Photography’s Rules & Rebellion

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Cattails - Watt Mountain 1

Cattails – Watt Mountain 1

Cattails - Watt Mountain 2

Cattails – Watt Mountain 2

Afternoon Sun - Watt Mountain 1

Afternoon Sun – Watt Mountain 1

Afternoon Sun - Watt Mountain 2

Afternoon Sun – Watt Mountain 2

Watt Mountain Roads 1

Watt Mountain Roads 1

Watt Mountain Roads 2

Watt Mountain Roads 2

I have been listening to an interview with Parker Palmer and Courtney Martin, this morning. The interview is presented as a podcast by Krista Tippett in her ‘On Being’ podcast/broadcast and is entitled ‘The Inner Life of Rebellion.’ The extrapolation as it relates to photography is to consider how photography is an act of rebellion … likely such a question has been fodder for Susan Sontag in her book, ‘On Photography.’ Susan Sontag’s book and this ‘On Being’ podcast are both worth attention.

Images – A Sunday afternoon’s photos in January, toward Watt Mountain.

Listening to: Hang Massive’s ‘Once Again;’ the week has also brought some time travel in terms of music – ‘At the River’ by Groove Armada, ‘Friday I’m in Love’ by The Cure and ‘Push the Button’ by the Sugababes. I’ve also had a go at Zoe Keating’s ‘Into the Trees’ album – ‘Seven League Boots’ often adds transition in ‘On Being’ podcasts.

Quote to Consider – “Skill in photography is acquired by practice and not by purchase.” – Percy W. Harris; “I am not interested in rules or conventions. Photography is not a sport.” – Bill Brandt

Its Next Turn

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Sunset Cloudburst - Valleyview, Alberta - Canada

Sunset Cloudburst – Valleyview, Alberta – Canada

Vermillion Lakes - Banff, Alberta - Canada

Vermillion Lakes – Banff, Alberta – Canada

2015 is here. It has arrived. Christmas has come and been, presents have been shared and received, family has been enjoyed, rest has been had. An emphasis on creating images has been more absent during this time.

The time has offered the chance to explore/research the photography of others and Google Circles has been a key venue for doing so. It has been an excellent venue for sharing images. What I am impressed by is the speed and rapidity by which new images are added to one’s home stream. And, it is entirely too easy to reach out and access the camaraderie of other photographers and genres of photography that you or I define. Google Circles is a marvelous means of gathering inspiration for photography by way of witnessing what others manage to create – ideas for what I or anyone might try are right there, in front of you. With Google Circles it has been necessary to pare down distracting and unintended kinds of images; but, it can be done in an easy way that can serve your photographic interests. What I did not anticipate was that it would surface significant interests for next steps in photography.

What this exploration has also surfaced is that good photographers are always in touch with their world; they are familiar with current affairs; they have a good sense of what’s going on in terms of the Arts; they are current with literature and the intentions behind such narrative. They are in step and in sync with their world. And, they create images with intention.

So, this blog, takes its next turn. What will I photograph next? What skills will I aim to grow? What influences will I find in this next year? These are likely your questions too. Good! Let’s see what images we can bring into being.

Gratitude – thank you, to all who have been a part of these three years of ‘In My Back Pocket – Photography;’ thank you for your interest and encouragement; thank you for those times when you’ve steered me to a next idea or skill; thank you for the camaraderie (or, perhaps better stated, solidarity) associated with a common pursuit. It ‘all’ counts and I am grateful.

The images presented here are some fun with black and white and selective colorization, images from this summer’s travels.

Listening to – Chopin’s Nocturne No. 14 in F Sharp minor, Opus 9, No. 1; a recording by Amir Katz.

Quote to Consider – “The best images are the ones that retain their strength and impact over the years, regardless of the number of times they are viewed.” – Anne Geddes

Watt Mountain Story Holder

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Watt Mountain, Hutch Lake, Alberta

Watt Mountain, Hutch Lake, Alberta

On a spring day eighteen years ago, good friends had taken my son, my wife and I out exploring north from High Level; it was the spring of our first year in High Level and they had taken us to Hutch Lake for a Sunday afternoon picnic. We had done some hiking. Then, being at the base of Watt Mountain we decided to see if we could ascend the mountain’s mucky, dirt road through the twelve kilometre climb in our four-door, red Nissan Sentra. Higher and higher we climbed, the nimble, front wheel drive Nissan never losing traction.

