Bales – Harvest II

Canon 60D, Canon 70-200 mm 2.8 IS L Series Lens, Canon Camera, Canon Lens, Canon Live View, Fall, Farm, High Dynamic Range (HDR), Journaling, Photoblog Intention, Photography & Conceptualizing Beauty, Project 365 - Photo-a-day, Season, Summer, Weather
Round Bales - Sangudo, Alberta 1

Round Bales – Sangudo, Alberta 1

Round Bales - Sangudo, Alberta 2

Round Bales – Sangudo, Alberta 2

Round Bales - Sangudo, Alberta 3

Round Bales – Sangudo, Alberta 3

Round Bales - Sangudo, Alberta 4

Round Bales – Sangudo, Alberta 4

Round Bales - Sangudo, Alberta 5

Round Bales – Sangudo, Alberta 5

Round Bales - Sangudo, Alberta 6

Round Bales – Sangudo, Alberta 6

More round bales indicate that grains have been taken off a field in harvest and that hay is ready to be gathered for winter cattle feed. These images remind of my cousin baling this summer and his waiting for the right equation of temperature and humidity to produce useful, nutrient rich bales for cattle feed. In the north, where we’ve had a lot of rain some fields’ bales are blackened with hay that been damp either while on the ground or at the time of gathering. Such bales often do not hold shape and erode while still on the field. Bright mustard-copper coloured bales signal perhaps the healthiest bales – the brightest I’ve seen have been on the north approach to the Dunvegan bridge (west side of the highway) in the fields preceding the descent to the bridge that crosses the Peace River. What captivates in these images is bale-within-field colour, the quantity of bales that one field produces and the irregular and, at times, patterned placement of bales within a field.

Listening to – Robbie Robertson’s ‘Sweet Fire of Love,’ Shawn Colvin’s ‘I Don’t Know Why’ and Peter Himmelman’s ‘Impermanent Things.’

Quote to Inspire – “When people ask me what equipment I use – I tell them my eyes.” – Anonymous

Sharing the Field

Best Practices - Photography, Canon 60D, Canon 70-200 mm 2.8 IS L Series Lens, Canon Camera, Canon Live View, Fall, Farm, Flora, High Dynamic Range (HDR), Home, Homestead, Photoblog Intention, Photography & Conceptualizing Beauty, Project 365 - Photo-a-day, Still Life, Summer, Vehicle, Vehicle Restoration
Field Shared - Greencourt, Alberta 1

Field Shared – Greencourt, Alberta 1

Field Shared - Greencourt, Alberta 2

Field Shared – Greencourt, Alberta 2

On the drive between Fort Vermilion and High Level, Alberta the clean, stubble-free fields were noteworthy … more indications that harvest is nearing completion. In addition to grain being gathered and hay bales being removed, the fields did look like someone had vacuumed each field, leaving no trace of the summer’s activity. In this image from a few weeks back, at Greencourt, Alberta alongside the highway north farming implements – a Mercury, two Chevrolets, a Massey Ferguson and John Deere – share a field with round hay bales waiting to be cleared off and stored. The older farming implements are on display … perhaps even for sale … perhaps memorial to farming years.

Listening to – Tyrone Wells’ ‘Time of Our Lives.’

Quote to Inspire – “All the technique in the world doesn’t compensate for the inability to notice.” – Elliott Erwitt

Other Years

Best Practices - Photography, Canon 60D, Canon 70-200 mm 2.8 IS L Series Lens, Canon Camera, Canon Lens, Canon Live View, Farm, High Dynamic Range (HDR), Journaling, Light Intensity, Photography & Conceptualizing Beauty, Project 365 - Photo-a-day, Season, Summer
Grain Field - Donnelly, Alberta

