Reflecting, Road Thought Work

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Homestead - La Glace, Alberta, Canada

Homestead – La Glace, Alberta, Canada

Homestead - La Glace, Alberta, Canada

Homestead – La Glace, Alberta, Canada

Stop Ahead Turnoff - NW Alberta

Stop Ahead Turnoff – NW Alberta

Sunset - Warrensville, Alberta Canada 1

Sunset – Warrensville, Alberta Canada 1

Sunset - Warrensville, Alberta Canada 2

Sunset – Warrensville, Alberta Canada 2

Sunset - Warrensville, Alberta Canada 3

Sunset – Warrensville, Alberta Canada 3

Sunset - Warrensville, Alberta Canada 4

Sunset – Warrensville, Alberta Canada 4

Sunset - Warrensville, Alberta Canada 5

Sunset – Warrensville, Alberta Canada 5

Sunset - Warrensville, Alberta Canada 5

Sunset – Warrensville, Alberta Canada 5

“We never see another person’s experience; all we see is their behaviour (R.D. Lang).”

I have had some alone time travelling in the past few weeks and been able to engage in uninterrupted thought work – some intersecting of ideas has occurred. I’ve listened to a 2007 John O’Donohue lecture on the creative force of the imagination and key ideas as starting points about our inner lives – in his words, “I always think that behind every face there is a secret life and that humanoids are the strangest creatures that you’d ever meet because so much is contained within the human body. A human face is one of the most unusual things in the world. On such a small canvas such a variety of presence can appear. And, behind every face there is a secret, hidden inner life … if friendship means anything it means in the presence of the other you begin to see who you are in how they reflect you back to you.”

Within this same time frame I took in a photography workshop offered by Joe McNally – ‘The Moment It Clicks.’ As I listened and watched Joe work to produce different portraits there was recognition that the photographer does what John O’Donohue proposes; ultimately, the photographer reflects the subject back to him- or herself. I have wondered, though, if portrait photography is really a dance of interrogation; I have wondered if shared vulnerabilities result in trust and a richer portrait. And, is it the photographer’s leading interrogation about the subject’s narrative that produces the best photograph? Or, is it something more mutual that does so? I am wondering if the good portrait photographer leads the subject in the relationship that produces the portrait? It is possible that subject and photographer would share a context of silence in portrait making.

John O’Donohue’s words highlight some of this – “No two humans inhabit the same world, internally. We all inhabit the same world physically. But, internally, each world is completely different.” On the side of the photographer and on the side of the subject, what follows is starting point. “… No one else sees the world the way you do. No one else sees it from the perspective that you do. In no one else is the same narrative building as there is within you. And even though similar things have happened to you as with other people the context that they find in your heart and mind and narrative is different from everyone else. Your inner world is completely hidden from other humans.” So, within portrait photography interrogation has the opportunity to work on both sides co-creating a reality – that of photographer and that of subject. Relationship and moment are captured and recorded as the shutter button is pressed.

As the week rounded out, I found myself among this theme, again, being explored and brought to life in Ben Stiller’s film of James Thurber’s story, The Secret Life of Walter Mitty.

Images from the Road – a derelict church in Woking, a La Glace homestead, the road at night and sunsets.

Quote to Consider – “If you’re having difficulty finding a natural or intuitive expression in a portrait session or having trouble identifying with the person you’re photographing, look into their eyes carefully and see if you can find your own reflection there. Discover yourself looking at you. Then, ask your subject to look into your camera lens and find their own reflection, and be prepared to make the portrait.” – Shelby Lee Adams, ‘Find Your Reflection’ … seems follow-up from the aphorism, “The more I know me, the more I know thee.” – Buber-esque and good, good schtuff!

Listening to – Jose Gonzalez’ ‘Stay Alive’ and Thomas Merton’s ‘The Seven Storey Mountain.’

From within the Smoke

Canon Camera, Flora, Night, Photography & Conceptualizing Beauty, Project 365 - Photo-a-day, Smoke, Summer, Sunset, Weather
Wildfire - 10km South - High Level, Ab 1

