Mindful Photography

Project 365 - Photo-a-day

Wildcat Cafe - Yellowknife, NT - Canada

Looking Out from the Pilot's Memorial - Yellowknife NT - Canada

Looking Out from the Pilot’s Memorial – Yellowknife NT – Canada

Shack near Pilot's Memorial - Yellowknife, NT - Canada

Other images from the Kelby World Wide Photo Walk in Yellowknife, NT – Canada. My thanks goes out to Samantha Stuart who organized the event and the eleven other walkers who partook in the walk. Well done, all!

Listening to – U2’s ‘Lucifer’s Hands,’ Bruce Cockburn’s ‘Call It Democracy,’ U2 and the Dubliners’ ‘Ballad of Ronnie Drew’ and Coldplay’s ‘Oceans.’

Quote to Consider – Harvard psychologist and researcher Ellen Langer defines “mindfulness as the simple act of actively noticing things and notes its connection with increased health, competence and happiness …” (there’s something in such conceptualization for photographers).

Land’s Next Use

Canon Camera, Canon Lens, Canon Live View, Fall, Farm, High Dynamic Range (HDR), Homestead, Journaling, Photoblog Intention, Photography & Conceptualizing Beauty, Project 365 - Photo-a-day, Still Life, The Candid Frame, Weather, Winter
Strewn Timber - Rocky Lane, Alberta - Canada iv

Strewn Timber – Rocky Lane, Alberta – Canada iv

Strewn Timber - Rocky Lane, Alberta - Canada ii

Strewn Timber – Rocky Lane, Alberta – Canada ii

Strewn Timber - Rocky Lane, Alberta - Canada iii

Strewn Timber – Rocky Lane, Alberta – Canada iii

Strewn Timber - Rocky Lane, Alberta - Canada i

Strewn Timber – Rocky Lane, Alberta – Canada i

Timber, pushed down, lies strewn throughout a farmer’s field, a first step in clearing the land. Timber has also fallen across the structure of a homestead house yet has not crushed it. The house and a water-filled dugout suggest that a previous owner, another farmer, had initiated and abandoned a similar project in an earlier era. For now, timber will be gathered for burning; a winter or spring burn will reduce these trees and this homestead house to ashes, the land becoming ready for another use.

Quote to Consider – “I really believe there are things nobody would see if I didn’t photograph them.” – Diane Arbus

Listening to – Ibarionex Perello’s ‘The Candid Frame’ – episode 238, an interview with Sara Jane Boyers, Jesse Cook’s ‘Ocean Blue,’ Shadowfax’s ‘Move the Clouds,’ Agnes Obel’s ‘Fivefold,’ U2’s ‘Song for Someone’ and Sigur Ros’ ‘Glosoli.’

The Place Where We Are Right
by Yehuda Amichai

From the place where we are right
flowers will never grow
in the Spring.

The place where we are right
is hard and trampled
like a yard.

But doubts and loves
dig up the world
like a mole, a plough.
And a whisper will be heard in the place
where the ruined
house once stood.

Pathfinder Forays

Canon Camera, Canon Lens, Canon Live View, Fall, High Dynamic Range (HDR), Journaling, Photography & Conceptualizing Beauty, Project 365 - Photo-a-day, Season, Service Station, Vehicle, Vehicle Restoration

1953 Pontiac Pathfinder - Manning, Alberta - Canada i

1953 Pontiac Pathfinder - Manning, Alberta - Canada ii

1953 Pontiac Pathfinder - Manning, Alberta - Canada iii

1953 Pontiac Pathfinder - Manning, Alberta - Canada iv

1953 Pontiac Pathfinder - Manning, Alberta - Canada v

Nissan Pathfinders – my wife and I have owned and driven three of these sports utility vehicles in Northwestern Alberta. We used each to travel in and out of Wood Buffalo National Park on our bi-weekly grocery run, a distance of 200km one way. Most of the time, the Pathfinder was locked in true four wheel drive and careening forward, sliding on any angle but straight along slick, clay-mud, corduroy roads or perhaps creating a first track along snow laden roads. The joke at the time was that we could have filmed a Nissan Pathfinder commercial because of the treatment each Pathfinder received and because of the durability and handling found in its use. And, though the Pathfinder did always find its path, there were humbling times when it got stuck and had to be pulled out – six times in my last year in the park.