Grain Field – Donnelly, Alberta

Grain Field - Valleyview, Alberta

Grain Field – Valleyview, Alberta

In other years, the mounting harvest of grain and canola, as seen from our vehicle’s window has revealed a field’s failure and a farmer’s disappointment. Summer drought in other years has been something limiting a field’s growth; a field of grain that started off well will grow only to a certain point, and, without moisture remain stunted, something we’ve seen on our return journey from summer holidays. In drought, Canola becomes patchy, dying off, growing here and there … nothing that would yield income or return on investment. Such crops at summer’s end would likely be disked, the soil turned over in readiness for next year’s planting. There would be no harvest. In contrast, and perhaps in the second or third year running, northern crops are bountiful. Fields are heavy with grain. And, tracks through fields reveal farmers’ care for their crops; insecticides have been sprayed against grasshopper inundation.

Listening to – Black Rebel Motorcycle Club’s ‘In Like the Rose’ and the Eagles’ ‘Seven Bridges Road.’

Quote to Inspire – “Ultimately photography is about who you are. It’s the truth in relation to yourself. And seeking truth becomes a habit.” – Leonard Freed

Valleyview Farm Buildings

Barn, Best Practices - Photography, Canon 60D, Canon 70-200 mm 2.8 IS L Series Lens, Canon Camera, Canon Lens, Canon Live View, Farm, High Dynamic Range (HDR), Home, Homestead, Photoblog Intention, Photography & Conceptualizing Beauty, Project 365 - Photo-a-day, Still Life, Summer
Derelict Farm Buildings - Valleyview, Alberta

Derelict Farm Buildings – Valleyview, Alberta

Derelict farm buildings and an unused field on the road home, near Valleyview, Alberta.

Listening to – Concrete Blonde and ‘I Don’t Need a Hero.’

Quote to Inspire – “I photograph to find out what something will look like photographed.” – Garry Winogrand

Shed RAM

Canon 60D, Canon 70-200 mm 2.8 IS L Series Lens, Canon Camera, Canon Lens, Canon Live View, Farm, Flora, High Dynamic Range (HDR), Home, Homestead, Journaling, Light Intensity, Photoblog Intention, Photography & Conceptualizing Beauty, Project 365 - Photo-a-day, Season, Summer
Store Shed - Smoky River, Alberta

Store Shed – Smoky River, Alberta

At our house, we have needed a shed, or so I think, for a couple of years. We’re needing a place, separate from our home and garage to store and organize things we use seasonally and non-regularly so the squeeze of their possession does not limit action, nor become obstacles to intention. We have space to reclaim because the state of our space is beginning to shape our actions (and quite possibly is limiting possibility).

David Allen, in his book ‘Getting Things Done,’ calls what our awareness has before it our psychic RAM (Random Access Memory drawing from computers as analogy). And, cluttered psychic RAM slows us down because it becomes more and more difficult to take-on new information, ideas and actions – a limitation to imagination and possibility. So, in a sense a shed would allow us a place for long-term storage (like a hard drive) and allow us to direct psychic RAM to its contents on an as needed basis.

Perhaps there is still time for this to happen – build and locate a storage shed on our property to handle those things in our way from snow tires, bicycles, lawn care machines and tools; furniture and unused fitness equipment could be stored until needed. The exercise would be about de-cluttering, about organizing and about determining what needs keeping and what can be given or thrown away. It does seem worth it. But, in three or four weeks snow will be on the ground. We’ll have to get to it.

Another Shed – Along the road home, travelling north, homeward from Edmonton, I looked in on these two sheds just beyond Valleyview on the last bit of farmland crammed atop the Smoky River valley that cuts into the land, the road descending to the Smoky River and the bridge crossing it. Retro-teal, a bright energizing colour from Canada’s fifties and sixties draws the eye to the shed door’s post and lintel, reminding of another post and lintel painted in lamb’s blood as protection from an Egyptian death all those years ago. This shed, now in dis-use, has once been a structure thought-of and to be built, then a building allowing a farmer to store and shelter equipment and supplies, and, it’s been a place people have worked in, a place allowing possibility.

