Watt Mountain Story Holder

Canon 70-200 mm 2.8 IS L Series Lens, Canon Camera, Canon Lens, Canon Live View, High Dynamic Range (HDR), Journaling, Light Intensity, Photography & Conceptualizing Beauty, Project 365 - Photo-a-day, Weather, Winter
Watt Mountain, Hutch Lake, Alberta

Watt Mountain, Hutch Lake, Alberta

On a spring day eighteen years ago, good friends had taken my son, my wife and I out exploring north from High Level; it was the spring of our first year in High Level and they had taken us to Hutch Lake for a Sunday afternoon picnic. We had done some hiking. Then, being at the base of Watt Mountain we decided to see if we could ascend the mountain’s mucky, dirt road through the twelve kilometre climb in our four-door, red Nissan Sentra. Higher and higher we climbed, the nimble, front wheel drive Nissan never losing traction.

First, we got to a lookout vista partway up Watt Mountain; we stopped, there, to view the world we had just travelled through. At that point, we opted to make the rest of climb to the crest of Watt Mountain where the local Alberta Fire Service fire tower is located. There, we met the wildfire lookout observer. We asked and received permission to climb the tower and to survey the world from there – my wife, my friend’s wife and my son stayed below.

What an experience making the climb! And what a view, something giving us a sense for the terrain comprising the Mackenzie Municipal District. The climb is one that I’ve made only that once – a never-done experience, one in which the opportunity of the moment was seized and paid dividends. That day, a photo was taken of my son, my wife and I along one of the Hutch Lake hiking trails. It has remained on our piano since that time. Besides the reminiscence of family and friends, that photo is a story holder of all that comprised that day.

Here, within this image, the same Watt Mountain fire tower is dormant, residing in winter’s weather.

Listening to – Haydn Symphony #76 in E Flat, H 1/76 – 2 Adagio, Ma Non Troppo.

Quote to Consider – “Strictly speaking, one never understands anything from a photograph … [only] that which narrates can make us understand.” – Susan Sontag, ‘On Photography’

Realizing Their Dream

Canon Camera, Canon Lens, Canon Live View, Fall, Flora, High Dynamic Range (HDR), Photography & Conceptualizing Beauty, Project 365 - Photo-a-day
Trapper's Cabin - Near Indian Cabins, Ab 2

Trapper’s Cabin – Near Indian Cabins, Ab 2

Slough Reflection - Near Indian Cabins, Ab

Slough Reflection – Near Indian Cabins, Ab

‘Come along, let’s do this’ – these words feature in the immensity that has been 2014. That there is room to help, here, or room to contribute there – the reality has been that others have had dreams to fulfill and realize, and, it would be wrong to not help others with skills, abilities and time if doing so could be managed. Francis Chan’s book ‘Crazy Love’ is about this dynamic. So, likewise, is Rick Warren’s ‘What On Earth Am I Here For?’ Both books have been the subject of small group study. The work of such work has often been about taking something a next step and to be consistent in offering others help with a next step. And, the real thing pulling forward has been seeing the value or function of a dream realized in another’s Life – what it means for them, what it allows them to do. Marko, down in El Tizate, Guatemala, captured the idea … ‘Be a blessing to these people.’ He wasn’t only talking about the people who live as squatters in the village of El Tizate; he was talking about blessing those who are around me daily. Much of the year has held a sense of being ‘time-starved’ … meaning that balance between endeavor and rest is absent – sacrifice is part of being a blessing to others.

In September, in early autumn, during moments away from endeavor, I took the following photos on a good long drive toward the Northwest Territories – a trapper’s shack along a trap line and a slough’s reflection.

Listening to – Chopin, 24 Preludes, Op 28 – 2 in A minor played by Rafal Blechacz.

