Buttertown Snow

Canon Camera, Canon Live View, Combine (Farming), Farm, Flora, High Dynamic Range (HDR), Light Intensity, Photography & Conceptualizing Beauty, Project 365 - Photo-a-day, Spring, Still Life, Vehicle, Weather
Buttertown New Holland Combine - Fort Vermilion, Alberta - Canada

Buttertown New Holland Combine – Fort Vermilion, Alberta – Canada

Buttertown Truck Cab - Fort Vermilion , Alberta - Canada

Buttertown Truck Cab – Fort Vermilion , Alberta – Canada

Buttertown snow melts, revealing different finds among Fort Vermilion’s north settlement trees on a Saturday, one of the last grey few before the intensity of spring light warms and colours the world anew. Here, blurring elements in each image to explore the result.

Quote to Consider – “Photography for me is not looking, it’s feeling. If you can’t feel what you’re looking at, then you’re never going to get others to feel anything when they look at your pictures.” – Don McCullin

Listening to – Agnes Obel’s ‘Fivefold’ and Junip’s ‘Don’t Let It Pass.’

Window Pragmatics

Best Practices - Photography, Canon Camera, Canon Live View, Farm, Farmhouse, High Dynamic Range (HDR), Home, Homestead, Journaling, Light Intensity, Photography & Conceptualizing Beauty, Project 365 - Photo-a-day, Season, Spring, Still Life, Weather
Homestead on a Hill - near Sexsmith, Alberta - Canada

Homestead on a Hill – near Sexsmith, Alberta – Canada

Ten minutes north from Sexsmith, Alberta this homestead is one previously photographed in mid-winter, the land smoothed under a snow blanket, the homestead roof likewise blanketed, but windswept with snow blown into curvilinear shape. Here, in early spring, the homestead’s greying outline pulls my eye, then it is its placement on the rise in this field, then the weather drama of its backdrop clouding and finally it’s the immensity of the homestead windows, each – one on each side – four feet tall by one and a half feet in breadth; much can be seen from this homestead. A South African farming friend points out that being able to see in each direction – north, east, south and west – requires that the farming home be placed at best vantage point to allow observation and consideration of happenings on the farm property. Pragmatics is what has been highlighted – all should be seen from the farm home and limit the need to be on the land to check on things.

Listening to – John O’Donohue’s ‘Longing and Belonging.’

Quote to Consider – “Of course, there will always be those who look only at technique, who ask ‘how,’ while others of a more curious nature will ask ‘why.’ Personally, I have always preferred inspiration to information.” – Man Ray

La Glace – Bounty

Backlight, Canon Camera, Canon Live View, Fauna, High Dynamic Range (HDR), Homestead, Journaling, Light Intensity, Photography & Conceptualizing Beauty, Project 365 - Photo-a-day, Spring, Still Life, Sunset
La Glace Homestead II - La Glace, Alberta  - Canada 1

La Glace Homestead II – La Glace, Alberta – Canada 1

La Glace Homestead II - La Glace, Alberta  - Canada 2

La Glace Homestead II – La Glace, Alberta – Canada 2

La Glace Homestead II - La Glace, Alberta  - Canada 3

La Glace Homestead II – La Glace, Alberta – Canada 3

La Glace Homestead II - La Glace, Alberta  - Canada 4

La Glace Homestead II – La Glace, Alberta – Canada 4

Saturday’s bounty, a week ago, was found at sundown near La Glace – this homestead image; it followed six shots in which a moose and its calf trotted behind this homestead, a speedy blur of movement from left to right in my viewfinder, all amid this static landscape and sunset.

Listening to – Coldplay’s ‘Magic,’ U2’s ‘Every Breaking Wave,’ One Republic’s ‘I Lived,’ Of Monsters and Men’s ‘King and Lionheart (live),’ John Mayer’s ‘Age of Worry,’ Maroon 5’s ‘Lucky Strike,’ Snow Patrol’s ‘Crack the Shutters,’ Coldplay’s ‘Us Against the World,’ U2’s ‘Song for Someone,’ Ed Sheeran’s ‘Little Bird,’ and John Mayer’s ‘Queen of California.’

