At the Ready

Backlight, Barn, Best Practices - Photography, Canon 60D, Canon Camera, Canon Live View, Farm, Farmhouse, Gas Station, Homestead, Journaling, Light Intensity, Photoblog Intention, Photography & Conceptualizing Beauty, Project 365 - Photo-a-day, Sigma Lens - Wide Angle 10-20mm, Still Life, Vehicle, Vehicle Restoration, Winter
Ford One Ton Tow Truck - McLure BC 1

Ford One Ton Tow Truck – McLure BC 1

Ford One Ton Tow Truck - McLure BC 11

Ford One Ton Tow Truck – McLure BC 11

Ford One Ton Tow Truck - McLure BC 10

Ford One Ton Tow Truck – McLure BC 10

Ford One Ton Tow Truck - McLure BC 9

Ford One Ton Tow Truck – McLure BC 9

Ford One Ton Tow Truck - McLure BC 8

Ford One Ton Tow Truck – McLure BC 8

Ford One Ton Tow Truck - McLure BC 7

Ford One Ton Tow Truck – McLure BC 7

Ford One Ton Tow Truck - McLure BC 6

Ford One Ton Tow Truck – McLure BC 6

Ford One Ton Tow Truck - McLure BC 5

Ford One Ton Tow Truck – McLure BC 5

Ford One Ton Tow Truck - McLure BC 4

Ford One Ton Tow Truck – McLure BC 4

Ford One Ton Tow Truck - McLure BC 3

Ford One Ton Tow Truck – McLure BC 3

Ford One Ton Tow Truck - McLure BC 2

Ford One Ton Tow Truck – McLure BC 2

A 1938 Ford one-ton tow truck sits, seemingly at the ready, gazing out to the highway. Yet, at the ready, looks a lot like ready to sell.

Static, the Ford’s paint flakes away and metal beneath oxidizes into rust, colourfully. Curves are the thing, in the shape and detail of the cab, in each window, throughout the length and nose of the hood, in the catch-all of the fenders and in the perfect circles of the lights; straight lines add contrast to these curves with the verticals and horizontals of the running boards, bumper and grill; and then there are the diagonals associated with the structure for leverage, towing and pulling other vehicles. There’s remarkable engineering, here, both in the original build of the Ford and in the impromptu innovation of the towing structure … someone has the knack for towing vehicles. The whole vehicle is architecture, engineering, shape and detail from a former time, a time that preceded me, a time that was my father’s – all pull my interest to this Ford. And, there’s anticipation of how it would drive and how it would ride … the finding of gears, the getting it to move and remain moving … there’d be the unique bounce and shift of weight as the truck moves over terrain … there’d be the rhythm of engine combustion idling and working, pacing out each mile … and there’d be the view from within while piloting this vehicle – all intrigue me.

Automobiles that have left the road have been set back on the road surface by this Ford. Remnants of collisions – damaged vehicles, damaged people and damaged egos, their aftermath has needed transfer to homes, autobody shops and junk yards, something this Ford has provided regularly. In extreme and extraordinary winter weather this Ford has been one to venture out on uncertain roads and perhaps there would be no safer place than in an outfitted Ford one-ton tow truck with a rested driver who understands people, the road and his machine. This Ford one-ton tow truck is for sale down around McLure, British Columbia; the first person with $2000 or so dollars takes it.

Listening to – Tom Cochrane’s ‘Big League’.

Quote to Inspire – “Buy a good pair of comfortable shoes, have a camera around your neck at all times, keep your elbows in, be patient, optimistic and don’t forget to smile.” – Matt Stuart

Inuksuk GPS

Best Practices - Photography, Canon 60D, Canon 70-200 mm 2.8 IS L Series Lens, Canon Camera, Canon Live View, Journaling, Light Intensity, Lookback Photos - One Year Ago, Project 365 - Photo-a-day, Still Life, Winter
Inuksuk 1

Inuksuk 1

Inuksuk 2

Inuksuk 2

Inuksuk 3

Inuksuk 3

Inuksuk 4

Inuksuk 4

Semblance of human existence, an inuksuk serves as landmark and waypoint on one’s unknown path or journey. Its surprise guides you along your way when you’re alone with map and compass, scanning the horizon, considering the course you’ll take; its message – “you are on the right path, keep going … you’ll get there.” With an inuksuk, another human being has taken the time to gather stone and rock to create a representation of the human form only to encourage you and others, letting all know that others have been right where you now stand/sit. At that point where they experienced indecision in navigation, they came back to this point to guide you forward.

