Blumenort Shop

Canon Camera, Canon Lens, Canon Live View, Farm, Journaling, Photography & Conceptualizing Beauty, Still Life, Weather, Winter
Farm Shop - Blumenort, Alberta

Farm Shop – Blumenort, Alberta

It is snowing. I have driven out to La Crete, Alberta to deliver the table top of my mother and father’s teak dining room table to Homestead Kitchens, reputable wood workers in our region. It’s likely that the wood needs to be refinished – I have left the job to them and their good judgment. Now, where the drive out was done carefully on roads covered with freezing rain, the return journey is done in light snow flurries. Still, in looking out for possible pictures I come across this farmer’s garage/shop near Blumenort, Alberta and collect a few photos. I’m liking the image.

Listening to – Caia’s ‘Remembrance,’ and then Martyn Joseph’s take on Bruce Springsteen, ‘Badlands,’ ‘Blood Brothers,’ ‘Brilliant Disguise’ and ‘Cautious Man.’

Quote to Inspire / Consider – “Using a camera appeases anxiety which the work-drive feel about not working when they are on vacation.” – Susan Sontag, ‘On Photography’

Half-light & Snow

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Buttertown Trail & Homestead - North Vermilion Settlement, Fort Vermilion, Alberta

Buttertown Trail & Homestead – North Vermilion Settlement, Fort Vermilion, Alberta

Returning to High Level from La Crete I chose to investigate briefly the photographic opportunities available at Buttertown, a community just across the river from Fort Vermilion, Alberta. I followed the track through Buttertown finally stopping near this homestead home that may be a century old; it resides only a stone’s throw away from the St. Louis Roman Catholic mission. The moment was quiet, one in which I could hear the wind in the forest, the scrunch of my boots on snow and the occasional drone of vehicles passing miles away. Snow was being loosened from clouds on an overcast, yet moonlit night. What is more, the photograph is shot following sunset and the time is only 6:00 p.m..

Within this image, the track, house, snow and trees recall winter nights walking along less defined paths in what continues to be Alberta’s frontier, its north-central region in and surrounding Wood Buffalo National Park. In those walks, moonlit snow would glow along trails and paths. Most nights would see me cross the kilometre span of Ice Bridge covering the Peace River between December and March. In severely cold temperature, I have walked and encountered northern lights brightening my path with the intensity of vehicle headlights. I have come upon wild horses on trails, not daring to move, shivering, their coats glazed with frost. Two hours hiking would have me out and about looking at the world and move me through ten to twelve kilometres. It was good to move, think and explore.

The tones within the image recall scenes from short stories and novels in which an evening moonlit walk takes a character beyond the safety of home in her or his travel to a neighbor’s home or to town on evening business. Jane Eyre meets the man she’ll later marry, Mr. Rochester by first startling his horse and causing him to fall and sprain his ankle; unwittingly, this is her first encounter with her employer who’s brought her to Thornfield Hall as governess to his child born out of wedlock. Dickens’ story, ‘The Signal Man,’ occurs primarily at night in a cleft of land surrounding a railway switch in conditions similar to those found in this image, conditions ripe for mishap. Many, but not all ‘Ghost Stories’ of M.R. James occur at night in light that obscures perceptions. And, it is perception within half-light scenes that becomes the stage for most occurrences or happenings within Henry James’ novel, ‘Turn of the Screw,’ an excellent ghost story that has the reader consider whether or not the governess actually senses the preternatural existence of others; the alternative is that half-light is playing tricks on her perceptions and that’s she subject to the workings of an overactive, imaginative mind.

In looking into Buttertown, it is actually a name for the North Vermilion settlement associated with Fort Vermilion. The nickname Buttertown came about in the early nineteen hundreds after an incident when some rancid butter had been sold (Place Names of Alberta, Volume IV, Northern Alberta – Merrily K. Aubrey).

Listening to – ‘On Photography’ by Susan Sontag, a selection of essays written about all facets and dynamics of photography, a good listen. Music-wise – I’ve been listening to Dave Matthew & Tim Reynolds concert, ‘Live in Lost Vegas’ – ‘Lying in the Hands of God,’ ‘Some Devil’ and ‘Alligator Pie.’

