Morning’s Way

Backlight, Flora, Fog, Home, Journaling, Light Intensity, On Being with Krista Tippett, Photoblog Intention, Photography & Conceptualizing Beauty, Podcast, Still Life, Weather, Winter

Morning Walk 1

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Morning Walk 7

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Morning Walk 10

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Six kilometres distance is my morning walk around High Level. I am plugged in, listening to a podcast that opens out a little further my understanding of the world.

Words from a podcast interview catch my ear – “The greatest mysteries are the simplest ones. Those are the ones that we confront every day. I had a conversation once with a priest – I was travelling and went to confession in this very remote place, and suddenly he said, ‘Well, we don’t know what God is, do we?’” These words recall assertions made by John O’Donohue and Miester Eckhart – ‘God is only our name for it.’ I recognize the voice and am surprised to hear this same assertion being alluded to.

At -27C I am out of our home, on the road, bundled in layers of protective warmth and I have my camera. Good! My listener’s ear is attending to words offered by Martin Sheen, and, so begins this ‘On Being’ interview with Krista Tippett.

Within the walk, Martin describes his early days at home among his father’s family and then as an actor who is nourished by way of a soup kitchen. Further on Martin opens-out how his son’s film, ‘The Way,’ came into being. Emilio Estevez, Martin’s son has directed the film about a father, Thomas Avery, whose son had begun the pilgrimage of the Camino de Santiago, but getting caught in mountains after dark and in fog may have fallen to his death. Thomas, played by Martin, takes on his son’s mantle of intention (that of seeing the world instead of just reading about it) and takes on the pilgrimage on his son’s behalf. Walkers and hikers will recognize the poignancy of this film for how it works with the matter of identity and community associated with a shared or common road. This film explores being upon Robert Frost’s ‘road less traveled.’

The eight seasons of ‘The West Wing’ series are recalled and the role of President Bartlett is under girded by Martin’s social activism and social conscience; Martin often is acting with an interior sense of what the President ought to do and this sense is buoyed up by brilliant dialogue and action provided by Aaron Sorkin. Martin’s personal evolution pulls him all the way back to Catholicism and to anchoring works of Thomas Merton.

The podcast is a good listen, a listening that I repeat. ‘On Being’ employs a listening strategy to anchor the interview within the listener. The edited interview is stellar – music, transition, clustering and flow of ideas. The uncut, un-edited interview is also presented as a second podcast, for a second listening – ideal for my longer morning walks. The second, uncut podcast interview holds other nuggets to be mined, revealing something more of interviewee and interviewer.

My morning – I have my camera with me, and, I stop and start, walking and listening my way around High Level. These images are those captured during my podcast listening.

Quote to Consider – “No place is boring if you’ve had a good night’s sleep and have a pocket full of unexposed film.” – Robert Adams.

Listening to – in addition to ‘On Being’ podcasts, recommendations from Steve Stockman (Stocki) from 2015: Jason Isbell’s ’24 Frames,’ ‘Hudson Commodore,’ ‘Flagship’ and ‘Speedtrap Town;’ Glen Hansard’s ‘McCormack’s Wall,’ ‘Grace Beneath the Pines,’ ‘ Paying My Way’ and ‘My Little Ruin;’ Jack White’s ‘We’re Going to Be Friends’ from ‘Another Day, Another Time: Celebrating the Music of Llewyn Davis.’

Where Community Happens

Christmas, Christmas Meal, Home, Journaling, Photography & Conceptualizing Beauty, Still Life, Winter

Diner Utensils – West Edmonton, Alberta 1

Diner Utensils – West Edmonton, Alberta 2

Diner Utensils – West Edmonton, Alberta 3

At Christmas we stayed in a West Edmonton hotel. Each morning a crew of cooks serves breakfast to a gaggle of patrons – early morning faces, searching for sustenance to anchor them to their day – tea, coffee, eggs, a bagel. Goodwill, care and interest are shared and are part of the help that helps them on their way. Curiously and lovingly, a listening ear and dialogue are offered, also anchoring the patron stranger to their day – encouraging them (adding courage to them).

