Rusting Relics – Narratives of Habit

Canon Camera, Canon Live View, Farm, High Dynamic Range (HDR), Photography & Conceptualizing Beauty, Project 365 - Photo-a-day, Season, Still Life, Vehicle, Vehicle Restoration, Winter

Farm Trucks – Manning, Alberta 1

Farm Trucks – Manning, Alberta 2

Farm Trucks – Manning, Alberta 3

In the past few days I’ve wondered if the attracting element to vehicle photography is the coherence of a vehicle’s design, functionality and comfort. Beyond this, is it the style and form of the vehicle that attracts the eye and the impulse to drive the vehicle? Perhaps it is our ability to imagine both how someone will look driving the vehicle or merely the anticipation of how it will handle that attracts the photographer to a vehicle.

For drivers, habit leads us in our vehicle use, our driving. We tend not to consider the system or systems of steps that allow us to drive a vehicle. Unlocking the door, opening the door, sitting in the seat, putting the key into the ignition, starting the car with or without throttle use, shifting from park to reverse and then to drive, steering, adjusting speed with throttle (gas pedal) – these steps get the car moving and rolling. A system of steps ensures safety of self and others, a system of steps allows us not only to propel the vehicle forward, but to navigate while doing so and a system of steps allows us to park and leave the vehicle. For the driver such a system of steps is more habit than an individually considered set of actions that takes driver and passengers from point of origin to destination and back again.

So, is it design, function, form, colour or comfort that attracts the photographer’s eye to a vehicle? Or is it the photographer’s ability to imagine, see and confirm the narrative of habit associated with a vehicle that pulls the eye – the future narrative of a new vehicle; or, the past narrative of a vehicle from another era? Perhaps these questions are starting points for vehicle advertisers. Still I like looking at each dent, chip and window crack in old, rusting relics; vehicle interiors convey much about driver and passengers – much narrative of habit is found in these vehicles. Here, rusting relics are set out in a farmer’s field near Manning, Alberta. In my drive past the site last weekend it was a surprise to see the old La Crete, REO Speedwagon cab and chassis gone; hopefully it’s found a good home and has had the good fortune to become a project for rehabilitation.

Quote to Inspire – “Photography is for me simply a creative passion, the ability to use light and form to capture in a single image – what I see in my own imagination….” – Tim Wallace, car photographer in interview with Topaz Labs.

Listening to – Jesse Cook’s ‘The Blue Guitar Sessions;’ one song standing out is ‘Ocean Blue.’

Treed Hallway

Canon Camera, Canon Lens, Canon Live View, High Dynamic Range (HDR), Home, Light Intensity, Night, Photography & Conceptualizing Beauty, Project 365 - Photo-a-day, Still Life, Sunrise, Winter

Walterdale House Green – Edmonton, Alberta – Canada

Southward, under Edmonton’s 105th Street bridge, just steps to its west are three sturdy houses from Edmonton’s early nineteen hundreds, houses that comprised what was then known as Walterdale. Each is a two storey structure; two are white and another that has become subject for this image is more ornate in its presentation – white or cream on teal or perhaps a turquoise green. An image from memory coaxes me along this early morning photo ramble – an autumnal scene, a photo of my father’s in which he’s framed one of the white Walterdale houses with fall yellows of birch and aspen along a treed path, an open-ended hallway opening out and arriving at that white house. That photo hangs downstairs, on a wall outside my study where it can receive morning sunlight on sunlit days. Until this photograph, I had not set foot in Walterdale for perhaps thirty years.

Colour, composition and lighting attract me to this image.

Listening to – Marco Beltrami & The Giver Cast perform ‘End Credits’ to ‘The Giver (Original Motion Picture Soundtrack);’ it’s also a piece my daughter is playing on our Heintzman piano (it’s just been tuned … good); I’ve been playing Casting Crowns’ ‘Broken Together’ on it last night – something beautiful.

Quote to Inspire – “If your pictures aren’t good enough, you’re not close enough.” – Robert Capa

Above the Pave

Canon Camera, Canon Lens, Canon Live View, Fall, Flora, High Dynamic Range (HDR), Light Intensity, Lookback Photos - One Year Ago, Photography & Conceptualizing Beauty, Project 365 - Photo-a-day, Sunset

La Crete – The Pave

Twin Lakes – Slough

The week has presented opportunity to work with Adobe Photoshop CS6 with High Dynamic Range (HDR) images – side-lit clouds in sunset’s golden hour present colour, light and shadow in interesting ways; I’m re-editing two sets of bracketed images for High Dynamic Range work. ‘The Pave’ is a term used by La Crete Mennonites to refer to a seven mile stretch of narrow-shouldered highway that becomes the last portion of road in my October drive from High Level to La Crete. In this image clouds billow in a rhythm, catching colour above ‘the pave’ moments before the sun descends below the horizon. The work in this photo was that of tearing myself away from the impending meeting to capture this colourful image … I would be late. The second image was part of a return drive from Grande Prairie from this past fall, undulating clouds reflected within slough water. In both, I’ve been working with Adobe Bridge and then with the automated function in Adobe Photoshop CS6 to merge bracketed photos into a single HDR image.