Quotes to Consider – (1) “To photograph is to appropriate the thing photographed.” (2) “[Photographs] … still want, first of all, to show something ‘out there.’” (3) “[The camera] makes real what one is experiencing … a way of certifying experience … converting experience into an image, a souvenir.” – Susan Sontag, from ‘On Photography’.

Homestead Music

Best Practices - Photography, Canon 60D, Canon 70-200 mm 2.8 IS L Series Lens, Canon Camera, Canon Lens, Canon Live View, Fall, Farm, Farmhouse, High Dynamic Range (HDR), Home, Homestead, Journaling, Light Intensity, Night, Photoblog Intention, Photography & Conceptualizing Beauty, Season, Still Life, Sunset, Weather
Buttertown Homestead - Fort Vermilion, Alberta

Buttertown Homestead – Fort Vermilion, Alberta

My wife points us to music tonight. At day’s end she’s responding to both of us, each a vortex of thoughts, moving, tumbling, clustering, dot-to-dot, aiming toward productive, tangible result – saturated with the day, not here, not in the now, needing to release the grip of endeavor, to withdraw and to settle. Time away from the pursued pace is needed, time that interrupts the cycle of ‘home-work-and-back-again,’ that kind of quality time that permits fresh aspect and new grasp on perspective, a good thing. Music is our choice tonight for plying away our adhesion, breaking contact with the day that’s been. The music we turn to is longstanding legacy from BBC Radio Ulster’s Sunday show at 8:00 p.m., ‘Rhythm and Soul’ hosted by Steve Stockman; it’s music that’s been on my wife’s iPod this week in and around her classroom. David Gray’s Hammersmith concert, ‘Live, In Slow Motion,’ is the concert video my wife chooses and with our daughter away at dance class we sit down to supper, downstairs, in front of our television and engage this concert, slowing ourselves, listening to a cellist, two guitarists, a bass player, a drummer and David Gray bring music to Life. Allowing ourselves to become vulnerable to lyric, melody, rhythm, sound and silence, we are drawn to familiar songs, songs I’ve fretted in former days – ‘Sail Away,’ ‘Shine,’ ‘My Oh My,’ ‘Silver Lining.’ These songs draw us out to that part of our Lives beyond endeavor. They open-out memory and memories. We move into and travel along new melodies. Engaging with these songs orients us in terms of presence and our present – where we are needing and aiming to be, a reset of sorts.

Homestead – this October exposure is one of a handful of images taken within the golden hour near Fort Vermilion in a pre-winter sunset, winter-ready clouds billowing in regular, heavy patterns across the sky. The linear clarity of homestead lines mingles with the subtle bend in its roof and the regular, yet unique line of each board. It’s old, yet it’s solid and well-preserved. Coloration and luminance chosen in editing work best with the available light and draw me to this photo, again and again.

I am definitely wanting to be out and about with my camera, perhaps with others seeing other ways of viewing the world. My Canon 60D has developed a hiccough, though – three years wear and tear has made the spring ejection of the SD card difficult; it’s also become difficult to set the card back in. Sending the camera for repair is likely to cost one-third to one-half the cost of replacing the camera with another 60D body or its next generation body the 70D. And, then I wonder if I should move to a pro-sumer camera the Canon 7D, 6D or 5D.

    T h a n k y o u ‘ s

– My gratitude goes out to all who are a part of this blog, those of you who add your comments and engage in the dialogue about photos, photography and music.

Listening to – Tyler Bates’ ‘Ventura,’ one of those captivating songs from Emilio Estevez’ film, ‘The Way.’ The post reminds me of several Martyn Joseph songs – ‘The Good in Me is Dead’ from the ‘Don’t Talk About Love’ album and talking with Martyn at the Alexandra Community Hall in Edmonton, Alberta on the eve of the Iraq invasion. Other songs come to mind – ‘Wake Me Up,’ ‘Strange Kind of Friend,’ ‘Walk Down the Mountain’ and ‘Just Like the Man Said.’