Quote to Consider – “Instead of just recording reality, photographs have become the norm for the way things appear to us, thereby changing the very idea of reality, and of realism.” – Susan Sontag, ‘On Photography’

Time Out (in the Brubeck sense)

Best Practices - Photography, Canon Camera, Canon Lens, Canon Live View, Fall, Farm, Flora, Fog, High Dynamic Range (HDR), Homestead, Journaling, Light Intensity, Photography & Conceptualizing Beauty, Season, Still Life, Weather
The Blue Hills - Buffalo Head Prairie, Alberta

The Blue Hills – Buffalo Head Prairie, Alberta

Taking time-out in the Brubeck sense, there being too much to do, having completed one huge step along a bigger task, clearing my head with photography before tackling the next huge step. This image is taken on a stretch of road behind the highway connecting Blue Hills to Buffalo Head Prairie, Alberta. The intention had been to use three F-10 images of the same scene with focus-stacking software to produce a merged, focused image utilizing the lens’ strongest point of focus with various focal points in the scene. I didn’t get that far. I didn’t purchase focus-stacking software. Instead, I used HDR Efex Pro to merge the three shots. I’m liking the result, an image that would suit a Thanksgiving theme, the harvest complete, the field prepared for spring and a move toward quieter, less hectic work. Good.

Listening to – A Mash-up of Radiohead vs Dave Brubeck – Five Step; have a listen and watch … http://www.kewego.co.uk/video/iLyROoafJd5s.html ; also, listening to Bruce Cockburn’s ‘My Beat’ and ‘Wondering Where the Lions Are.’

Quote to Consider – “It is not altogether wrong to say that there is no such thing as a bad photograph – only less interesting, less relevant, less mysterious one.” – Susan Sontag, ‘On Photography’

Road as Frontier

Backlight, Best Practices - Photography, Canon Camera, Canon Lens, Canon Live View, Flora, High Dynamic Range (HDR), Light Intensity, Photography & Conceptualizing Beauty, Project 365 - Photo-a-day, Still Life, Summer
1The Road - Arizona

1The Road – Arizona

2 The Road - Arches Nat'l Park

2 The Road – Arches Nat’l Park

3 The Road - Arches Nat'l Park

3 The Road – Arches Nat’l Park

4 The Road - Arizona

4 The Road – Arizona

The road – some value the swift movement of traveling from point of origin to established destination; here, travel is not about what you encounter along your distance – travel is about getting ‘there.’ Robert Frost and Scott Peck, on the other hand, each refer to the road less traveled for what the road can reveal of the world and for how that road can grow us as we encounter new frontiers. Jack Kerouac, in his novel, ‘On the Road,’ refers to a life orientation of meeting, new, upcoming road – what we discover moving over it and how we grow as the road challenges us. That road and what we do along it becomes our narrative, our less traveled road.

Images from the road ….

Listening to – Chuck Berry’s ‘Route 66.’

Quote to Consider – “If photographs are messages, the message is both transparent and mysterious.”

Query – HDR Halo Removal

Backlight, Best Practices - Photography, Canon Camera, Canon Lens, Canon Live View, High Dynamic Range (HDR), Journaling, Light Intensity, Photography & Conceptualizing Beauty, Project 365 - Photo-a-day, Still Life, Summer
Grand Canyon - Arizona 1

Grand Canyon – Arizona 1

Grand Canyon - Arizona 2

Grand Canyon – Arizona 2

Grand Canyon - Arizona 3

Grand Canyon – Arizona 3

Grand Canyon - Arizona 4

Grand Canyon – Arizona 4

Grand Canyon - Arizona 5

Grand Canyon – Arizona 5

The following images of the Grand Canyon are high dynamic range (HDR) images. In editing these HDR shots the challenge has been to try and eliminate the halo surrounding edges of highly contrasted colours within images. The method experimented with this week has been to open the Develop module in Adobe Lightroom and within the Lens Correction menu to utilize the ‘Remove Chromatic Aberration’ there instead of relying only on a similar feature in the HDR Efex plug-in, on the plug-in side of merging the three (or more images). Beyond this, NiK Software’s Viveza is used to sharpen and add contrast and adjust/decrease brightness; after that Topaz Labs’ Clarity and Adjust helps adjust sharpness and saturation. With Viveza I’m finding success in editing toward what I want. I still am learning about choosing the filter/preset in Topaz Adjust and then finding optimal saturation from there.