I have also been exploring the messages of authors, Courtney Martin (her book, ‘Do It Anyway’) and Parker J. Palmer (his book, ‘The Courage To Teach’), this week. Courtney’s book looks at core elements of resilience and advocacy … sort of ‘The Freedom Writers’ meets the real world in extraordinary and exemplary ways. Parker’s book considers teaching from many facets, one being the inner teacher within the student that the teacher needs to connect with in order to bring about learning. The book is crammed with teaching truth. I am about half-way through and will be moving through it a second time.

Listening to – Dan Mangan & Jesse Zubot’s ‘Cumulonimbus (Newport, ’63),’ Nick Laird-Clowes’ ‘Golborne Road’ and Arvo Part’s ‘Speigel im Spiegel.’

Quote to Inspire – ‘Beauty can be seen in all things, seeing and composing the beauty is what separates the snapshot from the photograph.’ – Matt Hardy

Photography’s Rules & Rebellion

Canon Lens, Canon Live View, Flora, High Dynamic Range (HDR), Journaling, Photography & Conceptualizing Beauty, Podcast, Project 365 - Photo-a-day, Weather, Winter

Cattails – Watt Mountain 1

Cattails – Watt Mountain 2

Afternoon Sun – Watt Mountain 1

Afternoon Sun – Watt Mountain 2

Watt Mountain Roads 1

Watt Mountain Roads 2

I have been listening to an interview with Parker Palmer and Courtney Martin, this morning. The interview is presented as a podcast by Krista Tippett in her ‘On Being’ podcast/broadcast and is entitled ‘The Inner Life of Rebellion.’ The extrapolation as it relates to photography is to consider how photography is an act of rebellion … likely such a question has been fodder for Susan Sontag in her book, ‘On Photography.’ Susan Sontag’s book and this ‘On Being’ podcast are both worth attention.

Images – A Sunday afternoon’s photos in January, toward Watt Mountain.

Listening to: Hang Massive’s ‘Once Again;’ the week has also brought some time travel in terms of music – ‘At the River’ by Groove Armada, ‘Friday I’m in Love’ by The Cure and ‘Push the Button’ by the Sugababes. I’ve also had a go at Zoe Keating’s ‘Into the Trees’ album – ‘Seven League Boots’ often adds transition in ‘On Being’ podcasts.

Quote to Consider – “Skill in photography is acquired by practice and not by purchase.” – Percy W. Harris; “I am not interested in rules or conventions. Photography is not a sport.” – Bill Brandt

Its Next Turn

Best Practices - Photography, Canon Camera, Canon Live View, Christmas, High Dynamic Range (HDR), Journaling, Lookback Photos - One Year Ago, Photoblog Intention, Photography & Conceptualizing Beauty, Project 365 - Photo-a-day, Summer, Sunrise, Sunset, Weather, Winter

Sunset Cloudburst – Valleyview, Alberta – Canada

Vermillion Lakes – Banff, Alberta – Canada

2015 is here. It has arrived. Christmas has come and been, presents have been shared and received, family has been enjoyed, rest has been had. An emphasis on creating images has been more absent during this time.

The time has offered the chance to explore/research the photography of others and Google Circles has been a key venue for doing so. It has been an excellent venue for sharing images. What I am impressed by is the speed and rapidity by which new images are added to one’s home stream. And, it is entirely too easy to reach out and access the camaraderie of other photographers and genres of photography that you or I define. Google Circles is a marvelous means of gathering inspiration for photography by way of witnessing what others manage to create – ideas for what I or anyone might try are right there, in front of you. With Google Circles it has been necessary to pare down distracting and unintended kinds of images; but, it can be done in an easy way that can serve your photographic interests. What I did not anticipate was that it would surface significant interests for next steps in photography.

What this exploration has also surfaced is that good photographers are always in touch with their world; they are familiar with current affairs; they have a good sense of what’s going on in terms of the Arts; they are current with literature and the intentions behind such narrative. They are in step and in sync with their world. And, they create images with intention.

