Blumenort Shop

Canon Camera, Canon Lens, Canon Live View, Farm, Journaling, Photography & Conceptualizing Beauty, Still Life, Weather, Winter
Farm Shop - Blumenort, Alberta

Farm Shop – Blumenort, Alberta

It is snowing. I have driven out to La Crete, Alberta to deliver the table top of my mother and father’s teak dining room table to Homestead Kitchens, reputable wood workers in our region. It’s likely that the wood needs to be refinished – I have left the job to them and their good judgment. Now, where the drive out was done carefully on roads covered with freezing rain, the return journey is done in light snow flurries. Still, in looking out for possible pictures I come across this farmer’s garage/shop near Blumenort, Alberta and collect a few photos. I’m liking the image.

Listening to – Caia’s ‘Remembrance,’ and then Martyn Joseph’s take on Bruce Springsteen, ‘Badlands,’ ‘Blood Brothers,’ ‘Brilliant Disguise’ and ‘Cautious Man.’

Quote to Inspire / Consider – “Using a camera appeases anxiety which the work-drive feel about not working when they are on vacation.” – Susan Sontag, ‘On Photography’

Half-light & Snow

Best Practices - Photography, Canon Camera, Canon Lens, Canon Live View, Fog, High Dynamic Range (HDR), Home, Homestead, Journaling, Light Intensity, Night, Photography & Conceptualizing Beauty, Project 365 - Photo-a-day, Still Life, Weather, Winter
Buttertown Trail & Homestead - North Vermilion Settlement, Fort Vermilion, Alberta

Buttertown Trail & Homestead – North Vermilion Settlement, Fort Vermilion, Alberta

Returning to High Level from La Crete I chose to investigate briefly the photographic opportunities available at Buttertown, a community just across the river from Fort Vermilion, Alberta. I followed the track through Buttertown finally stopping near this homestead home that may be a century old; it resides only a stone’s throw away from the St. Louis Roman Catholic mission. The moment was quiet, one in which I could hear the wind in the forest, the scrunch of my boots on snow and the occasional drone of vehicles passing miles away. Snow was being loosened from clouds on an overcast, yet moonlit night. What is more, the photograph is shot following sunset and the time is only 6:00 p.m..

Within this image, the track, house, snow and trees recall winter nights walking along less defined paths in what continues to be Alberta’s frontier, its north-central region in and surrounding Wood Buffalo National Park. In those walks, moonlit snow would glow along trails and paths. Most nights would see me cross the kilometre span of Ice Bridge covering the Peace River between December and March. In severely cold temperature, I have walked and encountered northern lights brightening my path with the intensity of vehicle headlights. I have come upon wild horses on trails, not daring to move, shivering, their coats glazed with frost. Two hours hiking would have me out and about looking at the world and move me through ten to twelve kilometres. It was good to move, think and explore.

The tones within the image recall scenes from short stories and novels in which an evening moonlit walk takes a character beyond the safety of home in her or his travel to a neighbor’s home or to town on evening business. Jane Eyre meets the man she’ll later marry, Mr. Rochester by first startling his horse and causing him to fall and sprain his ankle; unwittingly, this is her first encounter with her employer who’s brought her to Thornfield Hall as governess to his child born out of wedlock. Dickens’ story, ‘The Signal Man,’ occurs primarily at night in a cleft of land surrounding a railway switch in conditions similar to those found in this image, conditions ripe for mishap. Many, but not all ‘Ghost Stories’ of M.R. James occur at night in light that obscures perceptions. And, it is perception within half-light scenes that becomes the stage for most occurrences or happenings within Henry James’ novel, ‘Turn of the Screw,’ an excellent ghost story that has the reader consider whether or not the governess actually senses the preternatural existence of others; the alternative is that half-light is playing tricks on her perceptions and that’s she subject to the workings of an overactive, imaginative mind.

In looking into Buttertown, it is actually a name for the North Vermilion settlement associated with Fort Vermilion. The nickname Buttertown came about in the early nineteen hundreds after an incident when some rancid butter had been sold (Place Names of Alberta, Volume IV, Northern Alberta – Merrily K. Aubrey).

