Land’s Next Use

Canon Camera, Canon Lens, Canon Live View, Fall, Farm, High Dynamic Range (HDR), Homestead, Journaling, Photoblog Intention, Photography & Conceptualizing Beauty, Project 365 - Photo-a-day, Still Life, The Candid Frame, Weather, Winter

Strewn Timber – Rocky Lane, Alberta – Canada iv

Strewn Timber – Rocky Lane, Alberta – Canada ii

Strewn Timber – Rocky Lane, Alberta – Canada iii

Strewn Timber – Rocky Lane, Alberta – Canada i

Timber, pushed down, lies strewn throughout a farmer’s field, a first step in clearing the land. Timber has also fallen across the structure of a homestead house yet has not crushed it. The house and a water-filled dugout suggest that a previous owner, another farmer, had initiated and abandoned a similar project in an earlier era. For now, timber will be gathered for burning; a winter or spring burn will reduce these trees and this homestead house to ashes, the land becoming ready for another use.

Quote to Consider – “I really believe there are things nobody would see if I didn’t photograph them.” – Diane Arbus

Listening to – Ibarionex Perello’s ‘The Candid Frame’ – episode 238, an interview with Sara Jane Boyers, Jesse Cook’s ‘Ocean Blue,’ Shadowfax’s ‘Move the Clouds,’ Agnes Obel’s ‘Fivefold,’ U2’s ‘Song for Someone’ and Sigur Ros’ ‘Glosoli.’

The Place Where We Are Right
by Yehuda Amichai

From the place where we are right
flowers will never grow
in the Spring.

The place where we are right
is hard and trampled
like a yard.

But doubts and loves
dig up the world
like a mole, a plough.
And a whisper will be heard in the place
where the ruined
house once stood.

Rainbow Re-edit

Best Practices - Photography, Canon 60D, Canon 70-200 mm 2.8 IS L Series Lens, Canon Camera, Canon Live View, Farm, Flora, High Dynamic Range (HDR), Journaling, Light Intensity, Lookback Photos - One Year Ago, Photography & Conceptualizing Beauty, Project 365 - Photo-a-day, Smoke, Summer, Weather

Wind Turbines and Rainbow – Oahu 1

Plantation Fire – Haleiwa, Oahu

Wind Turbines and Rainbow – Oahu 5

Wind Turbines and Rainbow – Oahu 4

Wind Turbines and Rainbow – Oahu 3

Two summers ago, my wife, daughter and I enjoyed two weeks on Oahu. We rented a car, a Ford Fusion, for the time and used it to take us on day trips exploring Oahu. In the second week we returned for perhaps the fourth time to Haleiwa, part of Oahu’s North Shore. Exploring, shopping and photo gathering were elements of that day. We’d each finished an ice cream cone and were buying t-shirts for my son when sirens of fire engines moved through town – one, then, five minutes later another.

To the north, a plantation, perhaps a mile away was burning and dark black smoke was billowing in the air.

When traffic had returned to its steady flow we got into the car with the intention of returning to Honolulu for the evening. Traffic had slowed, returning to an ambling pace. As we headed away from Haleiwa the idea to see the site of the fire attracted my curiosity. I took a right from the main road and followed a one-lane backroad toward the fire. I thought better of it; the backroad to the plantation was narrow and blocking traffic would be a problem.

I stopped our vehicle, got out and looked back over my right shoulder to see these wind turbines with a rainbow coming down in the midst of them – an opportunity for a photograph had presented itself. I attached my 70-200mm lens to my Canon 60D, zoomed in and captured these images. I posted the image on this blog maybe eighteen months ago, an image edited on my laptop while waiting for clothes to dry in the laundry room of the Marriott Hotel in Honolulu. The original posted is the third image above. Yesterday, I explored this sequence of images and found a few others to share. My thanks to Mark Kurtz for drawing my attention back to these images.

Listening to – Parov Stelar’s ‘Room Service,’ Nitin Sawhney’s ‘Firmament,’ the Gotan Project’s ‘Santa Maria (Del Buen Ayre)’ and Quantic & Tempo’s ‘Sabor.’