Carrie Newcomer’s song ‘Betty’s Diner’ talks about this dynamic of communion, amongst the varied human narratives being lived, each coming into the diner for sustenance and a waitress who’s tracking their narratives each day, encouraging them (and adding courage to them), an anchor to would be strangers who find themselves more family than stranger in Betty’s Diner; it’s interesting that this waitress role of service is so similar to that of pastor. Carrie Newcomer’s song is now a musical. Here, a set of hotel kitchen utensils are clean and stand ready for tomorrow’s meal, becoming subject for these images and reminding this patron so much about Carrie Newcomer’s song, ‘Betty’s Diner.’

Quote to Consider – “There is only you and your camera. The limitations in your photography are in yourself, for what you see is what we are.” – Ernst Haas

Listening to – Steve Martin & Edie Brickell’s ‘Friend of Mine,’ ‘Sun’s Gonna Shine’ and ‘Heart of a Dreamer.’

Discrete, Moveable – Beyond the Gym

Home, Journaling, Light Intensity, Night, Photography & Conceptualizing Beauty, Project 365 - Photo-a-day, Still Life, Weather, Winter

Morning Walk – High Level, Alberta – Canada 1

Morning Walk – High Level, Alberta – Canada 2

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Morning Walk – High Level, Alberta – Canada 10

It is a colder time of year in January; often we’ll have two or three weeks where northern cold from the arctic pushes down over us and us into -40C temperatures. Many people who exercise like to be outdoors; but, colder temperatures anchor them to a gym or within their basements with activity involving free weights and a treadmill. Some will make it outside at regular hours when there are others around, perhaps after work or in the evening. Their endeavor may be no more than a walk, a solitary effort or a discrete, moveable meeting place for two friends to discuss their worlds. At this time of year, what’s common, regardless of the time of day, is that you’re usually walking outside, beyond your work hours in darkness. For me, I favour an early morning walk, to be outside listening to a podcast or music prior to the day’s priorities becoming priorities for the day. Included here are early morning images gathered while walking (in the dark).

Listening to – Dream Academy’s ‘Life in a Northern Town,’ The Cranberries ‘Dreams,’ Aerosmith’s ‘Walk this Way’ and the Steep Canyon Rangers’ ‘More Bad Weather On the Way.’

Quote to Consider – “Your photography is a record of your living, for anyone who really sees.” – Paul Strand

Crystalline Marvel

Journaling, Light Intensity, Night, Photography & Conceptualizing Beauty, Still Life, Weather, Winter

Hoar Frost – High Level, Ab – Canada 1

Hoar Frost – High Level, Ab – Canada 2

Hoar Frost – High Level, Ab – Canada 3

Hoar Frost – High Level, Ab – Canada 4

Hoar Frost – High Level, Ab – Canada 5

A friend, keenly interested in photography, always relishes and longs for the kind of weather this week has held, a kind of weather that changes our landscape causing it to become a photographic marvel. Hoar frost, the grayish-white crystalline deposit of frozen water vapor that forms in clear, still and cold weather, has attached itself to everything. Texture, depth, light and shadow all change with hoar frost’s whitening – our corner of the world becomes delight for photographers.

Quote to Consider – “I wish that all of nature’s magnificence, the emotion of the land, the living energy of place could be photographed.” – Annie Liebovitz

Listening to – Carrie Newcomer’s ‘Abide,’ ‘The Gathering of Spirits,’ ‘Room at the Table,’ ‘Betty’s Diner,’ ‘If not Now’ and ‘Every Little Bit of It.’

