Outsourcing a Photo Walk

Best Practices - Photography, Canon Camera, Canon Lens, Canon Live View, Farm, Farmhouse, High Dynamic Range (HDR), Home, Homestead, Photoblog Intention, Photography & Conceptualizing Beauty, Project 365 - Photo-a-day, Season, Spring, Weather
1 Farm Road - Beaverlodge, Alberta

1 Farm Road – Beaverlodge, Alberta

2 Farm Road - Beaverlodge, Alberta

2 Farm Road – Beaverlodge, Alberta

3 Farm Mailbox - Beaverlodge, Alberta

3 Farm Mailbox – Beaverlodge, Alberta

Those of you, who have read Timothy Harris’ book, ‘The Four Hour Work Week,’ have likely contended with the possibility that it may be possible to generate an income from only four hours per week. While that may be the premise for this guide to entrepreneurialism in the twenty-first century, the book also presents many novel concepts for earning a living. Within a project-based earning environment, another idea would be to follow a pattern of working for two months and then taking a month off – the focus would be to manage one’s resilience and project tenacity using the principle of contact and withdrawal as it is applied to work. Cool stuff! Beyond this, the book presents many resources available for the entrepreneur who needs help with part of a project – that project piece can be outsourced to others who can earn a living helping you out. What occurred to me within the last few days was to outline a project – a photo walk – to be organized and configured according to parameters that I set. Then, I would outsource my project idea and have others potential photo walk leaders (perhaps other photographers) bid on the opportunity to lead the photo walk and from there refine terms toward what would work for the project leader and me and others who might participate in the photo walk. The eLance website would be the forum in which I would farm-out and tender the project to others. Hmmh? Have you ever thought of doing something like this?

I did have all these thoughts. But, the weekend that could be used for this endeavor crept up rather quickly. I did not configure the project. I did not submit my project for tender in elance. I was not at the start or finish of a photo walk. Rather, at the end of my work week at school, having been encouraged to get away for some photography by my wife and others at school, I gathered my photo gear and bags, got into our Ford F-150 and headed south. I aimed at Edmonton and intended to see my father who’s in a retirement home, there. But, at four hours in to the journey the weather changed – winter rain began to fall and it seemed unwise to travel the remaining distance on treacherous roads. No hotels could be found in Valleyview. I changed my course and phoned ahead to Grande Prairie’s Stanford Inn – they had a room for me.

Saturday in Grande Prairie was overcast. It was not a day for outdoor photography.

Saturday became more an opportunity to explore what was new in familiar stores, to see a movie and to gather and replace clothes damaged in our recent Guatemala trip. At Long and McQuade Music I stopped in and tried out a couple of L’Arrivee guitars; I taught one of the sales persons a song – Rickie Lee Jones’ ‘Sailor Song,’ a song my mother heard me play when she was alive. It was a high point in the day to be able to jam with another guitar player.

Sunday, on the other hand, swept in with substantial spring muster. To the west from Grande Prairie clouds billowed as they crossed the final strip of the Canadian Rockies before meeting foothills and prairie. The photos presented here are ones gathered along a westward trek from Grande Prairie towards the Rockies – an interesting area in terms of landscape and it being a bright spring day. The subject is a paved farm road near Beaverlodge, Alberta – something extraordinary for me as most farm roads I have known have been gravelled ones. Here, the reflection of the sky colours the road blue.

Listening to – Rickie Lee Jones’ ‘Sailor Song.’

Quote to Inspire – “But when viewed in their new context, the museum, or gallery, photographs cease to be ‘about’ their subjects in the same direct or primary way; they become studies in the possibilities of photography.” – Susan Sontag, ‘On Photography’.

