As Found In My Home Away from Home – Grace

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1956 Pontiac Star Chief

1956 Pontiac Star Chief

After a long and somewhat unproductive day, I make my way to one of Grande Prairie’s music shops – Long & McQuade (formerly G.P. Music). The workflow of salespeople helping customers is somewhat disjointed as experienced staff help junior staff learn the ropes; it’s Christmas season. The salesman helping me buy guitar picks and guitar strings hesitates as he hunts and pecks, finding his way around the cash register keyboard. His novice’s uncertainty and the larger than expected receipt total become a red flags; I check my receipt. I ask one of the veteran salespeople to check the receipt for accuracy. The receipt checks-out and prompts the rejoinder meant with goodwill “Have we ever treated you wrong?” He’s smiling as he says this – everything’s okay. And, in truth, this Grande Prairie guitar shop has been one of those homes away from home, a place in which I could work through a song’s chording on any of a variety of new and used guitars – the people in this guitar shop have always indulged me with gear and in answering my questions. This store has always been a place to connect with other guitar players, a place to hear a tune or two or perhaps a small concert; it’s been a place to help others talk through their guitar purchases.  It’s been a place to draw out music from friends and to enjoy the living feast of their guitar fretwork. I’ve purchased five guitars and countless sets of strings from them through the years.My week has been long, one pushing me from my comfort zone and one shaping awareness of the grace I extend into any situation.

I have made it down to Grande Prairie and back again. In these travels I did slow down somewhat and gather perspective rather than racing through a ‘did-I-do-it-list’ and returning to the road as soon as they were completed. I have been passenger rather than driver on this trip from High Level to Grande Prairie and I’ve been delivered safely at each destination despite ice and snow. I have made it to my doctor’s appointment like ten or twelve others and found bureaucratic conundrum, one hand not letting the other know about the doctor’s absence so that the doctor’s patients would not travel as far as we’ve come, unnecessarily. I was able to see another doctor to follow-up on another lingering appointment for a different issue; squeezing me in, hospital staff were able to make this appointment work for me. Good! Without my own vehicle, I became a New Yorker in Grande Prairie using cabs to go here and there, here again and there again, and again – each cab ride an opportunity to chat with a driver and to learn something of the drivers’ lives and homes.  I learned about extraordinary medical practices in Ethiopia. There’s been the good night’s sleep of the second night in Grande Prairie. And, there’s been camaradie and chat with fellow travellers found in the return to High Level, last evening.

1956 Pontiac Star Chief – The car my father taught me to drive in was a metallic green, 1969 Pontiac Parisienne, two-door. It had its share of chrome, lines and horsepower. And, were I to find another one my brothers and I would likely share the costs of restoring it to its former state.  The Star Chief presented here is one that has been brought into Canada’s north from the United States by way of Kelowna, British Columbia.  Its owner had owned one as his first car, just out of high school, in the sixties.

Listening to – U2’s No Line on the Horizon and City of Blinding Lights;  Concrete Blonde’s Wendy; and, Edie Brickell and the New Bohemians What I Am.

Quote to Inspire – “I find it particularly exciting when a picture evokes anything near that word, ‘mystery’.” – Jeff Mermelstein

To the Orthopod, Jeeves …

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Travel is my day’s task. The orthopedic surgeon who will review my arm’s recovery and next step’s in rehabilitation is some five hours away. Instead of piloting my own vehicle with one good arm, I’m electing to travel on the Northern Express, a passenger van that will take me from High Level to Grande Prairie. Running off the road at -25C and having one weakened limb might produce an unwanted and perhaps conclusive result. So, a better idea is to leave the driving to another, today. So, with podcast-crammed iPod and point-and-shoot Canon at the ready this day will roll on.

The photos presented here convey some of what Alberta’s weather can be like; there’s also a fifties Ford from a show and shine … yes, driving is more fun that being a passenger.

Listening to – The Police, Live in Buenos Aires … Message in a Bottle, Don’t Stand So Close to Me and Every Little Thing She Does Is Magic.

Quote to Inspire – “Still images can be moving and moving images can be still. Both meet within soundscapes.” Chien-Chi Chang

Innovation’s Ah-hah, Restoration and Reminiscence

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Quality vehicle restoration receives appreciation for its thorough undertaking (or perhaps its state of completion) – front to back and from the ground up the vehicle is brought back to strength and often is improved through innovation. Often the vehicle restored is re-engineered to handle innovation – a different engine is accommodated, the frame is adjusted toward a tighter or softer suspension, the vehicle’s shape receives alteration for aesthetic reasons. Always, the most distinctive design elements remain; the restoration’s innovation only improves upon previous design. And it’s the recognizable attributes of the vehicle that draw people to it.

