Waikiki – Dawn

Backlight, Best Practices - Photography, Canon 60D, Canon Camera, Canon Live View, Flora, Light Intensity, Photoblog Intention, Photography & Conceptualizing Beauty, Project 365 - Photo-a-day, Sigma Lens - Wide Angle 10-20mm, Still Life, Summer, Sunrise

Morning’s Walk – Honolulu, Oahu, HI 1

Morning’s Walk – Honolulu, Oahu, HI 2

Morning’s Walk – Honolulu, Oahu, HI 3

Summer, summer break – vacation … settling into a new time zone five hours different from that of my year’s norm finds me out of our hotel with camera and tripod early in the morning, walking, gathering photos of Honolulu’s Waikiki – the day of the surfer and vacationer (from all parts of the world) prior to that day beginning. Surprisingly, even before 6:00 a.m., surfing instructors are out on the beach, with early morning animation, drumming up the day’s business, ready to take out the novice surfer. Looking from the beach to the ocean, before 6:00 a.m., finds surfers already surfing on moving and curling waves and along trails of the Waikiki strip joggers are already jogging. People conclude their sleep in city parks where they’ve been sleeping through a tropically warm summer night on the grass. Looking towards the buildings, Waikiki hotels are being restocked in daily essentials prior to the day’s formal start, Coca Cola products included. All this occurs before the sun crosses the horizon bringing us into day – fodder for photos.

Listening to – Glenn Miller’s band perform ‘Tuxedo Junction’ and Satchmo sing Happy Birthday to ‘Poppa’ Bing Crosby.

Quote to Inspire – “Photography, as a powerful medium of expression and communications, offers an infinite variety of perception, interpretation and execution.” – Ansel Adams

Fenced Barbed-wire – This Side

Best Practices - Photography, Canon 60D, Canon Camera, Canon Lens, Canon Live View, High Dynamic Range (HDR), Journaling, Light Intensity, Photoblog Intention, Photography & Conceptualizing Beauty, Project 365 - Photo-a-day, Season, Still Life, Summer, Vehicle, Vehicle Restoration, Weather

In the week following school year-end and the beginning of summer school break, my wife, my daughter and I find ourselves in Edmonton. A Sunday afternoon becomes opportunity for me to look around Edmonton with fresh eyes, this city I knew as child and youth, this city I grew up in. In my travels, parts of the city receive spitting of rain from moisture-laden skies, stacking cumulus clouds pushed across Edmonton by substantial summer winds. Less windy and wet moments provide opportunity to use clouded skies as backdrop to architecture and landscape. I’m needing to fall into sync with the opportunity of/for photos and the cadence of parking and getting out of the vehicle for possible photos.

Alongside the Anthony Henday roadway near Callingwood Avenue in Edmonton’s west-end, in a farmer’s field, on the other side of fenced, barbed-wire an older truck is parked, a truck that is likely to be a 1949 Chevrolet half-tonne with grain box, a vehicle that if rehabilitated could become vintage and a classic. The intention, as I’ve watched through these ten years, had been to use the retro look of this vintage truck with the side panels of the grain box to advertise location of a knick-knacks store in this west-end community. That store no longer exists and no one has set about moving the truck or dismantling the grain box and advertising. Erosion – rain, sun, snow and wind – has brought the grain box down and rusting to the truck’s body and cab has added deep, rough, orange peel texture to this truck’s exterior … all becoming fodder for photos.

Listening to – Jack White’s version of a U2 tune, ‘Love is Blindness,’ and the Tijuana Brass – ‘Lonely Bull,’ ‘Spanish Flea,’ ‘Taste of Honey,’ and ‘Tijuana Taxi.’

Quote to Inspire – “We try to grab pieces of our lives as they speed past us. Photographs freeze those pieces and help us remember how we were. We don’t know these lost people but if you look around, you’ll find someone just like them.” – Gene McSweeney

Boyer Bridge & Buscaglia

Best Practices - Photography, Canon 60D, Canon Camera, Canon Live View, Journaling, Light Intensity, Photoblog Intention, Photography & Conceptualizing Beauty, Project 365 - Photo-a-day, Sigma Lens - Wide Angle 10-20mm, Still Life, Summer

Boyer River Bridge – Fort Vermilion, Alberta 2

This edit of the Boyer River bridge connecting La Crete and Fort Vermilion to High Level and points North is one celebrating colour, structure, detail and lines creating perspective. The colourful rendering of the bridge recalls for me many lectures and presentations offered by Leo Buscaglia on Life, Living and Love and perhaps more potently on good teaching which embraces each. In one lecture, the idea of teacher as bridge, comes across fully as he quotes Nikos Kazantzakis, writer of ‘Zorba the Greek,’ on teaching – “Ideal teachers are those who use themselves as bridges over which they invite their students to cross, then having facilitated their crossing, joyfully collapse, encouraging them to create bridges of their own.” The metaphor embedded as anchor, for me years ago, in terms of what teaching is about and teaching’s end state being something that always brings about change; engagement that bridges from the unknown to what is now known and understood is always an entity found in good teaching. Within this metaphor … perhaps extending it … it’s interesting to note that successful bridging often relies on the kind of stance taken in relation to the student – it’s always based on good current understanding of the student in the classroom context and beyond it in their world.