Soul Searchers

Canon 60D, Canon 70-200 mm 2.8 IS L Series Lens, Canon Camera, Canon Live View, Christmas, Christmas Lights, Farmhouse, High Dynamic Range (HDR), Homestead, Light Intensity, Photography & Conceptualizing Beauty, Project 365 - Photo-a-day, Winter
Christmas Heart - High Level, Alberta

Christmas Heart – High Level, Alberta

Homestead -  Rycroft, Alberta

Homestead – Rycroft, Alberta

Wagon Wheels - Beaverlodge, Alberta

Wagon Wheels – Beaverlodge, Alberta

Crosses - Bezanson, Alberta

Crosses – Bezanson, Alberta

At Christmas, Love amplifies, powerful and lifting, scrabbling through the dark mess of tangle. Care and pardon affirm, anchoring you, there, in other Hearts – disgrace yields, grace overcomes. Love finds its way. At Christmas, the first steps within the incarnation are taken; a betrothed groom and fiancée making the best of things, travel within a colonized Israel to add their names within a census, a decision perhaps that may have to do with the practicality in it being safer to identify as a family with what will follow from the census; the fiancée is pregnant, a surprise to the groom and his betrothed. Are the two young? Is Joseph older and knowing something of how to live a Life within this colonized world? Is he prepared for this night? A makeshift moment allows the two to shelter among animals in a barn or cave. Mary moves into labour, a baby is born, a new Life that becomes central to a grand narrative we all are participating in. The name Joseph is first used with Jacob’s wife Rachel, when she conceives and bears a son after many years barren; Joseph literally means ‘he who takes my shame away.’

All this and more become the Christmas story. A few songs tell the story well; but, the one that might best fit today’s times and needs could be that provided by Dave Matthews & Tim Reynolds in ‘Christmas Song.’ I like the conceptualization of any of us as ‘soul-searchers.’ The blood of the children reference is, while scary, accurate within this song – blood covers sins; Christ’s blood was shed for all to overcome their/our sin-state and thereby becomes the blood of the children referred to within the song.

http://www.youtube.com/watch?feature=player_embedded&v=fbdylEE-0e4

The incarnation is an inconceivable event, something that needs more acceptance than figuring. You need to involve your imagination in such reckoning as precursor to such an event in preparation to be able to recognize when and if such an event does happen, has happened or will happen. You’d have to consider how involving God here on earth might play out.

The song that brought this kind of precursor imagining about best was a Joan Osborne, grunge-rock tune, that I heard most helpfully sung by Martyn Joseph on Radio Ulster’s ‘Rhythm and Soul’; thank you to Presbyterian Pastor, Steve Stockman for bringing all of that about. Here’s Martyn’s version.

http://www.youtube.com/watch?feature=player_embedded&v=tV2I2KykhrQ

Here’s the Joan Osborne version of ‘One of Us.’

http://www.youtube.com/watch?feature=player_embedded&v=7K1hckf1C3I

Quote to Consider – “The camera doesn’t make a bit of difference. All of them can record what you are seeing. But you have to SEE.” – Ernest Haas

Listening to – Martyn Joseph’s ‘Beyond Us, ‘Not a Good Time for God’ and Martyn’s take on Bruce Springsteen’s ‘If I Should Fall Behind’ and ‘One Step Up.’ Also, taking a listen to Bruce Springsteen’s ‘Highway Patrolman.’

There’s a lot of grace encountered in ‘Highway Patrolman;’ Springsteen goes on to tell that it deals with family, responsibility and duty when those things conflict. The lyrics are good dealing with brothers sharing good times as much as the morality involved in dealing with a brother who is straying – lyrics catching my attention follow ….

“Well if it was any other man, I’d put him straight away
But when it’s your brother sometimes you look the other way.”

“Me and Frankie laughin’ and drinkin’
Nothin’ feels better than blood on blood
Takin’ turns dancin’ with Maria
As the band played “Night of the Johnstown Flood”
I catch him when he’s strayin’, teach him how to walk that line
Man turns his back on his family he ain’t no friend of mine.”

May you find Grace this Christmas – my gratitude goes out to each of you who have been part of each step and evolution of this photoblog. Thank you – take good care of your good selves.