Quote to Consider – “In photography there are no shadows that cannot be illuminated.” – August Sander

Reflecting, Road Thought Work

Backlight, Best Practices - Photography, Canon Camera, Canon Lens, Canon Live View, Farm, Farmhouse, Flora, Fog, High Dynamic Range (HDR), Home, Homestead, Journaling, Light Intensity, Night, Photoblog Intention, Photography & Conceptualizing Beauty, Project 365 - Photo-a-day, Still Life, Summer, Sunset, Weather

Homestead – La Glace, Alberta, Canada

Stop Ahead Turnoff – NW Alberta

Sunset – Warrensville, Alberta Canada 1

Sunset – Warrensville, Alberta Canada 2

Sunset – Warrensville, Alberta Canada 3

Sunset – Warrensville, Alberta Canada 4

Sunset – Warrensville, Alberta Canada 5

“We never see another person’s experience; all we see is their behaviour (R.D. Lang).”

I have had some alone time travelling in the past few weeks and been able to engage in uninterrupted thought work – some intersecting of ideas has occurred. I’ve listened to a 2007 John O’Donohue lecture on the creative force of the imagination and key ideas as starting points about our inner lives – in his words, “I always think that behind every face there is a secret life and that humanoids are the strangest creatures that you’d ever meet because so much is contained within the human body. A human face is one of the most unusual things in the world. On such a small canvas such a variety of presence can appear. And, behind every face there is a secret, hidden inner life … if friendship means anything it means in the presence of the other you begin to see who you are in how they reflect you back to you.”

Within this same time frame I took in a photography workshop offered by Joe McNally – ‘The Moment It Clicks.’ As I listened and watched Joe work to produce different portraits there was recognition that the photographer does what John O’Donohue proposes; ultimately, the photographer reflects the subject back to him- or herself. I have wondered, though, if portrait photography is really a dance of interrogation; I have wondered if shared vulnerabilities result in trust and a richer portrait. And, is it the photographer’s leading interrogation about the subject’s narrative that produces the best photograph? Or, is it something more mutual that does so? I am wondering if the good portrait photographer leads the subject in the relationship that produces the portrait? It is possible that subject and photographer would share a context of silence in portrait making.

John O’Donohue’s words highlight some of this – “No two humans inhabit the same world, internally. We all inhabit the same world physically. But, internally, each world is completely different.” On the side of the photographer and on the side of the subject, what follows is starting point. “… No one else sees the world the way you do. No one else sees it from the perspective that you do. In no one else is the same narrative building as there is within you. And even though similar things have happened to you as with other people the context that they find in your heart and mind and narrative is different from everyone else. Your inner world is completely hidden from other humans.” So, within portrait photography interrogation has the opportunity to work on both sides co-creating a reality – that of photographer and that of subject. Relationship and moment are captured and recorded as the shutter button is pressed.

As the week rounded out, I found myself among this theme, again, being explored and brought to life in Ben Stiller’s film of James Thurber’s story, The Secret Life of Walter Mitty.

Images from the Road – a derelict church in Woking, a La Glace homestead, the road at night and sunsets.

Quote to Consider – “If you’re having difficulty finding a natural or intuitive expression in a portrait session or having trouble identifying with the person you’re photographing, look into their eyes carefully and see if you can find your own reflection there. Discover yourself looking at you. Then, ask your subject to look into your camera lens and find their own reflection, and be prepared to make the portrait.” – Shelby Lee Adams, ‘Find Your Reflection’ … seems follow-up from the aphorism, “The more I know me, the more I know thee.” – Buber-esque and good, good schtuff!

Listening to – Jose Gonzalez’ ‘Stay Alive’ and Thomas Merton’s ‘The Seven Storey Mountain.’

Winter Light Work

Backlight, Best Practices - Photography, Canon Camera, Canon Lens, Canon Live View, High Dynamic Range (HDR), Home, Homestead, Journaling, Light Intensity, Photography & Conceptualizing Beauty, Project 365 - Photo-a-day, Winter

Walterdale House White 2 HDR-Edit-Edit-Edit-3

An early-hours image from February in Edmonton, one of three surviving homestead structures in Edmonton’s Walterdale community from 1900 or so. The light work in the trees, upon the snow and that reflected to the white walls of the house attracts my attention. The homestead glows in a way you might anticipate when encountering a home within a ghost story, the narrative placing a character too many hours into night and the happenings that occur.

Quote to Consider – “In photography there is a reality so subtle that it becomes more real than reality.” – Alfred Stieglitz

Listening to – Casting Crowns’ ‘City on a Hill.’