Listening to – David Gray’s ‘Shine’ and ‘My Oh My,’ Jack Johnson’s ‘Rodeo Clowns,’ Angus & Julia Stone’s ‘Big Jet Plane’ and Ray LaMontagne and the Pariah Dogs’ ‘Beg, Steal or Borrow.’

Quote to Inspire – “It is one thing to photograph people. It is another to make others care about them by revealing the core of their humanness.” – Paul Strand

Electrics Strung

Best Practices - Photography, Canon 60D, Canon 70-200 mm 2.8 IS L Series Lens, Canon Camera, Canon Lens, Canon Live View, Journaling, Light Intensity, Photoblog Intention, Photography & Conceptualizing Beauty, Project 365 - Photo-a-day, Still Life, Summer

Power Pole – Fort Vermilion, Alberta 1

Power Pole – Fort Vermilion, Alberta 2

Power Pole – Fort Vermilion, Alberta 3

Power Pole – Fort Vermilion, Alberta 4

Consider the electrics – electricity generated in one part of Alberta, moves around the province by power line strung from power pole to power pole to power pole, electricity to power your microwave, toaster and lights, electricity to power your iPod and computer, electricity to power you into a digital world through webcam and monitor, electricity to run your gaming devices and television. The power pole in this image is one of thousands following the highway from Wabamun Lake Power Plant to Edmonton to High Level and La Crete, Alberta.

Listening to – The Devlins’ take on a U2 song, ‘Love is Blindness,’ The Subway’s ‘Oh Yeah,’ ‘Open Heart Surgery’ by the Brian Jonestown Massacre and Greg Dulli’s ‘Pussy Willow.’

Quote to Inspire – “Twelve significant photographs in any one year is a good crop.” – Ansel Adams

Look On

Best Practices - Photography, Canon 60D, Canon 70-200 mm 2.8 IS L Series Lens, Canon Camera, Canon Live View, Fauna, Light Intensity, Photoblog Intention, Photography & Conceptualizing Beauty, Project 365 - Photo-a-day, Summer

Looking On – Fort Vermilion, Alberta

A bird, high above on a transmission line, looks on. Perhaps resting, this bird recalls exhortation about living Life – “Look at the birds of the air; they do not sow or reap or store away in barns, and yet your heavenly Father feeds them (Matthew 6:25-34).” The second day of summer, school almost done and enjoying summer’s warmth and light.

Listening to – Chris Whitley’s ‘Dust Radio,’ Robbie Robertson’s ‘Sweet Fire of Love’ and Lucinda Williams’ ‘Concrete and Barbed Wire.’

Quote to Inspire – “There is nothing worse than a brilliant image of a fuzzy concept.” -Ansel Adams

Animate Slap

Best Practices - Photography, Canon 30D, Canon Camera, Canon Lens, Fauna, Flora, Journaling, Light Intensity, Lookback Photos - One Year Ago, Photography & Conceptualizing Beauty, Project 365 - Photo-a-day, Summer, Sunset

Beaver and Sunset – Dixonville, Alberta

At sunset, on a lake north from Dixonville, Alberta, on the west side of a highway’s curve, a beaver has swum towards me to determine whether or not I’m animate, part of the setting or active within its setting. When my movement becomes large and noticeable, the beaver slaps its tail on the water and dives, swimming from what had been its present location to another where line of sight on me, the potential predator, can be had.

Listening to – much of Dave Matthews and Tim Reynolds’ Live at Radio City Music Hall; the songs standing out this morning have been ‘Bartender’ (as possible prayer), ‘Save Me’ (for its allusion), ‘Crash into Me’ (intimate lovers’ dialogue), ‘Sister’ (I have a sister-in-law) and ‘Lie in Our Graves’ (for its shared fun).

Quote to Inspire – “A photographer is an acrobat treading the high wire of chance, trying to capture shooting stars.” – Guy Le Querrec

Ocean-going, Lake-bound – What’s Next?

Best Practices - Photography, Canon 30D, Canon Camera, Canon Lens, Lookback Photos - One Year Ago, Photoblog Intention, Photography & Conceptualizing Beauty, Project 365 - Photo-a-day, Summer

Derelict Vessel – Hay River, NWT – 1

Derelict Vessel – Hay River, NWT – 2

Derelict Vessel – Hay River, NWT – 3

A summer’s day in early July finds my son, newly graduated from high school, awaiting word of acceptance to the University of Alberta and the possessor of a day off from his job cooking in a local restaurant. My son and I travel north from High Level to Hay River, Northwest Territories and the Great Slave Lake. My son needs the practice of driving for his driver’s test. He’s at the wheel. For my son, the challenge is not only the technical aspects of driving; for him, the challenge is also that of overcoming learned travelling behaviour – on long drives sleep has become a means to shorten travel’s distance. The float and glide of our 2000 GMC half ton cushions driving’s dips and rises comfortably along our three-hundred kilometre route northward. My son nearly falls asleep at the wheel and I prompt him to direct his attention to his driving.