Homestead Music

Best Practices - Photography, Canon 60D, Canon 70-200 mm 2.8 IS L Series Lens, Canon Camera, Canon Lens, Canon Live View, Fall, Farm, Farmhouse, High Dynamic Range (HDR), Home, Homestead, Journaling, Light Intensity, Night, Photoblog Intention, Photography & Conceptualizing Beauty, Season, Still Life, Sunset, Weather
Buttertown Homestead - Fort Vermilion, Alberta

Buttertown Homestead – Fort Vermilion, Alberta

My wife points us to music tonight. At day’s end she’s responding to both of us, each a vortex of thoughts, moving, tumbling, clustering, dot-to-dot, aiming toward productive, tangible result – saturated with the day, not here, not in the now, needing to release the grip of endeavor, to withdraw and to settle. Time away from the pursued pace is needed, time that interrupts the cycle of ‘home-work-and-back-again,’ that kind of quality time that permits fresh aspect and new grasp on perspective, a good thing. Music is our choice tonight for plying away our adhesion, breaking contact with the day that’s been. The music we turn to is longstanding legacy from BBC Radio Ulster’s Sunday show at 8:00 p.m., ‘Rhythm and Soul’ hosted by Steve Stockman; it’s music that’s been on my wife’s iPod this week in and around her classroom. David Gray’s Hammersmith concert, ‘Live, In Slow Motion,’ is the concert video my wife chooses and with our daughter away at dance class we sit down to supper, downstairs, in front of our television and engage this concert, slowing ourselves, listening to a cellist, two guitarists, a bass player, a drummer and David Gray bring music to Life. Allowing ourselves to become vulnerable to lyric, melody, rhythm, sound and silence, we are drawn to familiar songs, songs I’ve fretted in former days – ‘Sail Away,’ ‘Shine,’ ‘My Oh My,’ ‘Silver Lining.’ These songs draw us out to that part of our Lives beyond endeavor. They open-out memory and memories. We move into and travel along new melodies. Engaging with these songs orients us in terms of presence and our present – where we are needing and aiming to be, a reset of sorts.

Homestead – this October exposure is one of a handful of images taken within the golden hour near Fort Vermilion in a pre-winter sunset, winter-ready clouds billowing in regular, heavy patterns across the sky. The linear clarity of homestead lines mingles with the subtle bend in its roof and the regular, yet unique line of each board. It’s old, yet it’s solid and well-preserved. Coloration and luminance chosen in editing work best with the available light and draw me to this photo, again and again.

I am definitely wanting to be out and about with my camera, perhaps with others seeing other ways of viewing the world. My Canon 60D has developed a hiccough, though – three years wear and tear has made the spring ejection of the SD card difficult; it’s also become difficult to set the card back in. Sending the camera for repair is likely to cost one-third to one-half the cost of replacing the camera with another 60D body or its next generation body the 70D. And, then I wonder if I should move to a pro-sumer camera the Canon 7D, 6D or 5D.

    T h a n k y o u ‘ s

– My gratitude goes out to all who are a part of this blog, those of you who add your comments and engage in the dialogue about photos, photography and music.

Listening to – Tyler Bates’ ‘Ventura,’ one of those captivating songs from Emilio Estevez’ film, ‘The Way.’ The post reminds me of several Martyn Joseph songs – ‘The Good in Me is Dead’ from the ‘Don’t Talk About Love’ album and talking with Martyn at the Alexandra Community Hall in Edmonton, Alberta on the eve of the Iraq invasion. Other songs come to mind – ‘Wake Me Up,’ ‘Strange Kind of Friend,’ ‘Walk Down the Mountain’ and ‘Just Like the Man Said.’

Quote to Inspire: “Still images can be moving and moving images can be still. Both meet within soundscapes.” Chien-Chi Chang

Remnant Population

Barn, Canon 60D, Canon 70-200 mm 2.8 IS L Series Lens, Canon Camera, Canon Lens, Canon Live View, Combine (Farming), Fall, Farm, Farmhouse, Flora, High Dynamic Range (HDR), Home, Homestead, Journaling, Lookback Photos - One Year Ago, Photoblog Intention, Photography & Conceptualizing Beauty, Project 365 - Photo-a-day, Season, Sigma Lens - Wide Angle 10-20mm, Spring, Summer, Weather
47 Ford Tow Truck - McLure, BC

