Treasure, In Return

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MacKenzie River Bridge – Fort Providence, NT – Canada i

MacKenzie River Bridge – Fort Providence, NT – Canada ii

MacKenzie River Bridge – Fort Providence, NT – Canada iii

Perhaps twenty years ago, Chris Short, an art specialist from Newfoundland, slowed the pace of my thought when she asserted that between High Level and Edmonton, Alberta (750km), an artist could easily spend as many as three days to gather and respond to terrain and landscape in drawing and painting (and, then, you could repeat this task/vocation seasonally, too). Another friend coined an expression Chris would understand. In response to seeing fresh landscape and terrain, that friend would interrupt travel asking to … “Stop. Let me feast my eyes.” The call was to stop in our current proceedings and to take note with awe and wonder of something beautiful, right there, in front of us.

For the Yellowknife Photo Walk getting to destination would mean focusing on the drive and returning to many photographic opportunities encountered along the way at a future date. A similar conundrum confronted me in getting to my first Photo Walk in Fort St. John, British Columbia in 2011. In both cases, while opportunities for photos were available, my eyes and imagination would only be able to scout the scene and return to them at a later date. I would know where to return for future photographs, a treasure of sorts. Travel to Fort St. John had presented incredible autumn landscapes, a morning well-lit by sun with impending, dark winter clouds moving off in the distance; farmers, at that time, were completing their harvest, some still combining fields on either side of the highway between Rycroft and Fort St. John. In the same way, travel to and from Yellowknife presented many opportunities for images – the bridge among the terrain in the Rae Edzo area in the morning’s golden hour will be something to return for as will bison feeding on the warmer, sunlit side of the highway in the afternoon. Then, there was this bridge that crosses the MacKenzie River at Fort Providence. The river, at this point, spans almost two kilometres. Driving across this two lane bridge is a breathtaking experience. I stopped and in my friend’s words, I feasted my eyes. These images are the result.

Listening to – U2’s ‘Every Breaking Wave,’ John Mayer’s ‘The Age of Worry,’ Maroon 5’s ‘Lucky Strike,’ Coldplay’s ‘Us Against the World,’ Ed Sheeran’s ‘Little Bird’ and Snow Patrol’s ‘This Isn’t Everything You Are.’

Quotes to Consider – “Taking pictures is like tiptoeing into the kitchen late at night and stealing Oreo cookies.” – Diane Arbus; “To me, photography is an art of observation. It’s about finding something interesting in an ordinary place …. I’ve found it has little to do with the things you see and everything to do with the way you see them.” – Elliott Erwitt

An Air-nailer, Yellowknife Narrows and Camera Walk

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Float Plane – Yellowknife, NT Canada iv

Float Plane – Yellowknife, NT Canada iii

Float Plane – Yellowknife, NT Canada ii

Yellowknife Float Planes – The Narrows, Yellowknife WW Photo Walk – 3 Oct 2015

The Narrows – Yellowknife WW Photo Walk 3 Oct 2015

I had wanted to be a photographer-participant in the Kelby Worldwide Photo Walk in each of the last three years. The eighth, annual Kelby Photo Walk would be held around the globe last Saturday – October 3, 2015. Edmonton, Grande Prairie, Fort St. John, Edson, and Jasper – all in previous years had photo walks that I could potentially get to. Key in such consideration was locating myself at the photo walk site with time enough for solid rest so that I could see that corner of the world with fresh eyes.

Coming to last weekend, two photo walks intrigued me. One would be held in Fort Smith, Northwest Territories and another would be held in Yellowknife, Northwest Territories. The Fort Smith photo walk would begin quite early to catch the morning golden hour of dusk to sunrise and then to full morning – I’d need to be there quite early. The Yellowknife photo walk would start at 5:30 p.m.; but, I would need to be up and on the road quite early on Saturday to make it to the walk site. Going did not look promising because I would need seven hours to get there. But, happenstance prevailed. A group of roofers began nailing shingles to a neighbor’s roof early on Saturday morning; starting at 8:00 a.m. they began banging in nails with an air-nailer. I got out of bed, got a coffee and looked at the photo walk website and to the Yellowknife photo walk. I also got clear on the number of kilometres I would travel in order to be part of this event. My wife came downstairs and asked me about my Saturday and saw that I was looking at the photo walk. She got me going out the door and on my way.

