From My Ford-Focused Canon 60D

Best Practices - Photography, Canon 30D, Canon 60D, Canon Camera, Canon Lens, Canon Live View, Home, Journaling, Light Intensity, Lookback Photos - One Year Ago, Photoblog Intention, Photography & Conceptualizing Beauty, Project 365 - Photo-a-day, Sigma Lens - Wide Angle 10-20mm, Still Life, Summer, Vehicle, Vehicle Restoration, Winter

Nose – 1938 Ford One Ton Tow Truck

Ford Grain Truck – Wabamun, Alberta

67 Ford Econoline Van

64 Mercury Monterey 2

64 Mercury Monterey 1

Looking up from my Ford-focused Canon 60D the highway held a semi hauling a flat-deck trailer with a Diversified Bus on it, its roof crushed – a sight as curious as it is disturbing. Diversified runs buses in northeastern Alberta. A passenger bus like this, the kind Greyhound uses, is never something anyone wishes to see in this state – the image implies rollover and injury. Hopefully, the accident was less serious than can be imagined. But, on those long, northern Alberta drives Greyhound buses do slide sideways on ice, occasionally – accidents involving such buses do occur from time to time.

Each image presented, here, has been an editing exercise exploring editing sequences other photographers have utilized to arrive at final image renderings. Ford Motor Company (FOMOCO) provides subject for these images – the nose of the 1938 Ford One Ton Tow Truck, a late sixties Ford One Ton grain truck, a 64 Mercury Monterey and a 67 Ford Econoline van.

Listening to – Gwyneth Paltrow singing ‘Country Song’ and ‘Travis.’

Quote to Inspire – “Your first 10,000 photographs are your worst.” – Henri Cartier-Bresson

The Road Home – Images

Barn, Best Practices - Photography, Canon 60D, Canon Camera, Canon Lens, Farm, Farmhouse, Gas Station, Home, Homestead, Journaling, Photoblog Intention, Project 365 - Photo-a-day, Sigma Lens - Wide Angle 10-20mm, Summer, Vehicle Restoration

1938 Ford One Ton Tow Truck

Farm – Nampa, Alberta

Manning Grain Truck 1

Manning Grain Truck 2

McLure Tow Truck 1

McLure Tow Truck 3

McLure Tow Truck 4

Saw Mill – Whitecourt 1

Train Tracks – Kamloops, British Columbia

Good travel from a photographic perspective is something allowing the photographer to look out to the world and to engage visually with the narrative of situation and locale. What is out there? What is happening or has happened? What pulls your eye towards it? What colour is there? What shadow is there? What is the visual impression? The challenge is that travel is often expeditious – you need to arrive at your destination at a certain time or to return home because you have goals on the other end of your travel. The trick is to plan for the opportunity to stop and photograph starting out early enough that you give yourself abundance of time with your camera … and the world. For the same nine hour drive we make between High Level and Edmonton, Alberta, an artist we worked with, Chris Short, observed that there is enough visual information of interest to make it necessary to break the same trip into three days to allow her to sketch, draw and paint … along the way. The photos presented here are those on the return journey home last week. Not knowing the times or vicinities well and with the press of my family and me returning to other goals, my photography was more happenstance than planned or found.

Listening to – The B-52s with the Wild Crowd performing ‘Private Idaho,’ ‘Ultraviolet,’ ‘Roam,’ and ‘Cosmic Thing’.