Navigation – some of my week has been about travel in unknown territory. I’ve been driving using my global positioning satellite unit, my Tom Tom GPS to direct me to my destination. At one point the mountain road I was on was closed down owing to slush and snow. I had to double back to find another route – a four hour correction in the middle of the night. While there were lines on the road and tire tracks of vehicles preceding me, there were no inuksuks along the way.

Listening to – War’s ‘Low Rider,’ Bo Diddley’s ‘Ride on Josephine,’ Moby’s ‘Flower,’ The Crystal Method’s ‘Busy Child,’ Lori Carson’s ‘You Won’t Fall’ and Johnny Cash’s ‘Folsom Prison Blues.’

Quote to Inspire – “Photography is about finding out what can happen in the frame. When you put four edges around some facts, you change those facts.” – Garry Winogrand

Derelict Farmhouse II

Best Practices - Photography, Canon 60D, Canon 70-200 mm 2.8 IS L Series Lens, Canon Camera, Canon Lens, Canon Live View, Christmas, Farm, Farmhouse, Homestead, Journaling, Night, Photoblog Intention, Photography & Conceptualizing Beauty, Sunset, Winter
Derelict Farmhouse 2 - Lamont, Alberta 1

Derelict Farmhouse 2 – Lamont, Alberta 1

Derelict Farmhouse - Lamont, Alberta 2

Derelict Farmhouse – Lamont, Alberta 2

Derelict Farmhouse - Lamont, Alberta 3

Derelict Farmhouse – Lamont, Alberta 3

The front face or façade of a derelict farmhouse precedes a wooden grain shed and newer, state of the art grain silos. The image contrasts new, old and older. The house sits on a ridge overlooking a storage yard for people’s equipment, a collecting point or nexus for anything unused and nearly disposed of … old mobile homes, vehicles, farming implements and machinery. This house, on the other hand, has structure and form and context – it has beauty; it had purpose in a former time. What would this house have been like in its day, when people were proud of the land’s first fruits? Is this a homestead house built following World War I or World War II? Would the farmers who farmed here have come to Canada or would they have been a generation or two arrived. In terms of today, why has the building not been torn down? What memorial does this house provide and to whom? Who does this house continue to serve?

Listening to – Radiohead’s ‘Little by Little’ from the King of Limbs album (Live from the Basement).

Quote to Inspire – “Quit trying to find beautiful objects to photograph. Find the ordinary objects so you can transform it by photographing it.” – Morley Baer

Fence Post – What Was, Is What We Now See

Canon 60D, Canon Camera, Canon Lens, Farm, Flora, Journaling, Light Intensity, Lookback Photos - One Year Ago, Photoblog Intention, Photography & Conceptualizing Beauty, Project 365 - Photo-a-day, Season, Spring
Fence Post 1

Fence Post 1

Fence Post 2

Fence Post 2

Fence Post 3

Fence Post 3

Fence Post 4

Fence Post 4

Fence Post 5

Fence Post 5

Fence Post 6

Fence Post 6

2012 – we will soon close-out 2012 and all that has been our photography through this year. Many of you have made your way to wordpress along a similar path, catalyzed by the prospect of a photo-a-day improving how we approach photography and taking that daily step of opening and closing a camera shutter, editing a photo and then loading the image (most times with comment) into your wordpress blog. I am in awe of the immensity of this endeavor and grateful to be in receipt of that recursive back and forth of dialogue, something that has created synergy and momentum in each of us returning to our wordpress blog with new images each day. Very good schtuff!

Each of you has been example to me. Each of you has captured images of Life being lived – medias res. Your photos contain mood, capture moment, find humour. I am indebted to each of you for those images of yours that stay with me, that I think about through the day and week. With likes, comments and encouragement, you’ve nudged me forward, further and further with photography this year and I have pushed the envelope in big ways. For all this, I am grateful … thank you for your part in what my 2012 has been.