For those who appreciate what is found in the vehicle restored, dialogue quickly falls into the car or truck someone also had many years ago, the times and memories associated with it, its performance and its idiosyncrasies, and its cost … back then (buying a two or three year old vehicle for $300). Reminiscence is to be found.  But, so too, are the ‘ah-hah’ moments found when people consider and appreciate the how and why associated with each innovation encountered in the restored vehicle – what one dreamed of doing to his or her vehicle so long ago, has been breathed into Life in the vehicle restored, the vehicle before them.

Chevrolets of the fifties are the subject of these photos – more than other vehicles Chevrolets tend to be the ones restored, perhaps because of their abundant shape and form, perhaps because of their use of chrome and colour, perhaps because of the memories they associate with the glory days of good former times.

Listening to Somewhere in Your Heartby Isaac Guillory from The Days of Forty Nine.

Quote to Inspire – “A photograph is the pause button on life.” – Ty Holland

Done, Did, Done – Week’s End

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Week’s end – all that one could do, done … and then some. Will Brady frets Bob Dylan’s Buckets of Rain – instrumental and blue, music with which to wash the week’s residue away. Time to park oneself, for a time, and to look out to all that is the going concern in the world, to glimpse and gather perspective and surface/intuit understanding(s). The exterior shape and the weathered paint of these trucks awaiting restoration remind that Life has its caress and collide, its scuffs and bumps, its clang and crash, its stumbles and tumbles – there’s cost involved in getting from point of origin to any destination. ‘Coming together is a beginning, staying together is progress, working together is success.’ – this quote is how Henry Ford understood one aspect of integrity, that of remaining more together than apart, even as a vehicle. And at week’s end, having done all that needs done the blessing may simply be that in terms of integrity we remain more together than apart.

Listening to Pierre Bensusan’s Nice Feeling – ambient guitar work among more pronounced blues music.

Quote to Inspire – “A photograph is not created by a photographer. What [he/she does] is just open a little window and capture it. The world then writes itself on the film. The act of the photographer is closer to reading than it is to writing. They are the readers of the world.” – Ferdinando Scianna

Pairs Paired

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Paired FOMOCO Trucks - Vavenby, British Columbia

Paired FOMOCO Trucks – Vavenby, British Columbia

Paired – Mercurys paired, power poles paired, pairs of headlights and missing headlights paired.  The image presents some wide angle distortion amid its experimentation mixing colour with black and white.

Listening to – U2’s Gone and reminiscence regarding Michael Hutchence (Hutch) from INXS, … ‘going, going but not gone,’ … from the Popmart Tour video.

Quote to Inspire – “Ultimately photography is about who you are. It’s the truth in relation to yourself. And seeking truth becomes a habit.” – Leonard Freed

Re-tasking a Vehicle – Its Promise

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Re-tasking A Vavenby Ford, Vavenby, British Columbia

Re-tasking A Vavenby Ford, Vavenby, British Columbia

Perhaps the most interesting feature of vehicle restoration is the re-tasking of a vehicle and its parts. Fenders, engines, radiators and transmissions are swapped out as one fails and another usable one is found to be used in its place. A three-quarter ton truck with a rusted out box may have the box removed to be replaced by a new one or perhaps the truck is now made into a flat deck. Here, an old Ford no longer has its hood or box; yet there are still the active working parts that point to its future potential and that define what history it has had and its former purposes. I find solace, here, with one arm in a sling as muscle fibers fuse/grow back together following a bicep/tendon tear. Now, six weeks on, I’m impressed that this body continues to repair its fifty-one-year-old self. For a time, just like this truck, I’m having to remain stationary before I will move in more substantial ways. I can see the promise that this truck still holds.

Listening to U2’s Stay (live from Toronto).

Quote to Inspire – “A photographer is an acrobat treading the high wire of chance, trying to capture shooting stars.” – Guy Le Querrec

The Cargo – A Book or A Ford’s

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Ford Among Fords - Vavenby, British Columbia

Ford Among Fords – Vavenby, British Columbia

A truck has as its intended purpose that of providing its owner with the opportunity of carrying or moving a payload from point of origin to an intended destination. A book does something similar, transporting its reader from point of origin or initial setting through the twists and turns of plot through to a closing destination. The cargo is human in imagination’s resemblance and there is something the author proposes to be learned/understood as one participates in the book’s movement of mind to its conclusion and denouement. This Vavenby, British Columbia truck does have me consider how it was used and the peoples and cargos it has transported. I appreciate its owner having given me permission to photograph it – thank you, Marvin Ritchie. The photographic respite you allowed helped make the long westward drive more doable.

Quote to Inspire – “If a photographer cares about the people before the lens and is compassionate, much is given. It is the photographer, not the camera, that is the instrument.” – Eve Arnold

Listening to – U2’s With or Without You, Mysterious Ways and Elevation (as viewed from the Live at Boston DVD).

