“Treasure, Jim … Treasure”

Best Practices - Photography, Canon 60D, Canon 70-200 mm 2.8 IS L Series Lens, Canon Camera, Canon Lens, Canon Live View, Farm, Farmhouse, Home, Journaling, Photoblog Intention, Photography & Conceptualizing Beauty, Project 365 - Photo-a-day, Spring, Still Life
Rusting Relics - Manning, Alberta

Rusting Relics – Manning, Alberta

Treasure is a term coined twice this week – in one instance within a John Le Carre novel it is taken to mean the secret that if possessed would turn the tables on your enemy (as in Control’s discussion with Jim Prideaux regarding ‘treasure’ before embarking to Budapest, ‘Tinker, Tailor, Soldier, Spy’); in a second instance within Robert Louis Stevenson’s novel, ‘Treasure Island,’ it refers to the ill-gotten gains that in the getting you seem to have a right to – but irony can play disasterously with you, here. Beyond this, treasure, if possessed, puts you to advantage and gives you power. It is taken to mean something that guarantees a future free from want. A second, perhaps more poignant irony is that treasure once in one’s possession requires care so that no one takes it away … work is involved. Here, within this image, the term treasure can be taken to mean the opportunity of possibility, the rusting relic that has potential in its restoration, in its possession and use. As a photographer, the treasure is perhaps in the image and the narrative that surrounds the image. Point of connection – I learned to drive in a 1969 GMC half-ton pick-up (transmission – three-the-tree-standard), similar to the white GMC cab three vehicles from the right of the image and the GMC on the left.

Listening to – Johnny Cash’s ‘Gods Gonna Cut You Down,’ a song first heard on Steve Stockman’s Rhythm and Soul broadcast, as rendered by the Five Blind Boys of Alabama.

Quote to Inspire – “… the most grandiose result of the photographic enterprise is to give us the sense that we hold the whole world in our heads – as an anthology of images.” – Susan Sontag, ‘On Photography’

Edge & Sphere

Backlight, Canon 60D, Canon Camera, Canon Lens, Canon Live View, Journaling, Light Intensity, Photoblog Intention, Photography & Conceptualizing Beauty, Prime Lens, Project 365 - Photo-a-day, Spring, Still Life, Weather
Edge & Sphere - Sexsmith, Alberta 1

Edge & Sphere – Sexsmith, Alberta 1

Edge & Sphere - Sexsmith, Alberta 2

Edge & Sphere – Sexsmith, Alberta 2

Edge & Sphere - Sexsmith, Alberta 3

Edge & Sphere – Sexsmith, Alberta 3

Edge & Sphere - Sexsmith, Alberta 4

Edge & Sphere – Sexsmith, Alberta 4

Edge & Sphere - Sexsmith, Alberta 5

Edge & Sphere – Sexsmith, Alberta 5

Early morning image editing tackles water droplets on top of a creosote covered railroad tie. A stone, one among thousands stabilizing railroad rails, surprises in its jade green colour and its irregular edge provides contrast to droplet spheres. Colour, depth, line and shape result.

Listening to – (and watching the video of) Snow Patrol’s ‘This Isn’t Everything You Are,’ U2’s ‘Vertigo’ and The Killers’ ‘When You Were Young.’

Quote to Inspire – “Photography does not create eternity, as art does; it embalms time, rescuing it simply from its proper corruption.” – Andre Bazin (1918-1958), French Film critic.