Quote to Inspire – “Taking an image, freezing a moment, reveals how rich reality truly is.” – Anonymous

Moments You Can’t Get Out Of

Best Practices - Photography, Canon 60D, Canon 70-200 mm 2.8 IS L Series Lens, Canon Camera, Canon Lens, Canon Live View, Photoblog Intention, Photography & Conceptualizing Beauty, Project 365 - Photo-a-day, Sigma Lens - Wide Angle 10-20mm, Still Life, Weather, Winter

Jasper Alberta 1

Mountain River – McLure BC

Mount Robson BC 2

Mount Robson BC 1

Lake Okanagan – Kelowna BC

Jasper Alberta 3

Jasper Alberta 2

My wife told me that she had noticed the oil pressure indicator flashing and remaining on two weeks ago today. Hearing her words, I went outside and checked the oil dipstick and confirmed that we did have oil in the engine. Because we had a long drive to Edmonton coming I called the service technicians who advised that the issue could be an electrical problem with the sensor or an actual oil leak. They advised watching the fluid levels on the way down and to bring it in for service. I checked the oil before leaving. And, then, checked it again three hours later in Peace River … the oil pressure sensor light had come on. I pulled out the dipstick … there was no oil. What to do? Travelling on a Sunday the dealership wasn’t open. Calling roadside assistance only let me know that they would tow the vehicle to a maximum of 125 kilometres … I had 500 kilometres to go before making it to the dealership. I talked things over with a friend. The tow cost would be about $900 to get the vehicle to Edmonton. If I managed checking and adding oil as needed I might make it to Edmonton at considerably less cost. My wife and daughter got a hotel room in Peace River; they would come down with friends who would pick them up the next day. I would aim to make it to Edmonton adding four litres of oil to the engine every forty-five minutes. I made it after another seven hours, topping up the oil at -20C temperatures. At one point I lost the oil cap in one of those unreachable places of the engine compartment and had to jury-rig an alternative using sheet plastic.

From Edmonton, it was a flight to Penticton via Vancouver the next day to work on assets associated with my father-in-law’s estate. With a day’s work done, there, I began the drive back to Edmonton only to find that the highway I had chosen had to be closed because of accidents occurring in the slush and snow. Doubling back, I was able to drive through Kamloops on the Yellowhead Trail and aim for Edmonton via Jasper. I stopped for the night at Kamloops and then began my drive on the Yellowhead, a bright day with dry roads. I got a meal along the way and within a couple of hours was the unwitting victim of food poisoning. With no energy and chills I decided to hunker down in Valemount, British Columbia – at 2:00 p.m.. I got a hotel room and slept my way around the clock. After many hours of sleep, weakened, but ready to aim for home, I got back in the vehicle. The mountain images presented here are those preceding food poisoning and those from the day driving from Valemount to Edmonton.

Listening to – U2’s ‘Stuck in a Moment You Can’t Get Out Of,’ ‘In a Little While,’ ‘Elevation,’ and ‘I Still Haven’t Found What I’m Looking For.’

Quote to Inspire – “A photograph is the pause button on life.” – Ty Holland

At the Ready

Backlight, Barn, Best Practices - Photography, Canon 60D, Canon Camera, Canon Live View, Farm, Farmhouse, Gas Station, Homestead, Journaling, Light Intensity, Photoblog Intention, Photography & Conceptualizing Beauty, Project 365 - Photo-a-day, Sigma Lens - Wide Angle 10-20mm, Still Life, Vehicle, Vehicle Restoration, Winter

Ford One Ton Tow Truck – McLure BC 1

Ford One Ton Tow Truck – McLure BC 11

Ford One Ton Tow Truck – McLure BC 10

Ford One Ton Tow Truck – McLure BC 9

Ford One Ton Tow Truck – McLure BC 8

Ford One Ton Tow Truck – McLure BC 7

Ford One Ton Tow Truck – McLure BC 6

Ford One Ton Tow Truck – McLure BC 5

Ford One Ton Tow Truck – McLure BC 4

Ford One Ton Tow Truck – McLure BC 3

Ford One Ton Tow Truck – McLure BC 2

A 1938 Ford one-ton tow truck sits, seemingly at the ready, gazing out to the highway. Yet, at the ready, looks a lot like ready to sell.