If you are an HDR image creator I would appreciate hearing from you and the method you use to create your non-halo HDR images; this week, a software product called HDR Expose 3 (by Unified Color) has been recommended for its de-ghosting (halo elimination) capacity … do you use this?

Listening to – 16 Horsepower from their ‘Folklore’ album, in their rendering of a Nina Simone song, ‘Sinnerman.’

Quote to Consider – “In the past, a discontent with reality expressed itself as a longing for another world. In modern society, a discontent with reality expresses itself forcefully and most hauntingly by the longing to reproduce this one.”

Ragamuffin Remembering

Canon Camera, Canon Lens, Canon Live View, Gas Station, High Dynamic Range (HDR), Journaling, Photography & Conceptualizing Beauty, Project 365 - Photo-a-day, Still Life, Summer, Vehicle, Winter
Chevrolet Truck - Arizona 2

Chevrolet Truck – Arizona 2

Chevrolet Truck - Arizona 1

Chevrolet Truck – Arizona 1

It’s Sunday, and it’s a colder kind of Sunday in early November. I’m downstairs with the computer, editing summer photos – our travels through Utah. I show my wife the following image of an early 30’s Chevrolet truck. It sits alongside the highway within a Navajo reservation. For my wife, the vehicle has personality, the kind you’d find personified in the Disney movie, ‘Cars.’ I’m liking its colour, shape and integrity. Paint peels from its fenders and body. Rust in its colour seems very close to the colour of the rocks within the landscape.

The age of the vehicle also holds my attention. As a marker of time, the vehicle would have been around in world war II, it would have been around when that war ended, it would have been witness to all that Jack Kerouac’s novel, ‘On the Road,’ would have been about. And, as I think about it, the truck would also have been around when Rich Mullins made his treks out to this Navajo reservation to minister to children and youth with his music. In music ministry, ‘Awesome God,’ is the song Rich Mullins is most recognized for writing, along with many songs recorded by Amy Grant.

This past fall, over a couple of days, I went through a DVD drama called ‘Ragamuffin’ which is an inspired chronicle of Rich Mullins’ life in which the viewer witnesses Rich’s transformation (struggles, consequences and transformation) from successful Christian musician to a life lived more and more honestly by the tenets of God set out in the Bible. 78 Eatonwood Green is a place where Rich and the Ragamuffin Band were staying in Ireland and 78 Eatonwood Green is title to another song worth the hearing, an instrumental with a dulcimer featuring within the song.

Listening to – Rich Mullins’ ‘78 Eatonwood Green’ from ‘A Liturgy, a Legacy and a Ragamuffin Band.’

Quote to Consider – ‘Photography, though not an art form in itself, has the peculiar capacity to turn all its subjects into works of art.’ – Susan Sontag, ‘On Photography’

Morning Flux

Backlight, Canon Camera, Canon Lens, Canon Live View, Flora, High Dynamic Range (HDR), Journaling, Light Intensity, Photography & Conceptualizing Beauty, Project 365 - Photo-a-day, Still Life, Summer, Sunrise, Weather
Sunrise - Arches Nat'l Park, Moab, Utah 1

Sunrise – Arches Nat’l Park, Moab, Utah 1

Sunrise - Arches Nat'l Park, Moab, Utah 2

Sunrise – Arches Nat’l Park, Moab, Utah 2

Sunrise - Arches Nat'l Park, Moab, Utah 3

Sunrise – Arches Nat’l Park, Moab, Utah 3

Sunrise - Arches Nat'l Park, Moab, Utah 4

Sunrise – Arches Nat’l Park, Moab, Utah 4

Sunrise - Arches Nat'l Park, Moab, Utah 5

Sunrise – Arches Nat’l Park, Moab, Utah 5

Sunrise - Arches Nat'l Park, Moab, Utah 6

Sunrise – Arches Nat’l Park, Moab, Utah 6

Summer Memory – early, early morning, warming, moving, cycling Edmonton bike trails, alone, witnessing with dawn the lighting of the earth and the articulation and colouration of shapes, the earth shrouded in mist, becoming seen, more and more vividly, with each pedal stroke. It’s the transition or flux from night to day happening each day regardless of weather – the time is special, perhaps sacred. The photos, here, capture the lighting of the earth, the articulation of shape and colouration of the world at dawn – Arches National Park, near Moab, Utah.

