Dunvegan Photowalk, A Possibility

Best Practices - Photography, Canon 60D, Canon 70-200 mm 2.8 IS L Series Lens, Canon Camera, Canon Lens, Canon Live View, High Dynamic Range (HDR), Light Intensity, Photography & Conceptualizing Beauty, Project 365 - Photo-a-day, Still Life, Winter
The Peace River - Dunvegan Bridge and Dunvegan Gardens

The Peace River - Dunvegan Bridge and Dunvegan Gardens

On October 1, 2011, as an educator having completed several month-long tasks associated with the September 30th student count and the paperchase associated  with ministry deadlines at 11:00 p.m., the night before, the prospect of participating in a Kelby Photowalk was there, was a never-done and was possible. As a late, ‘day-of’ registrant one photowalk I could get to from High Level, Alberta, if I started my drive early enough was the photowalk in Dawson Creek, British Columbia.  A five-hour drive would see me there with time to spare; the photowalk would start at 1:00 p.m., B.C. time. This was the photowalk I took part in. The other photowalk that was within driving distance but started much too early after my sleeping hard was Fairview-based but would take in the area in and around the Dunvegan Bridge, the Dunvegan historic site and the Dunvegan Gardens. That photowalk took place, in part, along the banks of the Peace River found in the image presented here.

In reviewing this image today, I note that several features of the river draw my attention. The river winds its way through the huge, open space of the river valley. The valley is welcome contrast to the linear, familiar landscape surrounding High Level in which you can look forward, side-to-side and behind you; but up-down depth of perspective and distance are fixed. Standing midpoint up the valley slope allows good change of perspective – opportunity to look down into the valley toward the river and the opportunity to look along the sides of the valley (almost a hallway of sorts) to appreciate its relief (the land’s wrinkles leading down to the river). This kind of perspective as I enjoyed it from a Kelowna hot tub looking down onto Lake Okanagan is one feature I will emulate if and when I ever purchase a hot tub, enjoying a hot tub’s warmth from a height while looking out upon something below.

The photograph, here, is a high dynamic range (HDR) shot in which colour, texture, relief and light are crisply enhanced, capturing attention. Beyond this, the subject of the image – the river – holds attention because there is natural flow and movement, an indicator of spring’s upcoming arrival.  The river holds broken ice and moves along the surface of the water.  And, the sky’s blue reflects in the water.  All this reminds of former life in Fox Lake, Alberta when each evening I’d trek to the Peace River, enjoy its expanse, then return home. I walked to the river through all seasons.  For me, this photograph of the Dunvegan river valley and reminiscence of the Kelby Photowalk seem to point to a richness in opportunity for photography throughout each day and through all seasons.

Listening to – Over the Rhine’s Drunkard’s Prayer album; songs standing out – Born, Who Will Guard the Door and Spark.

Quote to Inspire – “The world just does not fit conveniently into the format of a 35mm camera.” – W. Eugene Smith

After Dan Kameka, the Dunvegan Bridge

Canon 60D, Canon 70-200 mm 2.8 IS L Series Lens, Canon Camera, Canon Lens, Canon Live View, High Dynamic Range (HDR), Photoblog Intention, Photography & Conceptualizing Beauty, Project 365 - Photo-a-day, Vehicle, Winter

Dunvegan Bridge HDR 1 (Reduced Size)

Dan Kameka, an artist and photographer in Alberta’s Peace Region has spurred me forward in this never-done photograph that I captured yesterday. I first became acquainted with Dan Kameka’s photography works at Grande Prairie’s Trumpeter hotel; there, I saw two eight-foot photographs, one a retro-green grain elevator (possibly United Grain Growers) and a second image of farming machinery from former times, a beautiful cluster of a Fargo grain truck with granaries now disused in a snow-dusted, winter fallow field.

That was ten years ago. Two years ago I found smaller versions of the same images for sale at Picture Perfect Frame & Gallery in Grande Prairie. In the set of images displayed I found two or three photographs by Dan Kameka that intrigued me because I wondered how they’d been taken. Of special interest was a Dunvegan Bridge photograph which intrigued because the riddle of working out where the photograph was taken from has stayed with me through these two years. The shot I have taken is likely taken at a point close to the location Dan would have used in capturing his image of the Dunvegan Bridge. Yesterday’s never-done was about riddling this through and then daring to navigate to the site which presented its own challenges, a task taking me from my car to the site and back in ninety or so minutes; it’s only been in the last two months that I’ve known how he probably had done it.

About this photo – this photograph associates to another I’ve posted entitled Alberta Fissure.  It is the complement to this image and is taken from a point behind the far left of this image and it looks down the valley from the high left through to the expanse of the valley to the right in this image. This photograph is one of several high dynamic range (HDR) shots I’ve created with automatic exposure bracketing; but it is the first in which cloud cover accentuates significantly adding drama. In this picture I’m impressed with the zoom lens compression of distance. The bridge itself is one kilometre long reaching over the Peace River at a narrower point.  The extrapolation then is that from the point I’m standing at taking the picture to the top of the S-curve on the other side of the valley is a distance of perhaps two to two-and-a-half kilometres. It would take a car travelling at 100 km/h about one minute to travel from the top of the S-curve to the point at which I stood near the highway incline. A significant distance is captured in this photograph.

Thank you Dan for those beautiful, intriguing photographs that capture my wonder and memory; you’ve had a hand in spurring me on not only with this photograph, but with my photography.

Listening to – Sarah Masen’s The Valley, Ziggy Marley’s Love is My Religion and Willard Grant’s Evening Mass.

Quote to Inspire – “There are always two people in every picture: the photographer and the viewer.” – Ansel Adams