Static, the Ford’s paint flakes away and metal beneath oxidizes into rust, colourfully. Curves are the thing, in the shape and detail of the cab, in each window, throughout the length and nose of the hood, in the catch-all of the fenders and in the perfect circles of the lights; straight lines add contrast to these curves with the verticals and horizontals of the running boards, bumper and grill; and then there are the diagonals associated with the structure for leverage, towing and pulling other vehicles. There’s remarkable engineering, here, both in the original build of the Ford and in the impromptu innovation of the towing structure … someone has the knack for towing vehicles. The whole vehicle is architecture, engineering, shape and detail from a former time, a time that preceded me, a time that was my father’s – all pull my interest to this Ford. And, there’s anticipation of how it would drive and how it would ride … the finding of gears, the getting it to move and remain moving … there’d be the unique bounce and shift of weight as the truck moves over terrain … there’d be the rhythm of engine combustion idling and working, pacing out each mile … and there’d be the view from within while piloting this vehicle – all intrigue me.

Automobiles that have left the road have been set back on the road surface by this Ford. Remnants of collisions – damaged vehicles, damaged people and damaged egos, their aftermath has needed transfer to homes, autobody shops and junk yards, something this Ford has provided regularly. In extreme and extraordinary winter weather this Ford has been one to venture out on uncertain roads and perhaps there would be no safer place than in an outfitted Ford one-ton tow truck with a rested driver who understands people, the road and his machine. This Ford one-ton tow truck is for sale down around McLure, British Columbia; the first person with $2000 or so dollars takes it.

Listening to – Tom Cochrane’s ‘Big League’.

Quote to Inspire – “Buy a good pair of comfortable shoes, have a camera around your neck at all times, keep your elbows in, be patient, optimistic and don’t forget to smile.” – Matt Stuart

Inuksuk GPS

Best Practices - Photography, Canon 60D, Canon 70-200 mm 2.8 IS L Series Lens, Canon Camera, Canon Live View, Journaling, Light Intensity, Lookback Photos - One Year Ago, Project 365 - Photo-a-day, Still Life, Winter

Inuksuk 1

Inuksuk 2

Inuksuk 3

Inuksuk 4

Semblance of human existence, an inuksuk serves as landmark and waypoint on one’s unknown path or journey. Its surprise guides you along your way when you’re alone with map and compass, scanning the horizon, considering the course you’ll take; its message – “you are on the right path, keep going … you’ll get there.” With an inuksuk, another human being has taken the time to gather stone and rock to create a representation of the human form only to encourage you and others, letting all know that others have been right where you now stand/sit. At that point where they experienced indecision in navigation, they came back to this point to guide you forward.

Navigation – some of my week has been about travel in unknown territory. I’ve been driving using my global positioning satellite unit, my Tom Tom GPS to direct me to my destination. At one point the mountain road I was on was closed down owing to slush and snow. I had to double back to find another route – a four hour correction in the middle of the night. While there were lines on the road and tire tracks of vehicles preceding me, there were no inuksuks along the way.

Listening to – War’s ‘Low Rider,’ Bo Diddley’s ‘Ride on Josephine,’ Moby’s ‘Flower,’ The Crystal Method’s ‘Busy Child,’ Lori Carson’s ‘You Won’t Fall’ and Johnny Cash’s ‘Folsom Prison Blues.’

Quote to Inspire – “Photography is about finding out what can happen in the frame. When you put four edges around some facts, you change those facts.” – Garry Winogrand

No Through Road

Backlight, Best Practices - Photography, Canon 60D, Canon Camera, Canon Lens, Canon Live View, Farm, Homestead, Light Intensity, Lookback Photos - One Year Ago, Photoblog Intention, Photography & Conceptualizing Beauty, Project 365 - Photo-a-day, Still Life, Winter

