Recalled to Life – Reflection and Reminiscence

Canon 50mm, Canon 50mm Lens, Canon 60D, Canon Camera, Canon Lens, Canon Live View, Night, Prime Lens, Project 365 - Photo-a-day, Still Life

With one key element of impressionism being that of concentrating upon a general impression produced by a scene or object, my mother was attracted to the beauty of this style of painting most certainly because with flowers and humans the style strove to capture a resonant moment in its use of primal colour and miniscule strokes, all in a painting style that worked to simulate reflected light.

In the prints of impressionist painters, my mother was attracted primarily to Claude Monet and some works of Auguste Renoir; subtlely as she collected and displayed these works she pointed to the core message of still life – that beauty has duration; living beauty resonates for a time, then diminishes and is no more. And, this theme carries over to her love of flowers – my mother was happy and most at home among her flowers, nurturing and pruning flowers and entertaining others among her gardens’ flowers.

Most, if not all prints she adorned her home with had flowers as their subject; and, I wonder, on the one hand, if these were winter purchases (in remembrance of the beauty of flowers) or as years went on if she used such prints to express life’s stages as parallel to where she and Dad were in the older ages of their life development. Among all her prints, one is a still life of a flower that still retains beauty but is beginning to wilt; the flower, a cut stem, resides in a glass vase filled with water. It is not a picture that one would readily display upon a wall because there’s an awkwardness of the beauty diminishing that disturbs. The flower requires grace to see it through its disturbing diminishment.  Mom was teaching about Life with these prints, quite subtlely.

What is ingenious in this print is the play of light reflected within the glass vase. The connection to the photographs I present here is somewhat adjacent; the light reflected in the glass vase got me started on the play of light reflected on and moving within glass and I have photographed candlelight among glass.

Listening to The Valley by Sarah Masen, a reference to Psalm 23 (a psalm of David and place of solace for my grandfather).

Quote to Inspire – “Technique is to me merely a language and as I see life more and more clearly, growing older, I have but one intention, to make my language as clear and simple and sincere as humanly possible.” ~ Robert Henri, The Art Spirit

A Moody Change in Winter Weather

Canon 50mm, Canon 50mm Lens, Canon 60D, Canon Camera, Canon Lens, Canon Live View, Fog, Night, Photography & Conceptualizing Beauty, Prime Lens, Project 365 - Photo-a-day, Season, Weather, Winter

On Thursday evening, the temperature in High Level, Alberta dropped from -10C to -20C+. The moisture in the air transitioned to noticeable fog and then crystallized on physical objects producing a beautiful array of hoarfrost on trees, buildings and fences throughout the town. I went for my evening walk, walking a counter clockwise, reverse 6 km circuit through High Level, returning home to collect my Canon 60D and Manfrotto Tripod. The variation in subjects is limited – bus lane light standards between High Level Public School and Florence MacDougall Community School (showing the play of light against fog), a hoarfrosted tree in parking lot to the west, three entrance images to High Level Public School and the school’s playground equipment.  In all images, a change in the weather has altered the landscape, creating new possibilities for photographs.

Composition for photographs has been on my mind and while there are many rules or principles to guide angle of view, subject and lighting, the thing I’ve been reminded of is that composition is about ‘finding’ the strongest way of seeing the subject.  Here, Angela Patterson of the Ditch Divas would remind me that while there are technical considerations, it is also important to get to the point of taking the picture … not to over-think the opportunity in front of you … likely because it’s impermanent.

Listening to Impermanent Things by Peter Himmelman from his Stage Diving album; (thank you to Stocki for this Rhythms of Redemption recommendation … all those years ago).

Quote to Inspire – “Photographs really are experience captured, and the camera is the ideal arm of consciousness in its acquisitive mood.” ~ Susan Sontag, On Photography

Bloggers and image viewers – Thank you for stopping by and recommending this site to friends and colleagues.  Cheers!