Quote to Inspire: “Still images can be moving and moving images can be still. Both meet within soundscapes.” Chien-Chi Chang

Walking Within

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Kananaskis Country - Kananaskis, Alberta 1

Kananaskis Country – Kananaskis, Alberta 1

Kananaskis Country - Kananaskis, Alberta 2

Kananaskis Country – Kananaskis, Alberta 2

Kananaskis Country - Kananaskis, Alberta 3

Kananaskis Country – Kananaskis, Alberta 3

Kananaskis Country - Kananaskis, Alberta 4

Kananaskis Country – Kananaskis, Alberta 4

Kananaskis Country - Kananaskis, Alberta 5

Kananaskis Country – Kananaskis, Alberta 5

Kananaskis Country - Kananaskis, Alberta 6

Kananaskis Country – Kananaskis, Alberta 6

Kananaskis Country - Kananaskis, Alberta 7

Kananaskis Country – Kananaskis, Alberta 7

Kananaskis Country - Kananaskis, Alberta 8

Kananaskis Country – Kananaskis, Alberta 8

Gardner Hamilton was interviewed by Edmonton photographers Carey Nash and Kelly Redinger, who have created the ‘Lonely Photographers’ podcast. While talking essentially about street photography, Gardner provided distillation about what photography is and about the key attribute making one a photographer – a [photographer] is someone who does not necessarily go out with a mission, but someone who is [or becomes] mentally aware of when they have walked into a photograph. Gardner goes on to articulate the process of framing the shot, composition, about the need to be stealthy, about timing and moment – all skills needed for taking and making the shot. You make yourself vulnerable to a shot. You stop yourself and with your camera move into the shot and work the shot. The photograph becomes a gift of ‘seeing something’ for the first time.

In a drive to Kananaskis two weeks ago, there were many points of ‘recognizing a shot,’ those shots that could be taken, those points of becoming mentally aware of photographs that were available – frost covered, harvested farm fields at sunrise south from Peace River as shadows stretched across land, something not usually accessed by me in my usual travel times; bright yellows of hay bales and patterned swaths on farm fields west of Calgary; cattle ranches along rolling foothills in autumn colour moving into the Rocky mountains; shadows cutting into forested Kananaskis mountains along snowy ski trails high above in the last hour before sunset. These images were available in that drive – the choice really became about whether or not to pursue photography along the way versus waiting for the photography that could occur at destination. The images that follow are Kananaskis images, photography at destination – the three final ones are shot at night during full moon.

Listening to – ‘Crash’ and ‘Way Behind Me’ by the Primitives; then it’s on to the Kingsmen’s ‘Louie Louie’ and Bruce Springsteen’s ‘Pink Cadillac’ and ‘Radio Nowhere.’

Quote to Inspire – “The Pictures are there, and you just take them” – Robert Capa

Remnant Population

Barn, Canon 60D, Canon 70-200 mm 2.8 IS L Series Lens, Canon Camera, Canon Lens, Canon Live View, Combine (Farming), Fall, Farm, Farmhouse, Flora, High Dynamic Range (HDR), Home, Homestead, Journaling, Lookback Photos - One Year Ago, Photoblog Intention, Photography & Conceptualizing Beauty, Project 365 - Photo-a-day, Season, Sigma Lens - Wide Angle 10-20mm, Spring, Summer, Weather
47 Ford Tow Truck - McLure, BC

47 Ford Tow Truck – McLure, BC

Farm Buildings - Valleyview, Alberta 1

Farm Buildings – Valleyview, Alberta 1

Field, Combine & Buildings - Nampa, Alberta 1

Field, Combine & Buildings – Nampa, Alberta 1

Harvestor Silos - Rimbey, Alberta 1

Harvestor Silos – Rimbey, Alberta 1

Harvestor Silos - Rimbey, Alberta 2

Harvestor Silos – Rimbey, Alberta 2

Hay Harvest - Keg River, Alberta

Hay Harvest – Keg River, Alberta

Morning Colours - Keg River, Alberta 1

Morning Colours – Keg River, Alberta 1

Morning Colours - Keg River, Alberta 2

Morning Colours – Keg River, Alberta 2

Summer Cloudwork - Greencourt, Alberta

Summer Cloudwork – Greencourt, Alberta

Telus Tower - Edmonton, Alberta

Telus Tower – Edmonton, Alberta

Remnants of spring, summer and autumn, a cluster of HDR photos populate my photo folder. Farm buildings, fields ripe with grain ready for harvest, trees with autumn leaves desaturating from green toward bright yellows and reds, summer cloudwork and a final shot of Edmonton in green July splendor – all are HDR shots. The 1947 Ford Tow Truck and a cousin’s farm feature visually in this blog post.