Quote to Consider – “To me, photography is an art of observations. It’s about finding something interesting in an ordinary place … I’ve found it has little to do with the things you see and everything to do with the way you see them.” – Elliott Erwitt, 1928

Walkabout Homestead

Backlight, Canon Camera, Canon Live View, Farm, Farmhouse, High Dynamic Range (HDR), Home, Homestead, Journaling, Light Intensity, Photography & Conceptualizing Beauty, Project 365 - Photo-a-day, Spring, Still Life, Weather
La Glace Homestead on a Hill 1

La Glace Homestead on a Hill 1

La Glace Homestead on a Hill 2

La Glace Homestead on a Hill 2

La Glace Homestead on a Hill 3

La Glace Homestead on a Hill 3

On my own, away from home and family, four hours into a walkabout drive with my camera on a sunny, spring Saturday, a right turn takes me west, heading toward La Glace – new ground. Nearly sunset, the miles long straight road climbs and curves around a foothill allowing this scene to find me – a homestead on the westward rise, against the big Alberta sky.

Listening to – Chris Whitley’s ‘Big Sky Country’ and ‘Dust Radio.’

Quote to Consider – “Photography can only represent the present. Once photographed, the subject becomes part of the past.” – Berenice Abbott

Rusting Relics – Narratives of Habit

Canon Camera, Canon Live View, Farm, High Dynamic Range (HDR), Photography & Conceptualizing Beauty, Project 365 - Photo-a-day, Season, Still Life, Vehicle, Vehicle Restoration, Winter
Farm Trucks - Manning, Alberta 1

Farm Trucks – Manning, Alberta 1

Farm Trucks - Manning, Alberta 2

Farm Trucks – Manning, Alberta 2

Farm Trucks - Manning, Alberta 3

Farm Trucks – Manning, Alberta 3

In the past few days I’ve wondered if the attracting element to vehicle photography is the coherence of a vehicle’s design, functionality and comfort. Beyond this, is it the style and form of the vehicle that attracts the eye and the impulse to drive the vehicle? Perhaps it is our ability to imagine both how someone will look driving the vehicle or merely the anticipation of how it will handle that attracts the photographer to a vehicle.

For drivers, habit leads us in our vehicle use, our driving. We tend not to consider the system or systems of steps that allow us to drive a vehicle. Unlocking the door, opening the door, sitting in the seat, putting the key into the ignition, starting the car with or without throttle use, shifting from park to reverse and then to drive, steering, adjusting speed with throttle (gas pedal) – these steps get the car moving and rolling. A system of steps ensures safety of self and others, a system of steps allows us not only to propel the vehicle forward, but to navigate while doing so and a system of steps allows us to park and leave the vehicle. For the driver such a system of steps is more habit than an individually considered set of actions that takes driver and passengers from point of origin to destination and back again.

So, is it design, function, form, colour or comfort that attracts the photographer’s eye to a vehicle? Or is it the photographer’s ability to imagine, see and confirm the narrative of habit associated with a vehicle that pulls the eye – the future narrative of a new vehicle; or, the past narrative of a vehicle from another era? Perhaps these questions are starting points for vehicle advertisers. Still I like looking at each dent, chip and window crack in old, rusting relics; vehicle interiors convey much about driver and passengers – much narrative of habit is found in these vehicles. Here, rusting relics are set out in a farmer’s field near Manning, Alberta. In my drive past the site last weekend it was a surprise to see the old La Crete, REO Speedwagon cab and chassis gone; hopefully it’s found a good home and has had the good fortune to become a project for rehabilitation.

Quote to Inspire – “Photography is for me simply a creative passion, the ability to use light and form to capture in a single image – what I see in my own imagination….” – Tim Wallace, car photographer in interview with Topaz Labs.

Listening to – Jesse Cook’s ‘The Blue Guitar Sessions;’ one song standing out is ‘Ocean Blue.’