I arrived in Yellowknife with forty-five minutes to spare, got a hotel room at the Explorer Hotel, showered and registered for the walk using my smartphone. I punched into my GPS the walk starting point – 3513 Ingraham Drive, Yellowknife (the parking lot at the base of Pilot’s Monument) and five minutes later I was at the site. Ten minutes after that I met the Walkers of our Yellowknife photo walk group, we counted thirteen.

The image presented here is my submission to the photo walk website – a float plane in the Narrows separating Yellowknife proper from Rock Island. My gratitude goes out to this photo walk group for their camaraderie, their welcome, their interest in photography and for how each photographer has worked photography into their lives. Good, good schtuff!

Quote to Consider – “Of course, there will always be those who look only at technique, who ask ‘how,’ while others of a more curious nature will ask ‘why.’ Personally, I have always preferred inspiration to information.” – Man Ray … sounds like a key attribute of this photo walk group.

Listening to – New Radicals’ “You Get What You Give;” seems almost to have a Mick Jagger kind of voicing to the song; a student of mine has me fretting this song with him … we’re both learning it.

Sulfur Mountain – Sunset

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Banff from Sulfur Mountain – Banff, Alberta – Canada

Gondola Sunset – Banff, Alberta – Canada i

Gondola Sunset – Banff, Alberta – Canada ii

Sulfur Mountain looking West – Banff, Alberta – Canada

Sulfur Mountain Walkway – Banff, Alberta – Canada

August, up behind Banff, on Sulfur Mountain, a Gondola ride ferries me, skyward, high above to a prominent mountain peak, a culling point for a cross-section of travelers and wanderlust. The sun, glimpsed behind clouds … sets – a time for a photo, a time to share with fellow mountain-top travelers what my camera captures; encouragement comes in broken, best effort English … “ten more minutes” and “beautiful [sunset].”

Quote to Consider – “To consult the rules of composition before making a picture is a little like consulting the law of gravitation before taking a walk.” – Edward Weston

Listening to – Of Monsters and Men’s ‘King and Lionheart,’ ‘Dirty Paws’ and ‘Slow and Steady.’

Rainbow Re-edit

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Wind Turbines and Rainbow – Oahu 1

Plantation Fire – Haleiwa, Oahu

Wind Turbines and Rainbow – Oahu 5

Wind Turbines and Rainbow – Oahu 4

Wind Turbines and Rainbow – Oahu 3

Two summers ago, my wife, daughter and I enjoyed two weeks on Oahu. We rented a car, a Ford Fusion, for the time and used it to take us on day trips exploring Oahu. In the second week we returned for perhaps the fourth time to Haleiwa, part of Oahu’s North Shore. Exploring, shopping and photo gathering were elements of that day. We’d each finished an ice cream cone and were buying t-shirts for my son when sirens of fire engines moved through town – one, then, five minutes later another.

To the north, a plantation, perhaps a mile away was burning and dark black smoke was billowing in the air.

When traffic had returned to its steady flow we got into the car with the intention of returning to Honolulu for the evening. Traffic had slowed, returning to an ambling pace. As we headed away from Haleiwa the idea to see the site of the fire attracted my curiosity. I took a right from the main road and followed a one-lane backroad toward the fire. I thought better of it; the backroad to the plantation was narrow and blocking traffic would be a problem.