The Practical – Practically

Canon Camera, Canon Lens, Canon Live View, High Dynamic Range (HDR), Homestead, Light Intensity, Photography & Conceptualizing Beauty, Project 365 - Photo-a-day, Spring, Still Life

Gull Lake Homestead – Up Close, Fort Vermilion, Alberta Canada 1

Gull Lake Homestead – Up Close, Fort Vermilion, Alberta Canada 2

Gull Lake Homestead – Up Close, Fort Vermilion, Alberta Canada 3

Dave Brosha offered a photography workshop last spring in Fort Vermilion, Alberta. One day was devoted to portrait photography; another was about landscape photography. The workshop allowed for many practical demonstrations (talked through practically) and for us to review and critique our photographs together as a group. There was also the encouragement to get together and get out as a shooting group. We had opportunities to watch Dave edit using Adobe Lightroom and one of the surprises that I’ve held onto was that the erase function (a circle area that you direct within the image to eliminate things like dust spots could be dragged instead of only clicked on much like an eraser to erase areas of the image). The images presented here are from our landscape work and in the Gull Lake homestead picture I’ve been able to remove a person from the photo with the erase function.

Gratitude – thank you, Dave. It was good to meet you and to witness your energy and approach as a photographer. It was good to take you into Buttertown to the St. Louis Catholic mission, a place that had been part of distant childhood memories for you with your Dad. Take good care of your good self.

Listening to – the Verve’s ‘Bittersweet Symphony,’ U2’s ‘In God’s Country,’ Coldplay’s ‘Life in Technicolor’ and Depeche Mode’s ‘Policy of Truth.’

Quote to Consider – “There is only you and your camera. The limitations in your photography are in yourself, for what we see is what we are.” – Ernst Haas (1921-1986)

Cloud Cord Work

Backlight, Canon Camera, Canon Lens, Canon Live View, Farm, Farmhouse, High Dynamic Range (HDR), Home, Homestead, Journaling, Light Intensity, Photography & Conceptualizing Beauty, Project 365 - Photo-a-day, Spring, Still Life, Sunset, Weather

La Glace Homestead – Sunset, La Glace, Alberta – Canada 1

La Glace Homestead – Sunset, La Glace, Alberta – Canada 3

Day’s end, dabbling with high dynamic range edits in Adobe Photoshop CS6, shots from a La Glace golden hour at day’s end from two Sundays back. Very near the Rocky Mountains, the curiosity is the cloud work splaying out, unwinding cords of cloud above rolling foothills – not quite cirrus clouds, but clouds that hold line and shape against darkening night sky as back drop.

Quote to Consider – “Photography takes an instant out of time, altering life by holding it still.” – Dorothea Lange

Listening to – Jesse Cook’ ‘Ocean Blue,’ Clannad’s ‘Harry’s Game’ and Snow Patrol’s ‘This Isn’t Everything You Are’ and ‘Those Distant Bells.’

Sunday’s Valhalla

Canon 70-200 mm 2.8 IS L Series Lens, Canon Camera, Canon Lens, Canon Live View, High Dynamic Range (HDR), Homestead, Light Intensity, Spring, Still Life, Sunset

Homestead – La Glace, Alberta – Canada 1

Homestead – La Glace, Alberta – Canada 2

Homestead – La Glace, Alberta – Canada 3

Homestead – La Glace, Alberta – Canada 4

Homestead – La Glace, Alberta – Canada 5

On a Sunday evening, two Sundays ago, we drove west from Grande Prairie. My daughter’s dance season had concluded. She journeyed homeward with friends. My wife and I remained. With time to ourselves, after our supper meal, we drove.

At the junction where highway 43 meets highway 723 we turned right and traveled northward to an as yet undiscovered location for us, the hamlet of Valhalla Centre. Halfway there, we stopped – my wife and I trading positions in our truck cab; she took the wheel and I was able to let my eyes meander over and through each new scene confronting us – scouting potential shots. While this region, the north side of highway 43, is a farming community the land use for farming was noticeably different from that immediately surrounding Grande Prairie; open, unfenced grain fields went on for kilometres; farm buildings accommodated the terrain more than a system for using the land. These farms were huge. The area drew memories of farm community scenes from Garrison Keillor’s ‘News from Lake Wobegon,’ the narrative series accompanying the live radio show, ‘A Prairie Home Companion;’ the stories are set in Minnesota and often poke fun at the Scandinavian/German-American communities. On the Canadian side of the border, CBC broadcasts a sister show, ‘The Vinyl Café’ with Stuart McLean.