First, we got to a lookout vista partway up Watt Mountain; we stopped, there, to view the world we had just travelled through. At that point, we opted to make the rest of climb to the crest of Watt Mountain where the local Alberta Fire Service fire tower is located. There, we met the wildfire lookout observer. We asked and received permission to climb the tower and to survey the world from there – my wife, my friend’s wife and my son stayed below.

What an experience making the climb! And what a view, something giving us a sense for the terrain comprising the Mackenzie Municipal District. The climb is one that I’ve made only that once – a never-done experience, one in which the opportunity of the moment was seized and paid dividends. That day, a photo was taken of my son, my wife and I along one of the Hutch Lake hiking trails. It has remained on our piano since that time. Besides the reminiscence of family and friends, that photo is a story holder of all that comprised that day.

Here, within this image, the same Watt Mountain fire tower is dormant, residing in winter’s weather.

Listening to – Haydn Symphony #76 in E Flat, H 1/76 – 2 Adagio, Ma Non Troppo.

Quote to Consider – “Strictly speaking, one never understands anything from a photograph … [only] that which narrates can make us understand.” – Susan Sontag, ‘On Photography’

Time Out (in the Brubeck sense)

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The Blue Hills - Buffalo Head Prairie, Alberta

The Blue Hills – Buffalo Head Prairie, Alberta

Taking time-out in the Brubeck sense, there being too much to do, having completed one huge step along a bigger task, clearing my head with photography before tackling the next huge step. This image is taken on a stretch of road behind the highway connecting Blue Hills to Buffalo Head Prairie, Alberta. The intention had been to use three F-10 images of the same scene with focus-stacking software to produce a merged, focused image utilizing the lens’ strongest point of focus with various focal points in the scene. I didn’t get that far. I didn’t purchase focus-stacking software. Instead, I used HDR Efex Pro to merge the three shots. I’m liking the result, an image that would suit a Thanksgiving theme, the harvest complete, the field prepared for spring and a move toward quieter, less hectic work. Good.

Listening to – A Mash-up of Radiohead vs Dave Brubeck – Five Step; have a listen and watch … http://www.kewego.co.uk/video/iLyROoafJd5s.html ; also, listening to Bruce Cockburn’s ‘My Beat’ and ‘Wondering Where the Lions Are.’

Quote to Consider – “It is not altogether wrong to say that there is no such thing as a bad photograph – only less interesting, less relevant, less mysterious one.” – Susan Sontag, ‘On Photography’

Morning Flux

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Sunrise - Arches Nat'l Park, Moab, Utah 1

Sunrise – Arches Nat’l Park, Moab, Utah 1

Sunrise - Arches Nat'l Park, Moab, Utah 2

Sunrise – Arches Nat’l Park, Moab, Utah 2

Sunrise - Arches Nat'l Park, Moab, Utah 3

Sunrise – Arches Nat’l Park, Moab, Utah 3

Sunrise - Arches Nat'l Park, Moab, Utah 4

Sunrise – Arches Nat’l Park, Moab, Utah 4

Sunrise - Arches Nat'l Park, Moab, Utah 5

Sunrise – Arches Nat’l Park, Moab, Utah 5

Sunrise - Arches Nat'l Park, Moab, Utah 6

Sunrise – Arches Nat’l Park, Moab, Utah 6

Summer Memory – early, early morning, warming, moving, cycling Edmonton bike trails, alone, witnessing with dawn the lighting of the earth and the articulation and colouration of shapes, the earth shrouded in mist, becoming seen, more and more vividly, with each pedal stroke. It’s the transition or flux from night to day happening each day regardless of weather – the time is special, perhaps sacred. The photos, here, capture the lighting of the earth, the articulation of shape and colouration of the world at dawn – Arches National Park, near Moab, Utah.

Listening to – Mary J. Blige and U2 sing ‘One,’ Luciano Pavarotti and U2 sing ‘Miss Sarajevo’ and B.B. King and U2 sing ‘When Love Comes to Town.’