B-Sides, Life and Form

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Trappers Shack Diner – Fort Vermilion, Ab – Canada 1

Trappers Shack Diner – Fort Vermilion, Ab – Canada 2

Trappers Shack Diner – Fort Vermilion, Ab – Canada 3

Trappers Shack Diner – Fort Vermilion, Ab – Canada 4

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Trappers Shack Diner – Fort Vermilion, Ab – Canada 6

Trappers Shack Diner – Fort Vermilion, Ab – Canada 7

Trappers Shack Diner – Fort Vermilion, Ab – Canada 8

Trappers Shack Diner – Fort Vermilion, Ab – Canada 9

This day had begun with intention – to consider the state of this wordpress blog and consider what’s next; what does it become? For the longest while this blog has been memory’s placeholder, a responding point for photographs created. In the editing of each image, memory could be pulled forward to surface, the image associating to personal history and consideration, a starting point from which to journal. Today, though, the question was that of what does this blog next become. Is it now time to move the photoblog towards a Blurb book or perhaps a Mixbook, a hardcopy, something you need two hands to look at?

The day began with photoblog intention, investigating the integrity of photo files starting with the blog’s oldest photos. I was surprised to find that first photos I’d posted were surprisingly out of focus – the consequence of using Adobe Lightroom with presets alone; these images were created long before editing images in NiK Collection and Topaz software. I returned to original images and had a second go at editing. Along the way I rediscovered images that had been b-sides, those that had not been first choices for presentation in this blog.

The endeavor began in fueling my body in front of a computer screen – coffee, an omelette and raisin toast. The images for editing were four-year old photos from Fort Vermilion, Alberta (December, 2011). A previous century building was first edit, a building that had been re-purposed to serve as restaurant – The Trappers Shack Diner. And, while it was all the go four years back, it has, within these past two years, sat vacant. This blog has tended to do that, encourage recognition of beginnings and recognition of how and when change occurs, particularly slower moving changes – the aging barn photographed has collapsed, the rare find of a La Crete-bound forties, three-tonne REO Speedwagon cab and chassis has now been sold and removed from its Manning, Alberta farmer’s field, the forested land that was forest, is now cleared, a farmer’s field with next use in Rocky Lane, Alberta.

Time editing, today, has held music. A friend and minister recommended new tunes, an album by Mary Coughlan and Erik Visser, ‘Scars on the Calendar’ – jazzy, dark and resonant in lyric and tune. A second album that I’ve previously looked for was recommended and found today on iTunes, ‘Another Day, Another Time: Celebrating the Music of ‘Inside Llewyn Davis,’ a look at the sixties folk scene and the music associated with the movie, ‘Inside Llewyn Davis.’

Curious Quotes to Consider – “‘Religion and art,’ he says, ‘are almost the same thing anyway. Just different ways of taking a man out of himself, bringing him to the emotional pitch that we call ecstasy or rapture. They’re both a rejection of the material, common-sense world for one that’s illusory, yet somehow more important. Now it’s always when a man turns away from this common-sense world around him that he begins to create, when he looks into a void, and has to give it life and form.’” … Mrs. Bentley quoting her husband. Sinclair Ross, ‘As for Me and My House,’ p. 112; after re-reading this curious quote, the pull toward Carl Jung and his quote surfaced – “Who looks outside, dreams; who looks inside, awakens.” Jung’s quote is engraved on a dark metal plaque I have hanging in my office at school.

Listening to – musician and songwriter, Brian Houston’s ‘We don’t need religion,’ a protest song – ‘we could use the love of God’ (excerpted lyrics).

Photographic Recollection

Canon Camera, Canon Lens, Canon Live View, Farmhouse, Home, Journaling, Photography & Conceptualizing Beauty, Project 365 - Photo-a-day, Season, Weather, Winter

Homestead in Late Fall – Fairview, Ab ii

Canadian Geese – Flying South, Fairview, Alberta – Canada

Homestead in Late Fall – Fairview, Ab i

Homestead in Fall – Fairview, Alberta – Canada 1

Homestead in Fall – Fairview, Alberta – Canada 2

Homestead in Fall – Fairview, Alberta – Canada 3

An audio-book calmed us, my wife and I, during a night drive north on Alberta’s highway 63. Moving past our Grassland pit stop, we turned left traveling northward to Fort McMurray. As we drove, a snow storm brewed until we were within a wall of big, heavy snow flakes. I backed off on the gas and turned our high-beams to low. I minded the road, scouting the snow track left by previous vehicles. I gave oncoming vehicles a wide berth. I placed our vehicle with care on this highway with sharp shoulders.