I stopped our vehicle, got out and looked back over my right shoulder to see these wind turbines with a rainbow coming down in the midst of them – an opportunity for a photograph had presented itself. I attached my 70-200mm lens to my Canon 60D, zoomed in and captured these images. I posted the image on this blog maybe eighteen months ago, an image edited on my laptop while waiting for clothes to dry in the laundry room of the Marriott Hotel in Honolulu. The original posted is the third image above. Yesterday, I explored this sequence of images and found a few others to share. My thanks to Mark Kurtz for drawing my attention back to these images.

Listening to – Parov Stelar’s ‘Room Service,’ Nitin Sawhney’s ‘Firmament,’ the Gotan Project’s ‘Santa Maria (Del Buen Ayre)’ and Quantic & Tempo’s ‘Sabor.’

Quote to Consider – “In photography there are no shadows that cannot be illuminated.” – August Sander

Reflecting, Road Thought Work

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Homestead – La Glace, Alberta, Canada

Stop Ahead Turnoff – NW Alberta

Sunset – Warrensville, Alberta Canada 1

Sunset – Warrensville, Alberta Canada 2

Sunset – Warrensville, Alberta Canada 3

Sunset – Warrensville, Alberta Canada 4

Sunset – Warrensville, Alberta Canada 5

“We never see another person’s experience; all we see is their behaviour (R.D. Lang).”

I have had some alone time travelling in the past few weeks and been able to engage in uninterrupted thought work – some intersecting of ideas has occurred. I’ve listened to a 2007 John O’Donohue lecture on the creative force of the imagination and key ideas as starting points about our inner lives – in his words, “I always think that behind every face there is a secret life and that humanoids are the strangest creatures that you’d ever meet because so much is contained within the human body. A human face is one of the most unusual things in the world. On such a small canvas such a variety of presence can appear. And, behind every face there is a secret, hidden inner life … if friendship means anything it means in the presence of the other you begin to see who you are in how they reflect you back to you.”

Within this same time frame I took in a photography workshop offered by Joe McNally – ‘The Moment It Clicks.’ As I listened and watched Joe work to produce different portraits there was recognition that the photographer does what John O’Donohue proposes; ultimately, the photographer reflects the subject back to him- or herself. I have wondered, though, if portrait photography is really a dance of interrogation; I have wondered if shared vulnerabilities result in trust and a richer portrait. And, is it the photographer’s leading interrogation about the subject’s narrative that produces the best photograph? Or, is it something more mutual that does so? I am wondering if the good portrait photographer leads the subject in the relationship that produces the portrait? It is possible that subject and photographer would share a context of silence in portrait making.

John O’Donohue’s words highlight some of this – “No two humans inhabit the same world, internally. We all inhabit the same world physically. But, internally, each world is completely different.” On the side of the photographer and on the side of the subject, what follows is starting point. “… No one else sees the world the way you do. No one else sees it from the perspective that you do. In no one else is the same narrative building as there is within you. And even though similar things have happened to you as with other people the context that they find in your heart and mind and narrative is different from everyone else. Your inner world is completely hidden from other humans.” So, within portrait photography interrogation has the opportunity to work on both sides co-creating a reality – that of photographer and that of subject. Relationship and moment are captured and recorded as the shutter button is pressed.

As the week rounded out, I found myself among this theme, again, being explored and brought to life in Ben Stiller’s film of James Thurber’s story, The Secret Life of Walter Mitty.

Images from the Road – a derelict church in Woking, a La Glace homestead, the road at night and sunsets.

Quote to Consider – “If you’re having difficulty finding a natural or intuitive expression in a portrait session or having trouble identifying with the person you’re photographing, look into their eyes carefully and see if you can find your own reflection there. Discover yourself looking at you. Then, ask your subject to look into your camera lens and find their own reflection, and be prepared to make the portrait.” – Shelby Lee Adams, ‘Find Your Reflection’ … seems follow-up from the aphorism, “The more I know me, the more I know thee.” – Buber-esque and good, good schtuff!

Listening to – Jose Gonzalez’ ‘Stay Alive’ and Thomas Merton’s ‘The Seven Storey Mountain.’