Quote to Consider – “Insofar as photography does peel away the dry wrappers of habitual seeing, it creates another habit of seeing – both intense and cool, solicitous and detached; charmed by the insignificant detail, addicted to incongruity.” – Susan Sontag, ‘On Photography’

Stopping the Clock

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Arches Nat'l Park - Moab, Utah 1

Arches Nat’l Park – Moab, Utah 1

Arches Nat'l Park - Moab, Utah 2

Arches Nat’l Park – Moab, Utah 2

Arches Nat'l Park - Moab, Utah 3

Arches Nat’l Park – Moab, Utah 3

Arches Nat'l Park - Moab, Utah 4

Arches Nat’l Park – Moab, Utah 4

Arches Nat'l Park - Moab, Utah 5

Arches Nat’l Park – Moab, Utah 5

As a newly heard phrase, the words ‘when the clock stops’ intrigue as a conceptualization of abundant time that can be personally directed. In these words you are no longer ‘on the clock’ and answerable to someone else for your use of time (in work hours). The phrase describes the inverse of having too little quality time or personal time, of being ‘time-starved.’ The ‘on the clock’ world tends to describe our work situation in which work becomes a way of Life and survival more than it is a Life chosen through free will. What is more, among Stephen Covey’s seven habits of highly effectively people there is the habit of sharpening the saw – the regular withdrawal from endeavor that renews you allowing your return to endeavor fresh, invigorated and with greater clarity of perspective (vision). The phrase ‘off the clock’ does intrigue.

Tonight, sleep eludes me and I’m stopping the clock.

The past seven weeks have been heavy with tasks and within the last two weeks demands on my time beyond my school day have been substantial, yet the rewards for others and me have also been substantial. Editing images remains my means of stopping the clock and sharpening the saw. In the last few nights I’ve settled in editing Utah photos from July. I’ve left these images for now, when I would make time for them rather than rush through their edits. And, I’ve made time to deal with a monitor issue before editing. I have calibrated both monitors so the differential between them in hue, luminance and contrast is minimal – what I see on one monitor is what I see on the other. One monitor has tended toward warmer colours, while the other has been cooler. The calibration should go a long way toward presenting images as my eye sees them right on the monitor.

The images presented here are Arches National Park Buttes during a summer sunrise.

Quote to Consider – “Insofar as photography does peel away the dry wrappers of habitual seeing, it creates another habit of seeing: both intense and cool, solicitous and detached; charmed by the insignificant detail, addicted to incongruity.” – Susan Sontag, ‘On Photography’

Listening to – U2’s ‘Live from Paris’ album; ‘Trip through Your Wires,’ ‘I Still Haven’t Found What I’m Looking For,’ and ‘Running to Stand Still’ are songs standing out. Also have found Jen Chapin & Rosetta Trio’s version of Bruce Springsteen’s ‘American Skin (41 Shots);’ reminds of Jackson Browne doing this song in a tribute to Bruce Springsteen – the story behind the song is worth the investigation. I’m also enjoying Bruce Springsteen’s ‘Live in Dublin’ concert – just now the banjo bringing in ‘Jesse James.’ The same album contains ‘If I Should Fall Behind,’ something for couples and married to hear. The night is being rounded out by Bruce Hornsby & the Range, ‘The Show Goes On’ from the Backdraft soundtrack.

Post Script – Luka Bloom also aims at stopping the clock with his tune, ‘Blackberry Time.’

Russet Rain

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Russet Rain - Valleyview, Alberta 1

Russet Rain – Valleyview, Alberta 1

Russet Rain - Valleyview, Alberta 2

Russet Rain – Valleyview, Alberta 2

Labour Day weekend, that point in the year when parents of college- and university-aged children make the drive taking students to cities far away, returning them to another year of campus Life. Travel toward school held anticipation for my son. For me, there was the chance meeting of a teaching friend while refueling our vehicles in Valleyview; both of us were taking our kids to University. We chatted, exchanged e-mails and committed to staying in touch via e-mail. In Edmonton, my son and I shopped and got him squared away in terms of his belongings and his first set of groceries. We said our good-byes and I left him to connect with his friends and settle into his University term. Five hours away on my return journey, a rain shower, off in the distance near Valleyview became a focal point to explore with my camera – an immense set of clouds beginning to release rain at sunset. I’m liking the endpoint of this expressive, moody edit.