Listening to – ‘On Photography’ by Susan Sontag, a selection of essays written about all facets and dynamics of photography, a good listen. Music-wise – I’ve been listening to Dave Matthew & Tim Reynolds concert, ‘Live in Lost Vegas’ – ‘Lying in the Hands of God,’ ‘Some Devil’ and ‘Alligator Pie.’

Quotes to Consider – (1) “To photograph is to appropriate the thing photographed.” (2) “[Photographs] … still want, first of all, to show something ‘out there.’” (3) “[The camera] makes real what one is experiencing … a way of certifying experience … converting experience into an image, a souvenir.” – Susan Sontag, from ‘On Photography’.

Homestead Music

Best Practices - Photography, Canon 60D, Canon 70-200 mm 2.8 IS L Series Lens, Canon Camera, Canon Lens, Canon Live View, Fall, Farm, Farmhouse, High Dynamic Range (HDR), Home, Homestead, Journaling, Light Intensity, Night, Photoblog Intention, Photography & Conceptualizing Beauty, Season, Still Life, Sunset, Weather
Buttertown Homestead - Fort Vermilion, Alberta

Buttertown Homestead – Fort Vermilion, Alberta

My wife points us to music tonight. At day’s end she’s responding to both of us, each a vortex of thoughts, moving, tumbling, clustering, dot-to-dot, aiming toward productive, tangible result – saturated with the day, not here, not in the now, needing to release the grip of endeavor, to withdraw and to settle. Time away from the pursued pace is needed, time that interrupts the cycle of ‘home-work-and-back-again,’ that kind of quality time that permits fresh aspect and new grasp on perspective, a good thing. Music is our choice tonight for plying away our adhesion, breaking contact with the day that’s been. The music we turn to is longstanding legacy from BBC Radio Ulster’s Sunday show at 8:00 p.m., ‘Rhythm and Soul’ hosted by Steve Stockman; it’s music that’s been on my wife’s iPod this week in and around her classroom. David Gray’s Hammersmith concert, ‘Live, In Slow Motion,’ is the concert video my wife chooses and with our daughter away at dance class we sit down to supper, downstairs, in front of our television and engage this concert, slowing ourselves, listening to a cellist, two guitarists, a bass player, a drummer and David Gray bring music to Life. Allowing ourselves to become vulnerable to lyric, melody, rhythm, sound and silence, we are drawn to familiar songs, songs I’ve fretted in former days – ‘Sail Away,’ ‘Shine,’ ‘My Oh My,’ ‘Silver Lining.’ These songs draw us out to that part of our Lives beyond endeavor. They open-out memory and memories. We move into and travel along new melodies. Engaging with these songs orients us in terms of presence and our present – where we are needing and aiming to be, a reset of sorts.

Homestead – this October exposure is one of a handful of images taken within the golden hour near Fort Vermilion in a pre-winter sunset, winter-ready clouds billowing in regular, heavy patterns across the sky. The linear clarity of homestead lines mingles with the subtle bend in its roof and the regular, yet unique line of each board. It’s old, yet it’s solid and well-preserved. Coloration and luminance chosen in editing work best with the available light and draw me to this photo, again and again.

I am definitely wanting to be out and about with my camera, perhaps with others seeing other ways of viewing the world. My Canon 60D has developed a hiccough, though – three years wear and tear has made the spring ejection of the SD card difficult; it’s also become difficult to set the card back in. Sending the camera for repair is likely to cost one-third to one-half the cost of replacing the camera with another 60D body or its next generation body the 70D. And, then I wonder if I should move to a pro-sumer camera the Canon 7D, 6D or 5D.

    T h a n k y o u ‘ s

– My gratitude goes out to all who are a part of this blog, those of you who add your comments and engage in the dialogue about photos, photography and music.

Listening to – Tyler Bates’ ‘Ventura,’ one of those captivating songs from Emilio Estevez’ film, ‘The Way.’ The post reminds me of several Martyn Joseph songs – ‘The Good in Me is Dead’ from the ‘Don’t Talk About Love’ album and talking with Martyn at the Alexandra Community Hall in Edmonton, Alberta on the eve of the Iraq invasion. Other songs come to mind – ‘Wake Me Up,’ ‘Strange Kind of Friend,’ ‘Walk Down the Mountain’ and ‘Just Like the Man Said.’