No Through Road 1

No Through Road 2

No Through Road 3

No Through Road 4

No Through Road 5

In Alberta’s northwest, a backroad highway connects the town of Grimshaw with the town of Fairview; halfway between the two this road runs north one kilometre from the connector into muskeg and bush, a place where a family has made their home. At this intersection, heart-shaped wreaths are attached to two signs – this one, ‘No Through Road’ leading into this homestead; and, another is attached to the stop sign as the road rejoins traffic along the connector highway. The words ‘no through road’ within a setting in which a farmer would have a tough go in producing crops or raising livestock provoke ideas about Life’s journey needing to be carved out, step following step, day-by-day with eyes upon one’s goal – our path being something we construct each day of our Life. Life becomes journey, Life holds endeavor and endeavor is about recognizing potential, engaging in work, and celebrating/acknowledging achievement.

Thinking through this No Through Road sign first surfaced ideas about settling and moving no further, recalling mediocrity, a term derived from medias (middle) and ocrus (mountain), settling having to do with the climb of a journey up a mountain and finding oneself getting comfortable at the halfway point so much so that no further movement along the climb is undertaken. The narrative within this image is not about mediocrity, however. Life’s endeavor or Life’s challenge is more significant, that act of choosing to plant yourself where you are, looking to what you can achieve, using all that you know – skills and abilities – to embrace Life’s challenge in order to add something into the world. That’s what goes on at the end of this road. The through road that is yet to come will associate to the Life or Lives beyond the present endeavor at this road’s end.

Wreaths tied to signs caused me to stop and look around; the wreaths are inviting and suggest love and care and concern for others; the wreaths also serve to landmark one family’s location on their portion of the frontier for others to find.

Listening to – The Cinematic Orchestra and ‘Ma Fleur’.

Quote to Inspire – “A tear contains an ocean. A photographer is aware of the tiny moments in a person’s life that reveal greater truths.” – Anonymous

Thelwell Ponies

Backlight, Best Practices - Photography, Canon 60D, Canon 70-200 mm 2.8 IS L Series Lens, Canon Camera, Canon Lens, Canon Live View, Farm, Fauna, Light Intensity, Lookback Photos - One Year Ago, Photoblog Intention, Photography & Conceptualizing Beauty, Project 365 - Photo-a-day, Winter

Fairview Horses, Fairview, Alberta 1

Fairview Horses, Fairview, Alberta 2

Fairview Horses, Fairview, Alberta 3

Fairview Horses, Fairview, Alberta 4

I am able to recall my first year of school and one of those Life-changing events, that of taking my father to the Edmonton International Airport – Mom, Grandma and me. Something new for me and my brothers, this same event was rejoinder for my father – he was getting back to the globetrotting that was so much of his career prior to the arrival of my two brothers and me. Business trips took Dad often to the United Kingdom to stay current with practices/methods in plastics development/technologies. Beyond the United Kingdom, Dad moved around the globe in a chemist’s technician’s capacity dealing with the technical side of plastics use; the customer was always right – if the plastic produced didn’t work for the customer, the company Dad worked for always solved the problem and worked to create the plastic needed by each customer-manufacturer. Dad’s globetrotting in the sixties, seventies, eighties and nineties had the ceremony of preparation and departure; and, homecoming also became ceremony – gifts for the family let us know that we were thought of even when he was away from us.

Horses – the images of horses, here, were photographed just north of Fairview, Alberta. Their shapes remind of a British cartoonist who drew so many cartoons of the British countryside – Norman Thelwell often drew images of ponies … cartoons that these photographs recall. Check out Norman Thelwell at http://www.thelwell.org.uk/ . One of the gifts my father brought back for me when I was twelve was a small paperback of Thelwell’s pony cartoons – something I can remember reading in my room on a rainy day in June in Edmonton.

Listening to – Los Lobos and ‘Two Janes.’