Wildfire – 10km South – High Level, Ab 1

Wildfire - 10km South - High Level, Ab 2

Wildfire – 10km South – High Level, Ab 2

Wildfire - 10km South - High Level, Ab 3

Wildfire – 10km South – High Level, Ab 3

Wildfire - 10km South - High Level, Ab 4

Wildfire – 10km South – High Level, Ab 4

Outside on Saturday afternoon, I was mowing grass on day 1 of our summer break. Daylight filtered through a light smoke haze. Looking from the yard of our High Level home southward plumes of smoke were notably dark and heavy … and very close to town. In a wildfire advisory I was to read that only ten kilometres separated a wildfire from High Level. Air tankers roared through the air all afternoon and into the night soaking the blaze with water until 10:00 p.m.. Later that evening, in driving out to the point nearest the fire on the highway I witnessed a DC-3 air tanker moving through smoke arcing out of a water-dropping run – crossing the highway from right to left and climbing as it turned to its left and northward to the High Level airport … a sight that would have made an extraordinary photograph. I pulled off the road onto a temporary turnout and took these images. In one I aimed to capture the sun as a solid orange disk as seen through smoke; the image I present here is one result I am happy with though it is not what I intended.

Listening to – Willie Nelson’s cover of ‘Just Breathe’ with his son Lukas and Willie Nelson’s cover of a Coldplay tune, ‘The Scientist,’ featured in the Robert Downey Jr. film with Robert Duvall, ‘The Judge.’

Quote to Consider – “It can be a trap of the photographer to think that his or her best pictures were the ones that were the hardest to get.” – Timothy Allen, ‘On Editing Photos’

Treed Hallway

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Walterdale House Green - Edmonton, Alberta - Canada

Walterdale House Green – Edmonton, Alberta – Canada

Southward, under Edmonton’s 105th Street bridge, just steps to its west are three sturdy houses from Edmonton’s early nineteen hundreds, houses that comprised what was then known as Walterdale. Each is a two storey structure; two are white and another that has become subject for this image is more ornate in its presentation – white or cream on teal or perhaps a turquoise green. An image from memory coaxes me along this early morning photo ramble – an autumnal scene, a photo of my father’s in which he’s framed one of the white Walterdale houses with fall yellows of birch and aspen along a treed path, an open-ended hallway opening out and arriving at that white house. That photo hangs downstairs, on a wall outside my study where it can receive morning sunlight on sunlit days. Until this photograph, I had not set foot in Walterdale for perhaps thirty years.

Colour, composition and lighting attract me to this image.

Listening to – Marco Beltrami & The Giver Cast perform ‘End Credits’ to ‘The Giver (Original Motion Picture Soundtrack);’ it’s also a piece my daughter is playing on our Heintzman piano (it’s just been tuned … good); I’ve been playing Casting Crowns’ ‘Broken Together’ on it last night – something beautiful.

Quote to Inspire – “If your pictures aren’t good enough, you’re not close enough.” – Robert Capa

From Under, Looking Up

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High Level Bridge - HDR 1a

High Level Bridge – HDR 1a

High Level Bridge - HDR 2a

High Level Bridge – HDR 2a

High Level Bridge - HDR 2b

High Level Bridge – HDR 2b

High Level Bridge - HDR 2c

High Level Bridge – HDR 2c

Away from home, an early hour when wife and daughter sleep, I am away from our hotel, outside in Edmonton (home of my youth) and under the High Level Bridge looking up at angles of grid iron, iron work – liking this image as edited. The second image (with different versions) shifts northward in view, again from under the bridge, looking across the North Saskatchewan River to our Alberta Legislature, built on the historical site of Fort Edmonton.

Listening to – Dan Mangan and Jesse Zubot’s ‘Cumulonimbus (Newport, 63) and Parov Stelar’s ‘Room Service.’

Quote to Inspire – “I never question what to do, it tells me what to do. The photographs make themselves with my help.” – Ruth Berland

Opportunities, Extraordinary

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Vermillion Lakes, Banff, Alberta 1

Vermillion Lakes, Banff, Alberta 1

Vermillion Lakes, Banff, Alberta 2

Vermillion Lakes, Banff, Alberta 2

Vermillion Lakes, Banff, Alberta 3

Vermillion Lakes, Banff, Alberta 3

Vermillion Lakes, Banff, Alberta 4

Vermillion Lakes, Banff, Alberta 4

Vermillion Lakes, Banff, Alberta 5

Vermillion Lakes, Banff, Alberta 5

Vermillion Lakes, Banff, Alberta 6

Vermillion Lakes, Banff, Alberta 6

Vermillion Lakes, Banff, Alberta 7

Vermillion Lakes, Banff, Alberta 7

Vermillion Lakes, Banff, Alberta 8

Vermillion Lakes, Banff, Alberta 8

One aspect of photography that has grown into practice is the matter of recognizing the opportunity presented by the derelict car in a field along the highway, the abandoned farmhouse and former granaries, that thing that you come upon in your travels that you may not ever see again. The challenge is to make time for it, to engage fully in seeing it, to name it, to grasp what it is and what has been its narrative, to share time with it. The choice becomes that of photographing it (… or not) and there are choices in editing that honour the subject and the image, to find its best way(s) of being seen. The image, in its being shared creates opportunity; what has been witnessed and what has been created, not only allows others to see something more of the world, but serves to encourage (or perhaps compel) exploration of that thing witnessed through your camera and lens.