Listening to – a song from last year first heard of the Sirius Coffee House station on a Sunday morning, Shawn Colvin’s ‘All Fall Down,’ a song about many things including humility’s stumbles and tumbles and the grace involved in picking ourselves up, dusting ourselves off and taking next steps.

Quote to Inspire – “The idea of photography seemed to come together with the idea that this is how I could be – someone who could have one step in the world while at the same time being one step removed from it.” – Donovan Wylie

That Shed – Canada’s

Best Practices - Photography, Canon 60D, Canon 70-200 mm 2.8 IS L Series Lens, Canon Camera, Canon Lens, Canon Live View, Farm, Flora, Photoblog Intention, Photography & Conceptualizing Beauty, Project 365 - Photo-a-day, Still Life, Summer
Canadian Shed - Donnelly, Alberta 1

Canadian Shed – Donnelly, Alberta 1

Canadian Shed - Donnelly, Alberta 2

Canadian Shed – Donnelly, Alberta 2

Enjoying the compression of distance in this favourite image of the Canadian grain shed on the northward approach to Donnelly, Alberta.

Listening to – Neil Young’s ‘Harvest Moon.’

Quote to Inspire – “I have the great privilege of being both witness and storyteller. Intimacy, trust and intuition guide my work.” – Jim Goldberg

Chrome Brightening

Best Practices - Photography, Canon 60D, Canon Camera, Canon Live View, Farm, High Dynamic Range (HDR), Photoblog Intention, Photography & Conceptualizing Beauty, Project 365 - Photo-a-day, Still Life, Summer, Vehicle, Vehicle Restoration
Mercury 155 Grain Truck - Manning, Alberta

Mercury 155 Grain Truck – Manning, Alberta

Years on, chrome lines and badging still highlight and brighten detail work on an early fifties Mercury M-155 grain truck at the Manning Pioneer Museum in Manning, Alberta.

Listening to: my daughter skillfully work Adele’s ‘Someone Like You’ on our piano upstairs.

Quote to Inspire – “It’s not how a photographer looks at the world that is important. It’s their intimate relationship with it.” – Antoine D’Agata

Manning, Dixonville & Blue Sky HDR

Canon 60D, Canon Camera, Canon Live View, Farm, High Dynamic Range (HDR), Journaling, Light Intensity, Photography & Conceptualizing Beauty, Project 365 - Photo-a-day, Summer, The Candid Frame, Vehicle
Grain Bins - Dixonville, Alberta 1

Grain Bins – Dixonville, Alberta 1

Grain Bins - Dixonville, Alberta 2

Grain Bins – Dixonville, Alberta 2

Grain Truck Box - Manning, Alberta 1

Grain Truck Box – Manning, Alberta 1

Grain Truck Box - Manning, Alberta 2

Grain Truck Box – Manning, Alberta 2

Grain Truck Box - Manning, Alberta 3

Grain Truck Box – Manning, Alberta 3

Grain Truck Cab - Manning, Alberta 1

Grain Truck Cab – Manning, Alberta 1

Grain Truck Cab - Manning, Alberta 2

Grain Truck Cab – Manning, Alberta 2

Mercury Grain Truck - Manning, Alberta 1

Mercury Grain Truck – Manning, Alberta 1

Mercury Grain Truck - Manning, Alberta 2

Mercury Grain Truck – Manning, Alberta 2

Mercury Grain Truck - Manning, Alberta 3

Mercury Grain Truck – Manning, Alberta 3

Mercury Grain Truck Badge - Manning, Alberta 1

Mercury Grain Truck Badge – Manning, Alberta 1

Mercury Grain Truck Badge - Manning, Alberta 2

Mercury Grain Truck Badge – Manning, Alberta 2

Mercury Grain Truck Badge - Manning, Alberta 3

Mercury Grain Truck Badge – Manning, Alberta 3

Mercury Grain Truck Badge - Manning, Alberta 4

Mercury Grain Truck Badge – Manning, Alberta 4

Images this morning are from a farming community in the region that lies between Manning, Dixonville and Blue Sky, Alberta. Grain bins done in HDR with swirling, heavy clouds above and a set of HDR photos of an early fifties grain truck at the pioneer museum minutes north of Manning.