Quote to Inspire: “Still images can be moving and moving images can be still. Both meet within soundscapes.” Chien-Chi Chang

Remnant Population

Barn, Canon 60D, Canon 70-200 mm 2.8 IS L Series Lens, Canon Camera, Canon Lens, Canon Live View, Combine (Farming), Fall, Farm, Farmhouse, Flora, High Dynamic Range (HDR), Home, Homestead, Journaling, Lookback Photos - One Year Ago, Photoblog Intention, Photography & Conceptualizing Beauty, Project 365 - Photo-a-day, Season, Sigma Lens - Wide Angle 10-20mm, Spring, Summer, Weather
47 Ford Tow Truck - McLure, BC

47 Ford Tow Truck – McLure, BC

Farm Buildings - Valleyview, Alberta 1

Farm Buildings – Valleyview, Alberta 1

Field, Combine & Buildings - Nampa, Alberta 1

Field, Combine & Buildings – Nampa, Alberta 1

Harvestor Silos - Rimbey, Alberta 1

Harvestor Silos – Rimbey, Alberta 1

Harvestor Silos - Rimbey, Alberta 2

Harvestor Silos – Rimbey, Alberta 2

Hay Harvest - Keg River, Alberta

Hay Harvest – Keg River, Alberta

Morning Colours - Keg River, Alberta 1

Morning Colours – Keg River, Alberta 1

Morning Colours - Keg River, Alberta 2

Morning Colours – Keg River, Alberta 2

Summer Cloudwork - Greencourt, Alberta

Summer Cloudwork – Greencourt, Alberta

Telus Tower - Edmonton, Alberta

Telus Tower – Edmonton, Alberta

Remnants of spring, summer and autumn, a cluster of HDR photos populate my photo folder. Farm buildings, fields ripe with grain ready for harvest, trees with autumn leaves desaturating from green toward bright yellows and reds, summer cloudwork and a final shot of Edmonton in green July splendor – all are HDR shots. The 1947 Ford Tow Truck and a cousin’s farm feature visually in this blog post.

Listening to – U2’s ‘Always,’ David Gray’s ‘As I’m Leaving,’ Ryan Adams’ ‘Hallelujah,’ Mazzy Star’s ‘Into Dust,’ Snow Patrol’s ‘Life Boats,’ The Perishers’ ‘Trouble Sleeping’ and U2’s ‘Last Night On Earth.’

Quote to Inspire – “There is nothing as mysterious as a fact clearly described. I photograph to see what something will look like photographed.” – Garry Winogrand

Mountainous Depth

Best Practices - Photography, Canon 60D, Canon 70-200 mm 2.8 IS L Series Lens, Canon Camera, Canon Lens, Canon Live View, High Dynamic Range (HDR), Light Intensity, Lookback Photos - One Year Ago, Photoblog Intention, Photography & Conceptualizing Beauty, Still Life, Weather, Winter
Valley - McLure, British Columbia 1

Valley – McLure, British Columbia 1

Valley - McLure, British Columbia 2

Valley – McLure, British Columbia 2

Valley - McLure, British Columbia 3

Valley – McLure, British Columbia 3

Valley - McLure, British Columbia 4

Valley – McLure, British Columbia 4

Valley - McLure, British Columbia 5

Valley – McLure, British Columbia 5

Valley - McLure, British Columbia 6

Valley – McLure, British Columbia 6

This high dynamic range image is a final outlook over the valley that leads north and east into McLure, British Columbia. Depth within the image is created overlapping elements within the composition, the mountain forming the background is overlapped by the central mountain, then the mountain on the left (middle ground) and finally the mountain on the right (closest – foreground). The train track leads the eye into the photo and you explore your way from foreground to background. Colouration versus black and white in the images also helps accentuate depth.

Listening to – U2’s ‘Vertigo’ and ‘Miracle Drug’.