Some of this is about that key teaching from Robin Williams, as professor Keating, in the ‘Dead Poets Society’ in the first poetry lesson – ‘Gather ye rose buds while ye may,’ the import of which was his solemn admonition to his students – ‘seize the day’ and ‘make your lives extraordinary.’ Carpe Diem is about seizing the day as much with any of life’s opportunities as with the opportunities for images that can be created with a camera.

http://www.tcm.com/mediaroom/video/579285/Dead-Poets-Society-Movie-Clip-Seize-The-Day.html

In Banff last week, perhaps owing to summer heat or day/night air pressure differential in the mountains I found myself not always sleeping through the entire night and chose to get out with my camera for landscape photos in pre-dawn dusk. Before leaving for Banff, I had reviewed Maciek Solkulski’s Google+ page for winter sunrise shots he had taken at the Vermillion Lakes in Canada’s Banff National Park. Maciek, an Edmonton photographer, is one half of the podcasting duo of the Shutter Time with Sid and Mac podcast. From Mac’s Google+ page I was able to review maps of where the Vermillion Lakes were in relation to Banff. And, so, before dawn, two days in a row, I got out to the Vermillion Lakes for morning images; these are presented here.

Listening to – Elliott Smith’s ‘Between Bars,’ ‘No Name #3’ and ‘Angeles,’ Gerry Rafferty’s ‘Baker Street’ and The Waterboys’ ‘Fisherman’s Blues’ – all songs from Good Will Hunting.

Quotes to Inspire – (1) “The photographer both loots and preserves, denounces and consecrates;” and, “Life is not about significant details, illuminated (in) a flash, fixed forever. Photographs are.” – Susan Sontag, ‘On Photography’

Lost & The Way

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Mount Norquay Ski Hill - Banff, Alberta 1

Mount Norquay Ski Hill – Banff, Alberta 1

Mount Norquay Ski Hill - Banff, Alberta 2

Mount Norquay Ski Hill – Banff, Alberta 2

Trusting the map, trusting Steve with the map – some twenty-five years ago, in Canada’s Banff National Park we cycled along a fire road behind Mount Norquay with the intention of riding our mountain bikes up and down the mountain along what should have been a short ride on a horse trail, no more than four hours at the most. Instead, for two or three hours, our bikes were hefted onto shoulders and step-by-step, in sunlight, through rain, in sunlight again and then through snow we climbed upward toward Elk Point summit. Steve, whose cardio-vascular fitness out-stripped ours, was up the mountain easily and a ways ahead, scouting the trail.

We crested the summit in snow, large, feathery, wet flakes of snow, our legs rubbery gelatin, needing rest. Plodding forward without the energy to return to cycling, we pushed our bikes, hoping to meet Steve somewhere on the path and settle-in for a rest. We looked ahead into the snow for Steve and looking harder a second time saw him racing toward us and pointing to his right (our left); he was signalling something quite assertively. When he met us, he pointed again to our left and gasping identified the bear on the other side of the summit’s meadow. We focused our eyes. There it was, scrabbling at the earth, eating, with its back to us. Along our climb we had seen massive bear paw prints in the mud – twelve-to-fourteen inches in diameter. We’d hoped they were not fresh. Now, we needed to get on our bikes, get our pedals pumping and put distance between us and this bear. Ten minutes later we huddled beneath a huge forest conifer, away from the bear, out of the snow.

We considered the time; we started riding at 2:00 p.m. and aimed to complete our twenty kilometre trek by suppertime. It was now 8:00 p.m.; we’d made it to the summit and with September’s shrinking daylight hours the sun’s incline over the horizon had already begun. Riding down the mountain would occur in shadow and our descent would, for the most part, occur in darkness. We began riding downward on the mountain’s horse trail switchbacks. Our bicycles’ brake pads quickly wore down to nothing – we needed to sit on the cross-bar and use our feet on gravel to slow our descent. Seeing pretty well in the dark, I led through the zig and zag of mountain switchbacks. Fifteen minutes went by without incident. Then, rounding one switchback Steve’s bike flew over my head … without Steve; he’d been higher up, on a switchback behind me. His bike had landed in bushes ahead of me. We halted taking stock of how we were doing. We were cold, somewhat lost and had exhausted the food we’d brought – our best bet was to follow trail markers toward Banff. We put Steve back on his bike and trudged on. The switchbacks levelled out into a long valley, an area that should have been easy to traverse – just cycling along the track. But, the track was mud, four inches deep … likely the result of the rain and snow we’d encountered on the other side of the mountain. We would have to push our bikes through the mud or carry them; without sustaining food and calories, our legs remained gelatinous rubber. We hefted our bikes and pushed them on drier bits of earth.