Homestead – Donnelly, Alberta

Canon 50mm, Canon 50mm Lens, Canon 60D, Canon Camera, Canon Lens, Canon Live View, Christmas, Photography & Conceptualizing Beauty, Prime Lens, Project 365 - Photo-a-day, Winter
Homestead

Here is a black and white photograph of a homestead between Donnelly and Peace River, Alberta – an image receiving attention from bloggers; structure, design and texture attract.

My intention for this photograph initially has been the exterior; but, with photographs of homes and recollection that families inhabit homes the photograph becomes something relating to that business that William Shakespeare points to … ‘all the world [being] a stage [even those floors and rooms of home] … and all the men and women merely players:  they have their exits and their entrances; and one man in his time plays many parts ….

Home is where we start our lives and move through our first parts … right?

Listening to Moses from Coldplay’s Live 2003 CD/DVD.

Quote to Inspire: “Photography records the gamut of feelings written on the human face, the beauty of the earth and skies that man has inherited, and the wealth and confusion man has created. It is a major force in explaining man to man.” — Edward Steichen

Christmas Eve – A Kitchen in Readiness for Celebrating Christmas

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24 December 2011 – On the afternoon preceding Christmas eve, in scrubbing our kitchen floor, my wife and I moved several wine bottles from the floor to our kitchen counter. Later, a ham cooked in an old, well-used roasting pot (in my wife’s family through generations), became the mainstay of our Christmas eve meal (part of the tradition coming through her family). After singing hymns at a Church service and coming home from time with friends in fellowship, I found myself with an abundance of time and the opportunity to photograph our kitchen in readiness for Christmas. I worked with reflection, light reflected in glass, shallow depth of field and adding accuracy to focal points through the use of the Canon 60D’s live-view mode (I put my glasses on for this). The wine bottles remained in a cluster on the kitchen counter top where the ham roaster was set out in readiness for cooking the Christmas turkey.  Both became subjects in tonight’s photographs and a variety of colours and moods were explored.

On my mind this Christmas, the words – “Be still, and know that I am God … (Psalm 46:10);” these words confront you at the High Level Christian Fellowship Church from the wall surrounding the pulpit.  For me, so long away from Church, practice and walk, it surfaces the idea that it’s alright to rest, to ease up on the reigns of one’s life that can be held so tightly and remove my focus from the doing and busy-ness of Life; amazingly, so much has been provided for in the lives of my family and me … and I am thankful.

My hope for each of you is that you are able to find the rest that this Christmas time affords.

Merry Christmas, all!

Christmas Lights – Grande Prairie, Alberta

Canon 50mm, Canon 50mm Lens, Canon 60D, Canon Camera, Canon Lens, Canon Live View, Christmas, Christmas Lights, Photoblog Intention, Photography & Conceptualizing Beauty, Prime Lens, Project 365 - Photo-a-day, Season, Winter

It has been a whirlwind  weekend traveling to Grande Prairie and back, all in pursuit of Christmas.

Of the landscape travelled through, weather’s interaction at the Dunvegan Bridge over the Mighty Peace was shifting mist and cloud against a backdrop of conifers laced with snow – beautiful picture taking weather, mountain weather. I stopped for a few shots, then was presented with excellent colours of the Dunvegan bridge in the two kilometre descent before crossing the Peace River – a snowy, wet world from which the yellows and browns of the suspension bridge stand above the metal grey of the river. With my SUV I trekked down and up a couple of times searching for a safe and easy place to park; no safe place suggested itself.  With an abundance of time (one of these times) I will park at the Dunvegan landing and hike back up the North embankment for about a kilometre with camera bag and tripod and get a few good shots  … one day.

At Christmas, Grande Prairie adorns itself well with seasonal lighting as does Grande Prairie Regional College and the Automobile Dealerships – I like the shallow depth of field in working with the Christmas lights on the Dodge truck image and the bokeh that was found.  The final shot is taken of a farm, well lit, within a dark, dark landscape last night – colourful schtuff.

Canon Lock-up Issue – I did have  lock-up issues with my Canon 60D on Saturday night … it probably had to do with using live view and inexact button pushing with gloved fingers;  I was sorting things through yesterday morning and by supper time the camera seemed to have good integrity with the shots I took of the farm house.  If the problem persists I will most likely re-install the firmware as a means to conquer the issue.  If any of you have experienced a similar issue I would appreciate hearing from you.