Shop Studio

Best Practices - Photography, Canon 60D, Canon Camera, Canon Live View, Journaling, Light Intensity, Photoblog Intention, Photography & Conceptualizing Beauty, Project 365 - Photo-a-day, Sigma Lens - Wide Angle 10-20mm, Spring, Vehicle, Vehicle Restoration
Chevrolet Pickup - Reynolds-Alberta Museum - Wetaskiwin, Alberta

Chevrolet Pickup – Reynolds-Alberta Museum – Wetaskiwin, Alberta

One never-done project I hope to undertake is to photograph a vehicle indoors and to control context and lighting and to create a cluster of images from various perspectives. The vehicle could be a sports car, a restored relic or a project vehicle about to undergo rehabilitation – each will reveal character in its grillwork, lights, repetition of shape, door handles, badge-work and interior. The task will be to explore pattern, shape, design and colour. This 1940 Chevrolet pick-up truck has me thinking about the project because museum lighting is a fixed entity, something not within my control; multiple lights reflect at several points on the pick-up’s glossy sheen – the hood, cab, windscreen, fenders, grill and bumper. In a controlled, albeit impromptu shop as studio, limiting light in terms of source versus sources, controlling light intensity and in terms of directing light to the vehicle – all will allow freedom to photograph the indoor vehicle with intent. Key, here, would be having light that can be intense enough to allow work at lower ISO. Some of the work will be about context – borrowing shop space, ensuring that it’s tidy and setting/planning how to light the vehicle. It will also be about coordinating invitations and times to shoot. And, once each vehicle arrives the matter becomes that of seeing the shot, discovering the vehicle through the lens and then keeping the vehicle clean – lint-free, dust-free and smudge free.

Other News – Dave Brosha is offering a workshop in Fort Vermilion, Alberta, an event sponsored by the Fort Vermilion Community Library – +1 (780) 927-4279; a friend called and encouraged me to lock-in my spot with a deposit; check out Dave Brosha’s photography and website – http://www.davebrosha.com/ .

Listening to – Sigur Ros’ ‘Glosoli’ and ‘Hoppipolla.’

Quote to Inspire – “There is nothing as mysterious as a fact clearly described. I photograph to see what something will look like photographed.” – Garry Winogrand

Other Sunsets

Backlight, Best Practices - Photography, Canon 60D, Canon 70-200 mm 2.8 IS L Series Lens, Canon Camera, Canon Live View, Journaling, Light Intensity, Night, Photoblog Intention, Photography & Conceptualizing Beauty, Project 365 - Photo-a-day, Spring, Sunset
Sunset - Whitecourt to Valleyview, Alberta

Sunset – Whitecourt to Valleyview, Alberta

Poet and fellow photo blogger, Jim from ‘notyethere’ blog highlights the truism that there will be other sunsets – found, seen, discovered and relished. In this instance, I chose to pull the car off the road between Whitecourt and Valleyview, Alberta and capture the sunset. Check out http://notyethere.wordpress.com/ .

Listening to – ‘Across the River’ by Peter Gabriel.

Quote to Inspire – “I guess I’ve shot about 40,000 negatives and of these I have about 800 pictures I like.” – Harry Callahan

Edmonton – Other Views

Backlight, Best Practices - Photography, Canon 60D, Canon 70-200 mm 2.8 IS L Series Lens, Canon Camera, Canon Lens, Canon Live View, Home, Journaling, Light Intensity, Night, Photoblog Intention, Photography & Conceptualizing Beauty, Project 365 - Photo-a-day, Sigma Lens - Wide Angle 10-20mm, Spring
Edmonton - from Mill Creek

Edmonton – from Mill Creek

Edmonton - from the River Valley

Edmonton – from the River Valley

Edmonton - Looking Southeast 2

Edmonton – Looking Southeast 2

Edmonton - Looking Southeast

Edmonton – Looking Southeast

The past week presented the opportunity to move around Edmonton and to look at skylines from different vantage points.

Listening to – Mozart’s ‘Requiem, K. 626’ performed by La Grande Ecurie et la Chambre du Roy, Jean-Claude Malgoire, Dominique Visse, Choeur Regional Nord-Pas-De-Calais, Odile Bailleux, Martin Hill, Colette Alliot-Lugaz & Gregory Reihart.