Quote to Inspire – “Ultimately photography is about who you are. It’s the truth in relation to yourself. And seeking truth becomes a habit.” – Leonard Freed

Waiting … Unused, Boarded-Up

Best Practices - Photography, Canon 60D, Canon Camera, Canon Lens, Canon Live View, Light Intensity, Lookback Photos - One Year Ago, Night, Photoblog Intention, Photography & Conceptualizing Beauty, Project 365 - Photo-a-day, Season, Weather, Winter

Hay River, NWT – Boats 1

Hay River, NWT – Boats 2

Hay River, NWT – Boats 3

Hay River, NWT – Boats 4

Hay River, NWT – Boats 5

In January’s winter, huge, huge boats – complex structures, rigged out with all kinds of equipment to make them self-reliant and useful upon the water – have been dragged to ground from the world’s largest lake – the Great Slave Lake; the boats wait, unused, boarded-up and dormant within acres and acres of Hay River’s boat yard. Canada’s Great Slave Lake is large enough to make transport of materials more efficient, faster and more direct when these boats are used than when moving materials around the perimeter of the lake by transport truck. These boats have names – Jock McNiven, Lister, Horn River, and Radium Empress – and in being named do stir curiosity about the origin of such reminiscence in each boat’s appellation. Snowy and overcast, the day yields -26C at 5:00 p.m. on a January winter day in Canada’s Hay River, Northwest Territories; overnight it will get colder. It’s the kind of day when a Hay River resident keeps an eye out for the potential of a stranded motorist, a neighbor, needing a tow from the snow bank or a boost of their car/truck’s battery. People living in Hay River know how to live in Hay River.

Listening to – Enrique Iglesias – ‘When I Fall in Love,’ with words on You Tube, a song our school’s custodian frets at this day’s end upon a Yamaha guitar … good, good schtuff!

Quote to Inspire – “I have the great privilege of being both witness and storyteller. Intimacy, trust and intuition guide my work.” – Jim Goldberg

Stowed Away

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Boats in Woods – Hay River 1

Boats in Woods – Hay River 2

Stowed away among the brush, the husks of two boats dragged from the water, now uncared for, left to the elements.

Listening to – Paul Simon’s ‘Graceland’ and ‘Diamonds on the Souls of Her Shoes’ (only now realizing that these were recorded in South Africa at a time when Artists Against Apartheid were sanctioning the Arts, there … in addition to all other sanction; a bold, bold move on Paul Simon’s part).

Quote to Inspire – “I am not an artist. I am an image maker.” – Thomas Hoepker

81 Years – Today

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Fields of Home 1

Fields of Home 2

Hay Bale – Fields

The Road Home

The following blessing is something that’s opened-out and extended back recollection of my father and his shaping, steadfast hand. It’s his birthday, today … and these words – John O’Donohue’s words, ‘For a Father’ – recall him to me.

“The longer we live,
The more of your presence
We find, laid down,
Weave upon weave
Within our lives.

The quiet constancy of your gentleness
Drew no attention to itself,
Yet filled our home
With a climate of kindness
Where each mind felt free
To seek its own direction.

As the fields of distance
Opened inside childhood,
Your presence was a sheltering tree
Where our fledgling hearts could rest.

The earth seemed to trust your hands
As they tilled the soil, put in the seed,
Gathered together the lonely stones.

Something in you loved to inquire
In the neighborhood of air,
Searching its transparent rooms
For the fallen glances of God.

The warmth and wonder of your prayer
Opened our eyes to glimpse
The subtle ones who
Are eternally there.

Whenever, silently, in off moments,
The beauty of the whole thing overcame you,
You would gaze quietly out upon us,
The look from your eyes
Like a kiss alighting on skin.

There are many things
We could have said,
But words never wanted
To name them;
And perhaps a world
That is quietly sensed
Across the air
In another’s heart
Becomes the inner companion
To one’s own unknown.” (‘For a Father’ in ‘Homecomings,’ To Bless the Space Between Us, John O’Donohue)

Listening to – U2’s ‘Kite’.

Quote to Inspire – “The camera is an excuse to be someplace you otherwise don’t belong. It gives me both a point of connection and a point of separation.” Susan Meiselas