So, this blog, takes its next turn. What will I photograph next? What skills will I aim to grow? What influences will I find in this next year? These are likely your questions too. Good! Let’s see what images we can bring into being.

Gratitude – thank you, to all who have been a part of these three years of ‘In My Back Pocket – Photography;’ thank you for your interest and encouragement; thank you for those times when you’ve steered me to a next idea or skill; thank you for the camaraderie (or, perhaps better stated, solidarity) associated with a common pursuit. It ‘all’ counts and I am grateful.

The images presented here are some fun with black and white and selective colorization, images from this summer’s travels.

Listening to – Chopin’s Nocturne No. 14 in F Sharp minor, Opus 9, No. 1; a recording by Amir Katz.

Quote to Consider – “The best images are the ones that retain their strength and impact over the years, regardless of the number of times they are viewed.” – Anne Geddes

Watt Mountain Story Holder

Canon 70-200 mm 2.8 IS L Series Lens, Canon Camera, Canon Lens, Canon Live View, High Dynamic Range (HDR), Journaling, Light Intensity, Photography & Conceptualizing Beauty, Project 365 - Photo-a-day, Weather, Winter

Watt Mountain, Hutch Lake, Alberta

On a spring day eighteen years ago, good friends had taken my son, my wife and I out exploring north from High Level; it was the spring of our first year in High Level and they had taken us to Hutch Lake for a Sunday afternoon picnic. We had done some hiking. Then, being at the base of Watt Mountain we decided to see if we could ascend the mountain’s mucky, dirt road through the twelve kilometre climb in our four-door, red Nissan Sentra. Higher and higher we climbed, the nimble, front wheel drive Nissan never losing traction.

First, we got to a lookout vista partway up Watt Mountain; we stopped, there, to view the world we had just travelled through. At that point, we opted to make the rest of climb to the crest of Watt Mountain where the local Alberta Fire Service fire tower is located. There, we met the wildfire lookout observer. We asked and received permission to climb the tower and to survey the world from there – my wife, my friend’s wife and my son stayed below.

What an experience making the climb! And what a view, something giving us a sense for the terrain comprising the Mackenzie Municipal District. The climb is one that I’ve made only that once – a never-done experience, one in which the opportunity of the moment was seized and paid dividends. That day, a photo was taken of my son, my wife and I along one of the Hutch Lake hiking trails. It has remained on our piano since that time. Besides the reminiscence of family and friends, that photo is a story holder of all that comprised that day.

Here, within this image, the same Watt Mountain fire tower is dormant, residing in winter’s weather.

Listening to – Haydn Symphony #76 in E Flat, H 1/76 – 2 Adagio, Ma Non Troppo.

Quote to Consider – “Strictly speaking, one never understands anything from a photograph … [only] that which narrates can make us understand.” – Susan Sontag, ‘On Photography’

Realizing Their Dream

Canon Camera, Canon Lens, Canon Live View, Fall, Flora, High Dynamic Range (HDR), Photography & Conceptualizing Beauty, Project 365 - Photo-a-day

Trapper’s Cabin – Near Indian Cabins, Ab 2

Slough Reflection – Near Indian Cabins, Ab

‘Come along, let’s do this’ – these words feature in the immensity that has been 2014. That there is room to help, here, or room to contribute there – the reality has been that others have had dreams to fulfill and realize, and, it would be wrong to not help others with skills, abilities and time if doing so could be managed. Francis Chan’s book ‘Crazy Love’ is about this dynamic. So, likewise, is Rick Warren’s ‘What On Earth Am I Here For?’ Both books have been the subject of small group study. The work of such work has often been about taking something a next step and to be consistent in offering others help with a next step. And, the real thing pulling forward has been seeing the value or function of a dream realized in another’s Life – what it means for them, what it allows them to do. Marko, down in El Tizate, Guatemala, captured the idea … ‘Be a blessing to these people.’ He wasn’t only talking about the people who live as squatters in the village of El Tizate; he was talking about blessing those who are around me daily. Much of the year has held a sense of being ‘time-starved’ … meaning that balance between endeavor and rest is absent – sacrifice is part of being a blessing to others.

In September, in early autumn, during moments away from endeavor, I took the following photos on a good long drive toward the Northwest Territories – a trapper’s shack along a trap line and a slough’s reflection.

Listening to – Chopin, 24 Preludes, Op 28 – 2 in A minor played by Rafal Blechacz.