Listening to the Candid Frame – an interview of Niel and Susan Silverman, a husband and wife photographer duo who provide photography workshops around the world; also, Sheryl Crow’s ‘Riverwide,’ U2’s ‘Wire’ and ‘Promenade,’ Roxy Music’s ‘India’ and Christine by Siouxsie & the Banshees.

Quote to Inspire – “On the odd days Auto Tone gets it right I assume it’s using some kind of voodoo.” ― David duChemin, Vision & Voice: Refining Your Vision in Adobe Photoshop Lightroom

Double Back – Hawk

Best Practices - Photography, Canon 60D, Canon 70-200 mm 2.8 IS L Series Lens, Canon Camera, Canon Live View, Farm, Fauna, Journaling, Light Intensity, Photoblog Intention, Photography & Conceptualizing Beauty, Project 365 - Photo-a-day, Summer
Hawk - Valleyview, Alberta 1

Hawk – Valleyview, Alberta 1

Hawk - Valleyview, Alberta 2

Hawk – Valleyview, Alberta 2

Hawk - Valleyview, Alberta 3

Hawk – Valleyview, Alberta 3

On the long drive home to High Level from Southern Alberta I chanced upon a hawk, sitting on an aged farm fence post alongside the highway north, the hawk gazing out to the road – resting and surveying. I drove further, doubled back and parked my truck twenty metres from the hawk. Outside my truck, I was able to get several shots. Because the hawk had not moved and was not disturbed by me snapping photos at the truck I took a few steps toward the hawk, aiming for close-up. At five steps in, the hawk lifted from its perch and flew by me and across the road. These images were taken perhaps ten minutes north from Valleyview, Alberta near the old Valleyview road.

Listening to – the Imagine Dragons’ song ‘Radioactive’ with my daughter, driving her to her dance workshop this morning.

Quote to Inspire – “The cliché comes not in what you shoot but in how you shoot it.” ― David duChemin, Within the Frame: The Journey of Photographic Vision

No Exit

Best Practices - Photography, Canon 60D, Canon Camera, Canon Lens, Canon Live View, Farm, Journaling, Light Intensity, Photoblog Intention, Photography & Conceptualizing Beauty, Project 365 - Photo-a-day, Sigma Lens - Wide Angle 10-20mm, Spring, Sunset
No Exit - 1

No Exit – 1

No Exit - 2

No Exit – 2

No Exit - 3

No Exit – 3

No Exit - 4

No Exit – 4

The juxtaposition of ‘No Exit’ against a landscape backdrop seems more an entry into the wilds from which one may not return. And, I note that the image does possess a surreal quality that recalls portions of the memory work accomplished by Jonas and ‘the Giver’ within Lois Lowry’s novel, ‘The Giver;’ this image could serve as cautionary waypoint toward the destination of home in the novel. The novel considers the costs of conformity in a future time. The narrative is one filtering out characters, drawing down to one who has the ability to comprehend, receive and appreciate the collective’s memory found in former times and former ways. This ‘No Exit’ image is taken on an early spring day close to the Rochfort Bridge, a kilometre long train trestle equidistant to Sangudo and Mayerthorpe, Alberta.

Listening to: a preview song, Martyn Joseph singing Bruce Springsteen’s ‘Walk Like a Man,’ a tribute to several songs of Bruce Springsteen.

Quote to Inspire – “A representational photograph says, ‘This is what Vienna looked like.’ An interpretational photograph goes one better and says, ‘This is what Vienna was like. This is how I felt about it.” ― David duChemin, Within the Frame: The Journey of Photographic Vision