Yellow Dazzling

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Canadian Grain Bin – Guy, Alberta, Canada 1

Canadian Grain Bin – Guy, Alberta, Canada 2

Canadian Grain Bin – Guy, Alberta i

Westeel Grain Bins – Warrensville, Alberta, Canada

The ground, seeded, transforms from dark, dirt black to green growth reaching its pinnacle of dazzling yellow before being harvested. I have driven through some of Alberta’s farmland in the past two weeks and Canola does seem the farmer grown plant of choice, this year, its yellows colouring and brightening what, in winter, had been a darker and more dreary landscape. I had hoped to catch Canola surrounding these Warrensville Westeel grain bins in the past two or three years, never returning to the site/sight until a week ago.

The Canada Flag painted on the side of a grain bin forms a landmark for travellers nearing the hamlet of Guy, Alberta. On Alberta highway 2, as you climb from the valley holding the Smoky River going north you’ll find the grain bin on your left two or three minutes along; for many the flag and shed serve as time marker for journeys northward. From this point, I can be at my doorstep in High Level, Alberta in three hours and forty minutes.

In addition to the broad reach of Canola’s yellows in these images, immensity surrounding the grain bin is also part of things; looking ahead through the miles a cumulonimbus cloud will later offer its weather, wind and rain, as something to be managed within our drive home. These images remind of photographs in which grain fields, mountains and breathtaking cloud work coalesce and immensity is the dominant feature within the image. I hadn’t considered it; but, the fact that a Canadian Flag has been painted on the side of a grain bin holds associations for the farmer – perhaps pride in being Canadian; it may also aim to have others consider the key role grain farmers play in Canada’s economy; or, perhaps the notion has something to do with being in the heart of Canada. What’s also there is perhaps something political … perhaps something like the assertion, ‘we are all Canadians first and foremost.’ The question intrigues – what was the point of origin for the idea of painting a Canadian flag on a farmer’s grain bin?

Quote to Consider – “A photograph is the story I fail to put into words.” – Destin Sparks

Listening to – Murray McLaughlin’s ‘Hard Rock Town,’ The Who’s ‘I Can See For Miles,’ Bob Dylan’s ‘Buckets of Rain,’ Steve Miller Band’s ‘Fly Like an Eagle,’ Ozark Mountain Daredevils’ ‘If You Wanna Get To Heaven,’ Bruce Springsteen’s ‘Radio Nowhere,’ Link Wray & the Wraymen’s ‘Rumble’ and Bruce Springsteen’s rendering of a Pete Seeger tune ‘We Shall Overcome.’

Reddening

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Skyline – Edmonton, Alberta – Canada

Edmonton Skyline – Edmonton, Alberta Canada 1

Edmonton Skyline – Edmonton, Alberta Canada 3

Skyline – Edmonton, Alberta – Canada 4

I dropped them off. Edmonton’s Commonwealth Stadium now held them – my wife, our daughter and our daughter’s friend – tickets, purchased last November; the event, a One Direction concert.

I began looking for possible photographs – different subjects presented themselves. I got out of our truck opposite Strathcona Composite School and had a look at a rat rod parked outside a gym on the southbound Calgary trail – very minimalistic in design and with little to draw the eye. I moved on. On Jasper Avenue the Gibson Building has always been an interesting subject to photograph – a building built to accommodate the wedge or pie piece shape of the land beneath it. But for the last eighteen months a neighboring construction zone has interfered with its presentation; I would need a fish eye lens to make something of the building without capturing the construction site. A photograph would not be viable today. Later, I had a good walk through the John Walter museum and gathered more information about the area and the history of one of the Walterdale homes I had photographed months before. There, in walking back to my truck, I ran into one of my daughter’s friends from her dance company – she was staying with grandparents and had recognized me. We said our hellos; I chatted with her and her granddad and we parted.