Listening to – U2’s ‘Always,’ David Gray’s ‘As I’m Leaving,’ Ryan Adams’ ‘Hallelujah,’ Mazzy Star’s ‘Into Dust,’ Snow Patrol’s ‘Life Boats,’ The Perishers’ ‘Trouble Sleeping’ and U2’s ‘Last Night On Earth.’

Quote to Inspire – “There is nothing as mysterious as a fact clearly described. I photograph to see what something will look like photographed.” – Garry Winogrand

Buttertown Storehouse

Best Practices - Photography, Canon 60D, Canon Camera, Canon Lens, Canon Live View, High Dynamic Range (HDR), Home, Homestead, Journaling, Light Intensity, Lookback Photos - One Year Ago, Photoblog Intention, Photography & Conceptualizing Beauty, Prime Lens, Project 365 - Photo-a-day, Spring, Summer, Sunset
Storehouse, St. Louis Mission - Buttertown, Fort Vermilion, Ab 1

Storehouse, St. Louis Mission – Buttertown, Fort Vermilion, Ab 1

Storehouse, St. Louis Mission - Buttertown, Fort Vermilion, Ab 2

Storehouse, St. Louis Mission – Buttertown, Fort Vermilion, Ab 2

The northern lights were out this morning in my pre-dawn walk around High Level – ice crystals are in the air; with last night’s heavy billowing clouds we’re nearing our first snowfall. Here, an image contains two end-points of high dynamic range editing; curiously, I’m liking the colour (tinted) version of the old, old store house at the St. Louis Roman Catholic mission in Buttertown – Fort Vermilion, Alberta. The image has me thinking to former priest, John O’Donohue and different parts of four lectures he’s presented and a journaling exercise he has people work through. The first question to work from is to articulate the seven things that are controlling ideas/elements in your Life – premises upon which your Life is founded.

Listening to – an investigation of the ‘Primitives,’ a group recommended with the ‘iambead.com’ photoblog; ‘Crash’ is the first tune I come across. Then it’s ‘All the Way Down’ and ‘Earth Thing.’

Quote to Inspire – “If your pictures aren’t good enough, you aren’t close enough” – Robert Capa

July Cloudwork – Alberta’s

Barn, Best Practices - Photography, Canon 60D, Canon 70-200 mm 2.8 IS L Series Lens, Canon Camera, Canon Lens, Canon Live View, Farm, Farmhouse, Flora, High Dynamic Range (HDR), Journaling, Light Intensity, Photography & Conceptualizing Beauty, Project 365 - Photo-a-day, Summer
Farm HDR, Greencourt, Alberta

Farm HDR, Greencourt, Alberta

High dynamic range results in this fused image combining three images (-1 stop, average and +1 stop) creating an image representing early summer cloud work in north-central Alberta, a farm within kilometres of Greencourt, Alberta.

Listening to – Allstar Weekend’s ‘Mr. Wonderful’ and ‘Not Your Birthday.’ ‘Blame it on September’ another Allstar Weekend tune follows. I’m listening to my daughter’s tunes pulled from iTunes.

Quote to Inspire – “Looking and seeing are two different things. What matters is the relationship with the subject.” – Christophe Agou

HDR Efex, Viveza, Color Efex, Silver Efex & Lightroom

Best Practices - Photography, Canon 60D, Canon Camera, Canon Lens, Canon Live View, High Dynamic Range (HDR), Journaling, Light Intensity, Photoblog Intention, Photography & Conceptualizing Beauty, Project 365 - Photo-a-day, Spring
1a McLure, British Columbia - HDR 1

1a McLure, British Columbia – HDR 1

1b McLure, British Columbia - HDR 2

1b McLure, British Columbia – HDR 2

1c McLure, British Columbia - HDR 3

1c McLure, British Columbia – HDR 3

1d McLure, British Columbia - HDR Raw  -1 Stop

1d McLure, British Columbia – HDR Raw -1 Stop

2 McLure, British Columbia - HDR Raw  Average

2 McLure, British Columbia – HDR Raw Average

3 McLure, British Columbia - HDR Raw  +1 Stop

3 McLure, British Columbia – HDR Raw +1 Stop

The images above are examples of the high dynamic range (HDR) images that can be achieved in end state for comparison with the three original photos of -1 stop, average and +1 stop exposures, HDR being something allowing the photographer (image taker) to deal with landscapes/images of extreme contrast. For these photos Adobe Lightroom was the starting program into which Google’s NiK Software was used for handling HDR (HDR Efex), for sharpening and editing (Viveza) and for colour adjustment (Color Efex); Silver Efex was used to work with Black and White. I could have used Trey Ratcliff’s HDR presets in Lightroom to move more rapidly to end state; but, there would not have been control of sharpening, editing or colouration.