Take good care of your good, good selves … and enjoy the season as best you can – Merry Christmas.

Former Field Anchor – the photo presented here is another fence post found around Sangudo, Alberta. Again, the play has been in find ways to represent this image.

Listening to – Bruce Springsteen’s Santa Claus Is Coming To Town, John Lennon and Yoko Ono’s Happy Christmas (War is Over), Brenda Lee’s Rockin’ Around the Christmas Tree, Chubby Checker & Bobby Rydell’s Jingle Bell Rock and Perry Como’s Home for the Holidays.

Quote to Inspire – “All the technique in the world doesn’t compensate for the inability to notice.” – Elliott Erwitt

Ethereal, Restless – Dreaming

Best Practices - Photography, Canon 60D, Canon 70-200 mm 2.8 IS L Series Lens, Canon Camera, Canon Live View, Fall, Farm, Farmhouse, Flora, Home, Homestead, Journaling, Light Intensity, Lookback Photos - One Year Ago, Photoblog Intention, Photography & Conceptualizing Beauty, Project 365 - Photo-a-day, Season, Spring, Still Life, Weather
House of Dreams 1

House of Dreams 1

House of Dreams 2

House of Dreams 2

House of Dreams 3

House of Dreams 3

House of Dreams 4

House of Dreams 4

House of Dreams 5

House of Dreams 5

This farmhouse image is one that I connect to moments we’ve all had – that ethereal, restless dream state when dreaming’s hallucination can draw forth what seems other-worldly connection. For me, I recall Mr. Lockwood who upon renting Thrushcross Grange ventured out on a winter walk to meet and greet his landlord, a man by the name of Heathcliff. The story, set in the late 1700s – early 1800s, sees the newly installed Mr. Lockwood walking to the property of his new landlord, a home with a name – Wuthering Heights. A snow storm brews up and makes it necessary for Mr. Lockwood to stay the night in his landlord’s home.

A place is made for him in what seems is a book cupboard or closet.

He reads a pen and ink commentary set forth in the margins of books within this sleeping closet; print books, the only source of paper available to another character, Catherine Earnshaw, are the place where Catherine journals about and considers her life – a journal that in tone and availability serves as confidante for the teen who as estate owner’s daughter is without ready access to peers her age at the Wuthering Heights farm estate. Mr. Lockwood can’t sleep – he reads and reads and reads about Catherine and Heathcliff … until in that ethereal, restless dream state he enters into dream hallucination, a state in which he encounters a young Catherine who within the snow storm outside knocks at ‘his’ window asking to be let in. The farmhouse in this image meets well many of the essential elements of what my mind imagines that Wuthering Heights could be. This house seems ready for all that Emily Bronte’s novel, Wuthering Heights, might hold. And, there’s more to that story ….

Listening to – Maria Dunn’s God Bless Us Everyone, Michael Hoppe’s Land of Serenity, Bill Douglas’ Irish Lullaby, Grant McAskill’s Bitter Season, Catherine Anne McFee’s I See Winter and Paul Brady’s Help Me Believe.

Quote to Inspire – “I want the viewers to be moved into the lives of the people that they are looking at, the visual experience is incredibly emotional.” Paul Fusco

Barbed and Anchored

Best Practices - Photography, Canon 60D, Canon 70-200 mm 2.8 IS L Series Lens, Canon Camera, Canon Lens, Canon Live View, Farmhouse, Home, Homestead, Journaling, Light Intensity, Lookback Photos - One Year Ago, Photoblog Intention, Photography & Conceptualizing Beauty, Project 365 - Photo-a-day, Season, Still Life, Winter
Fence Post and Homestead

Fence Post and Homestead

December winter scene – homestead and trees, land that once was broken, now fenced in – protected, reminding and reminiscent of lives and the work of living. Snow blankets dormant land and caps a fence post, one among many anchoring three strands of barbed wire used to hold animals to this area of land while they graze. Horizon, sky, former home, snow and wood’s texture, softer muted colours – all hold my eye and attention.