Listening to – U2’s ‘Raised by Wolves’ intrigues with different possible trajectories – the feral child (raised by wolves), trial-by-fire and being taken advantage of steering towards better, wiser paths and the duality of wolf and lamb that needs to be discerned in terms of people you encounter and deal with.

Quote to Consider – “Nothing is more acceptable today than the photographic recycling of reality, acceptable as an everyday activity and as a branch of high art.” – Susan Sontag, ‘On Photography’

Forgotten & Found

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Salt Flats - Salduro, Utah 1

Salt Flats – Salduro, Utah 1

Salt Flats - Salduro, Utah 2

Salt Flats – Salduro, Utah 2

Bonneville Salt Flats, Utah

Bonneville Salt Flats, Utah

That idea, potent, yet half-formed did have to be put down, but not put away – it would yield treasure should I return to it. My father, a plastics chemist, evolved a habit of downloading his mind into moleskins as his best tack for moving past interruption and returning to most current endeavor. Years later I would discover Evernote, a digital means of recording texts or MP3s of current and next ideas without losing them. Scott Smith (Motivation to Move) and Dave Allen (author of Getting Things Done) would both advocate the practice of downloading one’s mind and a system for organizing those ideas into workable and profitable work. Tonight, enough things have occurred organizationally to allow me to uncover and sift through months of notes, curious quotations and ideas (mine) and the trajectory upon which they can move were I to breathe Life into them.

Curious Ideas to Consider (from Moleskin pages)

(1) “… Courage is the most important of all the virtues, because without courage you can’t practice any other virtue consistently. You can’t be consistently fair or kind or generous or forgiving [any of these] without courage.” – Maya Angelou (in conversation with Krista Tippett, ‘On Being’ podcast)

(2) On Photography – “In composition the important thing is to isolate and simplify.” – Tony Sweet (in conversation with Ibarionex Perello, ‘The Candid Frame’ podcast)

(3) The BBC reported 07 August 2014 that dementia has been linked to lack of exposure to sunlight; my father has Alzheimer’s Disease.

(4) Love Your Enemy (what doing so also means) – it involves the courage to be vulnerable with those with whom you passionately disagree; it requires that you consider what in your own position troubles you, and, that you consider that which resides in the other person’s position that attracts you – an idea from an ‘On Being’ podcast dealing with American Civil Rights.

(5) “Forgiveness means giving up all hope for a better past.” – Laugh-ins’ Lily Tomlin (in conversation with Krista Tippett, ‘On Being’ podcast)

Part of tonight’s treasure has been the scribble containing music heard as far back as January, this year. My scrawl was the result of auditory capture; listening to CKUA while down in Edmonton I heard two songs – the first, was a quiet, fingerstyle rendering of the Rolling Stones’ Satisfaction from James Lee Stanley and John Batdorf; the other, was a take on U2’s ‘With or Without You,’ most likely offered by Sarah Darling … tonight is my first chance to hear it again and to purchase it.

Forgetfulness
by Billy Collins

The name of the author is the first to go
followed obediently by the title, the plot,
the heartbreaking conclusion, the entire novel
which suddenly becomes one you have never read,
never even heard of,

as if, one by one, the memories you used to harbor
decided to retire to the southern hemisphere of the brain,
to a little fishing village where there are no phones.

Long ago you kissed the names of the nine Muses goodbye
and watched the quadratic equation pack its bag,
and even now as you memorize the order of the planets,
something else is slipping away, a state flower perhaps,
the address of an uncle, the capital of Paraguay.

Whatever it is you are struggling to remember,
it is not poised on the tip of your tongue,
not even lurking in some obscure corner of your spleen.

It has floated away down a dark mythological river
whose name begins with an L as far as you can recall,
well on your own way to oblivion where you will join those
who have even forgotten how to swim and how to ride a bicycle.

No wonder you rise in the middle of the night
to look up the date of a famous battle in a book on war.
No wonder the moon in the window seems to have drifted
out of a love poem that you used to know by heart.

The poem reminds of George Smiley in one of Le Carre’s MI-5 novels and the personal wisdom of relaxing his mind and letting that half-forgotten idea, concept or name resurface in its time (relax and let your mind have the time … it will come).

Images presented here include the blue and white contrast of Utah’s salt flats as well as a black and white edit of the same image. As well, there’s the road from the interstate to the Bonneville Speedway – Speed Week is next week.

