Outsourcing a Photo Walk

1 Farm Road - Beaverlodge, Alberta
1 Farm Road – Beaverlodge, Alberta
2 Farm Road - Beaverlodge, Alberta
2 Farm Road – Beaverlodge, Alberta
3 Farm Mailbox - Beaverlodge, Alberta
3 Farm Mailbox – Beaverlodge, Alberta

Those of you, who have read Timothy Harris’ book, ‘The Four Hour Work Week,’ have likely contended with the possibility that it may be possible to generate an income from only four hours per week. While that may be the premise for this guide to entrepreneurialism in the twenty-first century, the book also presents many novel concepts for earning a living. Within a project-based earning environment, another idea would be to follow a pattern of working for two months and then taking a month off – the focus would be to manage one’s resilience and project tenacity using the principle of contact and withdrawal as it is applied to work. Cool stuff! Beyond this, the book presents many resources available for the entrepreneur who needs help with part of a project – that project piece can be outsourced to others who can earn a living helping you out. What occurred to me within the last few days was to outline a project – a photo walk – to be organized and configured according to parameters that I set. Then, I would outsource my project idea and have others potential photo walk leaders (perhaps other photographers) bid on the opportunity to lead the photo walk and from there refine terms toward what would work for the project leader and me and others who might participate in the photo walk. The eLance website would be the forum in which I would farm-out and tender the project to others. Hmmh? Have you ever thought of doing something like this?

I did have all these thoughts. But, the weekend that could be used for this endeavor crept up rather quickly. I did not configure the project. I did not submit my project for tender in elance. I was not at the start or finish of a photo walk. Rather, at the end of my work week at school, having been encouraged to get away for some photography by my wife and others at school, I gathered my photo gear and bags, got into our Ford F-150 and headed south. I aimed at Edmonton and intended to see my father who’s in a retirement home, there. But, at four hours in to the journey the weather changed – winter rain began to fall and it seemed unwise to travel the remaining distance on treacherous roads. No hotels could be found in Valleyview. I changed my course and phoned ahead to Grande Prairie’s Stanford Inn – they had a room for me.

Saturday in Grande Prairie was overcast. It was not a day for outdoor photography.

Saturday became more an opportunity to explore what was new in familiar stores, to see a movie and to gather and replace clothes damaged in our recent Guatemala trip. At Long and McQuade Music I stopped in and tried out a couple of L’Arrivee guitars; I taught one of the sales persons a song – Rickie Lee Jones’ ‘Sailor Song,’ a song my mother heard me play when she was alive. It was a high point in the day to be able to jam with another guitar player.

Sunday, on the other hand, swept in with substantial spring muster. To the west from Grande Prairie clouds billowed as they crossed the final strip of the Canadian Rockies before meeting foothills and prairie. The photos presented here are ones gathered along a westward trek from Grande Prairie towards the Rockies – an interesting area in terms of landscape and it being a bright spring day. The subject is a paved farm road near Beaverlodge, Alberta – something extraordinary for me as most farm roads I have known have been gravelled ones. Here, the reflection of the sky colours the road blue.

Listening to – Rickie Lee Jones’ ‘Sailor Song.’

Quote to Inspire – “But when viewed in their new context, the museum, or gallery, photographs cease to be ‘about’ their subjects in the same direct or primary way; they become studies in the possibilities of photography.” – Susan Sontag, ‘On Photography’.

2 thoughts on “Outsourcing a Photo Walk

  1. I love the ice blue of the first image. And your idea for outsourcing, depends on whether people think they are getting you as a tutor or know it is just your guiding hand on the overall tiller so to speak.

    I’ve just been on another workshop, to make up for the first one I complained about. It was better but not wonderful. I’ll be writing about it soon. I did get a chance to take some more night pictures and stroll around Bristol for an hour or two just looking, so not a complete scrub.

    Jim

    1. Hey there, Jim:

      Sort of sounds like we’re in the same vicinity with regard to workshops. I am aiming to configure photo walk parameters and have someone else organize and lead it … or at least point me in the right direction with regard to subject matter. It could be a day of rusting relics, old rusting vehicles, in southern Alberta or in Utah. The organizer could work out various permissions needed to make things work. It could be landscape teaching and practice. I’d like to have it all set up and then work at it with some foreknowledge of location and subject and then time with the subject. I haven’t been on a photography workshop for two years, now. I nearly took in one offered by Dave Brosha from up in Yellowknife – http://www.davebrosha.com , but needed to use the time for a work-related conference at the same time.

      Good to read that you’re taking in workshops. I keep reading about various UK workshops in PhotoPlus Magazine – London, Yorkshire and some landscape ones on nature reserves. 😉

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