Time Out (in the Brubeck sense)

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The Blue Hills – Buffalo Head Prairie, Alberta

Taking time-out in the Brubeck sense, there being too much to do, having completed one huge step along a bigger task, clearing my head with photography before tackling the next huge step. This image is taken on a stretch of road behind the highway connecting Blue Hills to Buffalo Head Prairie, Alberta. The intention had been to use three F-10 images of the same scene with focus-stacking software to produce a merged, focused image utilizing the lens’ strongest point of focus with various focal points in the scene. I didn’t get that far. I didn’t purchase focus-stacking software. Instead, I used HDR Efex Pro to merge the three shots. I’m liking the result, an image that would suit a Thanksgiving theme, the harvest complete, the field prepared for spring and a move toward quieter, less hectic work. Good.

Listening to – A Mash-up of Radiohead vs Dave Brubeck – Five Step; have a listen and watch … http://www.kewego.co.uk/video/iLyROoafJd5s.html ; also, listening to Bruce Cockburn’s ‘My Beat’ and ‘Wondering Where the Lions Are.’

Quote to Consider – “It is not altogether wrong to say that there is no such thing as a bad photograph – only less interesting, less relevant, less mysterious one.” – Susan Sontag, ‘On Photography’

Road as Frontier

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1The Road – Arizona

2 The Road – Arches Nat’l Park

3 The Road – Arches Nat’l Park

4 The Road – Arizona

The road – some value the swift movement of traveling from point of origin to established destination; here, travel is not about what you encounter along your distance – travel is about getting ‘there.’ Robert Frost and Scott Peck, on the other hand, each refer to the road less traveled for what the road can reveal of the world and for how that road can grow us as we encounter new frontiers. Jack Kerouac, in his novel, ‘On the Road,’ refers to a life orientation of meeting, new, upcoming road – what we discover moving over it and how we grow as the road challenges us. That road and what we do along it becomes our narrative, our less traveled road.

Images from the road ….

Listening to – Chuck Berry’s ‘Route 66.’

Quote to Consider – “If photographs are messages, the message is both transparent and mysterious.”

Query – HDR Halo Removal

Backlight, Best Practices - Photography, Canon Camera, Canon Lens, Canon Live View, High Dynamic Range (HDR), Journaling, Light Intensity, Photography & Conceptualizing Beauty, Project 365 - Photo-a-day, Still Life, Summer

Grand Canyon – Arizona 1

Grand Canyon – Arizona 2

Grand Canyon – Arizona 3

Grand Canyon – Arizona 4

Grand Canyon – Arizona 5

The following images of the Grand Canyon are high dynamic range (HDR) images. In editing these HDR shots the challenge has been to try and eliminate the halo surrounding edges of highly contrasted colours within images. The method experimented with this week has been to open the Develop module in Adobe Lightroom and within the Lens Correction menu to utilize the ‘Remove Chromatic Aberration’ there instead of relying only on a similar feature in the HDR Efex plug-in, on the plug-in side of merging the three (or more images). Beyond this, NiK Software’s Viveza is used to sharpen and add contrast and adjust/decrease brightness; after that Topaz Labs’ Clarity and Adjust helps adjust sharpness and saturation. With Viveza I’m finding success in editing toward what I want. I still am learning about choosing the filter/preset in Topaz Adjust and then finding optimal saturation from there.

If you are an HDR image creator I would appreciate hearing from you and the method you use to create your non-halo HDR images; this week, a software product called HDR Expose 3 (by Unified Color) has been recommended for its de-ghosting (halo elimination) capacity … do you use this?

Listening to – 16 Horsepower from their ‘Folklore’ album, in their rendering of a Nina Simone song, ‘Sinnerman.’

Quote to Consider – “In the past, a discontent with reality expressed itself as a longing for another world. In modern society, a discontent with reality expresses itself forcefully and most hauntingly by the longing to reproduce this one.”

Ragamuffin Remembering

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Chevrolet Truck – Arizona 2

Chevrolet Truck – Arizona 1

It’s Sunday, and it’s a colder kind of Sunday in early November. I’m downstairs with the computer, editing summer photos – our travels through Utah. I show my wife the following image of an early 30’s Chevrolet truck. It sits alongside the highway within a Navajo reservation. For my wife, the vehicle has personality, the kind you’d find personified in the Disney movie, ‘Cars.’ I’m liking its colour, shape and integrity. Paint peels from its fenders and body. Rust in its colour seems very close to the colour of the rocks within the landscape.

The age of the vehicle also holds my attention. As a marker of time, the vehicle would have been around in world war II, it would have been around when that war ended, it would have been witness to all that Jack Kerouac’s novel, ‘On the Road,’ would have been about. And, as I think about it, the truck would also have been around when Rich Mullins made his treks out to this Navajo reservation to minister to children and youth with his music. In music ministry, ‘Awesome God,’ is the song Rich Mullins is most recognized for writing, along with many songs recorded by Amy Grant.

This past fall, over a couple of days, I went through a DVD drama called ‘Ragamuffin’ which is an inspired chronicle of Rich Mullins’ life in which the viewer witnesses Rich’s transformation (struggles, consequences and transformation) from successful Christian musician to a life lived more and more honestly by the tenets of God set out in the Bible. 78 Eatonwood Green is a place where Rich and the Ragamuffin Band were staying in Ireland and 78 Eatonwood Green is title to another song worth the hearing, an instrumental with a dulcimer featuring within the song.

Listening to – Rich Mullins’ ‘78 Eatonwood Green’ from ‘A Liturgy, a Legacy and a Ragamuffin Band.’

Quote to Consider – ‘Photography, though not an art form in itself, has the peculiar capacity to turn all its subjects into works of art.’ – Susan Sontag, ‘On Photography’

Morning Flux

Backlight, Canon Camera, Canon Lens, Canon Live View, Flora, High Dynamic Range (HDR), Journaling, Light Intensity, Photography & Conceptualizing Beauty, Project 365 - Photo-a-day, Still Life, Summer, Sunrise, Weather

Sunrise – Arches Nat’l Park, Moab, Utah 1

Sunrise – Arches Nat’l Park, Moab, Utah 2

Sunrise – Arches Nat’l Park, Moab, Utah 3

Sunrise – Arches Nat’l Park, Moab, Utah 4

Sunrise – Arches Nat’l Park, Moab, Utah 5

Sunrise – Arches Nat’l Park, Moab, Utah 6

Summer Memory – early, early morning, warming, moving, cycling Edmonton bike trails, alone, witnessing with dawn the lighting of the earth and the articulation and colouration of shapes, the earth shrouded in mist, becoming seen, more and more vividly, with each pedal stroke. It’s the transition or flux from night to day happening each day regardless of weather – the time is special, perhaps sacred. The photos, here, capture the lighting of the earth, the articulation of shape and colouration of the world at dawn – Arches National Park, near Moab, Utah.

Listening to – Mary J. Blige and U2 sing ‘One,’ Luciano Pavarotti and U2 sing ‘Miss Sarajevo’ and B.B. King and U2 sing ‘When Love Comes to Town.’

Quote to Consider – “Insofar as photography does peel away the dry wrappers of habitual seeing, it creates another habit of seeing – both intense and cool, solicitous and detached; charmed by the insignificant detail, addicted to incongruity.” – Susan Sontag, ‘On Photography’