Charles Dickens once wrote a novel about an Old Curiosity Shop, a shop much like that of current second-hand stores or thrift stores in which a store owner collects collectibles, curiosities that satisfy our need to discover things that fit the environment we wish to create for our lives. Tonight, day-long, spring snow flurries bring about a look-back through photos. This photograph surfaced as one provoking the curiosities that rusting relics are at that point before restoration in which appraisal and consideration of possibility occurs – questions stir about what needs done, what the vehicle can become, what it will be like to drive and who will drive it. Possibility is leveraged as much by reminiscence as by future anticipation. Something of this imaginative aspect regarding a curiosity to be purchased is what Dickens explores in his novel The Olde Curiosity Shop – the nature of how we choose what we will put into our lives. Rusting relics in this rag-tag, makeshift auto-yard have me wondering about the curiosity that these older vehicles hold and highlight the necessity of imagination in investigating the possibility of what any of these vehicles can become. For me, the teal blue 1959 or 1960 Chevrolet reminds of a car that my grandfather drove when I was three or four. I can only recall being transported in this vehicle two or three times in and around Edmonton and then back to their home on Strathearn Drive – a memory that requires some reaching back.
Listening to – Snow Patrol’s Lifeboats, Radiohead’s High and Dry, Coldplay’s Don’t Panic and Kings of Leon’s Closer; the song that’s been on my mind throughout the post has been The Tragically Hip’s As Makeshift As We Are.
Quotes to Inspire – (1) “Photography can only represent the present. Once photographed, the subject becomes part of the past.” – Bernice Abbott (2) “A photograph is a secret about a secret. The more it tells you the less you know.” – Diane Arbus
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BY GRACE THROUGH FAITH
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I make photographs and poems to please myself (and share them to please you).
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He started Writing, The paper started speaking...
L'occhio ritaglia il soggetto, e l'apparecchio deve solo fare il suo lavoro, che consiste nell'imprimere sulla pellicola la decisione dell'occhio
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