47 Ford Tow Truck – McLure, BC

Farm Buildings - Valleyview, Alberta 1

Farm Buildings – Valleyview, Alberta 1

Field, Combine & Buildings - Nampa, Alberta 1

Field, Combine & Buildings – Nampa, Alberta 1

Harvestor Silos - Rimbey, Alberta 1

Harvestor Silos – Rimbey, Alberta 1

Harvestor Silos - Rimbey, Alberta 2

Harvestor Silos – Rimbey, Alberta 2

Hay Harvest - Keg River, Alberta

Hay Harvest – Keg River, Alberta

Morning Colours - Keg River, Alberta 1

Morning Colours – Keg River, Alberta 1

Morning Colours - Keg River, Alberta 2

Morning Colours – Keg River, Alberta 2

Summer Cloudwork - Greencourt, Alberta

Summer Cloudwork – Greencourt, Alberta

Telus Tower - Edmonton, Alberta

Telus Tower – Edmonton, Alberta

Remnants of spring, summer and autumn, a cluster of HDR photos populate my photo folder. Farm buildings, fields ripe with grain ready for harvest, trees with autumn leaves desaturating from green toward bright yellows and reds, summer cloudwork and a final shot of Edmonton in green July splendor – all are HDR shots. The 1947 Ford Tow Truck and a cousin’s farm feature visually in this blog post.

Listening to – U2’s ‘Always,’ David Gray’s ‘As I’m Leaving,’ Ryan Adams’ ‘Hallelujah,’ Mazzy Star’s ‘Into Dust,’ Snow Patrol’s ‘Life Boats,’ The Perishers’ ‘Trouble Sleeping’ and U2’s ‘Last Night On Earth.’

Quote to Inspire – “There is nothing as mysterious as a fact clearly described. I photograph to see what something will look like photographed.” – Garry Winogrand

July Cloudwork – Alberta’s

Barn, Best Practices - Photography, Canon 60D, Canon 70-200 mm 2.8 IS L Series Lens, Canon Camera, Canon Lens, Canon Live View, Farm, Farmhouse, Flora, High Dynamic Range (HDR), Journaling, Light Intensity, Photography & Conceptualizing Beauty, Project 365 - Photo-a-day, Summer
Farm HDR, Greencourt, Alberta

Farm HDR, Greencourt, Alberta

High dynamic range results in this fused image combining three images (-1 stop, average and +1 stop) creating an image representing early summer cloud work in north-central Alberta, a farm within kilometres of Greencourt, Alberta.

Listening to – Allstar Weekend’s ‘Mr. Wonderful’ and ‘Not Your Birthday.’ ‘Blame it on September’ another Allstar Weekend tune follows. I’m listening to my daughter’s tunes pulled from iTunes.

Quote to Inspire – “Looking and seeing are two different things. What matters is the relationship with the subject.” – Christophe Agou

Russet World

Best Practices - Photography, Canon 60D, Canon 70-200 mm 2.8 IS L Series Lens, Canon Camera, Canon Lens, Canon Live View, Farm, Farmhouse, Flora, Home, Homestead, Journaling, Light Intensity, Photoblog Intention, Photography & Conceptualizing Beauty, Project 365 - Photo-a-day, Spring, Still Life, Sunset
Russet Buds - Buttertown, Alberta

Russet Buds – Buttertown, Alberta

Day’s end reveals a world of colour within a longer, spring sunset. Russet orange dominates the backdrop for new spring buds and their companion, a century old homestead home in Buttertown across the river from Fort Vermilion, Alberta. Out-of doors movement occurs easily and remains novelty following a seemingly never-ending winter that saw so much darkness and snow – so good to be outside and in the world.

Listening to – Chris Whitley’s ‘Big Sky Country.’ The playlist has also held the Ozark Mountain Daredevils and ‘If You Wanna Get to Heaven,’ and the Rolling Stones with ‘Can’t You Hear Me Knocking.’