Quote to Consider – “Photography is an elegiac art, a twilight art. Most subjects photographed are, just by virtue of being photographed, touched with pathos.” – Susan Sontag, ‘On Photography’

Listening to – Sarah Darling’s rendering of ‘With or Without You’ and John Batdorf and James Lee Stanley’s ‘Ruby Tuesday,’ ‘Wild Horses,’ and ‘Satisfaction.’

Utah – Salt Flats & Sky

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Utah Skies - Knolls, Utah 1

Utah Skies – Knolls, Utah 1

Utah Skies - Knolls, Utah 2

Utah Skies – Knolls, Utah 2

For perhaps five years, each time my wife and I took our son and daughter out to enjoy a meal at High Level’s Boston Pizza with friends or on our own we would gaze upon what has become a familiar painting on the wall above the cash register and waiting area – Jack Vettriano’s Bonneville; the painting celebrates the work, the interest and the observation of what it is to break and set different land speed records in various vehicles. Beyond this, there was that movie … Anthony Hopkins, as actor, played the role of Burt Munro in a 2005 movie, ‘The World’s Fastest Indian’ (Indian, here, referring to the Indian motorcycle). Burt Munro was a mechanic/inventor/racer from New Zealand who raced motorcycles. He set a world record at Utah’s Bonneville Salt Flats. My wife encouraged me to go. She and our daughter would remain at the hotel and lounge at the pool cooling themselves in Utah’s summer heat (close to 100 F most days). They would remain cool, rest and read their newly purchased Barnes and Noble treasures. I would investigate Utah’s salt flats.

From Midvale, I steered our rented 2012 Toyota Rav 4 toward Salt Lake City and then follow directions from our Tom Tom GPS to Utah’s salt flats, then to the Bonneville speedway and to Wendover, Utah and the B-29 Bomber Base where the crew of Enola Gay were trained in World War II. By day’s end, I would have photographed the salt flats, Bonneville and Wendover; I would have had a flat tire and need to double back to Wendover to have the tire repaired; and, I would almost run out of gasoline on the return drive home. Doubling back would allow me to investigate more fully the B-29 Bomber Base and discover a goldmine of remarkably maintained American-built cars from the sixties and seventies – both at Wendover, Utah.

Here, one of the final rewards of the day was the evening cloud-work after the sun had crossed the horizon.

Shout Out – a big thank you to Maciek Sokulski (‘Shuttertime with Sid and Mac’ podcast) for articulating good best practices for working with Adobe Lightroom.

Quote to Consider/Inspire – “This freezing of time – the insolent, poignant stasis of each photograph – has produced new and more inclusive canons of beauty.” – Susan Sontag, ‘On Photography’

Listening to – Bruce Springsteen’s ‘Highway Patrolman.’

Wabasca – Interrupting Travel

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Wabasca River Bridge - Tallcree, Alberta 5

Wabasca River Bridge – Tallcree, Alberta 5

Wabasca River Bridge - Tallcree, Alberta 2

Wabasca River Bridge – Tallcree, Alberta 2

Long hours of tired travel, southward along a back way, High Level, Fort Vermilion, Red Earth, Slave Lake and Edmonton to share time with a father in critical care dealing with his body’s weakening and the stumbles and tumbles associated with later Life. Along the way, to interrupt the hold of travel’s fatigue I stopped when I could to gather images and movement – restorative stuff. The road and bridge over the Wabasca River were the first dry area in June’s rain and served as my first stop. The Wabasca River flows through north and south Tallcree reserves and eventually feeds into the much, much bigger flow of the Peace River. Cloud work, the bridge and the lines within the image – each are elements attracting my eye to these images.

Listening to the Soundtrack to ‘It Might Get Loud’ – ‘Embryo No. 1,’ Jimmy Page, ‘Until the End of the World,’ U2, ‘Sitting on Top of the World,’ Jack White Sr & Jr, ‘Ramble On,’ Jimmy Page, ‘Blue Orchid’ and ‘Apple Blossom,’ Jack White and the ‘Battle of Evermore,’ Jimmy Page.

Quote to Inspire – “The painter constructs, the photographer discloses.” – Susan Sontag, ‘On Photography’