Quote to Consider – “Instead of just recording reality, photographs have become the norm for the way things appear to us, thereby changing the very idea of reality, and of realism.” – Susan Sontag, ‘On Photography’

Inside the Watchtower

Best Practices - Photography, High Dynamic Range (HDR), Light Intensity, Photoblog Intention, Photography & Conceptualizing Beauty, Project 365 - Photo-a-day, Season, Summer

Medicine Wheel – Grand Canyon Watchtower 1

Medicine Wheel – Grand Canyon Watchtower 2

A park ranger greeted us as we entered Grand Canyon National Park. He asked where we were from and knew some of our home terrain from personal experience – as a younger man he and a fellow ranger cycled through British Columbia (B.C.) on a two week break; he’d been from Prince Rupert and through Quesnel and into southern B.C.. They’d also been chased by a bear in that adventure.

Our Grand Canyon ranger advised us to stop in at the Watchtower, the first lookout we would encounter in the park. As a structure, the Watchtower was built by Mary Colter in 1932, the same year in which my father was born (eighty-two years ago). Inside, the walls are painted with Navajo art in earthy, vibrant tones. One image, here, is a high dynamic range (HDR) photograph in natural light of a Navajo Medicine Wheel. Another, also an HDR photograph shows the interior structure of the Watchtower looking up through its center. The door to the roof was locked shut, but there were windows to look through, out and over the Canyon. I met a fellow Canon Camera shooter and showed him he could use his 60D’s optical zoom to create tack-sharp images … some camaraderie, there. Good, good. 😉

Listening to – Matthew Perryman Jones’ ‘Unknown.’

Quote to Consider – “[Photographs] … still want, first of all, to show something ‘out there.’” – Susan Sontag, ‘On Photography’

Road as Frontier

Backlight, Best Practices - Photography, Canon Camera, Canon Lens, Canon Live View, Flora, High Dynamic Range (HDR), Light Intensity, Photography & Conceptualizing Beauty, Project 365 - Photo-a-day, Still Life, Summer

1The Road – Arizona

2 The Road – Arches Nat’l Park

3 The Road – Arches Nat’l Park

4 The Road – Arizona

The road – some value the swift movement of traveling from point of origin to established destination; here, travel is not about what you encounter along your distance – travel is about getting ‘there.’ Robert Frost and Scott Peck, on the other hand, each refer to the road less traveled for what the road can reveal of the world and for how that road can grow us as we encounter new frontiers. Jack Kerouac, in his novel, ‘On the Road,’ refers to a life orientation of meeting, new, upcoming road – what we discover moving over it and how we grow as the road challenges us. That road and what we do along it becomes our narrative, our less traveled road.

Images from the road ….

Listening to – Chuck Berry’s ‘Route 66.’

Quote to Consider – “If photographs are messages, the message is both transparent and mysterious.”

Query – HDR Halo Removal

Backlight, Best Practices - Photography, Canon Camera, Canon Lens, Canon Live View, High Dynamic Range (HDR), Journaling, Light Intensity, Photography & Conceptualizing Beauty, Project 365 - Photo-a-day, Still Life, Summer

Grand Canyon – Arizona 1

Grand Canyon – Arizona 2

Grand Canyon – Arizona 3

Grand Canyon – Arizona 4

Grand Canyon – Arizona 5

The following images of the Grand Canyon are high dynamic range (HDR) images. In editing these HDR shots the challenge has been to try and eliminate the halo surrounding edges of highly contrasted colours within images. The method experimented with this week has been to open the Develop module in Adobe Lightroom and within the Lens Correction menu to utilize the ‘Remove Chromatic Aberration’ there instead of relying only on a similar feature in the HDR Efex plug-in, on the plug-in side of merging the three (or more images). Beyond this, NiK Software’s Viveza is used to sharpen and add contrast and adjust/decrease brightness; after that Topaz Labs’ Clarity and Adjust helps adjust sharpness and saturation. With Viveza I’m finding success in editing toward what I want. I still am learning about choosing the filter/preset in Topaz Adjust and then finding optimal saturation from there.

If you are an HDR image creator I would appreciate hearing from you and the method you use to create your non-halo HDR images; this week, a software product called HDR Expose 3 (by Unified Color) has been recommended for its de-ghosting (halo elimination) capacity … do you use this?

Listening to – 16 Horsepower from their ‘Folklore’ album, in their rendering of a Nina Simone song, ‘Sinnerman.’

Quote to Consider – “In the past, a discontent with reality expressed itself as a longing for another world. In modern society, a discontent with reality expresses itself forcefully and most hauntingly by the longing to reproduce this one.”