The evening clouded over. As the sun moved into its golden hour, I got to the Riverdale bike bridge and began gathering the shots above of the Edmonton Skyline. People walking by offered encouragement and saw the photographer’s opportunity of reddening clouds. One Direction’s music could be heard in the distance – people wondered if the music was part of the Taste of Edmonton event that was also going on, currently. In wind, spitting rain and cloud, wiping the lens with lens cloth regularly I gathered these images.

Quote to Consider – within the intention of ‘In My Back Pocket – Photography,’ has been the movement toward the seamless ‘See, Think, Do’ of image capture and image making. The following image conveys something similar and is found in Franz Kafka’s ‘The Wish to Be a Red Indian;’ “If one were only an Indian, instantly alert, and on a racing horse, leaning against the wind, kept on quivering jerkily over the quivering ground, until one shed one’s spurs, for there needed no spurs, threw away the reins, for there needed no reins, and hardly saw that the land before one was smoothly short heath when horse’s neck and head would be already gone.” Liking this … sort of what photography can become, response.

Listening to – Maeve Binchy’s ‘A Week in Winter’ for the long drive to and from Edmonton.

Footner Anchorage

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Anchored Float Plane – Footner Lake, Alberta – Canada

A smoky dusk at Footner Lake in early July, late in the evening and perhaps for the first time in twenty years I witnessed this sight, a float plane, anchored and ready for use at this dock. And, at 10:20 p.m., the air at the lake fills with the sound of different air tanker water bombers returning to the High Level airport (half a kilometre away) – propellers feather, the rubber of wheels squeak loudly meeting the tarmac followed by the winding down of engines and flaps up cutting air, slowing each plane, and then taxiing to a halt. Finally, the air quiets for the night and all becomes still.

Listening to – Joe Strummer & the Mescalaros’ ‘Coma Girl,’ Amos Milburn’s ‘Chicken Shack Boogie,’ Alan Vega’s ‘Dujang Prang’ and Jimmy Reed’s ‘Take Out Some Insurance.’ All are songs Bruce Springsteen highlights as holding promise, ones that he enjoys and will recommend in MOJO magazine.

Quote to Consider – “You’ve got to push yourself harder. You’ve got to start looking for pictures nobody else could take. You’ve got to take the tools you have and probe deeper.” – William Albert Allard

Mountain Rendering

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Mountains – Jasper, Alberta – Canada 2

Mountains – Jasper, Alberta – Canada 3

Mountains – Jasper, Alberta – Canada 4

The weekend has held exploration of how best to edit and present mountain images; two methods for high dynamic range (HDR) rendering have been worked through. Then, it’s been about colour, light and shadow using Topaz software, Nik Software and adjusting clarity, exposure, vibrance and saturation in Adobe Lightroom. My LaCie 3TB external hard drive has informed me it is low on space during a 30GB edit of graduation photos – different solutions and possibilities are there; I’m in favour of not losing edits. So, it’s a matter of attaching a fourth external hard drive tonight.

Listening to – Sarah McLachlin’s ‘Blue’ with lyrics that begin with … “Songs are like tattoos …;” a cool idea, spurred on by Cezanne Jardin in her blog (quite something on a Sunday having been to church and hymns often express heart belief); then it’s on to a favourite tune, ‘Drawn to the Rhythm.’

Quote to Consider – “You don’t take a photograph, you make it.” – Ansel Adams

Winter Light Work

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Walterdale House White 2 HDR-Edit-Edit-Edit-3

An early-hours image from February in Edmonton, one of three surviving homestead structures in Edmonton’s Walterdale community from 1900 or so. The light work in the trees, upon the snow and that reflected to the white walls of the house attracts my attention. The homestead glows in a way you might anticipate when encountering a home within a ghost story, the narrative placing a character too many hours into night and the happenings that occur.

Quote to Consider – “In photography there is a reality so subtle that it becomes more real than reality.” – Alfred Stieglitz

Listening to – Casting Crowns’ ‘City on a Hill.’