Quote to Inspire – “Emotion or feeling is really the only thing about pictures I find interesting. Beyond that it is just a trick.” – Christopher Anderson

Winter Constant

Backlight, Barn, Canon 60D, Canon 70-200 mm 2.8 IS L Series Lens, Canon Camera, Canon Lens, Canon Live View, Farm, Farmhouse, Home, Homestead, Journaling, Light Intensity, Photoblog Intention, Photography & Conceptualizing Beauty, Project 365 - Photo-a-day, Rail Yard, Sigma Lens - Wide Angle 10-20mm, Spring, Weather
Farm - Rimbey, Alberta 2

Farm – Rimbey, Alberta 2

Farm - Rimbey, Alberta

Farm – Rimbey, Alberta

Field Entrance - Woking, Alberta

Field Entrance – Woking, Alberta

Former Farm - Notikewan, Alberta

Former Farm – Notikewan, Alberta

Peace River - Dunvegan, Alberta 1

Peace River – Dunvegan, Alberta 1

Peace River - Dunvegan, Alberta 2

Peace River – Dunvegan, Alberta 2

Peace River - Dunvegan, Alberta 3

Peace River – Dunvegan, Alberta 3

Peace River - Dunvegan, Alberta 4

Peace River – Dunvegan, Alberta 4

Grain Elevator - Sexsmith, Alberta 1

Grain Elevator – Sexsmith, Alberta 1

Grain Elevator - Sexsmith, Alberta 2

Grain Elevator – Sexsmith, Alberta 2

In a spring that needs to take hold more firmly, winter drags on, a guest overstaying its welcome. Winter continues as constant in and around Alberta and features in photos – farms dusted with snow, grain elevators and Harvestor Silos providing colour against the snow, the Peace River melting through ice … covered with snow. Each are presented here.

Listening to – Francesca Battistelli’s ‘This is the Stuff’ and JJ Heller’s ‘What Love Really Means.’

Quote to Inspire – “The photograph is completely abstracted from life, yet it looks like life. That is what has always excited me about photography.” – Richard Kalvar

“Treasure, Jim … Treasure”

Best Practices - Photography, Canon 60D, Canon 70-200 mm 2.8 IS L Series Lens, Canon Camera, Canon Lens, Canon Live View, Farm, Farmhouse, Home, Journaling, Photoblog Intention, Photography & Conceptualizing Beauty, Project 365 - Photo-a-day, Spring, Still Life
Rusting Relics - Manning, Alberta

Rusting Relics – Manning, Alberta

Treasure is a term coined twice this week – in one instance within a John Le Carre novel it is taken to mean the secret that if possessed would turn the tables on your enemy (as in Control’s discussion with Jim Prideaux regarding ‘treasure’ before embarking to Budapest, ‘Tinker, Tailor, Soldier, Spy’); in a second instance within Robert Louis Stevenson’s novel, ‘Treasure Island,’ it refers to the ill-gotten gains that in the getting you seem to have a right to – but irony can play disasterously with you, here. Beyond this, treasure, if possessed, puts you to advantage and gives you power. It is taken to mean something that guarantees a future free from want. A second, perhaps more poignant irony is that treasure once in one’s possession requires care so that no one takes it away … work is involved. Here, within this image, the term treasure can be taken to mean the opportunity of possibility, the rusting relic that has potential in its restoration, in its possession and use. As a photographer, the treasure is perhaps in the image and the narrative that surrounds the image. Point of connection – I learned to drive in a 1969 GMC half-ton pick-up (transmission – three-the-tree-standard), similar to the white GMC cab three vehicles from the right of the image and the GMC on the left.

Listening to – Johnny Cash’s ‘Gods Gonna Cut You Down,’ a song first heard on Steve Stockman’s Rhythm and Soul broadcast, as rendered by the Five Blind Boys of Alabama.

Quote to Inspire – “… the most grandiose result of the photographic enterprise is to give us the sense that we hold the whole world in our heads – as an anthology of images.” – Susan Sontag, ‘On Photography’

North Country Cloud-work

Backlight, Barn, Best Practices - Photography, Canon 60D, Canon Camera, Canon Lens, Farm, Farmhouse, Home, Homestead, Light Intensity, Photoblog Intention, Photography & Conceptualizing Beauty, Prime Lens, Project 365 - Photo-a-day, Season, Sigma Lens - Wide Angle 10-20mm, Spring, Still Life, Sunset, Weather
Country Road Sunset - Mayerthorpe, Alberta

Country Road Sunset – Mayerthorpe, Alberta

Farm Silo Silhouette - Mayerthorpe, Alberta

Farm Silo Silhouette – Mayerthorpe, Alberta

Wednesday’s travel took me from my Calgary, Camera Store stop northward on my return drive to High Level. Around dinner-time, between Mayerthorpe and Whitecourt the cloud-work and evolving sunset on the southwest of the highway were a spectacular sight among a huge and open northern Alberta sky, land less frequently frequented, something quite different from the frenetic congestion of people and land encountered between Edmonton and Calgary, an area still held in grey bleakness of winter. It was good to be traveling home in familiar North Country.

