Leaving school, against the blackness of night, I encountered beautiful hoarfrost on an Aspen Willow tree – a reverse silhouette (white against black). I started my pickup truck and used the engine’s warm-up time to explore the silhouetted Willow. Again, the camera is atop the tripod and again I’m using the 60D’s live view to ensure that I find crisp detail in manual focus. I took three shots of the tree – one I include here; the composition needs work but I’m happy to have captured this image. Consideration – my shots are better and more well-composed when I’m warm and taking time to look seriously around the frame to see what’s there and to capture the image; in winter photography I’ll have winter outwear on … something I didn’t have leaving school tonight.
Later, at home, in front of our Christmas tree the recommendation of photographing Christmas lights against a reflective surface came to mind. Our Christmas tree, like most others, stands in front of our window as Christmas beacon to others in our neighbourhood; this evening, I just needed to recognize its beauty and its potential. I put my Canon 50mm prime f-1.4 lens on my Canon 60D and attached the 60D to my tripod; I worked with live view to find focus detail and to establish bokeh (blurring of lights). I turned out lights in our living room and kitchen making all dark except for our Christmas tree and its lights. I began exploring bokeh, using a small depth of field (lens aperture f-1.4) and blurred Christmas lights against the reflective surface of the window. The images I include appeal to me in terms of shape, colour, texture and mood.
Tonight (15 December 2011) – listening to Martyn Joseph’s ‘Have an Angel Walk with Her,’ from his ‘Evolved’ album http://www.martynjoseph.net/ .
From school I drove home on streets that are slick, polished ice. They are not quite treacherous, only difficult to begin moving on in a half-ton truck without weight in the box.
So … Christmas lights – I arrived early and had good post-dusk light. The homeowner did have the Christmas lights on already and clouds feathered against a silver blue sky as background. I framed the shots taken to include more sky but ended up cropping to balance things out in the images. In terms of setting, I had the white balance set to Tungsten and the blue derived from the sky was more tending to a dark turquoise than royal blue.
The matter of having a reflective surface in the foreground is really the idea that reflection of lights within a foreground surface should artfully double or duplicate the subject photographed doubling the number, size and shape of the Christmas lights. As I thought this through the hood of a vehicle was my first conceptualization of this technique; but, Kyle Thomas www.kylewith.com has demonstrated that the side of a vehicle can be used artfully to bounce or reflect different subjects … the side of a clean, glossy vehicle should serve to reflect among other things … Christmas lights. The snow does reflect light, but it does so more in an atmospheric glow of the dominant colour among the Christmas lights.
I did use a tripod to steady my 60D. But, using the tripod is forcing me to think through composition because manoeuvrability of the camera on top of a tripod has some limitations; usually I see and understand the composition as I move toward it and find it. The movement of the camera to the best composition on top of a tripod is more mechanistic and I suppose I have not only to think through the lens but through the tripod structure and its movement, as well. I’ve been using the live view display with the pistol grip to position the camera in terms of composition; then I’ve been using manual focus with the plus ( + ) settings within live view to focus accurately upon the subject.
Tonight, I worked with an ISO of 100 and f-stops between 8 and 11. The duration of the exposures is anywhere from 8 seconds to 30 seconds. I did shoot once every minute or so and can track the sky’s darkening through the pictures. I took fifteen shots tonight, three of which I include here. Point of Consideration – in these town shots the mix of Christmas lights and ambient light combines with street lights that light the roadway, the yard and the house. The effect of Christmas lights against ambient light should be more striking if street lights are excluded; I may need to find a farm in the vicinity that has used Christmas lights well and on their own, away from powerful farm lights.
Other thoughts – I am taking public shots of Christmas lights around town; watching someone photograph your home and its lights must be a bit awkward if it’s not happened before. Maybe I’ll present a photo of the sight to the homeowner as a positive, goodwill gesture.
The shot I like is the one with grey skies; my daughter and wife like the other two.