Innovation’s Ah-hah, Restoration and Reminiscence

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Quality vehicle restoration receives appreciation for its thorough undertaking (or perhaps its state of completion) – front to back and from the ground up the vehicle is brought back to strength and often is improved through innovation. Often the vehicle restored is re-engineered to handle innovation – a different engine is accommodated, the frame is adjusted toward a tighter or softer suspension, the vehicle’s shape receives alteration for aesthetic reasons. Always, the most distinctive design elements remain; the restoration’s innovation only improves upon previous design. And it’s the recognizable attributes of the vehicle that draw people to it.

For those who appreciate what is found in the vehicle restored, dialogue quickly falls into the car or truck someone also had many years ago, the times and memories associated with it, its performance and its idiosyncrasies, and its cost … back then (buying a two or three year old vehicle for $300). Reminiscence is to be found.  But, so too, are the ‘ah-hah’ moments found when people consider and appreciate the how and why associated with each innovation encountered in the restored vehicle – what one dreamed of doing to his or her vehicle so long ago, has been breathed into Life in the vehicle restored, the vehicle before them.

Chevrolets of the fifties are the subject of these photos – more than other vehicles Chevrolets tend to be the ones restored, perhaps because of their abundant shape and form, perhaps because of their use of chrome and colour, perhaps because of the memories they associate with the glory days of good former times.

Listening to Somewhere in Your Heartby Isaac Guillory from The Days of Forty Nine.

Quote to Inspire – “A photograph is the pause button on life.” – Ty Holland

Done, Did, Done – Week’s End

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Week’s end – all that one could do, done … and then some. Will Brady frets Bob Dylan’s Buckets of Rain – instrumental and blue, music with which to wash the week’s residue away. Time to park oneself, for a time, and to look out to all that is the going concern in the world, to glimpse and gather perspective and surface/intuit understanding(s). The exterior shape and the weathered paint of these trucks awaiting restoration remind that Life has its caress and collide, its scuffs and bumps, its clang and crash, its stumbles and tumbles – there’s cost involved in getting from point of origin to any destination. ‘Coming together is a beginning, staying together is progress, working together is success.’ – this quote is how Henry Ford understood one aspect of integrity, that of remaining more together than apart, even as a vehicle. And at week’s end, having done all that needs done the blessing may simply be that in terms of integrity we remain more together than apart.

Listening to Pierre Bensusan’s Nice Feeling – ambient guitar work among more pronounced blues music.

Quote to Inspire – “A photograph is not created by a photographer. What [he/she does] is just open a little window and capture it. The world then writes itself on the film. The act of the photographer is closer to reading than it is to writing. They are the readers of the world.” – Ferdinando Scianna

Pairs Paired

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Paired FOMOCO Trucks - Vavenby, British Columbia

Paired FOMOCO Trucks – Vavenby, British Columbia

Paired – Mercurys paired, power poles paired, pairs of headlights and missing headlights paired.  The image presents some wide angle distortion amid its experimentation mixing colour with black and white.

Listening to – U2’s Gone and reminiscence regarding Michael Hutchence (Hutch) from INXS, … ‘going, going but not gone,’ … from the Popmart Tour video.

Quote to Inspire – “Ultimately photography is about who you are. It’s the truth in relation to yourself. And seeking truth becomes a habit.” – Leonard Freed

Re-tasking a Vehicle – Its Promise

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Re-tasking A Vavenby Ford, Vavenby, British Columbia

Re-tasking A Vavenby Ford, Vavenby, British Columbia

Perhaps the most interesting feature of vehicle restoration is the re-tasking of a vehicle and its parts. Fenders, engines, radiators and transmissions are swapped out as one fails and another usable one is found to be used in its place. A three-quarter ton truck with a rusted out box may have the box removed to be replaced by a new one or perhaps the truck is now made into a flat deck. Here, an old Ford no longer has its hood or box; yet there are still the active working parts that point to its future potential and that define what history it has had and its former purposes. I find solace, here, with one arm in a sling as muscle fibers fuse/grow back together following a bicep/tendon tear. Now, six weeks on, I’m impressed that this body continues to repair its fifty-one-year-old self. For a time, just like this truck, I’m having to remain stationary before I will move in more substantial ways. I can see the promise that this truck still holds.

Listening to U2’s Stay (live from Toronto).

Quote to Inspire – “A photographer is an acrobat treading the high wire of chance, trying to capture shooting stars.” – Guy Le Querrec

The Cargo – A Book or A Ford’s

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Ford Among Fords - Vavenby, British Columbia

Ford Among Fords – Vavenby, British Columbia

A truck has as its intended purpose that of providing its owner with the opportunity of carrying or moving a payload from point of origin to an intended destination. A book does something similar, transporting its reader from point of origin or initial setting through the twists and turns of plot through to a closing destination. The cargo is human in imagination’s resemblance and there is something the author proposes to be learned/understood as one participates in the book’s movement of mind to its conclusion and denouement. This Vavenby, British Columbia truck does have me consider how it was used and the peoples and cargos it has transported. I appreciate its owner having given me permission to photograph it – thank you, Marvin Ritchie. The photographic respite you allowed helped make the long westward drive more doable.

Quote to Inspire – “If a photographer cares about the people before the lens and is compassionate, much is given. It is the photographer, not the camera, that is the instrument.” – Eve Arnold

Listening to – U2’s With or Without You, Mysterious Ways and Elevation (as viewed from the Live at Boston DVD).