Listening to – Madeleine Peyroux’s J’ai Deux Amours, Kenny Gamble’s Me and Mrs. Jones, Toni Sola’s Night Sounds Blues, and Burt Bacharach’s (They Long to Be) Close to You, recognizable songs among others that form the From Paris With Love Soundtrack.

Quote to Inspire – “Emotion or feeling is really the only thing about pictures I find interesting. Beyond that is just a trick.” – Christopher Anderson

Beyond the Mayan’s Calendar – To Christmas 2012

Best Practices - Photography, Canon 60D, Canon Camera, Canon Lens, Canon Live View, Farmhouse, Flora, Journaling, Lookback Photos - One Year Ago, Photoblog Intention, Prime Lens, Project 365 - Photo-a-day, Season, Still Life, Summer

Saturday, we are two Saturdays before the Christmas of 2012. The Mayan calendar that had threatened to cancel all of time’s forward movement now seems unlikely to halt the movement of the moon and planets; the clock and calendar will continue to tick on, day by day.

Tonight, it’s been television with family – The Barbie Nutcracker and now Danny Kaye and Bing Crosby in White Christmas. Today, Christmas plans have been considered; how our few Christmas days will be spent with family has been hammered through. We will see my father, we will see my brothers, our kids – the cousins will gather and shop and talk; there will be Christmas games and family times … and photos. For us, way up north, most Christmas gifts have been gathered. Some discussions still need that – discussion; but, the gifting of gifts is being sorted through and understood with good understanding. A photo of a Rocky Lane homestead house, already framed upon my wall will become present for my father, a pioneering reminder/analogy for my father and his Edmonton work at Edmonton Works – the textures and highlights and colours work well together and hold the eye and interest of the viewer.

Tonight, there’s the excited buzz of cousins chatting at a distance over the telephone about the possibilities that their Christmas will hold – a holiday is being planned, places to shop are being determined and things asked for are being disclosed. There’s been a daughter/father phone call checking in on how Christmas will be spent at another location where we will not be; there’s been goodwill there and solid encouragement to spend time with that son of ours who’s been away at University these last four months. As things wind down at work, things are winding up for the Christmas we will make for our family and friends – last evening it was a joy just to sit around a kitchen table at a friend’s home, to chat and dig a little deeper into that thing we call Life … friendship’s blessing – something I’ve been able to count upon all year.

Today’s been a slower one, a day for recovery from a weeklong cold, a day to exercise and yet a day to slow down and gather energy. I fell asleep watching the Shawshank Redemption, a film that Steve Stockman (Stocki) has often recommended. I’ve been editing photographs today, older ones from within this year … a second glance, a second edit and the second-sight of understanding visual narrative within images; it’s been a time to experiment and play … a good day.

Listening to – Holly Golightly’s Wherever You Were, Tim Armstrong’s Into Action, Hawaii Five-O by the Ventures, Nazareth’s This Flight Tonight and Joy sung by Mick Jagger with Bono.

Quote to Inspire – “With photography, I like to create fiction out of reality. I try and do this by taking society’s natural prejudice and giving this a twist.” – Martin Parr

Homestead & Winter Skies

Backlight, Best Practices - Photography, Canon 60D, Canon 70-200 mm 2.8 IS L Series Lens, Canon Camera, Canon Live View, Farm, Farmhouse, Home, Homestead, Journaling, Light Intensity, Lookback Photos - One Year Ago, Photoblog Intention, Photography & Conceptualizing Beauty, Project 365 - Photo-a-day, Season, Sunset, Weather, Winter
Winter Skies 1

Winter Skies 1

Solid, well-made, a homestead house looks southwest to winter skies at dusk. Windowless, vacant and solitary now, the building did once serve as home, refuge from one’s day, shelter during one’s night, that place to regroup, rejuvenate and revive before handling tomorrow. On the crest of a hill, a farmer’s field, wind and snow blow through this former home to farmers and their families.

Listening to – Mike Plume’s Rattle the Cage;  reminds of Mindy Smith’s similar song with same title.

