I like this grain shed image. The shed resides perhaps halfway between Dixonville and Manning, Alberta. You can see it from the highway. It’s about a kilometre in on the East side of the highway. The image works with perspective, environmental condition (fog), light, colour and texture. The image has also been about editing and finding best rendering of a High Dynamic Range (HDR) shot. The weather is curious, something not seen every day. Fog, as precursor to winter snow, hangs, waiting … holding off.
A darker image, it recalls several scenes from Sinclair Ross’ novel, ‘As For Me and My House.’ The novel was required reading in Dr. Bruce Stovel’s Canadian Literature course in his second term at the University of Alberta, a narrative that holds one rendering of the Canadian experience during the Great Depression.
“The dust clouds behind the town kept darkening and thinning and swaying, a furtive tirelessness about the way they wavered and merged with one another that reminded me of northern lights in winter…. The little town cowered close to earth as if to hide itself. The elevators stood up passive and stoical. All round me ran a hurrying little whisper through the grass. (p. 100)
This narrative has moved around the world and received acclaim for holding features of Canadian experience and culture that become what is considered Canadian identity.
Quote to Consider – “Everybody needs beauty as well as bread, places to play in and pray in, where nature may heal and cheer and give strength to the body and soul alike.” – John Muir, his essay, ‘Nature Writings’
Listening to – Leem Lubany’s ‘Wild World,’ Brian Houston’s ‘Next to Me,’ and Bob Dylan’s ‘Knockin’ On Heaven’s Door.’
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I make photographs and poems to please myself (and share them to please you).
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He started Writing, The paper started speaking...
L'occhio ritaglia il soggetto, e l'apparecchio deve solo fare il suo lavoro, che consiste nell'imprimere sulla pellicola la decisione dell'occhio
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