Quote to Inspire – “I am forever chasing light. Light turns the ordinary into the magical.” – Trent Parke

Cold Sunrise – Spring

Best Practices - Photography, Canon 60D, Canon 70-200 mm 2.8 IS L Series Lens, Canon Camera, Canon Lens, Canon Live View, Fog, Home, Journaling, Light Intensity, Photography & Conceptualizing Beauty, Project 365 - Photo-a-day, Spring, Still Life, Sunrise, Weather, Winter
Saskatchewan Drive - Edmonton, Alberta

Saskatchewan Drive – Edmonton, Alberta

Edmonton – a cold sunrise, winter lingering on into spring, colours buildings and fog haze in muted and rich tones reminding of Russian narratives.

Bartholomew Scott Blair misses a trade show for book publishers. Boozy Barley Blair, life on a tangent, haphazardly and unwittingly finds himself in possession of serious, sobering prose; the film of this narrative takes you from Lisbon to London to Moscow and to Boris Pasternak’s grave and Dacha in which Dr. Zhivago was written. That world is presented in much the same colours as this Edmonton image. The narrative explores the rambling of Barley’s unanchored heart navigating forward recklessly in hope and unchallenged belief at a time of life when legacy is what should concern him. Barley’s life becomes entangled – verifying story source and author, working within prescribed tradecraft and pursuing relationship. That relationship and possibility change the course of this narrative – hope and promise are honoured.

This Edmonton image looking out to Saskatchewan Drive high above the North Saskatchewan River surprises me in perspective, time of year and colour. These are the familiar tones and colours and climate of my childhood and youth cycling Edmonton city streets or walking and talking with friends. Likewise Moscow’s tones, colour and climate as featured in the film of John Le Carre’s ‘Russia House’ also surprise me because they are so strikingly familiar.

Listening to – Ernest Hemingway’s ‘A Moveable Feast.’

Quote to Inspire – “The camera is an instrument that teaches people how to see without a camera.” ― Dorothea Lange

Butler Bins

Best Practices - Photography, Canon 60D, Canon 70-200 mm 2.8 IS L Series Lens, Canon Camera, Canon Lens, Canon Live View, Journaling, Light Intensity, Photoblog Intention, Photography & Conceptualizing Beauty, Project 365 - Photo-a-day, Still Life, Winter
Butler Grain Bins - Blue Hills, Alberta

Butler Grain Bins – Blue Hills, Alberta

Four Butler tin grain bins are placed on the crest of a field near Blue Hills and Tompkins Landing, Alberta, positioned near a range road for ease of access, away from water, able to take advantage of the sun’s heat to dry grain stored within. The bins remind of Egypt and Joseph, a pharaoh’s dream that disturbs and Joseph’s dream reading – seven abundant years followed by seven famine-filled years; at pharaoh’s request, Joseph undertakes and manages Egypt’s grain collection (in grain bins) in the abundant years and oversees grain distribution in Egypt’s lean years. Joseph is a name meaning ‘he who removes my shame,’ a name Rachel gives this first born son of hers following barren years with Jacob (Israel). Joseph is the dreamer whose father, Jacob, gives a coat of many colours. It’s Joseph’s ability to interpret dreams (and to see what’s happening as a visionary) that allows him to serve others throughout his life. Josephs, those who remove shame, feature elsewhere in the Bible story. The Joseph who marries Mary, mother of Jesus is stepfather who extends grace to Mary when she’s found to be pregnant prior to their marriage. The story grows ever-bigger and Mary’s Joseph often guided by dream revelation has a role to play in the lives of Jesus and Mary. Then, there’s the Joseph of Arimathea who provides tomb for Jesus and who removes Jesus’ body from the cross becoming unclean in touching a dead body as the Sabbath begins. Each Joseph removes shame and extends grace into the situation.

Listening to – Chris Whitley’s ‘Dust Radio,’ the Lumineers’ ‘Ho Hey’ and ‘Stubborn Love,’ John Trudell’s ‘Rockin the Res (Live)’ and Congregation’s ‘Don’t Pay No Mind.’