The photograph, presented here, is the area where the four of us moved from mountain trail on to paved road surface.

From here, I rode down the mountain, quickly, got to the Ford three-quarter ton, returned and got the others – Steve, Vince and Goose (last name Guzman). Hypothermic, worried and overwhelmed, Vince and Goose had fallen from their bikes crossing the western-most Texas-gate leading into Banff, Vince hurting family jewels and Goose hyper-extending two fingers. At the hospital, we were fed cookies and tea and Vince and Goose were examined by a doctor who scolded us for cycling into bear country – cyclists, in their speed, can surprise bears and this doctor had treated a cyclist the week before who had been mauled by a bear.

Rather than return to our tent trailer, I rented a chalet and its proprietor allowed us to use the pool/Jacuzzi to warm ourselves. Later, pizza and much needed sleep served to rejuvenate us; we were ready to go at the crack of dawn, the next day. With our endeavor, we’d trusted Steve with a mountain map and there’d been confusion with directions. That night, as we each made sense of the mishap we were amazed at where we’d been; our twenty-some kilometre trek had morphed into sixty-two kilometres by the ride’s end. Looking back, those were much younger days, the kind my son will have with his pals at University. For me, though, I was freshly married, out of University, yet to be employed and among friends as my wife began her school year as teacher in northern Alberta. I had not been to this site for more than twenty-five years. Last week, looking in and around Banff with my camera I found it and this story again.

Lost
By David Wagoner

Stand still. The trees ahead and bushes beside you
Are not lost. Wherever you are is called Here,
And you must treat it as a powerful stranger,
Must ask permission to know it and be known.
The forest breathes. Listen. It answers,
I have made this place around you.
If you leave it, you may come back again, saying Here.
No two trees are the same to Raven.
No two branches are the same to Wren.
If what a tree or a bush does is lost on you,
You are surely lost. Stand still. The forest knows
Where you are. you must let it find you.

Listening to – Jessica Sanchez’ ‘Lead Me Home,’ Jack Johnson’s ‘Home,’ Sarah Masen’s ‘The Valley’ and Snow Patrol’s ‘Life Boats’ and ‘This Isn’t Everything You Are.’

Quote to Inspire – “[Photographing] … is a way of at least tacitly … encouraging whatever is going on to keep on happening.”

Remembering on Watt Mountain

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Watt Mountain - High Level, Alberta 1

Watt Mountain – High Level, Alberta 1

Watt Mountain - High Level, Alberta 2

Watt Mountain – High Level, Alberta 2

Watt Mountain - High Level, Alberta 3

Watt Mountain – High Level, Alberta 3

Watt Mountain - High Level, Alberta 4

Watt Mountain – High Level, Alberta 4

Watt Mountain - High Level, Alberta 5

Watt Mountain – High Level, Alberta 5

Watt Mountain - High Level, Alberta 6

Watt Mountain – High Level, Alberta 6

For Bobby, a cousin and Canadian veteran, who passed away last Wednesday and whose funeral occurs today in Grande Prairie, Alberta. Thank you for the friend you’ve always been to my wife and me. Thank you for the family you’ve been a part of. Thank you for your service to Canada – wounded, but accomplishing what very few others could have. Very well done!

Listening to – ‘William’s Lullaby,’ ‘The Gairlock and Loch Duich’ and ‘Amazing Grace’ offered by the Canadian Scottish Regiment Pipes and Drums.

Quote to Consider – “‘A photograph is not an accident – it is a concept.’ To take a good photograph, runs the common claim, one must already see it. That is, the image must exist in the photographer’s mind at or just before [it is taken].” Susan Sontag (working with an Ansel Adams quote and taking it further) in ‘On Photography.’