Moose, Moleskin & Bison

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Are you someone who does this? Do you keep an idea file for photographs you’d like to try?  I’ve found myself doing this at times when travel cannot afford the time to stop and snap a few photos.  At other times, I will realize that the subject of a shot works but that the conditions may not work ideally.  And, if I’m lucky I’ll be able to ask my daughter to write down a note in a moleskin notebook while we drive about location and subject and particulars;  the moleskin stays in the vehicle and I can refer back to it. Wildlife photographer, Moose Peterson in an interview on Shutter Time with Sid and Mac (Sidney Blake and Maciek Sokulski) spoke of being encouraged to keep an idea file for photographs and to revisit the file and plan for opportunities to make the shot or shots happen. The bison at Elk Island National Park (east of Edmonton, Alberta) are subject for one set of photographs found here.   The bison have been a part of my idea file since I’ve been listening to Sid and Mac’s exploits in repeated and regular photo sessions at the park.  For me, in terms of the camera work the learning is about shutter speed.  Within the golden hour of sunlight and with the continual movement of the bison in their grazing there is a need for a faster shutter speed in terms of capturing crisp images.

The issue I am grappling with when traveling is that I will often be days or weeks from my photos before I can edit and see images.  I am still considering the value of a laptop from the perspective of allowing greater immediacy of editing while traveling.  There is learning to be derived from the editing process and it may be that working with a laptop with different subjects will foster good results in second or third visits/photo sessions.

The remaining pictures are catch-all – images that have been kicking around, interesting to look at;  the vintage late 30’s sedan, the T-bird and the late sixties Dodge Dart were parked outside Ricky’s All Day Grill and are the work of one person.  Imagine being able to say to two of your best buddies, “Hey let’s take a few of my cars for a spin,” and then take them out to breakfast.  Cool!  Beyond these, there are other renderings of the fifties one-ton truck, a rusting relic.

Listening to – John Mayer’s Queen of California, a song reminding of the Doobie Brothers back in the seventies.

Quote to Inspire – “All photographs are memento mori.  To take a photograph is to participate in another person’s (or thing’s) mortality, vulnerability, mutability.  Precisely be slicing out this moment and freezing it, all photographs testify to time relentless melt.” – Susan Sontag

Reflection – Rain-soaked and Waxless

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One Ton Truck - Edmonton, Alberta

One Ton Truck – Edmonton, Alberta

Of the renderings considered, this image of the one ton grain truck (or perhaps utility truck) from the fifties intrigues by way of its waxless reflection brought out by its being rain soaked.  The image’s colours are late summer’s end-of-day colours.  Night isn’t too far off, the shot taken within evening’s Golden Hour in Edmonton.  John Grisham wrote A Painted House, a growing up novel written about a boy’s witnessing America’s move from the farm (a cotton plantation) to its cities in America’s fifties; this is the kind of truck that might have been found within Grisham’s narrative.  I hadn’t thought his narrative (as autobiographical as it is) might be considered sibling narrative to Jack Kerouac’s On the Road until now.

Listening to – what is seemingly a rural truck reminds of Lucinda Williams’ Car Wheels on a Gravel Road.

Quote to Inspire – “The goal is not to change your subjects, but for the subject to change the photographer.” – Anonymous

Wilson Prairie Wildfire – Day 3

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Day 3 of the Wilson Prairie Wildfire – Friday, July 6th, 2012. In contrast to Thursday evening in which residents were able to move freely into the fire area, Friday saw Alberta’s Ministry of Sustainable Resource Development (SRD) controlling road access so that firefighting equipment could be moved around with greater ease on Wilson Prairie Road. I arrived in the early afternoon to find access to Wilson Prairie Road being controlled. I couldn’t use my vehicle on Wilson Prairie Road. But, I could walk in, staying to the ditches when equipment was being moved through. Two-and-a-half hours walking in and out allowed me to see more of what was going on and how the blaze was being controlled. Dozers were creating breaks/cut-lines and pushing piles of brush together so they’d burn more easily/quickly. Areas of intended burn and back-burn were being created.   One home was in harm’s way and helicopters were being used to sling water (from local dug-outs) to saturate the area in the case that the fire’s path changed with the winds. Air tankers had been tasked to other fires within the region; but, lead planes and Martin Mars water bombers (or the like) were being used to keep a consistent supply of water on the fire. On dust-ridden, gravel roads water trucks moved slowly dribbling water to keep dust down for vehicles moving in close proximity to one another. Later, I was able to drive around behind the fire to two other points to catch the more dramatic perspective of hot, billowing smoke moving upward into the atmosphere and the water bombers flying into fire area to release water on flames below.

Listening to – Adele’s Set Fire to the Rain, a tune played throughout last year’s forest fire that consumed Slave Lake, Alberta (spring 2011).

Quote to Inspire – “I enjoy traveling and recording far-away places and people with my camera.  But I also find it wonderfully rewarding to see what I can discover outside my own window.  You only need to study the scene with the eyes of a photographer.” – Alfred Eisenstadt