In My Back Pocket – Photography

Tag: photographing christmas lights

Against a Reflective Surface – Christmas Lights

December 15th, 2011

Aspen Willow – Parking Lot Silhouette

15 December 2011 – Bokeh 1

15 December 2011 – Bokeh 2

15 December 2011 – Bokeh 3

15 December 2011 – Bokeh 4

15 December 2011 – Bokeh 5

15 December 2011 – Bokeh 6

15 December 2011 – Bokeh 7

Leaving school, against the blackness of night, I encountered beautiful hoarfrost on an Aspen Willow tree – a reverse silhouette (white against black). I started my pickup truck and used the engine’s warm-up time to explore the silhouetted Willow. Again, the camera is atop the tripod and again I’m using the 60D’s live view to ensure that I find crisp detail in manual focus. I took three shots of the tree – one I include here; the composition needs work but I’m happy to have captured this image. Consideration – my shots are better and more well-composed when I’m warm and taking time to look seriously around the frame to see what’s there and to capture the image; in winter photography I’ll have winter outwear on … something I didn’t have leaving school tonight.

Later, at home, in front of our Christmas tree the recommendation of photographing Christmas lights against a reflective surface came to mind. Our Christmas tree, like most others, stands in front of our window as Christmas beacon to others in our neighbourhood; this evening, I just needed to recognize its beauty and its potential. I put my Canon 50mm prime f-1.4 lens on my Canon 60D and attached the 60D to my tripod; I worked with live view to find focus detail and to establish bokeh (blurring of lights). I turned out lights in our living room and kitchen making all dark except for our Christmas tree and its lights. I began exploring bokeh, using a small depth of field (lens aperture f-1.4) and blurred Christmas lights against the reflective surface of the window. The images I include appeal to me in terms of shape, colour, texture and mood.

Tonight (15 December 2011) – listening to Martyn Joseph’s ‘Have an Angel Walk with Her,’ from his ‘Evolved’ album http://www.martynjoseph.net/ .
Christmas Lights – Around Town (attempt #1)

December 12th, 2011

Gingerbread Architecture

Oblique Angles – Accentuating Architecture

Christmas Memories

Lights Against Night’s Darkness

Winter Wonderland – The Shot that should work best in Fading Ambient Light

Black & White with Colourful String of Lights

Christmas lights were the subject of last night’s foray into picture taking around town. A friend’s home had good oblique angles and provided dark architectural landscape that her Christmas lights outlined and accentuated. And, in most instances Christmas lights highlighted architectural shape against night’s darkness, making homes look like Gingerbread houses. Beyond this, Christmas lights add atmosphere and mood with their reds, greens, blues, purple and clear white colours, all of which have a gradient of reflection upon surrounding snow. So, I began the endeavour of capturing Christmas and the Christmas spirit around town.

Tonight, I’ve just read an article on the Strobist blog, ‘Photographing Christmas Lights,’ http://strobist.blogspot.com/2006/12/how-to-photograph-christmas-lights.html and it contains six recommendations for capturing the outdoor beauty of Christmas. One key concept is that Christmas lights reveal themselves best in fading ambient light following sunset and that the trick is to balance the Christmas lights against the ambient light. Here, framing shots would make intentional use of the sky as background to composition; I would need to shoot across the subject (lights) into the ambient light. And, where I began shooting Christmas lights at 8:30 p.m. I would need to move the photography three hours ahead to 4:30-5:30 p.m. to find the sweet spot of the ambient light fading into background glow. In terms of camera settings, where I had my white balance set to custom at K 10000, the Strobist article recommends using the tungsten setting to bring out a royal blue in the sky. I did use my tripod and took shots from low level, eye level and from the deck of my pick-up truck box as a means to find best angle of view. Strobist recommends a low level shot so as to use much more of the sky as background in the composition. In terms of foreground in most shots I did utilize the light, reflective surface of the snow to create foreground interest; here, there may be better ways to explore foreground use. In the shots I took last night snow tends to add the feel of a large blanket insulating the earth below it.

So, I’ll be out and about in the next few nights, right after work.