Quote to Inspire – “I have to shoot three cassettes of film a day, even when not ‘photographing’, in order to keep the eye in practice.” – Josef Koudelka

Bales – Harvest II

Canon 60D, Canon 70-200 mm 2.8 IS L Series Lens, Canon Camera, Canon Lens, Canon Live View, Fall, Farm, High Dynamic Range (HDR), Journaling, Photoblog Intention, Photography & Conceptualizing Beauty, Project 365 - Photo-a-day, Season, Summer, Weather
Round Bales - Sangudo, Alberta 1

Round Bales – Sangudo, Alberta 1

Round Bales - Sangudo, Alberta 2

Round Bales – Sangudo, Alberta 2

Round Bales - Sangudo, Alberta 3

Round Bales – Sangudo, Alberta 3

Round Bales - Sangudo, Alberta 4

Round Bales – Sangudo, Alberta 4

Round Bales - Sangudo, Alberta 5

Round Bales – Sangudo, Alberta 5

Round Bales - Sangudo, Alberta 6

Round Bales – Sangudo, Alberta 6

More round bales indicate that grains have been taken off a field in harvest and that hay is ready to be gathered for winter cattle feed. These images remind of my cousin baling this summer and his waiting for the right equation of temperature and humidity to produce useful, nutrient rich bales for cattle feed. In the north, where we’ve had a lot of rain some fields’ bales are blackened with hay that been damp either while on the ground or at the time of gathering. Such bales often do not hold shape and erode while still on the field. Bright mustard-copper coloured bales signal perhaps the healthiest bales – the brightest I’ve seen have been on the north approach to the Dunvegan bridge (west side of the highway) in the fields preceding the descent to the bridge that crosses the Peace River. What captivates in these images is bale-within-field colour, the quantity of bales that one field produces and the irregular and, at times, patterned placement of bales within a field.

Listening to – Robbie Robertson’s ‘Sweet Fire of Love,’ Shawn Colvin’s ‘I Don’t Know Why’ and Peter Himmelman’s ‘Impermanent Things.’

Quote to Inspire – “When people ask me what equipment I use – I tell them my eyes.” – Anonymous

Wet, Grey, Bleak – Fun

Best Practices - Photography, Canon 60D, Canon Camera, Canon Lens, Canon Live View, Fall, High Dynamic Range (HDR), Journaling, Photoblog Intention, Photography & Conceptualizing Beauty, Summer, Weather
ATS Customs - Mud Bogger - High Level, Alberta 1

ATS Customs – Mud Bogger – High Level, Alberta 1

ATS Customs - Mud Bogger - High Level, Alberta 4

ATS Customs – Mud Bogger – High Level, Alberta 4

ATS Customs - Mud Bogger - High Level, Alberta 3

ATS Customs – Mud Bogger – High Level, Alberta 3

ATS Customs - Mud Bogger - High Level, Alberta 2

ATS Customs – Mud Bogger – High Level, Alberta 2

Moving from fall into winter’s weather the world becomes wet and grey and bleak, weather similar to that which you’ll find on the leeward side of mountains at altitude with its drizzle and snow. For many, the sensible thing is to remain indoors. But, others find it difficult to sit still and you’ll find them active within our northern environment, beyond road’s end carving paths with tow ropes and winches through mud and water, a texture not of soup, but stew, in a vehicle set up for the activity of ‘mud-bogging.’ Here, a seventies Toyota Land Cruiser has in its customization been lifted and engineered by ATS Customs – a vehicle set up for mud-bogging. Had I had this vehicle in Wood Buffalo National park (years ago), the weekly grocery runs in June and September would have been more expedient … accomplishing the two-hundred kilometre trek in several instances took more than eight hours one way; in one trek we needed to create our own bridge over a culvert that had washed out.

Listening to – Dar William’s ‘The Beauty of the Rain’ and ‘Let’s Go Fishing in the Morning.’

Quote to Inspire – “I photograph to find out what something will look like photographed.” – Garry Winogrand

Desperate Tattoo

Best Practices - Photography, Canon 60D, Canon Camera, Canon Lens, Canon Live View, High Dynamic Range (HDR), Journaling, Photoblog Intention, Photography & Conceptualizing Beauty, Project 365 - Photo-a-day, Service Station, Summer, Weather
Derelict Service Station - Southern Alberta 2