A few years ago, travelling with my camera among the backroads in and around Blue Hills, Alberta, I stumbled across an early fifties Pontiac, an old grey vehicle that had been parked among trees and other aging farm implements along the entrance to a Mennonite farm. I photographed the vehicle and did some research. The Pontiac was a sedan, possibly one intended only for Canadian markets – a 1953 Pontiac Pathfinder. A Pontiac buff, having driven my father’s 1969 Pontiac Parisienne through most of high school, I was surprised to find that Pontiac had had its own Pathfinder.

On Saturday, I drove past a service station two kilometres north from Manning, Alberta. An old, early fifties vehicle was displayed on the property, having sat on the site, ready for sale, through these past two years; but, the vehicle has always had a blue industrial shipping container placed next to it, something which has made it awkward to photograph from a stance of adjacent backgrounds and from sunlight never totally surrounding the entirety of the car properly. As I drove by I realized that the shipping container was no longer there and that the opportunity of a good photograph was possible. I captured these images and in researching the Pontiac found it to be another 1953 Pontiac Pathfinder. It was good to spend time photographing the car and then it’s been fun to edit the images, too – each a high dynamic range (HDR) shot.

Listening to – Walter Trout’s ‘Almost Gone,’ a voice that sounds so similar to the Who’s Roger Daltry singing ‘Won’t Get Fooled Again’ and ‘Baba O’Reilly;’ the song accompanies this rusting relic well.

Quotes to Consider – (1) “I’ve never taken a picture I’ve intended. They’re always better or worse.” – Diane Arbus. (2) “Some pictures are tentative forays without your even knowing it. They become methods. It’s important to take bad pictures. It’s the bad ones that have to do with what you’ve never done before. They can make you recognize something you hadn’t seen in a way that will make you recognize it when you see it again.” – Diane Arbus

Treasure, In Return

Backlight, Canon Camera, Canon Lens, Canon Live View, Combine (Farming), Fall, High Dynamic Range (HDR), Journaling, Light Intensity, Photography & Conceptualizing Beauty, Project 365 - Photo-a-day, Weather
MacKenzie River Bridge - Fort Providence, NT - Canada i

MacKenzie River Bridge – Fort Providence, NT – Canada i

MacKenzie River Bridge - Fort Providence, NT - Canada ii

MacKenzie River Bridge – Fort Providence, NT – Canada ii

MacKenzie River Bridge - Fort Providence, NT - Canada iii

MacKenzie River Bridge – Fort Providence, NT – Canada iii

Perhaps twenty years ago, Chris Short, an art specialist from Newfoundland, slowed the pace of my thought when she asserted that between High Level and Edmonton, Alberta (750km), an artist could easily spend as many as three days to gather and respond to terrain and landscape in drawing and painting (and, then, you could repeat this task/vocation seasonally, too). Another friend coined an expression Chris would understand. In response to seeing fresh landscape and terrain, that friend would interrupt travel asking to … “Stop. Let me feast my eyes.” The call was to stop in our current proceedings and to take note with awe and wonder of something beautiful, right there, in front of us.

