night, the bridge becomes vista from which to survey much of Edmonton – northeast to the legislature, east to the Muttart Conservatory and refinery row, south and southeast to the skyline of Saskatchewan Drive, southwest to the University of Alberta, northwest to a skyline that follows Jasper Avenue west and west toward Glenora’s community. On both sides, the North Saskatchewan River snakes through Edmonton – winding west, past Emily Murphy park and onto Hawrelak park; east past the Rossdale power plant, past the Edmonton Queen sternwheeler and onto Rundle park. At all times of the day and night, the bridge is active conveying people from one side of the river to the other – by foot, jogging, cycling, by truck, bus or car. Within this image, texture and sense of space attract me as do memories of former times.

Listening to – U2’s One, Walk On, Where the Streets Have No Name, Moment of Surrender and With or Without You.

Quote to Inspire – “I really believe there are things nobody would see if I didn’t photograph them.” – Diane Arbus

Lingering Photos, Their Treasure

Best Practices - Photography, Canon 30D, Canon Camera, Farm, Journaling, Light Intensity, Lookback Photos - One Year Ago, Photoblog Intention, Photography & Conceptualizing Beauty, Project 365 - Photo-a-day, Season, Spring, Still Life, Summer, Vehicle, Vehicle Restoration
Nampa - Grain Truck 1

Nampa – Grain Truck 1

Nampa - Grain Truck 2

Nampa – Grain Truck 2

Lingering, those photos remain, the ones I would not at first glance think of returning to – the scouting eye’s first glimpse and first understanding of subject, the first impression of subject captured through the camera lens by my eye. Editing’s go-round exposes each photo’s possibility, the ‘where’ of where the story is within the image. Editing is about exposing the story held within the visual narrative of the image. If a photograph is akin to description, editing is about drawing emphasis to that narrative. Remaining photos, those receiving their second and third glance, have yielded the treasure of narrative through editing.South from Nampa, Alberta, a June summer’s day finds this dormant grain truck now sporting an advertisement for Mike’s Sandblasting and Painting.

Listening to Klaus Schulze’s Captivity on the Magnetik album, ambient schtuff (double plus good).

Quote to Inspire – “It’s not how a photographer looks at the world that is important. It’s their intimate relationship with it.” – Antoine D’Agata

Nampa - Grain Truck 3

Nampa – Grain Truck 3

Nampa - Grain Truck 5

Nampa – Grain Truck 5

Nampa - Grain Truck 4

Nampa – Grain Truck 4

Nampa Grain Truck 6

Nampa Grain Truck 6