Snapping Photos – Robson’s Yellows, Purples, Shapes and Textures

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Mount Robson's Valley

Mount Robson’s Valley

Son left at home, a summer job securely held in hand. Day two on a summer’s long-distance drive from High Level, Alberta to Qualicum Beach, British Columbia, nets a few moments driving respite in the valley beneath Mount Robson, Canada’s highest peak. With camera on tripod, I move behind the visitor’s center to find a field with yellows, purples, shapes and textures – all at hand. Everyone snapping photos – people in this place, recording their moments, here.

Quote to Inspire – “If your pictures aren’t good enough, you’re not close enough.” – Robert Capa

Listening to – Dave Matthews’ Bartender.

Walking the Scene Glimpsed

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Close to Jasper - Jasper, Alberta, Canada

Close to Jasper – Jasper, Alberta, Canada

The matter of looking around for potential images often happens when I am driving. And, the real work of the photograph is that of stopping my vehicle, safely, and walking the scene to determine best point of view. You need to find what it was that you glimpsed while driving. In winter this might mean walking through varying depths of snow and shooting as snow falls. In summer as this photograph demanded it means descending the river bank to find the right point to capture the image. Having a good look around and doing so through the camera lens prior to the shot help one to find the best shot.

Quote to Inspire – “Photography is more than a medium for factual communication of ideas. It is a creative art.” – Ansel Adams

Listening to – Tim Reynolds’ fretting Betrayal, a song first heard in concert with Dave Matthews.

Between Tide’s Push and Pull

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Sundown - Parksville, Brisith Columbia

Away from Dad’s home – a July summer’s evening looking out over the water from a favourite Parksville, BC beach, a beach both our kids shared with their grandparents. Always a family destination, this beach was the place in which my son and daughter and I perfected our sand castle engineering in the hours between the tide’s push and pull of the ocean. In early morning, while everyone slept the beach was a calm, quiet destination for fretting through intricate tangles of melody and rhythms on different guitars, Celtic rhythms in 9:8 time in DADGAD tuning or the bass and rhythm riff of a Dave Matthews tune. Where are You Going and Crash in to Me are songs I first fretted at this beach.

Quote to Inspire – Photography is one big scrapbook of your Life. – Lisa Jones

Listening to: Big Jet Plane by Angus and Julia Stone

Moose, Moleskin & Bison

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Are you someone who does this? Do you keep an idea file for photographs you’d like to try?  I’ve found myself doing this at times when travel cannot afford the time to stop and snap a few photos.  At other times, I will realize that the subject of a shot works but that the conditions may not work ideally.  And, if I’m lucky I’ll be able to ask my daughter to write down a note in a moleskin notebook while we drive about location and subject and particulars;  the moleskin stays in the vehicle and I can refer back to it. Wildlife photographer, Moose Peterson in an interview on Shutter Time with Sid and Mac (Sidney Blake and Maciek Sokulski) spoke of being encouraged to keep an idea file for photographs and to revisit the file and plan for opportunities to make the shot or shots happen. The bison at Elk Island National Park (east of Edmonton, Alberta) are subject for one set of photographs found here.   The bison have been a part of my idea file since I’ve been listening to Sid and Mac’s exploits in repeated and regular photo sessions at the park.  For me, in terms of the camera work the learning is about shutter speed.  Within the golden hour of sunlight and with the continual movement of the bison in their grazing there is a need for a faster shutter speed in terms of capturing crisp images.

The issue I am grappling with when traveling is that I will often be days or weeks from my photos before I can edit and see images.  I am still considering the value of a laptop from the perspective of allowing greater immediacy of editing while traveling.  There is learning to be derived from the editing process and it may be that working with a laptop with different subjects will foster good results in second or third visits/photo sessions.

The remaining pictures are catch-all – images that have been kicking around, interesting to look at;  the vintage late 30’s sedan, the T-bird and the late sixties Dodge Dart were parked outside Ricky’s All Day Grill and are the work of one person.  Imagine being able to say to two of your best buddies, “Hey let’s take a few of my cars for a spin,” and then take them out to breakfast.  Cool!  Beyond these, there are other renderings of the fifties one-ton truck, a rusting relic.

Listening to – John Mayer’s Queen of California, a song reminding of the Doobie Brothers back in the seventies.

Quote to Inspire – “All photographs are memento mori.  To take a photograph is to participate in another person’s (or thing’s) mortality, vulnerability, mutability.  Precisely be slicing out this moment and freezing it, all photographs testify to time relentless melt.” – Susan Sontag

Reflection – Rain-soaked and Waxless

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One Ton Truck - Edmonton, Alberta

One Ton Truck – Edmonton, Alberta

Of the renderings considered, this image of the one ton grain truck (or perhaps utility truck) from the fifties intrigues by way of its waxless reflection brought out by its being rain soaked.  The image’s colours are late summer’s end-of-day colours.  Night isn’t too far off, the shot taken within evening’s Golden Hour in Edmonton.  John Grisham wrote A Painted House, a growing up novel written about a boy’s witnessing America’s move from the farm (a cotton plantation) to its cities in America’s fifties; this is the kind of truck that might have been found within Grisham’s narrative.  I hadn’t thought his narrative (as autobiographical as it is) might be considered sibling narrative to Jack Kerouac’s On the Road until now.

Listening to – what is seemingly a rural truck reminds of Lucinda Williams’ Car Wheels on a Gravel Road.

Quote to Inspire – “The goal is not to change your subjects, but for the subject to change the photographer.” – Anonymous