For the Yellowknife Photo Walk getting to destination would mean focusing on the drive and returning to many photographic opportunities encountered along the way at a future date. A similar conundrum confronted me in getting to my first Photo Walk in Fort St. John, British Columbia in 2011. In both cases, while opportunities for photos were available, my eyes and imagination would only be able to scout the scene and return to them at a later date. I would know where to return for future photographs, a treasure of sorts. Travel to Fort St. John had presented incredible autumn landscapes, a morning well-lit by sun with impending, dark winter clouds moving off in the distance; farmers, at that time, were completing their harvest, some still combining fields on either side of the highway between Rycroft and Fort St. John. In the same way, travel to and from Yellowknife presented many opportunities for images – the bridge among the terrain in the Rae Edzo area in the morning’s golden hour will be something to return for as will bison feeding on the warmer, sunlit side of the highway in the afternoon. Then, there was this bridge that crosses the MacKenzie River at Fort Providence. The river, at this point, spans almost two kilometres. Driving across this two lane bridge is a breathtaking experience. I stopped and in my friend’s words, I feasted my eyes. These images are the result.

Listening to – U2’s ‘Every Breaking Wave,’ John Mayer’s ‘The Age of Worry,’ Maroon 5’s ‘Lucky Strike,’ Coldplay’s ‘Us Against the World,’ Ed Sheeran’s ‘Little Bird’ and Snow Patrol’s ‘This Isn’t Everything You Are.’

Quotes to Consider – “Taking pictures is like tiptoeing into the kitchen late at night and stealing Oreo cookies.” – Diane Arbus; “To me, photography is an art of observation. It’s about finding something interesting in an ordinary place …. I’ve found it has little to do with the things you see and everything to do with the way you see them.” – Elliott Erwitt

Inborn Alarm Clock – Happenstance Coalescence

Project 365 - Photo-a-day
Rock Terrain - Yellowknife, NT - Canada i

Rock Terrain – Yellowknife, NT – Canada i

Rock Terrain - Yellowknife, NT - Canada ii

Rock Terrain – Yellowknife, NT – Canada ii

Rock Terrain - Yellowknife, NT - Canada iv

Rock Terrain – Yellowknife, NT – Canada iv

Rock Terrain - Yellowknife, NT - Canada v

Rock Terrain – Yellowknife, NT – Canada v

Rock Terrain - Yellowknife, NT - Canada vi

Two teeth, both set for root canal the following Tuesday at the Blue Sky Dental Clinic in High Level, Ab, serve as inborn alarm clock early in the morning following the Yellowknife Photo Walk; Motrin pain relief subsides and pain returns me to the day. My southward journey home begins. At 5:30 a.m., I am the only guest checking out from Yellowknife’s Explorer Hotel. The front desk clerk orients me to a Yellowknife map and ensures that I will be able to fuel my truck, at this hour, before starting out. There’s good happenstance coalescence – my drive has me move into the day through a colourful morning golden hour, striking with the interplay of weather backdrop and colourful rock terrain. Houses are situated on top of rock, vehicles are parked on top of rock. The landscape holds curiosities and narrative … to discover another day. I will return.

Listening to, Watching – U2’s ‘Song for Someone,’ video done with Woody Harrelson within a narrative that becomes an evocative explication regarding Grace.

Quote to Consider – “No place is boring if you’ve had a good night’s sleep and have a pocket full of unexposed film.” – Robert Adams

An Air-nailer, Yellowknife Narrows and Camera Walk

Backlight, Canon Camera, Canon Lens, Canon Live View, Fall, High Dynamic Range (HDR), Light Intensity, Photography & Conceptualizing Beauty, Sunset, Weather
Float Plane - Yellowknife, NT Canada iv

Float Plane – Yellowknife, NT Canada iv

Float Plane - Yellowknife, NT Canada iii

Float Plane – Yellowknife, NT Canada iii

Float Plane - Yellowknife, NT Canada ii

Float Plane – Yellowknife, NT Canada ii

Yellowknife Float Planes - The Narrows, Yellowknife WW Photo Walk - 3 Oct 2015

Yellowknife Float Planes – The Narrows, Yellowknife WW Photo Walk – 3 Oct 2015

The Narrows - Yellowknife WW Photo Walk 3 Oct 2015

The Narrows – Yellowknife WW Photo Walk 3 Oct 2015

I had wanted to be a photographer-participant in the Kelby Worldwide Photo Walk in each of the last three years. The eighth, annual Kelby Photo Walk would be held around the globe last Saturday – October 3, 2015. Edmonton, Grande Prairie, Fort St. John, Edson, and Jasper – all in previous years had photo walks that I could potentially get to. Key in such consideration was locating myself at the photo walk site with time enough for solid rest so that I could see that corner of the world with fresh eyes.