I pushed the first audio-cassette in.

A familiar, Canadian voice met our ears – Donald Sutherland began narrating our story. “Did he know? Had he guessed that I knew for certain what everyone else only suspected?” … “I found myself looking straight into the past. Sunday, October 28, 1956. A cabin, not ten miles from where I stood now.” … “This is the weekend when we’re closing the cabin for the season and my mother has been moving around in the other room, cleaning, but now the screen door snaps shut as she steps outside. It is now that I see my father. He is hurrying away from the cabin ….” (Part 1 – May Brightman, Chapter 1 – ‘The Red Fox’ by Anthony Hyde, 1986). The cabin is starting point for a narrative that moves the reader compellingly around the world, a journalistic detective story that weaves historical fiction into curious and intriguing questions of ‘what-if.’

The homestead in the photographs posted here is one I have photographed many times. The edit arrived at in this image has brought forward mind’s eye recollection of the family summer cabin that Robert Thorn, protagonist (and journalist) recalls, as well, in an October funeral for his mother. Anthony Hyde’s novel led us as listeners through the untangling of truth from lies and the consideration of possibilities and where their trajectories of reasoning would lead you – definitely the right book to listen to on a long, snowy drive into Alberta’s north.

Listening to – Bruce Springsteen’s ‘If I Should Fall Behind.’

Quote to Inspire/Consider – “The eye should learn to listen before it looks.” – Robert Frank

East Side Shed

Canon Camera, Canon Lens, Canon Live View, Flora, High Dynamic Range (HDR), Journaling, Photography & Conceptualizing Beauty, Still Life, Weather, Winter

Granary in Fog – Dixonville, Ab – Canada i

Granary in Fog – Dixonville, Ab – Canada ii

I like this grain shed image. The shed resides perhaps halfway between Dixonville and Manning, Alberta. You can see it from the highway. It’s about a kilometre in on the East side of the highway. The image works with perspective, environmental condition (fog), light, colour and texture. The image has also been about editing and finding best rendering of a High Dynamic Range (HDR) shot. The weather is curious, something not seen every day. Fog, as precursor to winter snow, hangs, waiting … holding off.

A darker image, it recalls several scenes from Sinclair Ross’ novel, ‘As For Me and My House.’ The novel was required reading in Dr. Bruce Stovel’s Canadian Literature course in his second term at the University of Alberta, a narrative that holds one rendering of the Canadian experience during the Great Depression.

“The dust clouds behind the town kept darkening and thinning and swaying, a furtive tirelessness about the way they wavered and merged with one another that reminded me of northern lights in winter…. The little town cowered close to earth as if to hide itself. The elevators stood up passive and stoical. All round me ran a hurrying little whisper through the grass. (p. 100)

This narrative has moved around the world and received acclaim for holding features of Canadian experience and culture that become what is considered Canadian identity.

Quote to Consider – “Everybody needs beauty as well as bread, places to play in and pray in, where nature may heal and cheer and give strength to the body and soul alike.” – John Muir, his essay, ‘Nature Writings’

Listening to – Leem Lubany’s ‘Wild World,’ Brian Houston’s ‘Next to Me,’ and Bob Dylan’s ‘Knockin’ On Heaven’s Door.’

Land’s Next Use

Canon Camera, Canon Lens, Canon Live View, Fall, Farm, High Dynamic Range (HDR), Homestead, Journaling, Photoblog Intention, Photography & Conceptualizing Beauty, Project 365 - Photo-a-day, Still Life, The Candid Frame, Weather, Winter

Strewn Timber – Rocky Lane, Alberta – Canada iv

Strewn Timber – Rocky Lane, Alberta – Canada ii

Strewn Timber – Rocky Lane, Alberta – Canada iii

Strewn Timber – Rocky Lane, Alberta – Canada i

Timber, pushed down, lies strewn throughout a farmer’s field, a first step in clearing the land. Timber has also fallen across the structure of a homestead house yet has not crushed it. The house and a water-filled dugout suggest that a previous owner, another farmer, had initiated and abandoned a similar project in an earlier era. For now, timber will be gathered for burning; a winter or spring burn will reduce these trees and this homestead house to ashes, the land becoming ready for another use.