Listening to – Collective Soul and ‘Shine’, and, Sigur Ros and ‘E-bow.’

Quote to Inspire – “While there is perhaps a province in which the photograph can tell us nothing more than what we see with our own eyes, there is another in which it proves to us how little our eyes permit us to see .” – Dorothea Lange

Winter’s Tail-end …

Best Practices - Photography, Canon 30D, Canon 50mm, Canon 50mm Lens, Canon 60D, Canon 70-200 mm 2.8 IS L Series Lens, Canon 75-300 mm, Canon Camera, Canon Lens, Canon Live View, Farm, Farmhouse, Home, Homestead, Light Intensity, Lookback Photos - One Year Ago, Photoblog Intention, Photography & Conceptualizing Beauty, Prime Lens, Project 365 - Photo-a-day, Spring, Still Life, Sunset, Winter
1 Buttertown Home - Fort Vermilion, Alberta 2

1 Buttertown Home – Fort Vermilion, Alberta 2

2 Buttertown Home - Fort Vermilion, Alberta 1

2 Buttertown Home – Fort Vermilion, Alberta 1

3 Farm Buildings - Guy, Alberta 1

3 Farm Buildings – Guy, Alberta 1

4 Farm Buildings - Guy, Alberta 3

4 Farm Buildings – Guy, Alberta 3

5 Farm Buildings - Guy, Alberta 4

5 Farm Buildings – Guy, Alberta 4

6 Farming Buildings - Nampa, Alberta 2

6 Farming Buildings – Nampa, Alberta 2

7 Farming Buildings - Nampa, Alberta 1

7 Farming Buildings – Nampa, Alberta 1

8 Ford & Mercury Trucks 1

8 Ford & Mercury Trucks 1

9 Ford & Mercury Trucks 2

9 Ford & Mercury Trucks 2

10 Icicle - Tompkins Landing 1

10 Icicle – Tompkins Landing 1

11 Icicle - Tompkins Landing 2

11 Icicle – Tompkins Landing 2

12 Icicle - Tompkins Landing 3

12 Icicle – Tompkins Landing 3

13 Icicle - Tompkins Landing 4

13 Icicle – Tompkins Landing 4

14 Icicle - Tompkins Landing 5

14 Icicle – Tompkins Landing 5

15 Icicle - Tompkins Landing 6

15 Icicle – Tompkins Landing 6

16 Black and White - Cattails, High Level, Alberta

16 Black and White – Cattails, High Level, Alberta

17 Former Highway Construction Vehicles 1

17 Former Highway Construction Vehicles 1

18 Former Highway Construction Vehicles 2

18 Former Highway Construction Vehicles 2

19 Bus Lanes at Night - High Level, Alberta

19 Bus Lanes at Night – High Level, Alberta

A cluster of B-side photos remain – Fort Vermilion’s former times Buttertown homes, winter farming scenes (equipment and buildings, deposited in their last left locations, ‘medias res’), icicle lens edits and former MacKenzie highway construction vehicles. It’s this winter’s tail-end, a time to close winter out … and get-on with spring.

Listening to – Edie Brickell & the New Bohemians’ ‘What I am,’ U2’s ‘All Because of You,’ Cat Stevens’ ‘Morning Has Broken,’ Depeche Mode’s ‘Policy of Truth,’ T. Rex’s ‘Bang a Gong,’ Wang Chung’s ‘Dance Hall Days’ and Neil Young’s ‘Cinnamon Girl.’

Quote to Inspire – “Success is what happens when 10,000 hours of preparation meet with one moment of opportunity.” – Anonymous