Listening to – Mary J. Blige and U2 sing ‘One,’ Luciano Pavarotti and U2 sing ‘Miss Sarajevo’ and B.B. King and U2 sing ‘When Love Comes to Town.’

Quote to Consider – “Insofar as photography does peel away the dry wrappers of habitual seeing, it creates another habit of seeing – both intense and cool, solicitous and detached; charmed by the insignificant detail, addicted to incongruity.” – Susan Sontag, ‘On Photography’

Route 66 – Restoration Reminiscence

Canon 60D, Canon Camera, Canon Lens, Canon Live View, Gas Station, Journaling, Photography & Conceptualizing Beauty, Project 365 - Photo-a-day, Service Station, Summer, Vehicle, Vehicle Restoration
Fairlane 500 and Thunderbird - Grand Canyon Arizona

Fairlane 500 and Thunderbird – Grand Canyon Arizona

Fairlane 500 - Grand Canyon, Arizona 2

Fairlane 500 – Grand Canyon, Arizona

Fairlane 500 - Grand Canyon, Arizona 1

Fairlane 500 – Grand Canyon, Arizona 1

1949 Chevrolet Fleetline - Grand Canyon, Arizona 3

1949 Chevrolet Fleetline – Grand Canyon, Arizona 3

1949 Chevrolet Fleetline - Grand Canyon, Arizona 2

1949 Chevrolet Fleetline – Grand Canyon, Arizona 2

1949 Chevrolet Fleetline - Grand Canyon, Arizona 1

1949 Chevrolet Fleetline – Grand Canyon, Arizona 1

1931 Ford Sedan and Pickup - Grand Canyon, Arizona 2

1931 Ford Sedan and Pickup – Grand Canyon, Arizona 2

1931 Ford Sedan and Pickup - Grand Canyon, Arizona 1

1931 Ford Sedan and Pickup – Grand Canyon, Arizona 1

1931 Ford Sedan  - Grand Canyon, Arizona 2

1931 Ford Sedan – Grand Canyon, Arizona 2

1931 Ford Sedan  - Grand Canyon, Arizona 1

1931 Ford Sedan – Grand Canyon, Arizona 1

1957 Chevrolet Belair - Grand Canyon 1

1957 Chevrolet Belair – Grand Canyon 1

1957 Chevrolet Belair - Grand Canyon 2

1957 Chevrolet Belair – Grand Canyon 2

It’s colder today, snow is on the ground and a four-day, November break provides welcome opportunity for rest from pushing hard in these first three months of the school year. A quick drive southward and back home last weekend recalled the following images needing an edit from July.

Along Route 66, nearing the Grand Canyon, restored cars are roadside attraction, the cars of former, American glory days, vehicles that you’d find reconstructed from other donor cars on reality television shows like ‘Counting Cars.’ That person, who in middle-age, is starting to find a surplus of funds in their bank account is the kind of person these cars belong to. For them and you, someone in the family owned one – Dad and Mom maybe, your grandparents, perhaps or maybe your cousin had one; and, if you were lucky that vehicle was the one you learned to drive in, was perhaps the vehicle that became yours (you bought it from another member in your family) and was the car that got you started in Life. In presentation, these Grand Canyon cars are arranged almost as they would be in a Show and Shine; the difference is that their owners are not hovering around them – the vehicles draw potential customers to the service station and to the hotel, a pit-stop and stopping point. Among the vehicles were a 1957 Mercury Thunderbird, a 1958 Ford Fairlane 500, a 1949 Chevrolet Fleetline Deluxe four-door (Police Car), what may be a 1931 Ford Sedan and a 1931 Ford Pickup truck and a 1957 Chevrolet 2-door coupe.