Derelict Service Station – Southern Alberta 2

Derelict Service Station - Southern Alberta 3

Derelict Service Station – Southern Alberta 3

Derelict Service Station - Southern Alberta 4

Derelict Service Station – Southern Alberta 4

Derelict Service Station - Southern Alberta 6

Derelict Service Station – Southern Alberta 6

Derelict Service Station - Southern Alberta 10

Derelict Service Station – Southern Alberta 10

Derelict Service Station - Southern Alberta 11

Derelict Service Station – Southern Alberta 11

Derelict Service Station - Southern Alberta 12

Derelict Service Station – Southern Alberta 12

Derelict Service Station - Southern Alberta 14

Derelict Service Station – Southern Alberta 14

Beyond the Banff National Park gates, moving east toward Calgary, near the Stoney Reserve a service station with restaurant that had been a thriving business in the sixties, seventies and even eighties is now dormant. An abandoned structure, without windows and gyprocked walls, it now provides temporary and limited shelter from the elements to travellers or hitchhikers or people seeking ‘off-the-grid’ status. The building reminds of characters, scenes and happenings within the ramble of Jack Kerouac’s novel, ‘On the Road,’ of people driven and on the move, of stories shared between travellers that may or may never meet again, of place and places where seedier things can occur. On an adjacent theme, the building reminds of the Life of Chris McCandless in Jon Krakauer’s non-fiction work, ‘Into the Wild,’ and any would-be traveller who aims to explore and take-on the world on their own terms – that traveller could find refuge in this building. Graffiti tags tattoo this building, the building paper to the quill of the traveller’s spray paint. Expressed, here, are the dominant issues confronting each traveller, assertions about justice denied, of perspective not being valued and rejected, of the irony within all that makes the world tick. In all, graffiti’s colour, shape and form pull the witness to the resilient voice of the traveller expressed upon these walls. Here, ‘the writing is on the wall’ about the state of their/our world. Most telling about these travellers and their living so close to the land is the assertion ‘The Desperate Came’.

Listening to – Eddie Vedder’s ‘Hard Sun’ from the soundtrack to ‘Into the Wild.’ Then it’s Ray Lamontagne’s ‘Hold You In My Arms,’ Radiohead’s ‘All I Need,’ the Counting Crows with ‘Omaha’ and Jack Johnson’s ‘Rodeo Clowns.’

Quote to Inspire – “I don’t care so much anymore about ‘good photography’; I am gathering evidence for history.” – Gilles Peress

Fine Coffee, Wind Turbines & Rainbow

Canon 60D, Canon 70-200 mm 2.8 IS L Series Lens, Canon Camera, Canon Lens, Canon Live View, Journaling, Light Intensity, Photoblog Intention, Photography & Conceptualizing Beauty, Project 365 - Photo-a-day, Summer, Weather
1 Wind Turbines - North Shore, Oahu 1

1 Wind Turbines – North Shore, Oahu 1

2 Wind Turbines - North Shore, Oahu 2

2 Wind Turbines – North Shore, Oahu 2

3 Wind Turbines - North Shore, Oahu 3

3 Wind Turbines – North Shore, Oahu 3

Fine Ass Coffee Mill - Oahu, HI 1

Fine Ass Coffee Mill – Oahu, HI 1

Fine Ass Coffee Mill - Oahu, HI 2

Fine Ass Coffee Mill – Oahu, HI 2

More than a few times my daughter, my wife and I drove northward exploring Oahu’s North Shore and Haleiwa. We had rented a blue Ford Fusion so that we could explore and see the island. Using our Tom Tom GPS we found that both the GPS as well as traffic signs encouraged the use of U-turns along highway intersections as the best means to handle road to road transitions.

Our first excursion was a scouting endeavor, a drive northward that became our first trek around Oahu. As we moved toward Haleiwa we stopped at a locally grown coffee mill, its name cheekily playing upon Hawaiian dialect, Fine Ass Coffee resembling the words Finest Coffee. We took a tour and were introduced to live, growing coffee beans – usually coffee beans grow in dyads within one shell and occasionally are found on their own (one coffee bean within a shell). Singleton coffee beans (called peaberries) produce a potent coffee as they receive the nutrients that would feed what should have been a dyad.

What was also striking as we moved past Haleiwa was encountering wind turbines juxtaposed against big sky, cloud work, volcanic rock and farms. On our second drive to North Shore, we had done some shopping along the old Haleiwa road and came out of one shop to discover that a farm building one kilometre away was on fire – a brown-white plume of smoke rising into the air. And, just as in our remote communities distance to the blaze from fire departments determines rescue time and determines what physical assets can be saved. We followed our curiosity toward the fire but gave up on the endeavor realizing that the gas was toxic and that we’d likely be clogging the route toward the fire.