Grist & Blue

Canon Camera, Farm, High Dynamic Range (HDR), Journaling, Photography & Conceptualizing Beauty, Still Life, Vehicle, Vehicle Restoration, Weather, Winter
Dormant Rusting Relics - Manning, Alberta 1

Dormant Rusting Relics – Manning, Alberta 1

Dormant Rusting Relics - Manning, Alberta 2

Dormant Rusting Relics – Manning, Alberta 2

It’s March. Two weeks ago we were at -28C, here in High Level, Alberta. Yesterday and today Spring’s warmth melts snow. Returning to High Level from Edmonton on a Saturday afternoon, two weeks ago, a Tamron telephoto lens allowed for this high dynamic range (HDR) image capture of these three dormant, rusting relics – trucks not quite ready for salvage, more grist for custom renovation, nostalgic celebration or for parts. The clarity of the Tamron lens is excellent and at 400 metres distance from the vehicles distortion is limited. I’m liking the image yielded, its blues and textures – they remind of childhood play amongst cars next to the shop at my cousins’ farm.

Quote to Inspire – “To photograph: it is to put on the same line of sight the head, the eye and the heart.” – Henri Cartier-Bresson

Quote to Inspire – A story first heard in an interview with Rosanne Cash, last June … interesting. “I had a dream once about confronting art, personified, as a human being, and him telling me that he didn’t respect dilettantes. This dream was about eight years ago and it changed my life. I knew that I had to strengthen my concentration and really focus on what I was doing and commit to this work in a really deep way or else give it up. There’s no in-between. That presence is still with me. I want to please him. It’s off the wall, but it was really powerful.” – ‘Rosanne Cash by David Byrne,’ ‘BOMB – Artists in Conversation.’

Listening to – Bruce Springsteen’s ‘Walk like a Man,’ ‘Tunnel of Love’ and ‘Two Faces;’ then it’s ‘Radio Nowhere.’ The Verve’s ‘Bittersweet Symphony’ has shown in different playlists a couple of times in the past week.

Treed Hallway

Canon Camera, Canon Lens, Canon Live View, High Dynamic Range (HDR), Home, Light Intensity, Night, Photography & Conceptualizing Beauty, Project 365 - Photo-a-day, Still Life, Sunrise, Winter
Walterdale House Green - Edmonton, Alberta - Canada

Walterdale House Green – Edmonton, Alberta – Canada

Southward, under Edmonton’s 105th Street bridge, just steps to its west are three sturdy houses from Edmonton’s early nineteen hundreds, houses that comprised what was then known as Walterdale. Each is a two storey structure; two are white and another that has become subject for this image is more ornate in its presentation – white or cream on teal or perhaps a turquoise green. An image from memory coaxes me along this early morning photo ramble – an autumnal scene, a photo of my father’s in which he’s framed one of the white Walterdale houses with fall yellows of birch and aspen along a treed path, an open-ended hallway opening out and arriving at that white house. That photo hangs downstairs, on a wall outside my study where it can receive morning sunlight on sunlit days. Until this photograph, I had not set foot in Walterdale for perhaps thirty years.

Colour, composition and lighting attract me to this image.

Listening to – Marco Beltrami & The Giver Cast perform ‘End Credits’ to ‘The Giver (Original Motion Picture Soundtrack);’ it’s also a piece my daughter is playing on our Heintzman piano (it’s just been tuned … good); I’ve been playing Casting Crowns’ ‘Broken Together’ on it last night – something beautiful.

Quote to Inspire – “If your pictures aren’t good enough, you’re not close enough.” – Robert Capa

From Under, Looking Up

Canon Camera, Canon Live View, Flora, High Dynamic Range (HDR), Journaling, Light Intensity, Night, Photography & Conceptualizing Beauty, Weather, Winter
High Level Bridge - HDR 1a

High Level Bridge – HDR 1a

High Level Bridge - HDR 2a

High Level Bridge – HDR 2a

High Level Bridge - HDR 2b

High Level Bridge – HDR 2b

High Level Bridge - HDR 2c

High Level Bridge – HDR 2c

Away from home, an early hour when wife and daughter sleep, I am away from our hotel, outside in Edmonton (home of my youth) and under the High Level Bridge looking up at angles of grid iron, iron work – liking this image as edited. The second image (with different versions) shifts northward in view, again from under the bridge, looking across the North Saskatchewan River to our Alberta Legislature, built on the historical site of Fort Edmonton.

