Beyond Yoric

Backlight, Canon 60D, Canon 70-200 mm 2.8 IS L Series Lens, Canon Camera, Canon Live View, Cemetery, Flora, Light Intensity, Photography & Conceptualizing Beauty, Spring, Still Life

Imagine in your walking that you come upon a local cemetery, one you know well because it’s where your family has been buried through the ages. Imagine also that it’s getting to be a crowded place and that the sexton (gravedigger) has need to prepare a new grave.  You’ve been away. So, you chat to catch-up on the news. The sexton’s efforts bring forth the skull of someone known to you and your family.  The sexton is able to provide narrative about that skull and the soul which inhabited it – tales of good, mainly the good and memorable that connects to you.  It’s the skull of someone known to you as a child and your memories tumble forth in your mind’s chatter.  Your curiosity interrupts you.  You know this region well. Your conversation shifts to the newly needed plot and for whom it is being prepared. Someone’s died. Someone you have known. That’s pretty much how young Hamlet in Shakespeare’s play comes upon Ophelia’s death, the death of a young lady from court that Hamlet should perhaps have wedded. There’s regret.  Hamlet finds that she’s brought about her own end – likely from the confusion and obscurity relating to his intentions towards her. Her death is part of something bigger that’s happening, the unraveling and exposure of the truth.

Globally, the play is about addressing abusive power and control and is as much about organizational wrongdoing as it is about personal or individual wrongdoing.  The plot seeks to confirm wrongdoing and to set things right from the top down and doing so requires elaborate and subtle means of addressing wrongs. People get hurt along the way, most notably those who surround the throne; by the end of the play Ophelia’s father, Polonnius, dies as does her brother, Laertes.

Death and change have been a part of Life in the past few weeks. In some ways it seems we are left reeling or perhaps numb in moving on from what’s been at play.  In other ways the lesson to take away is that change does occur and it’s needed if Life and Lives are to improve. Hamlet, the sexton, Yoric (Hamlet Senior’s jester), Ophelia and the funeral come to mind with these photos of grave markers. It astounds me to consider what any of these Lives (as represented by these grave markers) has been comprised of, even only those lives memorialized by rock within these photos. Each Life has seen the bad and good in our history.  Each have been at play within history.  And, each has found a way to make a go of living Life.  I am struck by how often the cross is representative of the Life that has been lived.

Listening to – Dave Matthews & Tim Reynolds perform Gravedigger, then its Anna Begins by the Counting Crows and You Might Die Trying by the Dave Matthews Band;  Coldplay’s What If and Jack Johnson’s Rodeo Clowns also have featured in this evening’s listening.

Quote to Inspire – “A great photograph is a full expression of what one feels about what is being photographed in the deepest sense, and is, thereby, a true expression of what one feels about life in its entirety.” – Ansel Adams

Where Are You Going …?

Barn, Canon 60D, Canon 70-200 mm 2.8 IS L Series Lens, Canon Camera, Canon Lens, Canon Live View, Photoblog Intention, Photography & Conceptualizing Beauty, Project 365 - Photo-a-day, Still Life, Vehicle Restoration, Winter

The images I present in this post remind of a time when as a young Dad, I read stories from the Thomas the Tank Engine series to my son and my/our doing so was an enjoyable way to close out each day. Thomas, Percy, Rusty, James et al each had an engineer, each had a conductor, all worked for Sir Topham Hat – each set about to complete a task each day. At the end of each day each engine returned to the engine shed for maintenance and rest. In Sangudo, Alberta, there’s a museum celebrating the vehicles and machinery that were used in the building of the Alaska Highway. Some are scattered within the museum’s yard and some are housed in a roofed shed without walls. The museum has closed and is no longer open to tourists. All vehicles seem to look onto the Alaska Highway they once had a hand in building. The scene is one you might find in a Thomas the Tank Engine story –  vehicles dormant and apparently waiting for a time when they can be re-tasked with new purpose and new life. Curiously, two songs I’m listening to tonight almost personify a state of mind that could lurk, here. One is Dave Matthew’s song Where Are You Going and the other is a Hank William’s song, I’m So Lonesome I Could Cry. Both songs are sung by Martyn Joseph and are found in his Passport Queue album Pq35.

Listening to: Weight of the World, Invisible Angel, Kindness and I Will Follow from Martyn Joseph’s Pq35.

Quote to Inspire: “A family’s photograph album is generally about the extended family—and, often, is all that remains of it.” – Susan Sontag (b. 1933), U.S. essayist. “In Plato’s Cave,” On Photography (1977).