At that point along the roadway, I got my camera and tripod out and in directing the camera back to the way we had come discovered the wind turbines from a new angle … an extraordinary sight; I was able to catch the wind turbines within a rainbow. There were other shots in the Golden Hour where sun, landscape, cloud work and rainbows did culminate into extraordinary compositions, but being able to stop the car safely for a shot limited the possibility in the endeavor. Still, I saw what I saw – that’s good too.

Listening to – Bill Cutler’s tribute to Jerry Garcia with ‘Starlight Jamboree’ on CKUA Radio (streaming online).

Quote to Inspire – “Unlike any other visual image, a photograph is not a rendering, an imitation or an interpretation of its subject, but actually a trace of it. No painting or drawing, however naturalist, belongs to its subject in the way that a photograph does.” – John Berger

HDR – Details, Paint & Upholstery

Best Practices - Photography, Canon 60D, Canon Camera, Canon Live View, High Dynamic Range (HDR), Light Intensity, Photography & Conceptualizing Beauty, Podcast, Project 365 - Photo-a-day, Shuttertime with Sid and Mac, Still Life, Summer, Vehicle, Vehicle Restoration, Weather
Chevrolet Grain Truck - Edmonton, Alberta

Chevrolet Grain Truck – Edmonton, Alberta

The late forties-early fifties Chevrolet half-tonne grain truck is subject for this image and with Automatic Exposure Bracketing moving toward a final image becomes an exercise in creating a high dynamic range (HDR) shot. For me, unless shooting people within an event, my practice in creating most photos is to work with a tripod in manual (M) mode and to set the camera for the three settings of Automatic Exposure Bracketing (AEB) – the regular or average exposure, an exposure a stop down (a darker, low key exposure) and an exposure a stop above average (a lighter, high key exposure).

Focus counts – the manual focus on my Canon EOS 60D allows me to focus upon that part of the image needing clarity, but it does so allowing me to focus upon that portion of the subject in three magnifications using the display on the back of the camera: first, what I would see through the viewfinder – normal magnification, next at 10 x optical zoom and then at 15 x optical zoom. Each level of displayed magnification allows me to adjust focus with greater and greater and greater precision. Stability also counts in focusing on the subject; the camera fixed to a tripod ensures that the camera does not move and that resulting images are tack sharp, free from blur.

Creating the exposure, creates not one, but, the three AEB exposures in succession ( – , 0 , + ) when the shutter button is pressed. After the exposures are brought into Adobe Lightroom, I am able to use HDR Efex to combine the three exposures into one image that allows the combined exposure to become an image accommodating greater range of light – more similar to what the human eye can see. I like the way Photomatix does HDR; but, NiK Software’s HDR Efex is a more stable and flexible program.

So, today’s image is an HDR shot. In the next few days my intention will be to try an HDR image that combines a larger number of exposures and to see what happens along the way. I’m reminded that the Shutter Time with Sid and Mac podcast has a couple of excellent pointers for HDR shots (somewhere between episodes 15 and 23). Mac and his wife Kasia would most likely have me using HDR for shots combining landscape, cloud-work and sunsets/sunrises. As well, Trey Ratcliff is the photographer who seems to have done most with HDR or at least has written most substantially (perhaps most helpfully) about HDR; two weeks ago he was in Vancouver and aiming to take on someone as protégé for an evening photographing the city, the water, the landscape and the sky from the top of a well-situated, tall skyscraper. It would definitely have been fun to hang out together for an evening creating HDR images – watch out for him on Twitter at @TreyRatcliff .

Listening to – Peter Himmelmann’s ‘Mission of My Soul.’

Quotes to Inspire – (1) “[…] That’s what HDR does. It adds details, paint, and upholstery to the Photograph. It’s still a photograph, but now enhanced [….] — GusDoeMatik (2) “To me, it is better to “guess” at how something works, experiment, fail, guess again, fail, and keep repeating that process over and over again until you either figure it out or you discover a multiplicity of other cool tricks along the way.” ― Trey Ratcliff