North Country Cloud-work

Backlight, Barn, Best Practices - Photography, Canon 60D, Canon Camera, Canon Lens, Farm, Farmhouse, Home, Homestead, Light Intensity, Photoblog Intention, Photography & Conceptualizing Beauty, Prime Lens, Project 365 - Photo-a-day, Season, Sigma Lens - Wide Angle 10-20mm, Spring, Still Life, Sunset, Weather
Country Road Sunset - Mayerthorpe, Alberta

Country Road Sunset – Mayerthorpe, Alberta

Farm Silo Silhouette - Mayerthorpe, Alberta

Farm Silo Silhouette – Mayerthorpe, Alberta

Wednesday’s travel took me from my Calgary, Camera Store stop northward on my return drive to High Level. Around dinner-time, between Mayerthorpe and Whitecourt the cloud-work and evolving sunset on the southwest of the highway were a spectacular sight among a huge and open northern Alberta sky, land less frequently frequented, something quite different from the frenetic congestion of people and land encountered between Edmonton and Calgary, an area still held in grey bleakness of winter. It was good to be traveling home in familiar North Country.

Listening to – Collective Soul and ‘Shine’, and, Sigur Ros and ‘E-bow.’

Quote to Inspire – “While there is perhaps a province in which the photograph can tell us nothing more than what we see with our own eyes, there is another in which it proves to us how little our eyes permit us to see .” – Dorothea Lange

Cold Sunrise – Spring

Best Practices - Photography, Canon 60D, Canon 70-200 mm 2.8 IS L Series Lens, Canon Camera, Canon Lens, Canon Live View, Fog, Home, Journaling, Light Intensity, Photography & Conceptualizing Beauty, Project 365 - Photo-a-day, Spring, Still Life, Sunrise, Weather, Winter
Saskatchewan Drive - Edmonton, Alberta

Saskatchewan Drive – Edmonton, Alberta

Edmonton – a cold sunrise, winter lingering on into spring, colours buildings and fog haze in muted and rich tones reminding of Russian narratives.

Bartholomew Scott Blair misses a trade show for book publishers. Boozy Barley Blair, life on a tangent, haphazardly and unwittingly finds himself in possession of serious, sobering prose; the film of this narrative takes you from Lisbon to London to Moscow and to Boris Pasternak’s grave and Dacha in which Dr. Zhivago was written. That world is presented in much the same colours as this Edmonton image. The narrative explores the rambling of Barley’s unanchored heart navigating forward recklessly in hope and unchallenged belief at a time of life when legacy is what should concern him. Barley’s life becomes entangled – verifying story source and author, working within prescribed tradecraft and pursuing relationship. That relationship and possibility change the course of this narrative – hope and promise are honoured.

This Edmonton image looking out to Saskatchewan Drive high above the North Saskatchewan River surprises me in perspective, time of year and colour. These are the familiar tones and colours and climate of my childhood and youth cycling Edmonton city streets or walking and talking with friends. Likewise Moscow’s tones, colour and climate as featured in the film of John Le Carre’s ‘Russia House’ also surprise me because they are so strikingly familiar.

Listening to – Ernest Hemingway’s ‘A Moveable Feast.’

Quote to Inspire – “The camera is an instrument that teaches people how to see without a camera.” ― Dorothea Lange

Butler Bins

Best Practices - Photography, Canon 60D, Canon 70-200 mm 2.8 IS L Series Lens, Canon Camera, Canon Lens, Canon Live View, Journaling, Light Intensity, Photoblog Intention, Photography & Conceptualizing Beauty, Project 365 - Photo-a-day, Still Life, Winter
Butler Grain Bins - Blue Hills, Alberta

Butler Grain Bins – Blue Hills, Alberta

Four Butler tin grain bins are placed on the crest of a field near Blue Hills and Tompkins Landing, Alberta, positioned near a range road for ease of access, away from water, able to take advantage of the sun’s heat to dry grain stored within. The bins remind of Egypt and Joseph, a pharaoh’s dream that disturbs and Joseph’s dream reading – seven abundant years followed by seven famine-filled years; at pharaoh’s request, Joseph undertakes and manages Egypt’s grain collection (in grain bins) in the abundant years and oversees grain distribution in Egypt’s lean years. Joseph is a name meaning ‘he who removes my shame,’ a name Rachel gives this first born son of hers following barren years with Jacob (Israel). Joseph is the dreamer whose father, Jacob, gives a coat of many colours. It’s Joseph’s ability to interpret dreams (and to see what’s happening as a visionary) that allows him to serve others throughout his life. Josephs, those who remove shame, feature elsewhere in the Bible story. The Joseph who marries Mary, mother of Jesus is stepfather who extends grace to Mary when she’s found to be pregnant prior to their marriage. The story grows ever-bigger and Mary’s Joseph often guided by dream revelation has a role to play in the lives of Jesus and Mary. Then, there’s the Joseph of Arimathea who provides tomb for Jesus and who removes Jesus’ body from the cross becoming unclean in touching a dead body as the Sabbath begins. Each Joseph removes shame and extends grace into the situation.

Listening to – Chris Whitley’s ‘Dust Radio,’ the Lumineers’ ‘Ho Hey’ and ‘Stubborn Love,’ John Trudell’s ‘Rockin the Res (Live)’ and Congregation’s ‘Don’t Pay No Mind.’

Quote to Inspire – It should be the aim of every photographer to make a single exposure that shows everything about the subject. I have been told that my portrait of Churchill is an example of this. – Yousuf Karsh