Quote to Inspire – It should be the aim of every photographer to make a single exposure that shows everything about the subject. I have been told that my portrait of Churchill is an example of this. – Yousuf Karsh

Cattails & Snow Curves

Best Practices - Photography, Canon 60D, Canon 70-200 mm 2.8 IS L Series Lens, Canon Camera, Canon Lens, Canon Live View, Journaling, Light Intensity, Lookback Photos - One Year Ago, Photoblog Intention, Photography & Conceptualizing Beauty, Project 365 - Photo-a-day, Spring
Cattails and Snow, High Level, Alberta 1

Cattails and Snow, High Level, Alberta 1

I’m liking these cattails and the lengthening curves of the snow in which they are set.

Listening to – Tim Reynolds fret a number from the Live at Radio City concert with Dave Matthews, ‘You Are My Sanity’; then it’s Dave Matthews and Tim Reynolds with a Neil Young tune, ‘Down by the River.’

Quote to Inspire – “I really don’t have any idea about photography, but I take pictures.” – Alex Majoli

Snow – Warmed

Backlight, Best Practices - Photography, Canon 60D, Canon Camera, Canon Lens, Journaling, Lookback Photos - One Year Ago, Photoblog Intention, Photography & Conceptualizing Beauty, Project 365 - Photo-a-day, Spring
Alberta Skies - High Level, Alberta 1

Alberta Skies – High Level, Alberta 1

Alberta Skies - High Level, Alberta 2

Alberta Skies – High Level, Alberta 2

Alberta Skies - High Level, Alberta 3

Alberta Skies – High Level, Alberta 3

Alberta Skies - High Level, Alberta 4

Alberta Skies – High Level, Alberta 4

In Spring wind skims over sun-warmed snow, blowing and lifting moisture laden air sky high. A blue sky day can become cloud-ridden in hours. Alberta skies feature in images along the southward drive to Edmonton in Spring.

Listening to – Coldplay’s ‘Mylo Xyloto,’ ‘Hurts Like Heaven,’ and ‘In My Place.’

Quote to Inspire – “I’m very open to any visual conceits and any possibilities at my disposal to be better explain to people the ideas I’m exploring.” – Tim Hetherington

Winter Psychedelic

Backlight, Canon 60D, Canon Camera, Canon Lens, Canon Live View, Farm, Homestead, Journaling, Light Intensity, Lookback Photos - One Year Ago, Photoblog Intention, Photography & Conceptualizing Beauty, Project 365 - Photo-a-day, Spring, Still Life, Winter
Winter Psychedelic 1

Winter Psychedelic 1

Winter Psychedelic 2

Winter Psychedelic 2

Winter Psychedelic 3

Winter Psychedelic 3

Winter Psychedelic 4

Winter Psychedelic 4

Colour found and pulled from winter is subject of current photos. There’s a feel of the seventies as colour is approached – strong rich colours and contrasts in the darker images. The lighter images explore oversaturation and the aura surrounding subject. An icicle is shaped by heat and gravity. Another is shaped by wind’s push and pull. Both are lens for what they are in front of. Weeds, left behind, within the bleakness of a lacklustre winter field become source from which to pull colour and attention to shape and setting in an image that could be termed … ‘psychedelic.’

Listening to – iTunes set to start genius, starting at The Eagle’s Seven Bridges Road yields an energizing playlist – Eagles’ ‘Seven Bridges’ Road,’ Aerosmith’s ‘Back in the Saddle,’ The Black Crowes’ ‘ Twice as Hard,’ The Who’s ‘Magic Bus,’ Nazareth’s ‘Love Hurts,’ Bruce Springsteen’s ‘Pink Cadillac,’ The Rolling Stones’ ‘Can’t You Hear Me Knocking,’ Neil Young’s ‘Rockin In The Free World’ and The Kingsmen’s ‘Louie Louie.’

Quote to Inspire – “I also paint, draw and I’m into film and photography as well, and the same thing applies to all of them. You’re presenting this material to the general public and hoping that they’re going to ‘get’ what you’re doing. Some don’t, some do.” – Paul Kane