Listening to – Dan Mangan and Jesse Zubot’s ‘Cumulonimbus (Newport, 63) and Parov Stelar’s ‘Room Service.’

Quote to Inspire – “I never question what to do, it tells me what to do. The photographs make themselves with my help.” – Ruth Berland

Above the Pave

Canon Camera, Canon Lens, Canon Live View, Fall, Flora, High Dynamic Range (HDR), Light Intensity, Lookback Photos - One Year Ago, Photography & Conceptualizing Beauty, Project 365 - Photo-a-day, Sunset
La Crete - The Pave

La Crete – The Pave

Twin Lakes - Slough

Twin Lakes – Slough

The week has presented opportunity to work with Adobe Photoshop CS6 with High Dynamic Range (HDR) images – side-lit clouds in sunset’s golden hour present colour, light and shadow in interesting ways; I’m re-editing two sets of bracketed images for High Dynamic Range work. ‘The Pave’ is a term used by La Crete Mennonites to refer to a seven mile stretch of narrow-shouldered highway that becomes the last portion of road in my October drive from High Level to La Crete. In this image clouds billow in a rhythm, catching colour above ‘the pave’ moments before the sun descends below the horizon. The work in this photo was that of tearing myself away from the impending meeting to capture this colourful image … I would be late. The second image was part of a return drive from Grande Prairie from this past fall, undulating clouds reflected within slough water. In both, I’ve been working with Adobe Bridge and then with the automated function in Adobe Photoshop CS6 to merge bracketed photos into a single HDR image.

I have also been exploring the messages of authors, Courtney Martin (her book, ‘Do It Anyway’) and Parker J. Palmer (his book, ‘The Courage To Teach’), this week. Courtney’s book looks at core elements of resilience and advocacy … sort of ‘The Freedom Writers’ meets the real world in extraordinary and exemplary ways. Parker’s book considers teaching from many facets, one being the inner teacher within the student that the teacher needs to connect with in order to bring about learning. The book is crammed with teaching truth. I am about half-way through and will be moving through it a second time.

Listening to – Dan Mangan & Jesse Zubot’s ‘Cumulonimbus (Newport, ’63),’ Nick Laird-Clowes’ ‘Golborne Road’ and Arvo Part’s ‘Speigel im Spiegel.’

Quote to Inspire – ‘Beauty can be seen in all things, seeing and composing the beauty is what separates the snapshot from the photograph.’ – Matt Hardy

A Finer Clarity

Barn, Canon 60D, Canon Camera, Canon Lens, Canon Live View, Fall, High Dynamic Range (HDR), Photography & Conceptualizing Beauty, Still Life
Sangudo Trucks-Edit-2-Edit-Edit

Sangudo Trucks-Edit-2-Edit-Edit

Sangudo Trucks-Edit-3

Sangudo Trucks-Edit-3

Sangudo Trucks-Edit-Edit

Sangudo Trucks-Edit-Edit

Adobe Photoshop CS6 has been platform for creating, or perhaps better stated, re-creating High Dynamic Range (HDR) images from RAW files that had been used with NiK Software’s HDR Efex Pro. The process is new with a different sequence of steps – using Adobe Bridge to identify and find photos is one step changing things. And, then, the image result has less halo surrounding subjects within the photograph. The image created this morning is from the Alaska Highway Construction Museum in Sangudo, Alberta from a year or two ago. The clarity and detail is substantially finer using the Adobe Photoshop CS6 process to create the HDR – edges have greater fidelity to what was observed.

Quote to Consider – “In photography there are no shadows that cannot be illuminated.” – August Sander (sounds like an HDR image making kind of quote)

Listening to – Zoe Keating’s Album, ‘Into the Trees;’ ‘Optimist,’ ‘Don’t Worry,’ and ‘Escape Artist.’

P.S. – It has finally happened; that photo-a-day that should have resulted in 365 posts in one year – intended from 2011 to 2012 – has only just been achieved within this photo-blog post … 365 posts with many, many photos … the milestone, intended, has arrived and it’s only taken from 2011 to 2015. Thank you, to all who have been a part of encouraging this endeavor. Good schtuff! 😉