Edmonton Night

Canon Camera, Canon Lens, Canon Live View, High Dynamic Range (HDR), Night, Photography & Conceptualizing Beauty, Project 365 - Photo-a-day, Winter
Downtown Edmonton from Cloverdale Walkway Bridge - Edmonton, Alberta 1

Downtown Edmonton from Cloverdale Walkway Bridge – Edmonton, Alberta 1

Downtown Edmonton from Cloverdale Walkway Bridge - Edmonton, Alberta 2

Downtown Edmonton from Cloverdale Walkway Bridge – Edmonton, Alberta 2

Downtown Edmonton from Saskatchewan Drive - Edmonton, Alberta 1

Downtown Edmonton from Saskatchewan Drive – Edmonton, Alberta 1

Downtown Edmonton from Saskatchewan Drive - Edmonton, Alberta 2

Downtown Edmonton from Saskatchewan Drive – Edmonton, Alberta 2

Downtown Edmonton from Saskatchewan Drive - Edmonton, Alberta 3

Downtown Edmonton from Saskatchewan Drive – Edmonton, Alberta 3

Christmas took us to Edmonton, this year. And, I had my camera out for some of it.

Photographically, my intentions for Edmonton are evolving. While I will always find visual interest in exploring the Edmonton landscape, the city, in its sprawling hugeness seems to be holding repetition of structure and shape – areas of the city have become indistinguishable. A growing interest for me in the past few years, is the architecture in the arcs and patterns of Edmonton’s Anthony Henday Ring Road at the junction where the Ring Road meets the Calgary Trail (Gateway Boulevard) – there’s rich artistry and engineering in these, a visual feast for the visitor to Edmonton coming into the city from the Edmonton International Airport. Beyond such architecture, Baseline road and the petrochemical plants were of interest; at -30C, in late afternoon sun, the capture of light and shadow on each side of billowing steam plumes was an extraordinary sight.

Christmas had me recalling my father; at the age I am now, he would have been accommodating me in his Edmonton home as University student. Christmases, all those years ago, would have involved so much – the use of his car, getting home according to curfew, calling ahead if I wouldn’t be home for supper, and, the introduction of my girlfriend, now wife, to our family and within Christmas. These were years I learned so much about writing at University and from my father and mother, simply by involving them in proofreading and discussion. These years, were the years when my father introduced me to audiobooks in his bringing back Jane Austen’s ‘Emma’ from the HMV shop in one of his business trips to the UK. Audiobooks became a way to interact with texts beyond what we were reading in the novel-a-week pace set for us in Literature courses.

Downtown Edmonton is presented from two vantage points – Saskatchewan Drive and from the Cloverdale walkway bridge.

Quote to Inspire – “… Photographs alter and enlarge our notions of what is worth looking at and what we have a right to observe.” – ‘On Photography,’ Susan Sontag

Listening to – hauntingly familiar songs associated with Emilio Estevez’ film, ‘The Way.’ Tyler Bates’ ‘Ventura’ is one of them; along with it, a real treat – ‘Nadal De Luintra’ by Berroguetto.

Autumn Gold

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Autumn Gold - Donnelly, Alberta

Autumn Gold – Donnelly, Alberta

An autumn memory, a gift to view as we move into snow and extreme sub-zero temperature – nature’s architecture providing visual articulation of golds on black at harvest.

Quote to Inspire – “Photographs are a way of imprisoning reality …. One can’t possess reality, one can possess images – one can’t possess the present but one can possess the past.” – Susan Sontag, ‘On Photography’

Listening to – U2’s ‘In a Little While,’ Linkin Park’s ‘Roads Untraveled,’ Jessica Sanchez’ ‘Lead Me Home’ and Bob Dylan’s ‘Shelter from the Storm.’

Meditative Original

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Winter Rails at Sunset - Rycroft, Alberta

Winter Rails at Sunset – Rycroft, Alberta

Winter Crossroads - Rycroft, Alberta

Winter Crossroads – Rycroft, Alberta

Yield Sign - Rycroft, Alberta

Yield Sign – Rycroft, Alberta

That day – I enjoyed it. Days away that my wife encouraged when the draw back to work and home was the safer, more familiar choice; listening to her I got a hotel room, stayed put, slept and the next morning, looked anew at the world with my camera. Any camera work is about venturing beyond one’s Life script, that next thing needing done, the next thing needing to be said or listened through, that next place to be. You discover your original self as you come against the touchstone of encountering what is new through the lens of your camera and creating an image – you become more of you in the encounter of learning through seeing once again. Something similar is surely meant when photography is considered meditation.

These images are on a backroad near Rycroft, Alberta returning home.

Listening to – The Lumineers’ ‘Stubborn Love,’ Our Lady Peace’s ‘Wipe that Smile Off Your Face’ and Bruce Springsteen’s ‘One Step Up.’

Quote to Inspire – “The camera is an excuse to be someplace you otherwise don’t belong. It gives me both a point of connection and a point of separation.” Susan Meiselas