The journey takes us to Alexandra falls and onward into Hay River’s Great Slave Lake – both become excellent photo-taking opportunities; my son is quite daring in the photography he attempts looking out from 100 foot cliffs. In Hay River, we encounter the boat within this image dragged more than a kilometre from the Great Slave Lake; its location is at that point in Hay River’s municipal jurisdiction where the industrial area ends and its housing development begins – a somewhat quirky location at first glance. This boat is no more than 500 feet from the nearest Hay River home.

Thinking this image through I’m left with several questions.

Ocean-going vessels that become marine salvage are vessels that are taken to locations in the world where they can be retired, places where the vessel can be scuttled while leaving them accessible to teams of people who are able to dismantle the vessel – cutting it apart and finding new uses for each part that had been component of the formerly floating structure that had been moving through water.

Here, in Hay River, on the world’s largest lake what happens? This boat has been pulled from the water and seemingly kept, but for what reason. Does the former sea-worthy vessel have use for parts or perhaps for training? Or is it, that the ‘what-next’ for the vessel needs a good, reasonable next step or perhaps a next step that generates revenue? And, is the vessel towed so far so that it simply resides on company-owned real estate? Questions …. Nonetheless, a full ocean-going, lake-bound vessel among trees does become an interesting image.

Listening to – Peter Gabriel’s ‘Come Talk to Me,’ ‘Steam,’ ‘Across the River,’ ‘Shaking the Tree’ and ‘Blood of Eden.’

Quote to Inspire – “Photography is the only language that can be understood anywhere in the world.” – Bruno Barbey

Midnight’s Summer Images

Best Practices - Photography, Canon 30D, Canon Camera, Light Intensity, Lookback Photos - One Year Ago, Photoblog Intention, Photography & Conceptualizing Beauty, Project 365 - Photo-a-day, Smoke, Summer

Mill – High Level, Alberta

Sod Farm – High Level, Alberta

South and east from High Level a wood mill’s burner burns sawdust. North from High Level there’s a sod farm. Both images are summer images shot very close to midnight in early July.

Listening to – my own fretting of Dave Matthew’s ‘Crash into Me.’

Quote to Inspire – “I’m left handed, have a double jointed finger, and almost lost my thumb when I was younger. I resent the fact that cameras are not made for lefties.” – Matt Stuart

53 Ford & Window Shopping

Best Practices - Photography, Canon 30D, Canon Camera, Canon Lens, Light Intensity, Lookback Photos - One Year Ago, Photoblog Intention, Photography & Conceptualizing Beauty, Project 365 - Photo-a-day, Still Life, Summer, Vehicle, Vehicle Restoration

Ford F-100 1

Ford F-100 2

Ford F-100 3

Ford F-100 4

Ford F-100 5

Ford F-100 6

Our landscape, just south of Canada’s 60th parallel, grows brighter as sunlight’s intense intensity intensifies, day by day. Today has been our first real glimpse of the spring we are moving into. Graders, snow blowers and huge dump trucks have been hauling snow away each day this past week to limit the water and ice that will be dealt with in spring’s thaw. Today, on February’s last day of 2013, we have a three week wait until spring arrives. The images presented here are a celebration of colour even in when most dismally discovered. Colour is celebrated in each image of the 53 Ford that continues to hold my attention. I might have to drive one one day. At present I have my eye out for a green, Canadian built, 69 Pontiac Parisienne … still window shopping, but one day I’ll find one.

Listening to – Alan Jeffries’ ‘John Hardy’ from the Coffee Til Midnight album.

Quote to Inspire – “I fell in love with taking pictures, with wandering around finding things. To me it feels like a kind of performance. The picture is a document of that performance.” Alec Soth

Step In

Backlight, Best Practices - Photography, Canon 60D, Canon Camera, Canon Lens, Canon Live View, Journaling, Light Intensity, Lookback Photos - One Year Ago, Night, Photoblog Intention, Photography & Conceptualizing Beauty, Project 365 - Photo-a-day, Still Life, Summer, Vehicle, Vehicle Restoration

Ford F-100 – High Level, Ab 1

Ford F-100 – High Level, Ab 2

Ford F-100 – High Level, Ab 3

Ford F-100 – High Level, Ab 4

Ford F-100 – High Level, Ab 5

I’m not sure. But, this image’s perspective looking towards this 1953 Ford F-100 is that which likely is the perspective previous owners would have walking to it, something seen regularly through the Ford’s years of service. The image orients the eye to the driver’s door becoming the glimpse the owner/driver would take as he or she thinks through next actions and destination walking to this F-100. You could almost step into the image, open the driver’s door, start the engine and drive away.

Listening to – Leonard Cohen’s ‘Hallelujah,’ played on our Heintzman Grand Piano in vertical form by my daughter.

Quote to Inspire – “The true mystery of the world is the visible, not the invisible.” – Oscar Wilde