Question – How did everyone do with yesterday’s World-wide Photo Walk?

Quote to Inspire – “I only know how to approach a place by walking. For what does a street photographer do but walk and watch and wait and talk, and then watch and wait some more, trying to remain confident that the unexpected, the unknown, or the secret heat of the known awaits just around the corner.” – Alex Webb

Listening to – U2 & Paul McCartney perform ‘Sgt. Pepper’s Lonely Hearts Club Band,’ Richard Ashcroft & Coldplay perform ‘Bittersweet Symphony,’ the Brian Jonestown Massacre’s ‘Open Heart Surgery,’ the Devlin’s ‘Love is Blindness’ and the Fray’s ‘You Found Me.’

Four-be-Ford

Best Practices - Photography, Canon 60D, Canon 70-200 mm 2.8 IS L Series Lens, Canon Camera, Canon Live View, High Dynamic Range (HDR), Journaling, Photoblog Intention, Photography & Conceptualizing Beauty, Project 365 - Photo-a-day, Summer, Vehicle, Vehicle Restoration
1947 Ford  4 x 4 - Sangudo, Alberta 1

1947 Ford 4 x 4 – Sangudo, Alberta 1

1947 Ford  4 x 4 - Sangudo, Alberta 2

1947 Ford 4 x 4 – Sangudo, Alberta 2

1947 Ford  4 x 4 - Sangudo, Alberta 3

1947 Ford 4 x 4 – Sangudo, Alberta 3

Again, at the Alaska Highway Construction Equipment Museum, another truck, a 1947 Ford captivates – perhaps a three-ton truck and a truck with original four-wheel drive produced by the Ford Motor Company.

Listening to – Luka Bloom’s version of a U2 tune, ‘Bad.’

Quote to Inspire – “I only know how to approach a place by walking. For what does a street photographer do but walk and watch and wait and talk, and then watch and wait some more, trying to remain confident that the unexpected, the unknown, or the secret heat of the known awaits just around the corner.” – Alex Webb

Bales – Harvest II

Canon 60D, Canon 70-200 mm 2.8 IS L Series Lens, Canon Camera, Canon Lens, Canon Live View, Fall, Farm, High Dynamic Range (HDR), Journaling, Photoblog Intention, Photography & Conceptualizing Beauty, Project 365 - Photo-a-day, Season, Summer, Weather
Round Bales - Sangudo, Alberta 1

Round Bales – Sangudo, Alberta 1

Round Bales - Sangudo, Alberta 2

Round Bales – Sangudo, Alberta 2

Round Bales - Sangudo, Alberta 3

Round Bales – Sangudo, Alberta 3

Round Bales - Sangudo, Alberta 4

Round Bales – Sangudo, Alberta 4

Round Bales - Sangudo, Alberta 5

Round Bales – Sangudo, Alberta 5

Round Bales - Sangudo, Alberta 6

Round Bales – Sangudo, Alberta 6

More round bales indicate that grains have been taken off a field in harvest and that hay is ready to be gathered for winter cattle feed. These images remind of my cousin baling this summer and his waiting for the right equation of temperature and humidity to produce useful, nutrient rich bales for cattle feed. In the north, where we’ve had a lot of rain some fields’ bales are blackened with hay that been damp either while on the ground or at the time of gathering. Such bales often do not hold shape and erode while still on the field. Bright mustard-copper coloured bales signal perhaps the healthiest bales – the brightest I’ve seen have been on the north approach to the Dunvegan bridge (west side of the highway) in the fields preceding the descent to the bridge that crosses the Peace River. What captivates in these images is bale-within-field colour, the quantity of bales that one field produces and the irregular and, at times, patterned placement of bales within a field.

Listening to – Robbie Robertson’s ‘Sweet Fire of Love,’ Shawn Colvin’s ‘I Don’t Know Why’ and Peter Himmelman’s ‘Impermanent Things.’

Quote to Inspire – “When people ask me what equipment I use – I tell them my eyes.” – Anonymous