Quote to Consider – “I really believe there are things nobody would see if I didn’t photograph them.” – Diane Arbus

Listening to – Ibarionex Perello’s ‘The Candid Frame’ – episode 238, an interview with Sara Jane Boyers, Jesse Cook’s ‘Ocean Blue,’ Shadowfax’s ‘Move the Clouds,’ Agnes Obel’s ‘Fivefold,’ U2’s ‘Song for Someone’ and Sigur Ros’ ‘Glosoli.’

The Place Where We Are Right
by Yehuda Amichai

From the place where we are right
flowers will never grow
in the Spring.

The place where we are right
is hard and trampled
like a yard.

But doubts and loves
dig up the world
like a mole, a plough.
And a whisper will be heard in the place
where the ruined
house once stood.

Winter Light Work

Backlight, Best Practices - Photography, Canon Camera, Canon Lens, Canon Live View, High Dynamic Range (HDR), Home, Homestead, Journaling, Light Intensity, Photography & Conceptualizing Beauty, Project 365 - Photo-a-day, Winter

Walterdale House White 2 HDR-Edit-Edit-Edit-3

An early-hours image from February in Edmonton, one of three surviving homestead structures in Edmonton’s Walterdale community from 1900 or so. The light work in the trees, upon the snow and that reflected to the white walls of the house attracts my attention. The homestead glows in a way you might anticipate when encountering a home within a ghost story, the narrative placing a character too many hours into night and the happenings that occur.

Quote to Consider – “In photography there is a reality so subtle that it becomes more real than reality.” – Alfred Stieglitz

Listening to – Casting Crowns’ ‘City on a Hill.’

Rusting Relics – Narratives of Habit

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Farm Trucks – Manning, Alberta 1

Farm Trucks – Manning, Alberta 2

Farm Trucks – Manning, Alberta 3

In the past few days I’ve wondered if the attracting element to vehicle photography is the coherence of a vehicle’s design, functionality and comfort. Beyond this, is it the style and form of the vehicle that attracts the eye and the impulse to drive the vehicle? Perhaps it is our ability to imagine both how someone will look driving the vehicle or merely the anticipation of how it will handle that attracts the photographer to a vehicle.

For drivers, habit leads us in our vehicle use, our driving. We tend not to consider the system or systems of steps that allow us to drive a vehicle. Unlocking the door, opening the door, sitting in the seat, putting the key into the ignition, starting the car with or without throttle use, shifting from park to reverse and then to drive, steering, adjusting speed with throttle (gas pedal) – these steps get the car moving and rolling. A system of steps ensures safety of self and others, a system of steps allows us not only to propel the vehicle forward, but to navigate while doing so and a system of steps allows us to park and leave the vehicle. For the driver such a system of steps is more habit than an individually considered set of actions that takes driver and passengers from point of origin to destination and back again.

So, is it design, function, form, colour or comfort that attracts the photographer’s eye to a vehicle? Or is it the photographer’s ability to imagine, see and confirm the narrative of habit associated with a vehicle that pulls the eye – the future narrative of a new vehicle; or, the past narrative of a vehicle from another era? Perhaps these questions are starting points for vehicle advertisers. Still I like looking at each dent, chip and window crack in old, rusting relics; vehicle interiors convey much about driver and passengers – much narrative of habit is found in these vehicles. Here, rusting relics are set out in a farmer’s field near Manning, Alberta. In my drive past the site last weekend it was a surprise to see the old La Crete, REO Speedwagon cab and chassis gone; hopefully it’s found a good home and has had the good fortune to become a project for rehabilitation.

Quote to Inspire – “Photography is for me simply a creative passion, the ability to use light and form to capture in a single image – what I see in my own imagination….” – Tim Wallace, car photographer in interview with Topaz Labs.

Listening to – Jesse Cook’s ‘The Blue Guitar Sessions;’ one song standing out is ‘Ocean Blue.’