Coming to last weekend, two photo walks intrigued me. One would be held in Fort Smith, Northwest Territories and another would be held in Yellowknife, Northwest Territories. The Fort Smith photo walk would begin quite early to catch the morning golden hour of dusk to sunrise and then to full morning – I’d need to be there quite early. The Yellowknife photo walk would start at 5:30 p.m.; but, I would need to be up and on the road quite early on Saturday to make it to the walk site. Going did not look promising because I would need seven hours to get there. But, happenstance prevailed. A group of roofers began nailing shingles to a neighbor’s roof early on Saturday morning; starting at 8:00 a.m. they began banging in nails with an air-nailer. I got out of bed, got a coffee and looked at the photo walk website and to the Yellowknife photo walk. I also got clear on the number of kilometres I would travel in order to be part of this event. My wife came downstairs and asked me about my Saturday and saw that I was looking at the photo walk. She got me going out the door and on my way.

I arrived in Yellowknife with forty-five minutes to spare, got a hotel room at the Explorer Hotel, showered and registered for the walk using my smartphone. I punched into my GPS the walk starting point – 3513 Ingraham Drive, Yellowknife (the parking lot at the base of Pilot’s Monument) and five minutes later I was at the site. Ten minutes after that I met the Walkers of our Yellowknife photo walk group, we counted thirteen.

The image presented here is my submission to the photo walk website – a float plane in the Narrows separating Yellowknife proper from Rock Island. My gratitude goes out to this photo walk group for their camaraderie, their welcome, their interest in photography and for how each photographer has worked photography into their lives. Good, good schtuff!

Quote to Consider – “Of course, there will always be those who look only at technique, who ask ‘how,’ while others of a more curious nature will ask ‘why.’ Personally, I have always preferred inspiration to information.” – Man Ray … sounds like a key attribute of this photo walk group.

Listening to – New Radicals’ “You Get What You Give;” seems almost to have a Mick Jagger kind of voicing to the song; a student of mine has me fretting this song with him … we’re both learning it.

Sulfur Mountain – Sunset

Backlight, Best Practices - Photography, Canon Camera, Canon Lens, Canon Live View, High Dynamic Range (HDR), Light Intensity, Night, Photography & Conceptualizing Beauty, Project 365 - Photo-a-day, Summer, Sunset
Banff from Sulfur Mountain - Banff, Alberta - Canada

Banff from Sulfur Mountain – Banff, Alberta – Canada

Gondola Sunset - Banff, Alberta - Canada i

Gondola Sunset – Banff, Alberta – Canada i

Gondola Sunset - Banff, Alberta - Canada ii

Gondola Sunset – Banff, Alberta – Canada ii

Sulfur Mountain looking West - Banff, Alberta - Canada

Sulfur Mountain looking West – Banff, Alberta – Canada

Sulfur Mountain Walkway - Banff, Alberta - Canada

Sulfur Mountain Walkway – Banff, Alberta – Canada

August, up behind Banff, on Sulfur Mountain, a Gondola ride ferries me, skyward, high above to a prominent mountain peak, a culling point for a cross-section of travelers and wanderlust. The sun, glimpsed behind clouds … sets – a time for a photo, a time to share with fellow mountain-top travelers what my camera captures; encouragement comes in broken, best effort English … “ten more minutes” and “beautiful [sunset].”

Quote to Consider – “To consult the rules of composition before making a picture is a little like consulting the law of gravitation before taking a walk.” – Edward Weston

Listening to – Of Monsters and Men’s ‘King and Lionheart,’ ‘Dirty Paws’ and ‘Slow and Steady.’