Against a Reflective Surface – Christmas Lights

Canon 50mm, Canon 50mm Lens, Canon 60D, Canon Camera, Canon Lens, Canon Live View, Christmas, Christmas Lights, Photoblog Intention, Photography & Conceptualizing Beauty, Prime Lens, Project 365 - Photo-a-day, Season, Winter

Leaving school, against the blackness of night, I encountered beautiful hoarfrost on an Aspen Willow tree – a reverse silhouette (white against black). I started my pickup truck and used the engine’s warm-up time to explore the silhouetted Willow. Again, the camera is atop the tripod and again I’m using the 60D’s live view to ensure that I find crisp detail in manual focus. I took three shots of the tree – one I include here; the composition needs work but I’m happy to have captured this image. Consideration – my shots are better and more well-composed when I’m warm and taking time to look seriously around the frame to see what’s there and to capture the image; in winter photography I’ll have winter outwear on … something I didn’t have leaving school tonight.

Later, at home, in front of our Christmas tree the recommendation of photographing Christmas lights against a reflective surface came to mind. Our Christmas tree, like most others, stands in front of our window as Christmas beacon to others in our neighbourhood; this evening, I just needed to recognize its beauty and its potential. I put my Canon 50mm prime f-1.4 lens on my Canon 60D and attached the 60D to my tripod; I worked with live view to find focus detail and to establish bokeh (blurring of lights). I turned out lights in our living room and kitchen making all dark except for our Christmas tree and its lights. I began exploring bokeh, using a small depth of field (lens aperture f-1.4) and blurred Christmas lights against the reflective surface of the window. The images I include appeal to me in terms of shape, colour, texture and mood.

Tonight (15 December 2011) – listening to Martyn Joseph’s ‘Have an Angel Walk with Her,’ from his ‘Evolved’ album http://www.martynjoseph.net/ .

Bokeh (Blurred lights) & Shallow Depth of Field

Canon 50mm, Canon 50mm Lens, Canon 60D, Canon Camera, Christmas, Christmas Lights, Prime Lens, Season, Winter

The shots taken last night explore bokeh; I’ve used a shallow depth of field for the subject and worked to blur the background light. Bokeh refers to the aesthetic quality of the blur, the out-of-focus areas of an image, or, the way the lens renders out-of-focus points of light (Bokeh – Wikipedia).

Refit & Refuel

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Shell Service Station - High Level, Alberta

I’m going to study this picture.  It does capture a sense of this being an outpost and a place to refit and refuel in night’s darkest hours. The intent, however, was to capture something iconic, a gas station lighting the night … it being more of a beacon for a point of rest before continuing on, more something you’d expect listening to John Mayer sing ‘Route 66’. High Level’s Shell Service Station is open 24/7 year-round and is midpoint between Edmonton, Alberta and Yellowknife, Northwest Territories. In terms of the shot taken, it may be that the 50mm prime lens limits what can happen with plane of focus and composition; more movement on my part would be needed to find the right location and composition. Still, I like the crispness of most parts of the photograph.  I may try a few shots looking more straight across to the service station one of these nights.

Highway & Town

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Highway 35 ... Going North

This evening I was working with a prime lens, a Canon 50mm f1.4 lens.  I’m getting a sense for the distance to subject it accommodates.  With my 60D’s sensor having a correction factor of 1.6, the 50mm lens behaves more like an 80mm lens; so, this evening I’ve been putting distance between me and my subjects.  In this shot, I’ve created some blur (light trail) with a 10 second exposure and the tail lights of a vehicle moving through the photo from left to right.  Working with live view is helping focus manually to different parts of the landscape; this is f-10 for five seconds … I’ve probably focused on the second lamp post to the right.

I also listened to episode 6 of Sid & Mac’s Shutter Time podcast, a discussion with Randy Pond regarding social media and its uses – good discussion of flickr, google +, facebook, tumblr, wordpress and how an upcoming photographer would use them.