Quote to Inspire – “My photography is a reflection, which comes to life in action and leads to meditation. Spontaneity – the suspended moment – intervenes during action, in the viewfinder.” – Abbas

Winter Skies 2

Winter Skies 2

Winter Skies 3

Winter Skies 3

December, Puck & Mr. Keating

Best Practices - Photography, Canon 60D, Canon 70-200 mm 2.8 IS L Series Lens, Canon Camera, Canon Live View, Farm, Homestead, Journaling, Lookback Photos - One Year Ago, Photoblog Intention, Photography & Conceptualizing Beauty, Project 365 - Photo-a-day, Vehicle, Vehicle Restoration, Weather, Winter
Car Between Fox Creek and

Car Between Fox Creek and

December – colder temperatures, cooling the core of you; shortened days, days of the long nights; snow blankets the landscape and falling veils the atmosphere looked through diluting colour into the distance until only the grander forms can be made out. Arriving home for supper, I stumble into Mr. Keating and his students within the latter acts of Dead Poets Society – it’s winter, there, too. At the point where I pick up the story, a student challenges parents’ wishes and takes on the role of Puck within a production of Shakespeare’s A Midsummer Night’s Dream. Neil, as Puck, opens and closes this first performance famously, an outcome that’s would surely catalyze future interest and movement within and toward drama as solid and chosen Life endeavor. His parent’s plan, though, is what it is. There is no room for deviation. Life, moving forward, is their way or not at all. To live-out the parent’s plan, dreams must die.  And, dead dreams are no more than that – dead. Neil recognizes that he has known the rapture of bringing the journey of a drama from a good beginning to successful conclusion. Neil takes his Life. Much of what the movie deals with is shaping judgment and pursuing truth – uncovering the core reality of Life. And, the movie shows costs associated with such noble pursuit – ‘O’ Captain, My Captain’. A friend and colleague pointed out that Mona Lisa Smile is the inverse to this film, Dead Poets Society.

While not a December photo, the vehicle within the image is one that was certainly around during the time in which Dead Poets Society was set. In the last third of the distance from Fox Creek and Valleyview, Alberta, this vehicle resides on the north side of the highway, in a farmer’s field. The sanding and the front right quarter panel that needs to be reattached reveal the car to be a project vehicle, a vehicle that someone has had an interest in restoring … and then didn’t. Set within view of the highway, it is certain to draw the attention of another would-be car crafter. For me, I enjoy the shape and look found in this vehicle from a former time. While editing this photo today, I realized that in total I may only have ridden in a handful of these fifties vehicles, maybe only one or two … despite having photographed them so often.

Listening to – Sigur Ros’ Glosoli.

Quote to Inspire  in Dead Poets Society terms – “Finally, brothers, whatever is true, whatever is honorable, whatever is just, whatever is pure, whatever is lovely, whatever is commendable, if there is any excellence, if there is anything worthy of praise, think about these things.” Philippians 4:8 – University of Alberta’s motto

Quote to Inspire – “I fell in love with the process of taking pictures, with wandering around finding things. To me it feels like a kind of performance. The picture is a document of that performance.” – Alec Soth

Winter’s Wraith-like Wisps

Best Practices - Photography, Canon 50mm, Canon 50mm Lens, Canon 60D, Canon Camera, Canon Lens, Farm, Fog, Home, Homestead, Journaling, Light Intensity, Lookback Photos - One Year Ago, Photoblog Intention, Photography & Conceptualizing Beauty, Prime Lens, Project 365 - Photo-a-day, Season, Smoke, Sunset, Weather, Winter
Woodsmoke Wisps - Fort Vermilion Alberta

Woodsmoke Wisps – Fort Vermilion Alberta

Late on a November Saturday afternoon, wraith-like, wisps of wood smoke drift over winter’s fallow field near Fort Vermilion. A homestead’s woodstove produces an intense dry heat, welcome warmth in the midst of a cold, Alberta winter. The day, a first opportunity to work with a new prime lens, a Canon 50mm – f/1.4 lens; my wife has encouraged me to begin my work with it. The image is one of the first images with the lens.

Listening to – Coldplay’s Mylo Xyloto, In My Place, Major Minus and Yellow.

Quote to Inspire – “The photograph is completely abstracted from life, yet it looks like life. That is what has always excited me about photography.” – Richard Kalvar