The 1949 Chevrolet Fleetline has me thinking back to Rimbey, Alberta and my uncle’s farm in the late sixties and early seventies. For many years, a mid-forties (1946-48) Chevrolet four-door fastback (blue/black with white roof) sat next to the farm shop. The intention had been to swap pistons from a second donor car and to add a second vehicle economically to a growing family that was becoming more and more on the move. Unfortunately, the pistons were of different sizes and the car did not move again. As kids on visits, my cousins, my brothers and I would pretend to drive to and from different places in this grounded car. A big, big steering wheel, a windshield that may have been two pieces in design, a springy and dusty bench seat and doors that creaked on ungreased hinges were setting to the play of the drive with family. In coming years, the Chevrolet fastback sedan was towed behind the farm’s barley silage silo.

A good, good reminiscence of former times, these.

Listening to – Over the Rhine’s ‘Born,’ ‘Bluer,’ ‘Spark,’ ‘Lookin’ Forward’ and ‘Who Will Guard the Door’ – November kind of music.

Quote to Consider – “Instead of just recording reality, photographs have become the norm for the way things appear to us, thereby changing the very idea of reality, and of realism.” – Susan Sontag, ‘On Photography’

Coloured Desaturation

Canon 70-200 mm 2.8 IS L Series Lens, Canon Camera, Canon Lens, Canon Live View, Fall, Farmhouse, High Dynamic Range (HDR), Journaling, Photography & Conceptualizing Beauty, Still Life
Autumn's Desaturation - Rycroft, Alberta 1

Autumn’s Desaturation – Rycroft, Alberta 1

Autumn's Desaturation - Rycroft, Alberta 2

Autumn’s Desaturation – Rycroft, Alberta 2

Desaturation -St. Louis Mission - Buttertown, Alberta 1

Desaturation -St. Louis Mission – Buttertown, Alberta 1

Desaturation -St. Louis Mission - Buttertown, Alberta 2

Desaturation -St. Louis Mission – Buttertown, Alberta 2

Looking through this past month’s photos the desaturation of the earth’s foliage draws my eye, Life ebbing away or perhaps about to draw into dormancy under the covers with snow’s blanket. Fields have been shorn, leaving behind uniform lines of a seed drill’s patterned press of seeds into the earth. Great expanses of field hold round bales, some already positioned for feeding cattle, deer, elk and bison. These photos present the colour of a month ago and the desaturation witnessed only a week ago. The desire to be on the land as I was as a youth is there.

Quote to Inspire – “But when viewed in their new context, the museum, or gallery, photographs cease to be ‘about’ their subjects in the same direct or primary way; they become studies in the possibilities of photography.” – Susan Sontag, ‘On Photography’

Listening to – Sarah Masen’s rendition of an old Supertramp song – ‘Give a Little Bit.’

Swathed, Corduroy Rows

Canon Camera, Canon Lens, Canon Live View, Combine (Farming), Farm, Flora, Journaling, Photography & Conceptualizing Beauty, Project 365 - Photo-a-day, Spring
International Combine - Whitecourt, Alberta 3

International Combine – Whitecourt, Alberta 3

International Combine - Whitecourt, Alberta 4

International Combine – Whitecourt, Alberta 4

On fields, rolling in their contour, somewhere between Sangudo and Whitecourt, Alberta, an International combine sits, no longer harvesting grain from broad swathed, corduroy rows; the combine is placed within a farmer’s field close to the highway to attract its sale – another farmer could use this International 914 for parts. For me, though, driving past through each season the International’s structure, angles and colour presents contrast to its surrounding landscape attracting my attention. I’ve been meaning to photograph it for some time. Last June, a solitary drive home provided opportunity; and, over the last few nights I’ve been able to edit the image.

Listening to – Peter Gabriel’s ‘San Jacinto,’ ‘In Your Eyes,’ ‘Solsbury Hill,’ ‘Shaking the Tree’ and ‘Blood of Eden.’

Quote to Consider – “… there is a difference between photography conceived as ‘true expression’ and photography conceived (as it is more commonly is) as faithful recording ….” – Susan Sontag, ‘On Photography’