Our drive continued to Valhalla Centre and where my wife could have turned left westward to uncharted territory for us, she took a right and we moved toward an area I had been through two weeks before, the area between La Glace and Sexsmith, Alberta. The images presented here are from a third homestead quite close to two others presented a few weeks back. My wife and I followed this drive with a week to ourselves for travel.

Listening to – U2’s ‘I Will Follow,’ ‘Trip through Your Wire,’ ‘I Still Haven’t Found What I’m Looking For,’ ‘Magnificent,’ ‘Lucifer’s Hands’ and ‘Every Breaking Wave.’

Quote to Consider – “Photographing a culture in the here and now often means photographing the intersection of the present with the past.” – David DuChemin

Windshield Meditation

Canon Camera, Farm, Farmhouse, Flora, High Dynamic Range (HDR), Journaling, Light Intensity, Photography & Conceptualizing Beauty, Project 365 - Photo-a-day, Season, Spring, Weather

Barn – Rycroft, Ab – Canada

Barn and Quonset – Fairview, Ab – Canada 1

Barn and Quonset – Fairview, Ab – Canada 2

Spring’s Rolling Hills – Near Rycroft, Alberta – Canada 1

Spring’s Rolling Hills – Near Rycroft, Alberta – Canada 2

A prairie thaw, sky filling through the afternoon with cloud – a long drive southward into more and more of spring and sunlight provides ample opportunity for the meditation that becomes photography and each photograph – a photo walk with wheels so to speak, travel traversing a third of our province in a five-hour trek. Quiet, without news, story or music, the drive becomes a photographer’s dream – unending windshield time. That afternoon’s thought remnants are found in these images.

Listening to – Radiohead’s ‘Pyramid Song,’ Sigur Ros’ ‘Glosoli,’ Snow Patrol’s ‘Garden Rules,’ Bryan Ferry’s ‘Just Like Tom Thumb’s Blues,’ U2’s ‘California’ and Tom Waits’ ‘Christmas Card from a Hooker in Minneapolis.

Quote to Consider – “The eye should learn to listen before it looks.” – Robert Frank

Buttertown Snow

Canon Camera, Canon Live View, Combine (Farming), Farm, Flora, High Dynamic Range (HDR), Light Intensity, Photography & Conceptualizing Beauty, Project 365 - Photo-a-day, Spring, Still Life, Vehicle, Weather

Buttertown New Holland Combine – Fort Vermilion, Alberta – Canada

Buttertown Truck Cab – Fort Vermilion , Alberta – Canada

Buttertown snow melts, revealing different finds among Fort Vermilion’s north settlement trees on a Saturday, one of the last grey few before the intensity of spring light warms and colours the world anew. Here, blurring elements in each image to explore the result.

Quote to Consider – “Photography for me is not looking, it’s feeling. If you can’t feel what you’re looking at, then you’re never going to get others to feel anything when they look at your pictures.” – Don McCullin

Listening to – Agnes Obel’s ‘Fivefold’ and Junip’s ‘Don’t Let It Pass.’

Window Pragmatics

Best Practices - Photography, Canon Camera, Canon Live View, Farm, Farmhouse, High Dynamic Range (HDR), Home, Homestead, Journaling, Light Intensity, Photography & Conceptualizing Beauty, Project 365 - Photo-a-day, Season, Spring, Still Life, Weather

Homestead on a Hill – near Sexsmith, Alberta – Canada

Ten minutes north from Sexsmith, Alberta this homestead is one previously photographed in mid-winter, the land smoothed under a snow blanket, the homestead roof likewise blanketed, but windswept with snow blown into curvilinear shape. Here, in early spring, the homestead’s greying outline pulls my eye, then it is its placement on the rise in this field, then the weather drama of its backdrop clouding and finally it’s the immensity of the homestead windows, each – one on each side – four feet tall by one and a half feet in breadth; much can be seen from this homestead. A South African farming friend points out that being able to see in each direction – north, east, south and west – requires that the farming home be placed at best vantage point to allow observation and consideration of happenings on the farm property. Pragmatics is what has been highlighted – all should be seen from the farm home and limit the need to be on the land to check on things.

Listening to – John O’Donohue’s ‘Longing and Belonging.’

Quote to Consider – “Of course, there will always be those who look only at technique, who ask ‘how,’ while others of a more curious nature will ask ‘why.’ Personally, I have always preferred inspiration to information.” – Man Ray